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Surviving Oscar

Gay writer scores Academy nomination for debut film about AIDS

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How to Survive a Plague, AIDS, HIV, gay news, ACT UP, Washington Blade
How to Survive a Plague, AIDS, HIV, gay news, ACT UP, Washington Blade

A scene from David France’s harrowing documentary ‘How to Survive a Plague.’ The film has its Oscar rendezvous Sunday night at the Dolby Theatre in Hollywood where its up for Best Documentary. (Photo courtesy Sundance Selects)

It sounds so straightforward — the New York Public Library had a collection of videotapes AIDS activists made decades ago with vintage camcorders back when they were heavy behemoths you had to rest on your shoulder with full-size VHS or Beta tapes inside. Filmmaker/journalist David France combed painstakingly through the clips to compose his powerful 2012 documentary “How to Survive a Plague.”

But how this was achieved — what format was the footage stored in? What condition was it in? Could anyone go in and check these out with a library card? How did France pull this off?

In some ways, it’s the least interesting part of the film’s story, which is told via a sobering chronology of video footage shot by angry protesters — the kind the Religious Right calls “militant homosexual activists.”

The film has been almost universally praised. The New York Times called it “inspiring” and crackling with “currents of rage, fear, fiery determination and finally triumph.” It has a 100 percent freshness rating among critics on Rotten Tomatoes (a film quality-ranking site), several awards including “best documentary” from the Boston Society of Film Critics. This weekend it’s up for both an Independent Spirit Award and an Oscar. Gold Derby, a site that predicts entertainment industry awards, gives it a 4/1 chance at winning the Oscar (behind “Searching for Sugar Man” which it gives 13/8 odds). “5 Broken Cameras,” “The Gatekeepers” and “The Invisible War” (made by the “Outrage” team of Kirby Dick and Amy Ziering) are also nominated.

For “Plauge,” France took footage — some of which was housed at the New York Public Library — shot by 31 videographers and paces it chronologically to the story of the formation of ACT UP (AIDS Coalition to Unleash Power), a group that formed in March 1987 in a spirit of extreme frustration during a speech activist (and “Normal Heart” playwright) Larry Kramer gave at the Lesbian and Gay Community Services Center in New York.

France, during a lengthy phone interview last weekend before he was scheduled to fly to Los Angeles on Tuesday, gladly shares the logistics behind “Plague’s” formation.

A veteran investigative journalist, author and GLAAD Media Award winner (for a GQ piece on gays in Iraq) who’s had his work published in everything from the New Yorker to Ladies’ Home Journal, France says he was a graduate student during the time AIDS hit in the early 1980s and having written about it extensively over the years, he knew activists had brought cameras to their protests. And yes, the process of crafting “Plague” was a lot more involved than simply checking tapes out of the library.

“The tapes from the library are actually just a small portion of the footage you see in the film,” France, who’s gay, says. “That’s really the first door I went through, this archive of AIDS activism video that’s housed in the Manuscript Division of the New York Library, where you go if you want to read Lincoln’s letters. It’s an exclusive corner of the library that’s not accessible to the general public and everybody’s going around wearing white gloves and handling antiquities. In one corner, they have a television and a VCR and you watch the AIDS footage recorded in those early days. It’s just raw footage, not really ever intended for public view. Some of it you’ll be watching and all of a sudden it will go to a gay porn video, which just happened to be on the same tape they recorded on.”

France says the library kept all the tapes — recorded in every home video format on the market in those years as one might imagine — but had transferred them all to the Betacam SP format, a higher resolution tape on larger cassettes that for years was the broadcast standard and is still in use today. France convinced the library to let him take select footage to a nearby production lab and have it digitized. He ended up with about 100 hours and says the process became difficult as the project moved along.

“They’re really not accustomed to working on a film production schedule, so trying to get them to hurry got more and more difficult as we went along,” he says.

And that was just the starting point — in the library footage, France saw other people holding video cameras. He started tracking them down one by one and eventually found a group of people, many long-time AIDS survivors themselves, who had videotape footage they had never revisited. Again, formats remained a challenge.

“We had all this stuff in so many different formats from private collections,” he says. “We were constantly scouring Craigslist and eBay for decks that would play these old tapes. We ended up with about 800 hours and that really became the building blocks of the film.”

And yes, France says it did take some persuasion to get these individuals to hand over their footage.

France says, “A lot of these people had moved on but I think now have started to see the real value in this footage. I think they gradually started to realize, that yes, enough time has passed and now is the time to really use it and this is the project.”

France said his project is timely and important because many of the other landmark AIDS pieces, from Kramer’s play to Randy Shilts’ “And the Band Played On” were written before the era of anti-retroviral therapy when HIV morphed into a more manageable condition.

