Arts & Entertainment
Year in review: Books by the bounty
Several releases this year wrote eloquently of gay and trans themes
(Image courtesy of Oxford University Press)
Drivel, dreck and what the heck?
That kind of sums up the books that were released this year. There were some good things, some downright awful things, and some things that, well, they weren’t bad but they weren’t the best books you’ve ever read, either.
And then there were the gems.
I read about 270 books this year, and (fortunate me!) it was hard to pick favorites, but nonetheless, here they are.
Adult fiction
For me, the world totally ceased to exist while I was reading “The Absolutist” by John Boyne. Set in the years after World War I, it’s the story of a former soldier who decides to return some letters to the sister of the friend who wrote them. Years ago, he knew the woman’s brother — had a crush on him, in fact — but the man is now dead, and when the sister asks what happened, the narrator tells her. What happens left me absolutely breathless.
If you plan on reading just one book this winter, this should be it. Really.
I have to admit: I’m not a major Eric Jerome Dickey reader. Some of his books leave me cold but “An Accidental Affair” chilled me with the action and double-crossing that happens to the book’s narrator, who catches his beloved wife sleeping with another man. What he has to do to get her out of trouble — and get himself out of danger — will make you turn the pages so fast, you’ll practically rip them.
What’s that word again for fiction based on fact? In the case of “October Mourning” by Lesleà Newman, the word is “powerful.”
Based on the Matthew Shepard murder, this book consists of a series of free-form poems from the POV of the things and creatures that witnessed his death: the fence, a doe that wandered by, the road, the truck. There are real quotes entwined amid the verses, which only serves to heighten the punch in the gut you’ll feel with this book.
I listened to it in audio. I bawled til I could barely breathe.
And if you’re thinking about starting a family, “The Paternity Test” by Michael Lowenthal may be one of the better books you’ll read about it.
Yes, this is fiction. It’s about a couple who have had a shaky relationship for years and then finally decide to settle down and have a baby through surrogacy. But it’s not that easy and I can’t tell you anything else. Just read it — seriously.
Adult non-fiction
Hands-down, the LGBT memoir I loved most this year was “Gypsy Boy” by Mikey Walsh. Walsh was born a Romany Gypsy and lived as a child in Europe in a series of camps and compounds. His father was determined to make Walsh the latest of a lineage of fierce fighters and, to that end, he beat his son every day, sometimes multiple times. But what the elder Walsh didn’t know was that his son was gay.
Walsh gives this book a laissez faire tone, but don’t let that fool you — this book packs a wallop and can’t be missed.
I’m a sucker for a good scandal and “Dropped Names” by Frank Langella had its share. Langella seemed to always be in the proverbial right place at the right time. That kind of luck put him in proximity of a lot of Hollywood stars and it started his career. This is a light-reading book with dozens of tiny chapters and big names. For any fan of movies, Broadway, or television, particularly from decades past, this is a great book.
As I started reading “From the Closet to the Altar” by Michael J. Klarman, I was afraid I was in for something dry. Not so much, as it turns out: this book isn’t just about gay marriage, it’s also about the history of gay rights and coming proudly out. Turns out that this book is a little like a good martini: a little dry, a little bitter and an interesting taste that leaves you wanting more.
And finally, I don’t think I’ll ever forget “A Queer and Pleasant Danger” by Kate Bornstein. It’s the story of a man who becomes a woman, a religion that almost derails that process and the aftermath of getting out of something very scary.
Bornstein is funny and self-depreciating, snarky and kind. You’ll find a lot of bravado in this book but read it — and read between the lines.
And there you have it: eight books on which you can use your gift certificate. Eight books to help you get through the winter. Books you just can’t miss.
Theater
Studio’s ‘Mother Play’ draws from lesbian playwright’s past
A poignant memory piece laced with sadness and wry laughs
‘The Mother Play’
Through Jan. 4
Studio Theatre
1501 14th St., N.W.
$42 – $112
Studiotheatre.org
“The Mother Play” isn’t the first work by Pulitzer Prize-winning lesbian playwright Paula Vogel that draws from her past. It’s just the most recent.
Currently enjoying an extended run at Studio Theatre, “The Mother Play,” (also known as “The Mother Play: A Play in Five Evictions,” or more simply, “Mother Play”) is a 90-minute powerful and poignant memory piece laced with sadness and wry laughs.
The mother in question is Phyllis Herman (played exquisitely by Kate Eastwood Norris), a divorced government secretary bringing up two children under difficult circumstances. When we meet them it’s 1964 and the family is living in a depressing subterranean apartment adjacent to the building’s trash room.
Phyllis isn’t exactly cut out for single motherhood; an alcoholic chain-smoker with two gay offspring, Carl and Martha, both in their early teens, she seems beyond her depth.
In spite (or because of) the challenges, things are never dull in the Herman home. Phyllis is warring with landlords, drinking, or involved in some other domestic intrigue. At the same time, Carl is glued to books by authors like Jane Austen, and queer novelist Lytton Strachey, while Martha is charged with topping off mother’s drinks, not a mean feat.
