Arts & Entertainment
High notes for ‘Show Boat’
Opera singer Cambridge returns for fourth appearance with WNO

‘Show Boat’
Opens Saturday, runs through May 26
Washington National Opera
Kennedy Center Opera House
(2700 F Street, NW)
$25-$270
kennedy-center.org

Soprano Alyson Cambridge says she’s thrilled to bring ‘Show Boat’ to her native Washington. (Photo by Enrique Vega; courtesy Bucklesweet Media)
D.C.-area native Alyson Cambridge starts a triumphant homecoming this weekend.
The former Arlington, Va., resident — she grew up here — has made a splash in the opera world with debuts at the Metropolitan Opera and other top-level houses in major productions. She opens Saturday in the classic musical “Show Boat,” the Kern/Hammerstein masterpiece that will feature more than 100 singers, actors and dancers on the Kennedy Center Opera House Stage to tell the story of a troupe of riverboat performers as they make their way through the decades. It features classic songs such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man.”
Cambridge stars as Julie. It will be a busy month for the performer. She’ll also sing the National Anthem at the Washington Nationals game on May 11. And on May 18, the production will be broadcast live to Nationals Park for WNO’s annual “Opera in the Outfield” event. Cambridge opened the show in Chicago last year and says during a lengthy phone chat from her home in Manhattan, she’s excited about bringing it to D.C. (Cambridge’s comments have been edited for length.)
BLADE: You still have family here?
CAMBRIDGE: Yes, my parents still live in the same house I grew up in and my brother and sister-in-law live in Falls Church with my niece who’s 1 so yeah, it’s been great spending time with my niece.
BLADE: How is the art/theater/music vibe different in New York versus Washington?
CAMBRIDGE: New York is a completely different world. I’ve been there almost 11 years so it feels like home now and I’m used to a fast-paced life where I’m constantly being surrounded by artists, singers, actors and dancers all the time. The person behind the counter at Starbucks is an aspiring acturess. It’s just in the culture that there’s this assumption that you have some ties to the arts. You just feel that vibe all the time here.
BLADE: How was the Chicago run?
CAMBRIDGE: Really wonderful. It was the first time for many of us coming to this show .. and my first time doing a musical like this on such a grand scale. About half the cast is new for D.C. and it’s been wonderful welcoming so many newcomers to this production. I can truly say, there’s not a weak link in the cast, everybody is just so strong. … I hope D.C. embraces the show as much as Chicago did. We were completely sold out there and it was the toughest ticket in town to get.
BLADE: Most of your professional work has been in opera. Are the lines blurring between the opera world and musical theater and if so, is that a good thing?
CAMBRIDGE: I’ve seen a lot of change just within the last four years or so. I did “Porgy & Bess” in Washington in 2005 and came back in 2010 and the reception was very different. It’s considered a show in the more operatic vein and was really written for classically trained voices. Even just a few years ago, people warned me, ‘Oh, be careful — if you start with that, people won’t see you as a truly legit opera singer,’ but I think what we’re doing is really opening up these musical worlds to different audiences and I think it’s the perfect blend.
BLADE: Whatever raw talent you were blest with, as you discovered it and what your strengths were, did that line up pretty naturally with your musical interests as a teen or did you have to learn to appreciate opera, which can be an acquired taste?
CAMBRIDGE: Oh, back in the ‘90s I listened to pop singers and wanted to be a pop singer. I’d be blasting Christina Aguilera out of my car on campus but I discovered I could imitate any voice I heard and had a really finely tuned ear. My mom would have classical music on and I could imitate the opera singers and we had a neighbor say once, ‘You know, that’s not half bad.’ … This led to voice lessons … where I was eventually told I had natural ability in this genre. But yes, it took awhile for me to really embrace what my voice was meant to do. But yeah, Madonna, Whitney Houston, Tiffany, I loved all that too and even went through a rap phase.
BLADE: Does it feel really competitive and cut throat as your career unfolds or is there a level you get to where you don’t feel like the next soprano is just waiting in the wings snapping at your heels?
CAMBRIDGE: I think everybody has their own unique path. Mine was pretty fast. I literally went from Curtis to the Metropolitan Opera’s young artist program by the time I was 23 and had my Met debut at 24, but I have certainly leanred you’re always a work in progress and I think it’s a misconception that you don’t have to keep learning. … It’s very much about always coming out and bringing your A game.
BLADE: What is your tessitura?
CAMBRIDGE: I’m a full lyric soprano.
BLADE: Is that the highest one? I can never remember.
CAMBRIDGE: No, a coloratura is the highest and the lightest … It’s a fuller sound with more meat to it. … The role of Julie, is really a mezzo role. It’s quite low but it suits me quite well.
BLADE: Do you have a gay best friend in New York? Your world must be teeming with gay energy.
CAMBRIDGE: It’s all over the map. I’m surrounded by gay people, trans people, bi — everything. It’s really all across the map. But yeah, I’m going to the wedding of one of my college best friends this summer in New York. She was straight all through college but she’s marrying a woman and she’s never been happier.