He says the film is important for anyone interested in the AIDS fight to see.

“There were even people in ACT UP who didn’t know the outcomes of many of these things,” he says. “If you think you know the story of AIDS, this film will surprise you and that goes for just about everybody.”

http://www.youtube.com/watch?v=wwhFS1mUaVY

WASHINGTON BLADE: Will this be your first time at the Academy Awards?

DAVID FRANCE: Yes. I’ve never gotten any closer before than my television screen.

BLADE: Have you watched very often over the years?

FRANCE: Oh yeah. My boyfriend and I always have an Oscar party. With ballots and everything. I’ve never won.

BLADE: What’s your favorite Oscar memory?

FRANCE: Tom Hanks’ acceptance speech when he won for “Philadelphia.” That’s really seared in my memory.

BLADE: What did you think of Michael Moore’s controversial speech when he won the category you’re up for? Ballsy or inappropriate for the occasion?

FRANCE: I think if you’ve got an audience of a billion people and you’ve got something to say, you need to say it. That’s not to say I’m intending any surprises should I have that opportunity.

BLADE: Have you seen the competition?

FRANCE: Of course. They’re all brilliant films.

BLADE: If you win, where will you put Oscar?

FRANCE? I’m not sure. I keep the other awards we’ve won in the production office so everyone on the crew can enjoy them and hopefully see their own contribution but if we get this little gold thing, I’m not sure. I have no idea.

BLADE: Do you feel AIDS, as horrible as it was and is, put gay issues on the national radar and that ended up being a silver lining to the cloud or is that an absurd oversimplification?

FRANCE? No, it’s absolutely true. Before that, gay people were entirely disenfranchised and we were not seen as being contributing members to the culture at all. We had no role whatsoever in civic life … From those ashes (of AIDS), now we have a president who acknowledges us as human beings and Stonewall is mentioned in the same breath as Seneca Falls.

BLADE: How did you feel when Dustin Lance Black won for “Milk”?

FRANCE: I felt it was incredible. He gave a great speech and I thought it was a very, very good movie.

BLADE: Did you plan all along to submit it for a nomination? What’s the process like?

FRANCE: There are all kinds of rules about it playing in New York and L.A. and being reviewed by the New York Times and the Los Angeles Times and that’s just the first threshold. I was lucky I had a distributor who saw the potential for the film early on and made sure we did everything we needed to do for both the Oscars and the Independent Spirit Awards. … Anytime you make a film, sure, you fantasize about getting an Oscar nomination and it’s really just because you want more people to see it. An Oscar bump is a tremendous thing.

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Autos

Hot hatchbacks: Honda Civic, Subaru Impreza

Two fun and functional rides

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Honda Civic

The latest Honda Civic hatchback and Subaru Impreza are two of the segment’s stars. Both offer sensible pricing, excellent utility and enough personality to avoid feeling like appliances.

The Civic is more polished. The Impreza, more rugged. Luckily, neither is trying to be obnoxiously flashy. 

HONDA CIVIC

$28,000

MPG: 30 city/38 highway

0 to 60 mph: 8.9 seconds

Cargo space: 24.5 cu. ft. 

PROS: Fuel efficient. Spacious cargo area. Good resale value.

CONS: No all-wheel drive. Fussy infotainment. Low rear headroom.

WHAT’S NEW: Only minor updates for 2026. The biggest change carries over from last year’s refresh: the addition of the hybrid, which has become a star performer. 

The Honda Civic hatchback won’t scream for attention. It won’t arrive wearing sequins and carrying a smoke machine. It’s more like Nomi Marks from “Sense8”: intelligent, sophisticated and impressively capable.

The styling remains handsome and clean. Long hood. Low roofline. Crisp lines everywhere.Honda resisted the urge to make this vehicle look like a spaceship or an angry robot. That’s refreshing.

Inside, the dashboard is simple and elegant. The honeycomb air-vent treatment remains one of the coolest interior details in the segment. Materials feel expensive. Controls are easy to understand. And visibility is excellent. 

I love how the cargo space is generous, with rear seats that fold flat. A bicycle, several suitcases or enough supplies for an ambitious weekend road trip fit without much hassle.

Then there’s the hybrid. The system produces a healthy amount of power while delivering fuel economy that borders on the absurd. Around town, handling feels smooth, quiet and surprisingly quick. You almost glide through traffic. The standard gasoline engine isn’t bad, but the hybrid is stellar.

The Civic also shines on twisty roads. Steering is precise. Body motions stay controlled. The suspension strikes a sweet balance between comfort and sportiness. 

Biggest weakness? No all-wheel drive. For drivers in snowy climates, that’s not so good. 

Still, the Civic’s stellar combination of efficiency, quality, and driving enjoyment remains incredibly hard to beat.

