Arts & Entertainment
GLSEN works for safe schools
Advocacy organization teams with Gaga, others for LGBT students
Lady Gaga (Washington Blade file photo by Michael Key)
It’s been said that for social progress to occur, blood must be shed. One could spend a dissertation exploring the topic, but there’s evidence to support the concept. It will be interesting to see how things play out with U.S. gun laws after the Newtown, Conn., and Aurora, Colo., massacres. But we’re far enough out to see some positive results come from the rash of gay teen suicides of 2010.
The Gay, Lesbian & Straight Education Network (GLSEN) is the leading national education organization focused on ensuring safe schools for all students. GLSEN’s initiatives strive to create healthy school climates by educating teachers, students and the general public about the value of respecting every individual regardless of sexual orientation or gender identity.
Established in 1990 and now boasting 38 local chapters in the United States, GLSEN projects such as Day of Silence, ThinkB4YouSpeak and Changing the Game have grabbed national attention. Its staff has been working hard way before 2010, but those tragedies seemed to galvanize the organization with a spate of new programs and partnerships.
In November, GLSEN became a partner with Lady Gaga’s Born This Way Foundation to promote their shared missions by creating the Born Brave Bus tour, which includes pre-concert safe space tailgate parties.
GLSEN utilizes its own research department and national polling organizations to determine positive and negative changes in the national school climate. Its 2011 National School Climate Survey reached about 8,500 LGBT students.
Research indicators led to the creation of Changing the Game in 2011 whose mission is to assist K-12 schools in creating and maintaining an athletic and physical education climate based on the core principles of respect, safety and equal access for all.
“From our research studies, we found that less than 50 percent of LGBT students were participating in school sports,” says Robert McGarry, director of education at GLSEN. “We had been providing diversity training for educators for 20 years and found that it was time to fill the gap by providing education on managing a sports field or locker room.”
Most of the sports education tools, which include game plans for athletes, coaches, athletic directors, principals, physical education teachers and parents, were created by Project Director Pat Griffin.
Griffin is a professor emeritus at the University of Massachusetts, Amherst and the author of the book “Strong Women, Deep Closets: Lesbians and Homophobia in Sports.”
Getting the word out for a sports initiative targeted at K-12 schools is a little more difficult than for programs aimed at higher education that answer to the National College Athletic Association (NCAA) or the professional sports teams that answer to their respective commissioners.
To accomplish that task, Changing the Game reaches out to member organizations for coaches and athletic directors, attends national conferences and lends support to student alliance groups.
“Our research shows that coaches and physical education teachers are the least likely adult that a student will turn to with LGBT issues,” McGarry says. “Getting the word out to them is important to our mission.”
The need for projects like Changing the Game can be seen locally in the progression of the Team D.C. College Scholarship program.
The Team D.C. scholarships are aimed at local openly gay high school student athletes. When the program was established in 2008, the group struggled to get even one applicant.
After years of interactions with local educators and coaches, the 2012 scholarship board of directors had to choose from multiple applicants to narrow the awards down to six recipients.
Coming up for the Changing the Game project is an overhaul of its website to create a more youth-centric feel including an athlete all-star list.
The future looks bright for LGBT athletes considering the dedication of the people behind projects like Changing the Game. More information is at glsen.org.
Theater
‘Octet’ explores the depths of digital addiction
Habits not easily shaken in Studio Theatre chamber musical
‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org
David Malloy’s “Octet” delves deep into the depths of digital addiction.
Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed.
Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat.
The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.
“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”
Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.
Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”
The group’s unseen founder Saul is absent, per usual.
In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”
After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God.
Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.
Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something.
And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration.
An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety.
At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.
In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.”
Habits aren’t easily shaken.
Sports
Blade, Pride House LA announce 2028 Olympics partnership
Media sponsorship to amplify stories of LGBTQ athletes
The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.
Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.
The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.
The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events.
“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”
“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.
Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.
In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.
The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities.
On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.
The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer.
For more details and to RSVP, visit the Center’s website.
‘Octet’ explores the depths of digital addiction
Why trans suffering is more palatable than trans ambition
Comings & Goings
D.C. pays $500,000 to settle lawsuit brought by gay Corrections Dept. employee
Spanberger signs bill that paves way for marriage amendment repeal referendum
Hashmi speaks at Equality Virginia Lobby Day
Norton hailed as champion of LGBTQ rights
4th Circuit dismisses lawsuit against Montgomery County schools’ pronoun policy
D.C. Council gives first approval to amended PrEP insurance bill
LGBTQ Victory Fund looks beyond Washington for change in 2026
-
Virginia4 days agoHashmi speaks at Equality Virginia Lobby Day
-
District of Columbia4 days ago
Norton hailed as champion of LGBTQ rights
-
Maryland4 days ago
4th Circuit dismisses lawsuit against Montgomery County schools’ pronoun policy
-
District of Columbia3 days ago
D.C. Council gives first approval to amended PrEP insurance bill
