Arts & Entertainment

Year in review: Gems from the stage

Region rich with gay-themed and helmed theater

Published

12 years ago

December 27, 2012

From left are Chris Stezin, Liz Mamana, Kimberly Gilbert and Will Gartshore in ‘The Religion Thing.’ (Photo by C. Stanley Photography; courtesy Theater J)

Like so many past years, 2012 also saw an energetic pool of LGBT theater professionals contributing to the vitality and success of the ever-expanding local theater scene. The following gives you an idea.

Undoubtedly, one of the area’s hardest working theater folks throughout this year has been Signature Theatre’s gay associate director Matthew Gardiner. He’s also one of its most talented.

Gardiner staged four excellent and very different Signature productions beginning with “Really Really,” a comic tragedy about today’s mind numbingly self-absorbed youth. Next up, he directed and choreographed a well-executed production of the ‘70s campfest musical, “Xanadu.” In the fall, he helmed gay playwright Christopher Shinn’s “Dying City,” an intimate drama about life and death in the shadow of the Iraq War with strapping actor Thomas Keegan playing both the butch army officer and his more effusive gay identical twin. Gardiner finished the year directing and choreographing a first rate production of “Dreamgirls.” And if all that weren’t enough, sometime in early fall he made time to choreograph MetroStage’s notable production of “Jacques Brel is Alive and Well and Living in Paris.”

Last spring’s “Twist Festival D.C.” gave local audiences were given an opportunity to experience the magic of gay puppeteer extraordinaire Basil Twist. The mini-fest kicked off at the Shakespeare Theatre Company with “Petrushka,” Twist’s trippy take on the classic Russian ballet about a love triangle involving three puppets: the eponymous clown, a ballerina and a Moor. Originally commissioned for New York’s Lincoln Center in 2000, the charming show featured pirouetting puppets and floating objects accompanied by real life Russian identical twins playing a reduction of Igor Stravinsky’s score on identical pianos.

Other festival productions included “Arias with a Twist” (Twist’s campy collaboration with legendary downtown New York drag performer Joey Arias); and “Dogugaeshi,” a Japanese-inspired journey of images accompanied by original Japanese lute compositions (at Woolly Mammoth and Studio Theatre respectively).

Over the year, art imitated life with gay actors giving memorable performances as gay characters including Tom Story and Chris Dinolfo as a mismatched but devoted couple in Roundhouse Theatre’s “Next Fall.” Rep Stage’s production of gay playwright Jon Marans’ “The Temperamentals” featured Rick Hammerly as Bob Hull, a founding member of the Los Angeles-based Mattachine Society (the first gay rights organization in the United States). And at Theater J, MaryBeth Wise played one half of a same-sex couple in Annie Baker’s comic drama “Body Awareness.”

Also at Theater J, Will Gartshore played an allegedly “ex-gay” Christian in “The Religion Thing” (penned by local playwright Renee Calarco and staged by her gay brother, director Joe Calarco). Gartshore’s layered performance gave dimension to a character that might otherwise have been perceived simply as a creepy stereotype.

Impressively, Gartshore performed three different one-man cabarets in just two weeks this summer: A mix of well-known and obscure tunes titled “Underappreciated & Overexposed” at Signature Theatre, “Dressed Up” the next weekend, then companion piece “Stripped Down” at Round House Theatre’s Silver Spring space. With his gorgeous tenor, talent for intimate storytelling and ability to put across both a painful breakup song and cheekily spun version of Cole Porter’s “You’re the Top,” with equal ease, Gartshore took his audiences on a gratifying and fun musical journey. D.C. is lucky to have him.

Local out actor Bobby Smith showed off his skill set in 2012. In the fall, Smith wowed audiences playing the title character in MetroStage’s topnotch production of “Jacques Brel is Alive and Well and Living in Paris,” a musical revue celebrating the work of the late singer/songwriter known as the voice of postwar Paris. Smith was terrific as the world weary, cynical yet sentimental Brel.