SUBARU IMPREZA

Subaru Impreza

$27,000

MPG: 27 city/33 highway

0 to 60 mph: 8.5 seconds

Cargo space: 20.4 cubic feet

PROS: All-wheel drive. User-friendly tech. Safety cred.

CONS: No hybrid version. Some road noise. Modest cargo room.

WHAT’S NEW: The Impreza receives relatively minor updates for 2026. Subaru continues refining this hatchback rather than reinventing it.

If the Honda Civic is urbane, the Subaru Impreza is unfussy. There’s a kind of Kristen Stewart energy here. Cool without trying too hard.

The styling isn’t dramatic, but it works. This hauler appears ready to tackle rain, snow, dirt roads or an impromptu weekend escape.

And all-wheel drive comes standard on every Impreza. (Most competitors only offer front-wheel drive or include all-wheel drive as a pricey option.)

The result: Slippery roads simply don’t create much anxiety. The suspension absorbs bumps nicely. Long trips are comfortable. Visibility is great, thanks to relatively thin roof pillars and large windows.

I like how the cabin is functional rather than fancy. Materials don’t quite match the Civic’s upscale vibe, but everything feels sturdy. A large infotainment screen dominates the dashboard and generally works well, though some drivers may prefer more physical buttons.

Cargo space is respectable, and the design makes loading bulky items easy.

Performance depends heavily on trim. The base engine gets the job done, but nobody will confuse it for a sports car. The RS trim’s larger engine provides more power and makes the ride livelier. But even then, acceleration remains merely adequate.

The Impreza’s real appeal lies elsewhere, with a mix that few rivals can match: hatchback practicality, standard all-wheel drive, strong safety scores and reasonable pricing.

Perhaps that’s the key difference between these two hatchbacks. The Honda Civic impresses immediately. The Subaru Impreza grows on you. 

Fortunately, choosing between them is less stressful than deciding who gets the last mimosa at brunch.

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Real Estate

When buying a home, it’s decisions, decisions, decisions

Keeping notes on the process makes for an informed purchase

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If you’re buying a home, take careful notes throughout the process. (Photo by Andy Dean Photography/Bigstock)

When looking to buy a home, there are lots of details to consider. Many of my clients would come to me and say, “Joe I want to buy a place, but I haven’t decided which neighborhood to buy in.” And the struggle was real. A few clients had everything decided from the color of the hallway walls to the cabinet handles and sometimes which three square blocks they wanted to look at. 

But other clients were occasionally looking at properties in areas as distinct as Union Market/NOMA, Brookland, Logan Circle, and then we would even go across the river to look at a property in Shirlington or the Van Dorn areas of Virginia, which all have their own unique flavor and characteristics.

Sometimes clients would tell me, “I only want to look in Mount Pleasant or Adams Morgan.” Or, “don’t even show me any properties west of this street or south of that street.” My job wasn’t to convince people where to live. It was to just take the parameters they set for me and find as good of a property in that zone as I could, coordinate the showings and, if necessary, offer the strategy.  

One can see that buyers often had more decisions to make than a seller. From a seller’s perspective, the house was where it was, and we just had to make the best of it. But working with a buyer could mean looking at five different neighborhoods, and then being a “thought partner” to help them figure out which were the top two or three areas they had seen, and then further distilling those down into what was available and weighing those options against each other. 

One house could have the dream bathroom but also be located six blocks further from a Metro stop, walkable shopping and dining, and “just too far away from my friends.” Another house could have all the neighborhood options a client was looking for, but was just not in turnkey condition, and would require an additional $30,000 of upgrades once purchased to make it into the dream home they envisioned.  

One activity I often asked buyers to do was to keep an active list in their heads of the properties they liked, and to keep a running rank of the top three. I often encouraged them to bring a notebook along on the journey where they could take notes and write down questions they thought of as they looked. It was an important decision, and sometimes the largest purchase of their lives. Why not take it a little seriously, and take notes? This could often help the buyer later when they felt it was time to decide.  

The point here is, keeping a notebook handy can sometimes help a person with what feels like an overwhelming process. It provides a space to explore how one feels, jot down important details to remember, and then use that to make an informed decision.  


Joseph Hudson is a referral agent with RLAH. Reach him at 703-587-0597 or [email protected].

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Real Estate

Under-the-radar Delaware beach towns smart buyers are targeting

There are other options if Rehoboth prices are scaring you off

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If you want to escape the crowds and nightlife scene of Rehoboth Beach, Sussex County offers plenty of options. (Blade file photo by Daniel Truitt)

Look, we love Rehoboth. We will always love Rehoboth. Queer folks have been flocking there since the 1940s, and with scores of LGBTQ-owned businesses and a Pride calendar packed tighter than the boardwalk in July, “Rehomo” earned its crown fair and square.

