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Visiting virtuoso

Organist Cameron Carpenter makes D.C.-area debut next weekend

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Cameron Carpenter, organ, gay news, Washington Blade, music

Cameron Carpenter, organist
Music Center at Strathmore
5301 Tucker Lane
North Bethesda, MD
April 12
8 p.m.
$25-40
301-581-5100
Strathmore.org
Cameroncarpenter.com

Cameron Carpenter, organ, gay news, Washington Blade, music

Organist Cameron Carpenter. (Photo by Heiko Laschitzki; courtesy Bucklesweet Media)

Organist Cameron Carpenter is a tangle of apparent contradictions.

On one hand, he’s made a slightly daring fashion sensibility a central component of his stage persona, yet in stage speech (banter is way too light a term for it) and conversation, he comes off as deadly earnest. But perhaps this says more about us — why do we tend to think that mohawks and sequins might indicate a less-than-intellectual musical mind?

Perhaps because he takes — in some ways — a rock star approach to being a serious (Juilliard-trained) classical musician and seems to delight in unorthodox and even iconoclastic approaches (his transcriptions of piano and orchestral works to the organ have elicited everything from critical awe to “is-this-a-joke?” reactions), Carpenter is a polarizing figure.

But get to know the queer, Berlin-based organist, follow his career over several years and play devil’s advocate with him — as we’ve done here — and you realize the creativity and talent he brings to it all far supercedes the reductions of dozens of articles and TV profiles around the world that have reduced him to little more than a “bad boy” or “modern-day Liberace.” Yes, there’s grumbling in more staid organ-world circles (one often notices a trend of rather bemused expressions when his name is uttered), but try to think of young organists who are sparking the kind of raves and career he has managed, and the list gets really, really short. He makes his Washington-area debut April 12 at the Strathmore.

Carpenter, in Georgia with a friend who’s having him give a private recital at a pipe organ this person has installed in his house, says he feels little pressure generally speaking. We chatted for about an hour in mid-March by phone.

“I am conscious of it at times and I sometimes have the sudden realization of deadlines coming up but though this may sound supremely arrogant, when I later manage to pull it off, I realize I should never have had any self doubt. I think this theory is sound … I try to stay away from getting too caught up in pressure and luckily I don’t get stage fright.”

Carpenter remains — a recurring theme — frustrated by constantly having to adapt to the organs in various concert halls around the world. Purists are skeptical, but Carpenter expects a touring organ he’s been working on for several years will be “built and launched” next year.

Of the grand tradition of grand organ building, Carpenter says what he’s trying to do doesn’t diminish those achievements.

“It’s not how many rooms full of wooden pipes there are or how many degrees someone has or how many works one has written for the organ,” he says. “It’s only interesting in terms of human emotion and how it makes us feel to be alive.”

He says constantly having to get accustomed to new organs has become maddening.

“The closest analogy I can come up with is if you made a film and every time you screened it, you had to recut the edit. There’s a staggering amount of work that goes into each minute of film. It would be almost unsustainable. That’s why touring for me is so very hard.”

Although it’s highly likely to change — Carpenter has been known to have programs printed, then play nothing listed on them — he says his Strathmore performance may contain an organ adaptation of Leonard Bernstein’s “Candide” Overture, perhaps some Marcel Dupre variations, a reimagining of a scherzo by Tchaikovsky and “maybe” some Liszt Transcendental Etudes.

“It all depends on the organ, which is as yet unknown,” he says.

Carpenter says he can’t relay details just yet, but an announcement about a new recording deal is imminent. His last album was 2010’s “Cameron Live!” release (a CD/DVD double album). A feature-length documentary on his life and work is also “very much in the planning stages,” he says.

“I don’t really see myself as someday having a recorded legacy of 70 CDs, but I do think it would be great if each of them … is something really personal and strong. … I’ve also wanted to wait until the right recording instrument would be available so I’ve been focusing most of my energy on that for now. I don’t have any particular compulsion to record just for its own sake.”

He says he appreciates media coverage immensely so objecting to superficial comparisons of performers from bygone eras isn’t necessarily a bad thing.

