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Reel Affirmations opening night films

Festival kicks off Thursday with screenings of ‘Kiss Me’ and ‘I Do’

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The Reel Affirmations International Film Festival kicks off Thursday night at 7 p.m. at the Carnegie Institution for Science (1530 P Street, NW) with screenings of “Kiss Me” at 7 p.m. and “I Do” at 9 p.m. Check back for reviews of all the weekend’s films, but we wanted to make sure you had a “heads up” on what to expect from the two opening night features. Visit reel affirmations.org for tickets.

“KissĀ Me,” a 2011 piece that runs one hour, 45 mins. and is in Swedish with English subtitles, tells the unlikely love story of two step-sisters (don’t worry – they’re not related by blood). Frida is the daughter of Elisabeth and Mia is the daughter of Lasse. They meet at the elaborate 60thĀ birthday party that Elisabeth throws for Lasse as a prelude to their upcoming nuptials.

Sparks quickly fly between the two women, and that’s when the trouble starts. Both women are in relationships. Mia is engaged to Tim and Frida is living with Elin. Both parents are understandably

Kiss Me, gay news, Washington Blade, Reel Affirmations

A still from the film ‘Kiss Me.’ It screens Thursday night at 7 to open the Reel Affirmations LGBT film festival. (Still courtesy Reel Affirmations)

upset, and Mia is forced to finally admit her bisexuality.

And that’s the problem with this lovely movie. The plot covers difficult emotional terrain (and there are also unexplored melodramatic hints at other dark hidden family secrets), but every obstacles falls away relatively easily. It’s not always smooth sailing for the new couple, but there’s little doubt how the story will end. We also never get a clue how the family will maneuver the awkward introductions at Lasse and Elisabeth’s wedding.

But, that’s ultimately a quibble when watching this lovely film. This is a movie to savor, basking in the beautiful scenery and the fine performances. Writer and director Alexandra Therese Keining moves the action forward smoothly, not rushing the emotional moments, yet never wallowing in the messy situations. Cinematographer Ragna Jorming beautifully captures both urban and rural landscapes. Jorming manages to make a wide variety of scenes look absolutely stunning, from candlelit gatherings to moonlight swims to bracing confrontations in the harsh light of day.

The entire cast is uniformly strong, especially Ruth Vega Fernandez and Mia and Liv Mjƶnes as Frida. They are ably supported by Lena Endre as Elisabeth, Krister Henriksson as Lasse,Ā Joakim NƤtterqvistĀ as Tim and especiallyĀ Josefine TengbladĀ as Elin, who shines in her few brief scenes as Frida’s spurned girlfriend. It would have been great to see more of Mia’s kid brother Oskar (Tom Ljungman), who drops out of the movie far too quickly.

“KissĀ Me” is a thoroughly enjoyable movie, comfortably navigating its way between Ā the high drama of a Bergman classic and the low drama of aĀ LifetimeĀ made-for-TV movie. (Brian T. Carney)

“I Do,” a 94-minute U.S. drama from director Glenn Gaylord, is an indie film about Jack (David Ross), a gay British photographer in New York who faces a sticky romantic mess with his Spanish architect boyfriend, Mano (Maurice Compte) as they both face immigration challenges, deportation threats and familial demands.

David Ross, left, as Jack, and Maurice Compte as Mano in ‘I Do.’ (Still courtesy Reel Affirmations)

“I Do” rides a solid and assured balance between slick, well-crafted feature with just a smidge of B-level melodrama to keep it from feeling too self important. A few sub-par performances from bit players and some heavy-handed plot turns keep things from fully jelling — one wonders what a director like Steven Soderbergh or even Tom Ford might have done with the material — yet it remains a fully watchable and heart-tugging tale that mostly effectively dramatizes the unfair stress binational gay couples often face.

Writer/producer David Ross will appear for a Q&A after the screening, which will be moderated by Steve Ralls, director of communications at Immigration Equality. (Joey DiGuglielmo)

 

 


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Theater

Timely comedy ā€˜Fake It’ focuses on Native American themes

Arena Stage production features two out actors

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Eric Stanton Betts (standing) and Brandon Delsid in ā€˜Fake It Until You Make It.’ (Photo by Daniel Rader)

ā€˜Fake It Until You Make It’
Through May 4
Arena Stage, 1101 Sixth St., S.W.
Tickets start at $59
Arenastage.org

A farce requires teamwork. And Larissa FastHorse’s ā€œFake It Until You Make Itā€ now at Arena Stage is no exception.Ā 

The timely comedy focuses on Native American nonprofits fractiously housed in a shared space. Friction rises when rivals River (Amy Brenneman), a white woman operating in the Indigenous world, goes up against the more authentic Wynona (Shyla Lefner) to win a lucrative Native-funded grant.   

While Brenneman (best known for TV’s Judging Amy) is undeniably a big draw, it takes a group collaboration to hit marks, land jokes, and pull off the well-executed physical comedy including all those carefully timed door slams.

As members of the six-person ā€œFake Itā€ cast, Brandon Delsid and Eric Stanton Betts, both out actors of partly indigenous ancestry, contribute to the mayhem. Respectively, Delsid and Betts play Krys and Mark, a pair of two-spirited Native Americans who meet farcically cute and enjoy one of the play’s more satisfying arcs. 

For Krys, every attractive man is a potential next fling, but when Mark, handsome and relatively reserved, arrives on the scene, it’s something entirely different. 

Both onstage and sometimes off, Betts plays the straight man to Delsid’s waggishness. But when it comes down to real life business, the friends are on the same page: not only are the L.A.-based, up-and-coming actors intensely serious about their film and stage careers, but they’re also particularly engaged in the themes of Indigenous People found in ā€œFake It.ā€ 

On a recent Wednesday following a matinee and an audience talkback, they were ready for a phone interview. 