But let’s be honest with each other: trying to buy property there right now feels a lot like trying to get a reservation at the one good restaurant in town on a Saturday in August. Everyone wants in, inventory is tighter than your swim trunks after Labor Day brunch, and the prices have officially entered “are you kidding me” territory.

So here’s a thought: What if you didn’t fight the crowd? What if, instead, you let Rehoboth keep doing its glorious, chaotic, glitter-bomb thing and you quietly built your beach life 15 minutes away for considerably less drama and considerably more square footage? Here are four towns ready for their close-up.

Lewes: The Charming Overachiever

Lewes is what happens when a beach town actually has its life together. Historic charm, walkability, proximity to Cape Henlopen State Park, less crowding, and a strong year-round community. Unlike towns that turn into ghost towns after Labor Day, Lewes maintains a real community all year long, which is more than we can say for some situationships.

And right now, the market is practically begging you to make a move. It’s one of the most desirable and stable markets in the county — built for buyers thinking long-term, not flippers, and Sussex County overall has flipped into genuine buyer’s market territory for the first time in years. Translation: you finally get to be the one with leverage. 

Bethany Beach: My Personal Pick

Full disclosure: I own in Bethany. So consider this section a little biased — and also the most honest thing I’ll tell you in this whole article.

When I drive down from D.C., I’m not looking for more of D.C. I love this city, but I also love leaving it — and yes, some of the people in it too (you know who you are, and so do I). Bethany gives me that full exhale. It’s quiet in the way that actually means something: fewer crowds, slower mornings, a soundtrack that’s mostly waves instead of nightlife. It leans hard into its “quiet resort” reputation, with low property taxes and a limited geographic footprint, and it is not the least bit sorry about it. 

But quiet doesn’t mean isolated. I’ve got a genuinely excellent food scene nearby, real shopping, and a string of charming neighboring beach towns — and when I do want a taste of Rehoboth’s energy, it’s a short, easy drive away. I get to choose my dose of chaos instead of living inside it.

And here’s the part that matters most for this article: the price. If you’ve looked at Rehoboth listings and quietly closed the tab in despair, I need you to hear this — you can absolutely afford a beach house. It just doesn’t have to be in Rehoboth. Bethany’s average home value sits around $848,592, which is still real money, no question — but it buys you more house, more land, and more peace than the same budget gets you closer to the boardwalk. Bethany is welcoming too, just without Rehoboth’s decades of built-in queer institutional history — and for plenty of us, that trade-off is more than worth it. 

Fenwick Island: Small Town, Big Flex

Fenwick rarely gets mentioned and, frankly, it should be insulted. It’s tiny, it’s quiet, and it has beach access without the carnival energy. The market data tends to lump it in with Bethany, where single-family oceanfront homes clear $1 million while entry-level condos start in the $600s — proof that “under-the-radar” doesn’t mean “bargain bin,” it means “fewer people fighting you for it.” 

South Bethany: For the Boat Gays

Some of us want sand between our toes. Others want a private dock and a boat named something deeply unserious. South Bethany’s canal communities are built for the latter — water access on both sides, fewer crowds, and a lifestyle that says, “I have a captain’s hat and I am not afraid to wear it.”

The Math Works in Your Favor Now

Here’s the part that should really get your attention: Sussex County’s median sold price has dropped to $440,000, down 3.3% year-over-year, and buyers are routinely closing around 88 cents on the dollar compared to asking price. That’s a far cry from the unhinged bidding wars of 2021 and 2022, when overpaying was basically a competitive sport. Inventory across the county sits at nearly 2,500 active listings — the most of any county in Delaware, meaning you actually get to be picky for once. Revolutionary, we know. 

And no, choosing one of these towns doesn’t mean leaving your people behind. Sussex Pride serves the entire county, not just Rehoboth proper, and CAMP Rehoboth’s resources extend well beyond town limits too. You’re not exiling yourself to the suburbs of queerness — you’re just getting a bigger kitchen, a quieter porch, and a much shorter line for the bathroom. 

Add in the fact that Delaware has no estate tax and some of the lowest property taxes around, savings that genuinely add up over a retirement horizon, and the case writes itself. Rehoboth will always be the beating, sequined heart of queer beach culture in Delaware. But if you’ve been telling yourself a beach house isn’t in the cards — I’m here to tell you it absolutely is. It just might be 15 minutes south, with your own quiet porch, your own salt air, and considerably more room to breathe. 

Have a real estate question or Rehoboth market tip? Reach out to [email protected] for LGBTQ-friendly real estate resources in the Rehoboth area.


Justin Noble is a Realtor licensed in D.C., Maryland, and Delaware with Monument Sotheby’s International Realty. Reach him at [email protected] or 302-897-7499.

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