“It is kind of knee-jerk and wildly reductive, but they can’t be blamed for trying to sell tickets,” he says. “I wouldn’t mind if I never hear the phrase ‘bad boy of the organ’ ever again but it’s a sad truism I guess.”

And of the Mohawk he’s been sporting of late, Carpenter says it’s here to stay at least for now.

“I think I’ve settled on something that hits a visual balance of elegance and style. It’s also the haircut of a warrior which is not inappropriate.”

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Dining

Spark Social House to start serving alcohol

D.C.’s only ‘LGBTQ alcohol-free bar’ changes course

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A non-alcoholic drink on the bar of Spark Social. (Blade file photo by Joe Reberkenny)

Washington, D.C.’s only LGBTQ alcohol-free bar will lose that distinction in December: Spark Social House, located at the corner of 14th and U streets, N.W., will no longer serve only booze-free drinks.

Spark Social, as it is commonly known, received significant media attention and accolades when it debuted in March. Opening in the beating heart of the LGBTQ community’s social scene, its doors stand next to other popular nightlife establishments, including Crush, Bunker, District Eagle, and Revolt (which opened after Spark Social). All of those other bars serve alcohol.

Spark maintained a separate identity, creating a “third space” for sober guests or those who did not wish to spend their evening in an alcohol-forward space. Owner Nick Tsusaki, a former bartender, opened Spark Social to fill a gap he saw in queer nightlife establishments that centered drinking. Instead, Spark was intended to be a convening bar. By day, it has served coffee and tea as a café for remote workers, meetings, and catch-ups. In the evening, the bar hosts a wide array of events, with DJs, dancing, drag queens, speakers, open mic nights, and stand-up comedy, movie showings, among other events.

At the bar, it served cans, bottles, and craft cocktails, as well as “wellness drinks” or functional beverages like mushroom elixirs, Kava, and kombucha. All of these are currently non-alcoholic. Currently, in November, the bar is serving seasonal morning drinks like toasted almond and French Toast lattes, plus non-alcoholic cocktails like a “Hottie Hottie” with non-alcoholic spiced rum, lemon, and maple butter; plus a maple espresso “martini” without liquor, which includes mushroom tinctures.

Spark Social, even in its short time in existence, won “Best DC Coffee Shop” in the 2025 Washington Blade annual poll.

Nevertheless, in early November, the Spark owners and leadership team hosted a town hall to share updates and hear directly from the community about the next chapter for Spark.

According to the bar’s Instagram posts, the town hall reviewed the intent and purpose behind the bar: to create a queer third space where people can connect, create, and feel at home.”

“After eight months as a fully non-alcoholic bar, we’ve learned that sobriety exists on a spectrum and inclusion means offering choice.”

To that end, in December, Spark’s offerings will evolve. Instead of serving only drinks without alcohol, there will be a new “1 for 1” menu in which every cocktail comes in two versions: booze and boozeless. While alcohol will be served, the bar owners insist that they remain committed to maintaining its welcoming and relaxed vibe.

In a separate post, Spark wrote that “Although this was not our intent when we started the business, after 6 months of operations we’ve made the difficult decision to change our business model so that we can keep providing this space to the community.”

They acknowledged that this pivot might have “come as a surprise,” and offered to received feedback to ensure that the bar’s initial objective of being a unique space could continue.

Alcohol will only be served at the bar in the evenings during the week, and all day during the weekend.

Tsusaki spoke to the Blade about the changes and offered these statements:

“When we opened, the goal was to create a queer third space where people could spark a connection, spark creativity, spark an idea — especially for folks looking for an alternative to the typical drinking environment,” Tsusaki said. “From day one, Spark has been about the vibe — a place where you can just exist, feel at home, and be surrounded by community without pressure or pretense. After eight months as a fully non-alcoholic space, we learned a lot about what people actually want from spaces like this. Most folks exist somewhere on a spectrum of sobriety — some are fully sober, some are sober-curious, some drink occasionally. We realized that if our mission is to bring people together, inclusion has to mean options for everyone.

