Arts & Entertainment
Poetic tribute to Shepard
Clever depiction of tragedy gives voice to inanimate objects in powerful way
‘October Mourning: A Song for Matthew Shepard’
By Lesléa Newman
Candlewick Press
$15.99
128 pages
When you wake up in the morning, there are certain things you expect to be the same.
You’ll have a brand-new day, of course, but it’ll start where you ended last night. Your alarm will be the same, set at a time you probably know all too well. A surprise might await you at some point in each new day, but the familiar is your comfortable beginning.
And yet, while you slept, the world changed.
In the new book “October Mourning” by Lesléa Newman, you’ll see what happened on one frosty night, 14 years ago.
He was outnumbered.
It was two against one: two local boys, placed in a bar with a pitcher of beer. One petite Matthew Shepard, sitting at the same bar, alone.
The boys’ truck knew that the situation wouldn’t turn out well when the two locals lured Shepard into its cab with promises. The road on the way out to the Wyoming vastness thought it had seen everything but when it noticed Shepard trapped in the truck, it wanted to heave.
The clothesline that was used to tie Shepard felt tangled. The fence held him up all night, though he was “heavy as a broken heart.” The fence held on, through wind and prairie alone. It cradled him, as his mother would.
There are many things you can do in 18 hours.
You can cram for a test. You can drive cross-country, read a thick book, watch day turn into night and back again. Or you can wait to be discovered, tied to a fence, with wind and deer as companions.
After Shepard was found, the patrolman thought he’d been crying. The doctor cried when he saw what was left of the boy. The candle at Shepard’s vigil grieved and armbands stood as one. The fence that held him didn’t mind becoming a shrine.
In the days to follow, as news of Shepard’s death raced around the world, it changed some lives: a drag queen went further into the closet. A police commander removed gay slurs from his vocabulary. The bartender who served the local boys felt regrets. Countless students realized that Shepard’s story could have been their own.
Other drivers on the road must think I’m crazy.
There I was, cruising down the highway with tears coating my cheeks, my hand to my mouth. That doesn’t happen often; in fact, few audiobooks move me as much as did “October Mourning.”
Through a series of freestyle verses, author and poet Lesléa Newman imagines in this book the many points of view from people and objects that were witness to Matthew Shepard’s last moments. Newman’s sparse words, performed by several different actors in varied voices and timbres, bring incredible emotion to her scenarios, making this a book with beauty on one side, horror on the other.
Though grown-ups can certainly enjoy this audiobook, I think its best audience is young adults who are too young to remember that one night and its aftermath. For them, “October Mourning” may wake them up.
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

