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Year in review: Books by the bounty

Several releases this year wrote eloquently of gay and trans themes

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From the Closet to the Altar, books, gay news, Washington Blade
From the Closet to the Altar, books, gay news, Washington Blade

(Image courtesy of Oxford University Press)

Drivel, dreck and what the heck?

That kind of sums up the books that were released this year. There were some good things, some downright awful things, and some things that, well, they weren’t bad but they weren’t the best books you’ve ever read, either.

And then there were the gems.

I read about 270 books this year, and (fortunate me!) it was hard to pick favorites, but nonetheless, here they are.

Adult fiction

For me, the world totally ceased to exist while I was reading “The Absolutist” by John Boyne. Set in the years after World War I, it’s the story of a former soldier who decides to return some letters to the sister of the friend who wrote them. Years ago, he knew the woman’s brother — had a crush on him, in fact — but the man is now dead, and when the sister asks what happened, the narrator tells her. What happens left me absolutely breathless.

If you plan on reading just one book this winter, this should be it. Really.

I have to admit: I’m not a major Eric Jerome Dickey reader. Some of his books leave me cold but “An Accidental Affair” chilled me with the action and double-crossing that happens to the book’s narrator, who catches his beloved wife sleeping with another man. What he has to do to get her out of trouble — and get himself out of danger — will make you turn the pages so fast, you’ll practically rip them.

What’s that word again for fiction based on fact? In the case of “October Mourning” by Lesleà Newman, the word is “powerful.”

Based on the Matthew Shepard murder, this book consists of a series of free-form poems from the POV of the things and creatures that witnessed his death: the fence, a doe that wandered by, the road, the truck. There are real quotes entwined amid the verses, which only serves to heighten the punch in the gut you’ll feel with this book.

I listened to it in audio. I bawled til I could barely breathe.

And if you’re thinking about starting a family, “The Paternity Test” by Michael Lowenthal may be one of the better books you’ll read about it.

Yes, this is fiction. It’s about a couple who have had a shaky relationship for years and then finally decide to settle down and have a baby through surrogacy. But it’s not that easy and I can’t tell you anything else.  Just read it — seriously.

Adult non-fiction

Hands-down, the LGBT memoir I loved most this year was “Gypsy Boy” by Mikey Walsh. Walsh was born a Romany Gypsy and lived as a child in Europe in a series of camps and compounds. His father was determined to make Walsh the latest of a lineage of fierce fighters and, to that end, he beat his son every day, sometimes multiple times. But what the elder Walsh didn’t know was that his son was gay.

Walsh gives this book a laissez faire tone, but don’t let that fool you — this book packs a wallop and can’t be missed.

I’m a sucker for a good scandal and “Dropped Names” by Frank Langella had its share. Langella  seemed to always be in the proverbial right place at the right time. That kind of luck put him in proximity of a lot of Hollywood stars and it started his career. This is a light-reading book with dozens of tiny chapters and big names. For any fan of movies, Broadway, or television, particularly from decades past, this is a great book.

As I started reading “From the Closet to the Altar” by Michael J. Klarman, I was afraid I was in for something dry. Not so much, as it turns out: this book isn’t just about gay marriage, it’s also about the history of gay rights and coming proudly out. Turns out that this book is a little like a good martini: a little dry, a little bitter and an interesting taste that leaves you wanting more.

And finally, I don’t think I’ll ever forget “A Queer and Pleasant Danger” by Kate Bornstein. It’s the story of a man who becomes a woman, a religion that almost derails that process and the aftermath of getting out of something very scary.

Bornstein is funny and self-depreciating, snarky and kind. You’ll find a lot of bravado in this book but read it — and read between the lines.

And there you have it: eight books on which you can use your gift certificate. Eight books to help you get through the winter. Books you just can’t miss.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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