Arts & Entertainment
Year in review: Books by the bounty
Several releases this year wrote eloquently of gay and trans themes
Drivel, dreck and what the heck?
That kind of sums up the books that were released this year. There were some good things, some downright awful things, and some things that, well, they weren’t bad but they weren’t the best books you’ve ever read, either.
And then there were the gems.
I read about 270 books this year, and (fortunate me!) it was hard to pick favorites, but nonetheless, here they are.
Adult fiction
For me, the world totally ceased to exist while I was reading “The Absolutist” by John Boyne. Set in the years after World War I, it’s the story of a former soldier who decides to return some letters to the sister of the friend who wrote them. Years ago, he knew the woman’s brother — had a crush on him, in fact — but the man is now dead, and when the sister asks what happened, the narrator tells her. What happens left me absolutely breathless.
If you plan on reading just one book this winter, this should be it. Really.
I have to admit: I’m not a major Eric Jerome Dickey reader. Some of his books leave me cold but “An Accidental Affair” chilled me with the action and double-crossing that happens to the book’s narrator, who catches his beloved wife sleeping with another man. What he has to do to get her out of trouble — and get himself out of danger — will make you turn the pages so fast, you’ll practically rip them.
What’s that word again for fiction based on fact? In the case of “October Mourning” by Lesleà Newman, the word is “powerful.”
Based on the Matthew Shepard murder, this book consists of a series of free-form poems from the POV of the things and creatures that witnessed his death: the fence, a doe that wandered by, the road, the truck. There are real quotes entwined amid the verses, which only serves to heighten the punch in the gut you’ll feel with this book.
I listened to it in audio. I bawled til I could barely breathe.
And if you’re thinking about starting a family, “The Paternity Test” by Michael Lowenthal may be one of the better books you’ll read about it.
Yes, this is fiction. It’s about a couple who have had a shaky relationship for years and then finally decide to settle down and have a baby through surrogacy. But it’s not that easy and I can’t tell you anything else. Just read it — seriously.
Adult non-fiction
Hands-down, the LGBT memoir I loved most this year was “Gypsy Boy” by Mikey Walsh. Walsh was born a Romany Gypsy and lived as a child in Europe in a series of camps and compounds. His father was determined to make Walsh the latest of a lineage of fierce fighters and, to that end, he beat his son every day, sometimes multiple times. But what the elder Walsh didn’t know was that his son was gay.
Walsh gives this book a laissez faire tone, but don’t let that fool you — this book packs a wallop and can’t be missed.
I’m a sucker for a good scandal and “Dropped Names” by Frank Langella had its share. Langella seemed to always be in the proverbial right place at the right time. That kind of luck put him in proximity of a lot of Hollywood stars and it started his career. This is a light-reading book with dozens of tiny chapters and big names. For any fan of movies, Broadway, or television, particularly from decades past, this is a great book.
As I started reading “From the Closet to the Altar” by Michael J. Klarman, I was afraid I was in for something dry. Not so much, as it turns out: this book isn’t just about gay marriage, it’s also about the history of gay rights and coming proudly out. Turns out that this book is a little like a good martini: a little dry, a little bitter and an interesting taste that leaves you wanting more.
And finally, I don’t think I’ll ever forget “A Queer and Pleasant Danger” by Kate Bornstein. It’s the story of a man who becomes a woman, a religion that almost derails that process and the aftermath of getting out of something very scary.
Bornstein is funny and self-depreciating, snarky and kind. You’ll find a lot of bravado in this book but read it — and read between the lines.
And there you have it: eight books on which you can use your gift certificate. Eight books to help you get through the winter. Books you just can’t miss.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
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