Friday, February 7
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Go Gay DC will host “First Friday LGBTQ+ Community Social in the City” at 7 p.m. at P.F. Changs. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, February 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
“Fashion Freeway” will be at 11 a.m. at the DC Center for the LGBT Community. Guests will have the opportunity to check out the clothing closet. Clothes, shoes, accessories, and other items will be available. For more details, email [email protected].
Sunday, February 9
Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. This event is ideal for making meaningful new connections and informal community building. Or just to unwind and enjoy the group happy hour. Fabulous people from all over the world are expected. Nametags will be provided. This event is free to attend and more details are available on Eventbrite.
Monday, February 10
“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, February 11
Coming Out Discussion Group will be at 7 p.m. on Zoom. This group is a safe space to share experiences about coming out and discuss topics as it relates to doing so. By sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, email [email protected].
Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Wednesday, February 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, February 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

Seeing red: it’s not just for ire toward the president’s Executive Orders. Next week is also Valentine’s Day. Your faithful gay bars and establishments are gearing up (in some cases, literally) for the holiday. Here is a list of just a few options for the LGBTQ+ set.
Crush
On Feb. 14, Crush debuts a new event, just in time for the holiday. Meet Grizzly, a monthly Bear Happy Hour. Running 5-8 p.m., Grizzly features not only discounted drinks (50% off drafts and wine, plus lower-priced cocktails), but food: there will be free hot dogs during the evening. Without skipping a beat, later that night is a Valentine’s Day Stop Light Party 10 p.m. with DJs. Dog tags with green, yellow or red sticker so your crush can see if you’re available. There’s no cover for either.
Bunker
This Valentine’s Day, Bunker is turning tradition on its head with F*CK CUPID, a high-energy celebration for those over the holiday hype. Whether you’re flying solo or just want to skip the clichés, enjoy an unforgettable night with a special performance by a to-be-announced local drag queen and a dynamic set by Miscalculated. With free entry for singles and just a $5 cover for couples, it’s the perfect chance to dance the night away without the romance-themed distractions.
District Eagle
Join District Eagle this Valentine’s Day for Leather Lovers Gear Night, an inclusive event for all members of the leather community. DJ Jason James will provide the beats throughout the night, and guests wearing gear can enjoy 10% off drinks until midnight. Whether you’re single, taken, or in a situationship, everyone is welcome to celebrate in a welcoming, gear-friendly environment.
Number Nine
Nine is also launching a new event, titled Single Mingle, a singles mixer, the event will rotate theme for differing tastes. This first event takes place on Feb. 13, 7-9 p.m., upstairs, for those interested in dating queer men. Tickets are $15 and include a complimentary first drink plus ice breakers. On Thursday, Feb. 27, along with DC Gay Girls+, Nine will host a Single Mingle event for those interested in dating in the Sapphic community.
Additionally, Uproar will host a “Cupid Undies” event on Feb. 13 with cocktail specials; Licht is offering a “Date Night” special that includes two cocktails, two glasses of Champagne, and a cheese board for $35; and gay-owned Wunder Garten’s event on Feb. 14 is apres-ski themed with drinks like Love Potion and Cupid’s Arrow.
Theater
Celebrate Valentine’s Day with one of these three plays
‘Waitress,’ ‘Love Birds,’ ‘Fuenteovejuna’ offer differing takes on love