In establishing whose voice was whose, Delsid clarified with ā€œI’m the one who sounds a little like a Valley girl.ā€ 

WASHINGTON BLADE: Brandon, you’ve been with the show since its early work-shopping days in 2022 and through its debut in Los Angeles and now Washington. Have things evolved? 

BRANDON DELSID: Definitely. I’ve grown up in the last couple of years and so has my character; it’s hard to know where I end and Kry begins. There’s been a real melding.

Eric and I are both queer, and to get to play these roles that are so human, imperfect, sexy, and interesting is really joyful.

As queer artists you don’t always get the chance to do work like this. So many stories are queer trauma, which is incredibly important, but it’s liberating to feel joy and ride it off into the sunset, which, without revealing too much, is kind of what we get to do.

BLADE: There’s some race shifting in ā€œFake Itā€ particularly with regard to ā€œpretendianā€ (a pejorative term describing a person who has falsely claimed Indigenous status). 

ERIC STANTON BETTS:  The last few years I’ve been on a journey with my cultural identity and place in the world. I’m a mixed BIPOC artist, my dad is Black and Native American by way of the Cherokee tribe and my mom is white. 

Since 2020, I’ve tried to figure out where I belong in this cultural history that I haven’t had a tie to throughout my life; it’s gratifying to find my way back to my indigeneity and be welcomed. 

In the play, race shifting is introduced through farce. But it’s never in a disrespectful way; it’s never mocked or done in a way to take away from others. The playwright parallels race shifting with gender fluidity. 

DELSID: But in life, there are people posing as Indigenous, actively taking grants, and the play goes there, we don’t hold back. Larissa, our playwright, has made it clear that she’s not trying to figure it out for us. With that in mind, we hope people leave the theater interested and curious to learn more. 

BLADE: Mark arrives kind of the middle of some crazy drama, bringing along a jolt of romance. 

BETTS:  Yeah, when I show up, we’re all sort of shot out of a cannon, struggling to keep up with the initial lie. 

DESLID: A very gay cannon. 

BLADE: What’s up next for you two?

BETTS: Both Brandon and I are up for the same part in a TV pilot, so one of us may be getting some very good news. I also have a Tyler Perry film coming out soon [he plays a model, not an unfamiliar gig for Betts]. 

DELSID: Coming up, I have a recurring part on HBO’s ā€œThe Rehearsal,ā€ and a supporting part in ā€œJune and John,ā€ a John Besson film. But doing ā€œFake It Until You Make Itā€ in L.A. and now D.C. has been a special time in our lives. It’s 23/7 togetherness. There’s that hour for sleep. 

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Out & About

Taste of Point returns May 7

Annual reception honors LGBTQ student scholars

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A scene from last year’s Taste of Point reception. (Washington Blade file photo by Michael Key)

Point Foundation will host its annual ā€œTaste of Point Receptionā€ on Wednesday, May 7 at 6:30 p.m. at Room & Board.Ā 

The popular event will take place on the top floor and outdoor terrace at Room & Board, featuring small plates from area restaurants, hand-crafted cocktails from local mixologists, and a speaking portion where guests will hear directly from Point Foundation scholars. This year, Point is supporting a record-breaking class of 755 scholars and guests’ support will allow Point to continue its mission. Point Foundation is the nation’s largest scholarship-granting organization for LGBTQ students of merit. 

Tickets are tax deductible and can be purchased at Point’s website.Ā 

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Calendar

Calendar: April 25-May 1

LGBTQ events in the days to come

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Friday, April 25

Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].Ā 

Go Gay DC will host ā€œLGBTQ+ Community Happy Hourā€ at 7 p.m. at Uproar Lounge and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.Ā 

Saturday, April 26

Go Gay DC will host ā€œLGBTQ+ Community Brunchā€ at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Black Lesbian Support Group will be at 11 a.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity. For more details, email [email protected].Ā 

Sunday, April 27

ā€œTrans Open Mic and Author Talk with Jeanne Thorntonā€ will be at 5 p.m. at Busboys and Poets 14th & V. It’s a difficult time for trans people in the USA, and Jeanne would like to extend the opportunity to local trans fiction writers to build community by coming on stage and sharing their work as part of an opening ā€œopen micā€ to this event. There are spaces for up to 6-8 readers to share work of up to five minutes each. If you are interested in reading, please select the ā€œOpen Mic Ticketā€ and find Jeanne before the show at 4:30 p.m. The reading will be arranged on a first come, first served basis on the night of the event. For more details, visit Eventbrite.

Monday, April 28

ā€œCenter Aging Monday Coffee & Conversationā€ will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Queer Book Club will be at 7 p.m. on Zoom. This month’s reading is ā€œAll Systems Red and Artificial Condition (The Murderbot Diaries Book 1 & 2)ā€ by Martha Wells. For more details, email [email protected].Ā 

Tuesday, April 29

ā€œOutPro Meaningful LGBTQ Networkingā€ will be at 6 p.m. at Number Nine. Out Pro creates an environment that is welcoming to the full diversity of the LGBTQ community, as well as supportive allies. Guests are encouraged to embrace purposeful networking with the goal of helping connect people with opportunities. If you’re hiring, please come and meet motivated, aspiring LGBTQ professionals. As always, our events warmly welcome community allies. For more details, visit Eventbrite.Ā 

Wednesday, April 30

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely ā€œapplicantsā€ toward being ā€œcandidates.ā€ For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, May 1

API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander queer community. For more information, email [email protected].Ā 

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

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