Arts & Entertainment
Year in review: Gay is ‘The New Normal’
LGBT people were everywhere in entertainment in 2012
Adam Lambert (right) became the first openly gay musician to have an album debut atop the Billboard charts. (Washington Blade file photo by Michael Key)
By JIM FARMER
The old activist slogan “We are everywhere” proved true for arts and entertainment headlines in 2012. LGBT individuals and issues were omnipresent in the media this year, with very little controversy.
Here are some of the biggest moments from television, music and movies.
TV
Gay dads are “The New Normal.” NBC’s gay-themed sitcom has sharply divided audiences but it’s still kicking around. Bryan (openly gay Andrew Rannells) and David (Justin Bartha) are a gay couple who want a baby. Single mother Goldie (Georgia King) decides to become their surrogate, which doesn’t sit well with politically incorrect grandmother (Ellen Barkin). The series could come back for a second season, although let’s hope if it does it’s better written.
“Modern Family” stays way gay. Still TV’s funniest and most awarded sitcom — and possibly its gayest, now in its fourth season on ABC — “Modern Family” doesn’t skimp on the interplay between male couple Mitchell (openly gay Jesse Tyler Ferguson) and Cameron (Eric Stonestreet), whose adopted young daughter has provided more comic fodder.
“American Horror Story” queers and scares. From Ryan Murphy of “Glee,” who’s gay, comes this scary, twisted series. Its fall/second season follow-up “Asylum” is more popular than its first, with plenty of gay and lesbian touches and out performers such as Zachary Quinto and Sarah Paulson.
“Partners” breaks up. Michael Urie, who’s gay, of “Ugly Betty” starred in this comedy as one half of a straight/gay best friend bromance. Louis (Urie) and Joe (David Krumholtz) are lifelong friends and now co-workers, but new people in their life (including Brandon Routh as Louis’ boyfriend) have changed the dynamics. Unfunny and forced, it has already been canned by CBS after a few months.
Music
Frank Ocean comes out. Hip hop/R&B artist Frank Ocean came out at the beginning of the year about falling in love with a man, though he does not like to label his sexual orientation, and got little to no flack for his announcement. In December he was nominated for six Grammy Awards, including Album of the Year for “Channel Orange.”
Adam Lambert tops Billboard charts. Adam Lambert became the first openly gay musician to have an album debut atop the Billboard charts. Released in May, “Trespassing” had both ballads and his traditional dance-until-you-drop music.
Madonna delights LGBT fans. After a successful performance at the halftime show of the Super Bowl this year, Madonna’s long-awaited new album, “MDNA” dropped in March. The immortal one came to Washington and the audience was packed with LGBT fans.
Film
Enjoying “The Perks of Being a Wallflower.” One of the year’s best films, this adaptation of the Stephen Chbosky novel about an outcast and the new crowd he falls in with was well cast, with Logan Lerman as the main character whose new best friend Patrick (Ezra Miller) is gay. The likes of Emma Watson, Dylan McDermott, Paul Rudd, Joan Cusack and Melanie Liskey shone, but Miller (who came out as queer earlier this year) was the standout.
“Pariah” brings visibility. Out director Dee Rees turned her acclaimed short film into a feature, detailing the coming out of 17-year-old, poetry-writing Alike, played wonderfully by newcomer Adepero Oduye. Bold and beautifully shot, it is one of the few films with African-American lesbians.
“Keep the Lights On” wins raves. Ira Sachs’ heavy-hitting tale of a love affair between a filmmaker and young man with a drug problem started the year winning raves at Sundance and ended the year shocking many by getting a number of Independent Spirit Award nominations alongside some heavyweight motion pictures.
“Any Day Now” worth waiting for. Out actor Alan Cumming, in one of the finest performances of his career, stars as a gay man/drag queen by night in the ‘70s who tries to get custody of a teenager with Down Syndrome, who lives down the hall and whose mother is unfit. Based on a true story, it’s heartbreaking stuff.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.
When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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