“We had to face the financial reality of running a small independent space in D.C. The city has been hit hard — especially with reduced spending and recent federal layoffs — and it’s made things tough for hospitality businesses like ours. Adding alcohol helps make Spark sustainable so we can keep doing what we do: building community, creating jobs, and keeping this space alive for the long haul.

“We’re using this moment to make the space even better — enclosing the back patio so it’s usable year-round, upgrading our DJ booth and sound system, and making a few design tweaks that better reflect the energy and creativity Spark has always had.”

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Photos

PHOTOS: Miss Gay Mid-Atlantic America

Victoria Bohmore crowned in regional pageant held at Freddie’s Beach Bar

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Victoria Bohmore is crowned Miss Gay Mid-Atlantic America 2025 at Freddie's Beach Bar in Arlington, Va. on Friday, Nov. 7. (Washington Blade photo by Michael Key)

The 2025 Miss Gay Mid-Atlantic America Pageant was held at Freddie’s Beach Bar in Arlington, Va. on Friday, Nov. 7. Victoria Bohmore was crowned the winner, with Lady Lords named first alternate. Bohmore and Lords both qualify to compete against the winners of the Miss Gay Maryland America Pageant as well as other state and regional title holders from across the nation at the Miss Gay America Pageant in January.

(Washington Blade photos by Michael Key)

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Books

A history of lesbian workarounds to build family

Fighting for the right to have and raise kids

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‘Radical Family: Trailblazing Lesbian Moms Tell Their Stories’
Edited by Margaret Mooney
c.2025, Wisconsin Historical Society Press
$20/150 pages

You don’t have a white picket fence with an adorable gate.

The other parts of the American Dream – the house in the suburbs, a minivan, and a big backyard – may also be beyond your reach. You’ve never wanted the joyous husband-wife union, but the two-point-five kids? Yeah, maybe that’s possible. As in the new book “Radical Family,” edited by Margaret Mooney, it’s surely more so than it was in the past.

Once upon a time, if a lesbian wanted to raise a family, she had two basic options: pregnancy or adoption. That is, says Mooney, if she was willing to buck a hetero-centric society that said the former was “selfish, unnatural and radical” and the latter was often just simply not possible or even legal.

Undaunted, and very much wanting kids, many lesbians ignored the rules. They built “chains” of women who handed off sperm from donor to doctor to potential mother. They demanded that fertility clinics allow single women as customers. They wrote pamphlets and publications aimed to help others become pregnant by themselves or with partners. They carefully sought lesbian-friendly obstetricians and nurses.

Over time, lesbians who wanted kids were “emboldened by the feminist movement and the gay and lesbian rights movement” and did what they had to do, omitted facts when needed, traveled abroad when they could, and found workarounds to build a family.

This book tells nine stories of everyday lesbians who succeeded.

Denise Matyka and Margaret McMurray went to Russia to adopt. Martha Dixon Popp and Alix Olson raised their family, in part and for awhile in conjunction with Popp’s husband. Gail Hirn learned from an agriculture publication how to inseminate herself. MC Reisdorf literally stood on her head to get pregnant. Mooney says that, like most lesbian parents then, she became a mother “without any safety nets…”

Such “struggles likely will feel familiar as you read about [the] desire to become parents…” says Mooney. “In short, these families are ordinary and extraordinary all at once.”

In her introduction, editor Margaret Mooney points out that the stories in this book generally take place in the latter part of the last century, but that their relevance is in the struggles that could happen tomorrow. There’s urgency in those words, absolutely, and they’re tinged with fear, but don’t let them keep you from “Radical Family.”

What you’ll see inside these nine tales is mostly happy, mostly triumphant – and mostly Wisconsin-centric, though the variety in dream-fulfillment is wide enough that the book is appropriate anywhere. The determination leaps out of the pages here, and the storytellers don’t hide their struggles, not with former partners, bureaucracy, or with roadblocks. Reading this book is like attending a conference and hearing attendees tell their tales. Bonus: photos and advice for any lesbian thinking of parenthood, single or partnered.

If you’re in search of positive stories from lesbian mothers and the wall-busting they did, or if you’ve lived the same tales, this slim book is a joy to read. For you, “Radical Family” may open some gates.

The Blade may receive commissions from qualifying purchases made via this post.

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