Following “Jacques Brel,” Smith staged a charming take on Rodgers and Hammerstein’s beloved musical “Cinderella” at the Olney Theatre Center (runs through Dec. 30).

In 2012, some openly gay actors played it straight. The versatile and nimble Alex Mills starred as the upstanding scientist and his terrifying alter ego in Synetic Theatre’s “Jeckyll and Hyde.” Broadway actor Nicholas Rodriquez returned to Arena Stage to play love-struck Freddy Eynsford-Hill, the Edwardian dandy who falls in love with Eliza in “My Fair Lady” (through Jan. 6). And Holly Twyford and Matthew Montelongo fought and fornicated in Studio Theatre’s world premiere of “Dirt,” Bryony Lavery’s play about morality and decay.

A highlight from this year was Arena Stage’s production of Larry Kramer’s stunning drama “The Normal Heart.” Considered a rant when it premiered in New York in 1985, Kramer’s autobiographical AIDS play has aged beautifully — still full of fury but also empathetic, loving and sad. This production was skillfully staged by gay director George C. Wolfe and featured a fabulous cast including Patrick Breen as Ned, the Kramer character, and handsome Luke MacFarlane as his lover who has been diagnosed with the virus.

For Shakespeare Theatre Company’s gay artistic director Michael Kahn, 2012 was a spectacular year. Not only did his company celebrating its 25th anniversary season, it was also honored with the prestigious Regional Theatre Tony Award. Not too shabby.

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FUND LGBTQ JOURNALISM

Theater

Two queer artists ready to debut new operas at Kennedy Center

Works by JL Marlor, Omar Namji part of American Opera Initiative

Published

2 days ago

January 11, 2025

Patrick Folliard

JL Marlor (Photo by Sy Chounchaisit)

American Opera Initiative
Kennedy Center Terrace Theater
Jan. 18, 7 p.m. and 9 p.m.
$25.00 – $39.00
Kennedy-center.org

For those who find traditional opera off-putting or mired in the past, there’s the American Opera Initiative (AOI). Now in its 12th season, the Washington National Opera’s well-known program pairs composers and librettists who under mentorship spend months collaborating on new work, culminating with the premiere of three 20-minute operas.

Included in this year’s exciting group are queer artists JL Marlor and Omar Namji. While these multi-taskers lend their composition talents to AOI, they are also performers and arts administrators. Marlor’s bio includes electric guitarist, and performer (she fronts the celebrated indie rock band Tenderheart Bitches), and Namji divides most of his time writing music and performing as an operatic tenor.

Marlor and librettist Claire Fuyuko Bierman’s “Cry, Wolf” is a short yet probing opera about three males (a late teen and two college age) who are navigating some dark internet ideologies. The work explores how the red-pilled manosphere pipeline serves as spaces of community for some people.

“To me it’s a very timely piece inspired by an outlook that has consequences in the real world.” She adds, “We’ve heard a lot about how angry incels [involuntary celibates] think about women. I want to hear what incels think about themselves.”

While Marlor tends to gravitate toward more serious opera pieces, Fuyuko Bierman, whose background includes standup, tends toward humor.

“I think this work brought out the best in both of us. The libretto feels like a comedy until suddenly it doesn’t.”

Marlor was introduced to opera through osmosis. At her gay uncles’ house there was always music – usually Maria Callas or Beverly Sills. She appreciated grand opera but not with the same ardor of true buffs. But her relationship with opera changed dramatically while attending Smith College.

“I was lucky enough to have Kate Soper as my first composition teacher and saw her opera ‘Here Be Sirens’ as my first piece of modern opera. I was totally hooked.”

Originally from picturesque Beverly, Mass., Marlor now lives in Brooklyn with her partner and their very senior dog. For Marlor, coming out at 25 in 2017 wasn’t entirely smooth, but finding support among the many queer women in the world of classical music helped. And more recently, AOI has bolstered her confidence in continuing a career in the arts, she says.

