Arts & Entertainment
Year in review: Gay is ‘The New Normal’
LGBT people were everywhere in entertainment in 2012
Adam Lambert (right) became the first openly gay musician to have an album debut atop the Billboard charts. (Washington Blade file photo by Michael Key)
By JIM FARMER
The old activist slogan “We are everywhere” proved true for arts and entertainment headlines in 2012. LGBT individuals and issues were omnipresent in the media this year, with very little controversy.
Here are some of the biggest moments from television, music and movies.
TV
Gay dads are “The New Normal.” NBC’s gay-themed sitcom has sharply divided audiences but it’s still kicking around. Bryan (openly gay Andrew Rannells) and David (Justin Bartha) are a gay couple who want a baby. Single mother Goldie (Georgia King) decides to become their surrogate, which doesn’t sit well with politically incorrect grandmother (Ellen Barkin). The series could come back for a second season, although let’s hope if it does it’s better written.
“Modern Family” stays way gay. Still TV’s funniest and most awarded sitcom — and possibly its gayest, now in its fourth season on ABC — “Modern Family” doesn’t skimp on the interplay between male couple Mitchell (openly gay Jesse Tyler Ferguson) and Cameron (Eric Stonestreet), whose adopted young daughter has provided more comic fodder.
“American Horror Story” queers and scares. From Ryan Murphy of “Glee,” who’s gay, comes this scary, twisted series. Its fall/second season follow-up “Asylum” is more popular than its first, with plenty of gay and lesbian touches and out performers such as Zachary Quinto and Sarah Paulson.
“Partners” breaks up. Michael Urie, who’s gay, of “Ugly Betty” starred in this comedy as one half of a straight/gay best friend bromance. Louis (Urie) and Joe (David Krumholtz) are lifelong friends and now co-workers, but new people in their life (including Brandon Routh as Louis’ boyfriend) have changed the dynamics. Unfunny and forced, it has already been canned by CBS after a few months.
Music
Frank Ocean comes out. Hip hop/R&B artist Frank Ocean came out at the beginning of the year about falling in love with a man, though he does not like to label his sexual orientation, and got little to no flack for his announcement. In December he was nominated for six Grammy Awards, including Album of the Year for “Channel Orange.”
Adam Lambert tops Billboard charts. Adam Lambert became the first openly gay musician to have an album debut atop the Billboard charts. Released in May, “Trespassing” had both ballads and his traditional dance-until-you-drop music.
Madonna delights LGBT fans. After a successful performance at the halftime show of the Super Bowl this year, Madonna’s long-awaited new album, “MDNA” dropped in March. The immortal one came to Washington and the audience was packed with LGBT fans.
Film
Enjoying “The Perks of Being a Wallflower.” One of the year’s best films, this adaptation of the Stephen Chbosky novel about an outcast and the new crowd he falls in with was well cast, with Logan Lerman as the main character whose new best friend Patrick (Ezra Miller) is gay. The likes of Emma Watson, Dylan McDermott, Paul Rudd, Joan Cusack and Melanie Liskey shone, but Miller (who came out as queer earlier this year) was the standout.
“Pariah” brings visibility. Out director Dee Rees turned her acclaimed short film into a feature, detailing the coming out of 17-year-old, poetry-writing Alike, played wonderfully by newcomer Adepero Oduye. Bold and beautifully shot, it is one of the few films with African-American lesbians.
“Keep the Lights On” wins raves. Ira Sachs’ heavy-hitting tale of a love affair between a filmmaker and young man with a drug problem started the year winning raves at Sundance and ended the year shocking many by getting a number of Independent Spirit Award nominations alongside some heavyweight motion pictures.
“Any Day Now” worth waiting for. Out actor Alan Cumming, in one of the finest performances of his career, stars as a gay man/drag queen by night in the ‘70s who tries to get custody of a teenager with Down Syndrome, who lives down the hall and whose mother is unfit. Based on a true story, it’s heartbreaking stuff.
Out & About
Plan your wedding the LGBTQ way
Washington D.C. LGBTQ+ Wedding Expo scheduled for Sunday
Rainbow Wedding Network will host “Washington D.C. LGBTQ+ Wedding Expo” on Sunday, March 1 at 12:30 p.m.
Guests can meet and mingle with a curated selection of LGBTQ-welcoming wedding professionals from across the region, each ready to help bring your vision to life, and spend a beautiful afternoon exploring everything they need to create a celebration that reflects them.
There will be a relaxed, self-guided look at the Watergate’s spaces and amenities, savor signature cocktails and delicious tasting samples, and connect with other couples who are on the same journey.
Visit Eventbrite to reserve a spot.
Friday, February 27
Center Aging Monthly Luncheon With Yoga and Drag Bingo will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Community Happy Hour Meetup” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, February 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity.Send an email to [email protected] to receive the zoom link.
Sunday, March 1
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, March 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, March 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more details, email [email protected].
Wednesday, March 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 6 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more information, email [email protected].
Thursday, March 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Transmission DC breathes new life into a storied sound space
A fresh home for boundary-pushing culture on H Street
Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.
Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Katii B, Ellie McDyre, and Kelli Kerrigan together previously managed 618 productions, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.
They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.
Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.
Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just pitting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.
Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.
In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.
“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.
Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.
Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.
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