Arts & Entertainment
Profane and profound
Studio’s ‘Hat’ a smart and beguiling character study

Drew Cortese, left, and Gabriela Fernandez-Coffey in Studio’s ‘The Motherfucker With the Hat.’ (Photo by Teddy Wolff; courtesy Studio)
‘The Motherfucker With the Hat’
Through March 10
Studio Theatre
1501 14th St. NW
$48-$72
202-332-3300
studiotheatre.org
“The Motherfucker with the Hat’s” catchy title is mild when compared to its dialogue. Yes, the characters in Stephen Adly Guirgis’ latest play like their language raw (don’t even try to count the f-bombs — you’d run out of fingers and toes within minutes) and very often hilarious. But there’s nothing stilted about what’s being said onstage. Guirgis faithfully channels the words of their world, allowing these hardcore New Yorkers to tell their stories in their own way and it couldn’t be more authentic.
Now playing at Studio Theatre, “Hat” kicks off with Veronica (Rosal Colón), a 30-ish Nuyorican spitfire talking on the phone with her mom while cleaning her grungy studio apartment and doing the occasional line of cocaine. Veronica advises her mother to drop her new no good man who has a head like fish, saying, “Take a moment. Take a breath. Take a real good look and just ax yourself in all honesty, ‘Do I wanna fuck him or fry him up with a little adobo and paprika?’” Instantly, we know this girl — not terribly eloquent, but makes her point, and her heart is in the right place.
Enter Veronica’s longtime boyfriend Jackie (the excellent Drew Cortese) bearing good news. A newly sober parolee who’s recently finished a two year stint upstate for dealing drugs, Jackie has just landed a job with UPS. But what was supposed to be a celebratory evening of Carvel ice cream cake, lovemaking and movies for the passionate couple goes awry when he spies an unfamiliar hat in the apartment — a dark fedora, plain except for a small fiery red feather on the side. He suspects infidelity. A huge fight ensues, and Jackie, unsure whether to seek wisdom at an A.A. meeting or revenge, storms out.
His support system — such as it is — consists of his best friend and AA sponsor Ralph (Quentin Maré), a charmingly slimy guru-wannabe who runs a successful health drink startup with his also sober but embittered wife Victoria (Gabriela Fernandez-Coffey). And while Ralph talks a lot of self-improvement, in his defense, he never claims to have anything to offer anyone other than sobriety. And then there’s Jackie’s seemingly gay cousin Julio (smartly underplayed Liche Ariza), a fastidious foodie/bodybuilder who’s married to a woman and harbors a secret passion for violence. Typically Jackie goes to him only when he needs something.
A wordy two hours without an intermission, “Hat” could potentially be tedious, but it’s not. Director Serge Seiden, who is gay, keeps things moving at a brisk clip. He also maintains an enviable balance of laughs and pathos. Debra Booth’s set is nicely subtle and serviceable — it works well, but never gets in the way. And the terrific five-person ensemble cast is especially strong. Each of the actors brilliantly embodies the play’s message: people aren’t always what they seem.
Without warning, Guirgis’ agile writing turns sharply from insults and slams to moments of stunning poignancy. When a drunken Jackie shows up at Veronica’s apartment eager to punish her for hurting him, she responds with her own hurt, reminding him of their shared dreams of children, a home in Yonkers, a future — all crushed by bad timing, poor decisions and drugs. Or when cousin Julio’s bouncy walk down memory lane morphs into an explanation of why he remains so very loyal to Jackie, citing a heartfelt memory from his early outcast adolescence when Jackie had his back. Heartbreaking moments.
A native of York City’s Upper West Side, the playwright is known for using the neighborhood’s urban mix in his work; and with “Hat,” an interesting cross section of these foul-mouthed, angry but hopeful, hurting and seriously funny folks are present and accounted for. They’re damaged people, in pain, masking hurt with bravado and humor, looking for love and trying to find their way.
“Hat” is a resonant play and Studio’s deeply affecting, always engaging production is alternately stinging and poignant.
Celebrity News
Why Michelle Visage needs you to get ‘PrEP Wise’
‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign
If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy.
Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’
Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.
Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”
“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”
Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family.
“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”
Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign.
“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.”
It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.
“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources.
“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”
“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”
Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.
Hagerstown Hopes held the Hagerstown Pride Festival outside Hub City Brewery on Saturday, May 30.
(Washington Blade photos by Landon Shackelford)













You’re all geared up.
You’ve got your best parade-walking shoes, your coolest tee, your most-comfortable shorts, and a rainbow flag to carry. You’re set for Pride, but before you go, try one of these great new books about LGBTQ life and history.
After the parade, where will you end up? A place to talk your experience over, to re-hash things for the next parade? Then you may need “The Lesbian Bar Chronicles: The Living History and Hopeful Future of America’s Dyke Dives and Sapphic Spaces” by Rachel Karp (Beacon Press, $29.95).
Lesbian bars, says Karp, are more than just places to drink. They’re also places to find community, and to organize. For many, she says, they are “sanctuaries,” as they have been for at least a century, and this book introduces you to some of the people who run the establishments, the things they do to support their patrons, and the 100-year-plus bravery that it took to own, run, and enter a lesbian bar.
If you had to name a gay icon, there are probably quite a few who come to mind. So read “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, $21.95) and add another name to your list.
This memoir, written by Canada’s first openly gay judge, takes readers from Brownstone’s childhood to his life as a lawyer, then to his work within the justice system in Ontario, and beyond, to his current career. This is a surprising, informative book that gives you an idea what gay life is like, north of our uppermost borders, then and now.
Pride is a celebration, an event, but it also demands a peek backwards, and in “The LGBTQ Almanac: 500 Years of Queer Culture in American History” by Deborah G. Felder (Visible Ink Press, $39.95), you’ll get a wide look at the pioneers, allies, policy, and gay life over the course of the last five centuries. Want to know more about religion in the gay community? It’s in here, along with celebrities, presidents, science, business, and more. This is the kind of book that settles bets. It’s one you want to have in any room of your home because it’s comprehensive and perfectly browse-able for all of its 600-plus pages.
And finally, here’s a book to read and think about: “No Fats No Fems: A Guide to Queer Empathy and Unpacking Prejudice” by Max Hovey (HarperOne, $19.99). How do you eliminate hateful, hurtful words, aimed at gay people – by gay people? What kind of stereotypes do we carry, unintentionally? This book takes those things out into the daylight by talking honestly and thoughtfully about them, as well as other issues. It’s a book to have when doubts creep in, when you need a new way of thinking or a different direction, or when you just want something different to read.
And if these great books aren’t enough, head to your favorite bookstore or library and ask for books that you can read before Pride or after. And happy Pride!