Despite having an emotionally and physically withholding parent, adolescent Martha is finding her way. Fortunately, she has nurturing older brother Carl (the excellent Stanley Bahorek) who introduces her to queer classics like “The Well of Loneliness” by Radclyffe Hall, and encourages Martha to pursue lofty learning goals.
Zoe Mann’s Martha is just how you might imagine the young Vogel – bright, searching, and a tad awkward.
As the play moves through the decades, Martha becomes an increasingly confident young lesbian before sliding comfortably into early middle age. Over time, her attitude toward her mother becomes more sympathetic. It’s a convincing and pleasing performance.
Phyllis is big on appearances, mainly her own. She has good taste and a sharp eye for thrift store and Goodwill finds including Chanel or a Von Furstenberg wrap dress (which looks smashing on Eastwood Norris, by the way), crowned with the blonde wig of the moment.
Time and place figure heavily into Vogel’s play. The setting is specific: “A series of apartments in Prince George’s and Montgomery County from 1964 to the 21st century, from subbasement custodial units that would now be Section 8 housing to 3-bedroom units.”
Krit Robinson’s cunning set allows for quick costume and prop changes as decades seamlessly move from one to the next. And if by magic, projection designer Shawn Boyle periodically covers the walls with scurrying roaches, a persistent problem for these renters.
Margot Bordelon directs with sensitivity and nuance. Her take on Vogel’s tragicomedy hits all the marks.
Near the play’s end, there’s a scene sometimes referred to as “The Phyllis Ballet.” Here, mother sits onstage silently in front of her dressing table mirror. She is removed of artifice and oozes a mixture of vulnerability but not without some strength. It’s longish for a wordless scene, but Bordelon has paced it perfectly.
When Martha arranges a night of family fun with mom and now out and proud brother at Lost and Found (the legendary D.C. gay disco), the plan backfires spectacularly. Not long after, Phyllis’ desire for outside approval resurfaces tenfold, evidenced by extreme discomfort when Carl, her favorite child, becomes visibly ill with HIV/AIDS symptoms.
Other semi-autobiographical plays from the DMV native’s oeuvre include “The Baltimore Waltz,” a darkly funny, yet moving piece written in memory of her brother (Carl Vogel), who died of AIDS in 1988. The playwright additionally wrote “How I Learned to Drive,” an acclaimed play heavily inspired by her own experiences with sexual abuse as a teenager.
“The Mother Play” made its debut on Broadway in 2024, featuring Jessica Lange in the eponymous role, earning her a Tony Award nomination.
Like other real-life matriarch inspired characters (Mary Tyrone, Amanda Wingfield, Violet Weston to name a few) Phyllis Herman seems poised to join that pantheon of complicated, women.
Bars & Parties
Mixtape Sapphics hosts holiday party on Dec. 13
‘Sugar & Spice’ night planned for Saturday
Mixtape Sapphics will host “Sapphic Sugar & Spice: A Naughty-Nice Mixtape Holiday Party” on Saturday, Dec. 13 at 4 p.m. at Amsterdam Lounge.
This is a festive, grown holiday party for queer women and sapphics 35 and older at Revolt’s Christmas pop-up. There will be music, joy, and an optional White Elephant.
This is Mixtape Sapphics’ first-ever holiday party — a cozy, flirty, intentionally grounded night created just for queer women and sapphics 35+ who want real connection, festive joy, and a warm place to land at the end of the year.
Tickets start at $13.26 and can be purchased on Eventbrite.
Friday, December 12
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Freddie’s Beach Bar and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Women in Their Twenties and Thirties will be at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, go to Facebook.
Saturday, December 13
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. D.C.’s queer community will gather for good food, laughter, and community. For more information, email [email protected].
Sunday, December 14
SADBrunch will host “HokiSlay Drag Brunch” at 12 p.m. at Throw Social. This festive affair brings fierce performances, over-the-top holiday looks, and more sparkle than a tinsel explosion. Expect powerhouse lip-syncs, laughter, and cheer hotter than your spiked cocoa. Cake Pop will host the event. Tickets cost $28.52 and are available on Eventbrite.
Monday, December 15
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, December 16
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather and discuss issues related to bisexuality or as Bi individuals in a private setting. Visit Facebook or Meetup for more information.
The DC Center for the LGBT Community will host “Self-Defense Class with Avi Rome” at 12:30 p.m. Rome is a proud member of the LGBTQ community and a full-time martial arts instructor with 25 years of teaching experience. He holds a Fifth Degree Black Belt in Jhoon Rhee Tae Kwon Do and is the director of the studio’s Adaptive Tae Kwon Do program for students with special needs. He has also run numerous self-defense workshops for various groups and situations. For more details, visit the center’s website.
Wednesday, December 17
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, December 18
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
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