Namji and librettist Christine Evans’ opera is titled “Mud Girl.” Set against a post-apocalyptic, climate-affected world, it’s the story of a mother, daughter, and the daughter’s child Poly, created from toxic detritus, trying to navigate relationships.

“Most people go into opera without having had a ton of exposure. Often through musical theater or choir,” says Najmi, 37. In his case, he was pursuing a BFA in musical theater at Ithica College. After an unanticipated internal transfer to the School of Music, where he transitioned from baritone to young gifted tenor, his interest veered toward opera.

While enjoying a performance career, he wrote his first opera on a whim. “And now,” he says “composition is my creative passion. Singing is more like a trade or sport. I love the action of doing it and practicing.”

In one of his recent operas, “Jo Dooba So Paar,” Namji, who is half Pakistani American, draws specifically from personal experience, exploring how queer and Muslim don’t necessarily need to be conflicting identities. And while he grew up in liberal Boston in a secular environment, he still had insights into what it means to exist in two worlds. It’s a story he wanted to tell.

On a broader level, he says coming of age in the 1990s and aughts, on the cusp of homosexuality becoming normalized and accepted, created certain angsts. Today, his artist’s voice is drawn to the sentimentality that comes with unrequited longing.

What’s more, Namji collaborates with his husband Brendon Shapiro. In 2022, the Boston-based couple co-founded Catalyst New Music, an organization dedicated to fostering, developing, and producing new works.

AOI’s three 20-minute operas will be led by conductor George Manahan and performed by Cafritz Young Artists on Jan. 18, at 7 p.m. and 9 p.m. in the Kennedy Center Terrace Theater.

Following their world premiere at the Kennedy Center, the three operas will travel to New York City in a co-presentation with the Kaufman Music Center. The Jan. 23 performance will mark AOI’s first appearance in New York City.

Music & Concerts

Gay Men’s Chorus starting the year with a cabaret

‘Postcards’ to be performed at CAMP Rehoboth

Published

3 days ago

January 10, 2025

Tinashe Chingarande

The Gay Men's Chorus of Washington performs 'Postcards' in Rehoboth Beach, Del. on Jan. 18. (Photos courtesy of the Gay Men's Chorus of Washington)

The Gay Men’s Chorus of Washington will perform “Postcards,” a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.

In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures they’ve had and hope to have. Songs include “Midnight Train to Georgia,” “Streets of Dublin,” “Magic To Do,” “Home,” and “I Left My Heart in San Francisco.” Tickets cost $35 and can be purchased on Camp Rehoboth’s website.

Calendar

Calendar: January 10-16

LGBTQ events in the days to come

Published

3 days ago

January 10, 2025

Tinashe Chingarande

Friday, January 10

“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].

Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, join their closed Facebook Group.

Go Gay DC will host “First Friday LGBTQ+ Community Happy Hour” at 7 p.m. at Puro Gusto. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, January 11

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Ms. Capital Pride will host “MAL Weekend Drag Brunch” at 12 p.m. at Baby Shank. Guests will enjoy a lively gathering full of joy, laughter, and connection. They will also indulge in food and drinks while enjoying dazzling performances and entertainment. Tickets are $27 and can be purchased on Eventbrite.

LGBTQ People of Color Support Group will be at 1 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.

Sunday, January 12

Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.

DC9 Nightclub will host “Dance Club” at 8 p.m. at 1940 9th St., N.W. At this event, Jacq Jill and Flotussin will join Dance Club for the Sunday night closing party of MAL Weekend at DC9. The Baltimore staples will be joined by Dance Club resident DJs Baronhawk Poitier, Joyce Lim & Tommy C, plus Artemis on lights, to close out a jam-packed MAL 2025. Tickets start at $10 and can be purchased on Eventbrite.

Monday, January 13

Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.

Tuesday, January 14

Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook page.

Wednesday, January 15

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, January 16

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.