Arts & Entertainment

Year in review: Books by the bounty

Several releases this year wrote eloquently of gay and trans themes

Published

13 years ago

December 27, 2012

Terri Schlichenmeyer

(Image courtesy of Oxford University Press)

Drivel, dreck and what the heck?

That kind of sums up the books that were released this year. There were some good things, some downright awful things, and some things that, well, they weren’t bad but they weren’t the best books you’ve ever read, either.

And then there were the gems.

I read about 270 books this year, and (fortunate me!) it was hard to pick favorites, but nonetheless, here they are.

Adult fiction

For me, the world totally ceased to exist while I was reading “The Absolutist” by John Boyne. Set in the years after World War I, it’s the story of a former soldier who decides to return some letters to the sister of the friend who wrote them. Years ago, he knew the woman’s brother — had a crush on him, in fact — but the man is now dead, and when the sister asks what happened, the narrator tells her. What happens left me absolutely breathless.

If you plan on reading just one book this winter, this should be it. Really.

I have to admit: I’m not a major Eric Jerome Dickey reader. Some of his books leave me cold but “An Accidental Affair” chilled me with the action and double-crossing that happens to the book’s narrator, who catches his beloved wife sleeping with another man. What he has to do to get her out of trouble — and get himself out of danger — will make you turn the pages so fast, you’ll practically rip them.

What’s that word again for fiction based on fact? In the case of “October Mourning” by Lesleà Newman, the word is “powerful.”

Based on the Matthew Shepard murder, this book consists of a series of free-form poems from the POV of the things and creatures that witnessed his death: the fence, a doe that wandered by, the road, the truck. There are real quotes entwined amid the verses, which only serves to heighten the punch in the gut you’ll feel with this book.

I listened to it in audio. I bawled til I could barely breathe.

And if you’re thinking about starting a family, “The Paternity Test” by Michael Lowenthal may be one of the better books you’ll read about it.

Yes, this is fiction. It’s about a couple who have had a shaky relationship for years and then finally decide to settle down and have a baby through surrogacy. But it’s not that easy and I can’t tell you anything else. Just read it — seriously.

Adult non-fiction

Hands-down, the LGBT memoir I loved most this year was “Gypsy Boy” by Mikey Walsh. Walsh was born a Romany Gypsy and lived as a child in Europe in a series of camps and compounds. His father was determined to make Walsh the latest of a lineage of fierce fighters and, to that end, he beat his son every day, sometimes multiple times. But what the elder Walsh didn’t know was that his son was gay.

Walsh gives this book a laissez faire tone, but don’t let that fool you — this book packs a wallop and can’t be missed.

I’m a sucker for a good scandal and “Dropped Names” by Frank Langella had its share. Langella seemed to always be in the proverbial right place at the right time. That kind of luck put him in proximity of a lot of Hollywood stars and it started his career. This is a light-reading book with dozens of tiny chapters and big names. For any fan of movies, Broadway, or television, particularly from decades past, this is a great book.

As I started reading “From the Closet to the Altar” by Michael J. Klarman, I was afraid I was in for something dry. Not so much, as it turns out: this book isn’t just about gay marriage, it’s also about the history of gay rights and coming proudly out. Turns out that this book is a little like a good martini: a little dry, a little bitter and an interesting taste that leaves you wanting more.

And finally, I don’t think I’ll ever forget “A Queer and Pleasant Danger” by Kate Bornstein. It’s the story of a man who becomes a woman, a religion that almost derails that process and the aftermath of getting out of something very scary.

Bornstein is funny and self-depreciating, snarky and kind. You’ll find a lot of bravado in this book but read it — and read between the lines.

And there you have it: eight books on which you can use your gift certificate. Eight books to help you get through the winter. Books you just can’t miss.

Up Next

Year in review: Gems from the stage

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Year in review: Gay is ‘The New Normal’

FUND LGBTQ JOURNALISM

Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

19 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

1 day ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.