For theatergoers seeking to mark Valentine’s Day with live music, love, and friendship, the DMV offers some new spins on traditional themes.
Poised to make its regional debut at Olney Theatre Center, Sara Bareilles’s hit musical “Waitress” (Feb.13-March 30) may not seem like a usual love story, but it’s a love story nonetheless.
“It’s about learning to love and value yourself,” says MALINDA who plays Jenna, the show’s titular server/baker with aspirations to bake prize-winning pies and change her life. “It’s also about sisterhood. From the start, the women involved in the show decided to be there for each other onstage and off, and it shows. For anyone with girl group love in their lives, this is an especially good show to see.
“Jenna doesn’t get a lot of satisfaction out of her primary partnership. Along with self-love she explores the antithesis of that — partner violence. Our director [Marcia Milgrom Dodge] took the lesson of community support and community love to heart.”
Prior to coming out as bisexual in 2022, MALINDA considered herself more of a “quiet queer.” However, the inspiration derived from Irish music (“music of the oppressed”), which she’s famed for singing on TikTok, compelled her to go public.
She didn’t always believe her queerness to be special: “For me,” MALINDA says, “it was like saying my eyes are hazel. There wasn’t much to celebrate. But then I realized there were missing voices in my community. Felt like the right thing to do, and it’s been one of the great blessings of my life.”
Six years ago, after her Helen Hayes Award-winning turn in “Once,” MALINDA took a break from musical theater. She needed time to age into dream parts, and one of those roles was Jenna. She recalls, “Going back to theater was prominently featured on my vision board, so when Marcia asked me to commit to ‘Waitress,’ I happily agreed.”
For her, Valentine’s Day is an opportunity to reach out and tell friends, family, and, of course, romantic partners, just how much you love them.
And she adds “that’s exactly how I plan to celebrate.”
D.C.’s delightful Holly Twyford is spending Valentine’s Day working at the Folger on Capitol Hill. She’ll be on stage, her wife will be in the audience, and depending on the length of the program, they’ll go out to dinner afterward.
For four performances, the multi-Helen Hayes award-winning actor is serving as narrator for “The Love Birds” (Feb. 14-16), a new Folger Consort work that blends medieval music with a world-premiere composition by acclaimed composer Juri Seo and readings from Geoffrey Chaucer’s “A Parlement of Foules” by Twyford.
Standing behind a podium, she’ll read Chaucer’s words (translated from Middle English and backed by projected slides in the original language), alternating with music played on old and new instruments.
“The new music is kind of dissonant with the sounds of birdcalls and nature sounds, painting a picture of what’s going on in Chaucer’s poem that’s beautiful and funny. Chaucer describes the male eagles pleading for the hand of the female eagle. Chaucer seems almost unwittingly feminist when he has the female eagle ask her eagle suitors to give her a year to think about it.”
GALA Hispanic Theatre in Columbia Heights presents “Fuenteovejuna” (through March 2), a timely production staged by out director José Luis Arelleno. Penned in 1613, this work from the Spanish Golden Age ranks among playwright Lope de Vega’s most performed plays.
It’s about tyranny and love, Arellano explains. Within Lope de Vega’s timely tale of brutish power lies an intense love story. In fact, at the top of the show, four characters, two males and two females play a game. What is love? One of the players asserts that love doesn’t exist, while the others disagree. It’s a charming way to kick off the play.
The celebrated director isn’t one to telegraph messages, preferring audiences think for themselves. That said, he does, of course, make strong directorial choices: “If I have to choose between love or war, it’s more important to talk about love. For me, it’s a revolution.”
And apropos of a Valentine’s Day date, GALA’s production of “Fuenteovejuna” (performed in Spanish with English surtitles) is imbued with live music and verse, an important part of any romantic experience, adds David Peralto, the production’s poetry and verse consultant as well as Arellano’s longtime partner.
The busy Spain-based couple will celebrate Valentine’s Day in Seville and couldn’t be happier. Arellano describes Seville as the most romantic city in the world.
-
National4 days ago
Board members for LGBTQ foreign affairs group resign amid Trump attacks
-
Opinions3 days ago
My existence as an intersex American was finally acknowledged, then erased four days later
-
Opinions1 day ago
I’m nervous about D.C.’s ability to stage WorldPride
-
Argentina4 days ago
Millions march against Javier Milei in Argentina