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Dance diva Sasha Gradiva on fame, gays and guns

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Sasha Gradiva, gay news, Washington Blade, music
Sasha Grandiva, music, gay news, Washington Blade

Electronic dance diva Sasha Gradiva plays the Capital Pride Capitol Stage Sunday at about 6:50 p.m. (Photo courtesy Saadko Records)

The main stage at Capital Pride is always an eclectic setting for all kinds of talent — from local legends to up-and-comers to household names. Although not technically considered one of the headliners — that honor is being shared jointly by Icona Pop, Cher Lloyd and Emeli Sande — Russian-born diva Sasha Gradiva, slated to go on at 6:51 p.m., has one of the envious culminating slots (for a full list of scheduled performance times, visit capitalpride.org).

Gradiva is starting to make a name for herself in the world of electronic dance music with songs like “I’m on Fire,” “Wanted” (No. 3 on Billboard’s Hot Dance Singles chart) and “Say My Name with Love, working often with producer Tricky Stewart (Rihanna’s “Umbrella” and Beyonce’s “Single Ladies”).

Sasha Gradiva, “I’m on Fire”

In near-perfect English yet with a noticeable Russian accent, Gradiva, 28, took a half hour with us by phone on Memorial Day from her home in Los Angeles in which she discussed everything from her career, her reasons for leaving a successful music career in her homeland and why she got kicked out of the Grammys for attaching rifles to her dress last year. Her comments have been slightly edited for length.

 

Washington Blade: How are you spending the holiday?

Sasha Gradiva: I’m with some friends here in L.A. trying to figure out how we’re going to spend the day.

 

Blade: You live in L.A., right?

Gradiva: Yes, but I travel madly so I don’t get to spend much time here.

 

Blade: On average, how much are you home vs. on the road?

Gradiva: I’m probably gone about 70 percent of the time. I’ll be out for three weeks, then back a week, then maybe out another four.

 

Blade: What are you doing musically these days?

Gradiva: I am working most often on new music. Writing and recording and getting a new show together, which I’m very involved in personally. Every single stage of the show. I pay a lot of attention to costume and sets and the videos that play on the screen behind me. My shows are very important and I’m making sure everything is exactly the way I want it.

 

Blade: Do you record mostly in L.A. or elsewhere?

Gradiva: Mostly in L.A. My single “Come With Us” is coming out very, very soon. We’re literally putting the finishing touches on the campaign right now and working on the final mix. It’s a very detailed process. I was performing a remixed version of it on my tour last year and got really amazing responses. People really love the track.

 

Blade: Will this be on an album, an EP or just a single release?

Gradiva: It’s part of an EP, which we’re hoping to release closer to August. I have maybe like 20 songs ready to record and that’s what I’m focusing on while I’m here in L.A. There are a lot of producers in Tricky’s camp I’m very lucky to get introduced to so we’re trying to find something new. I’m working really hard to create something new that hasn’t been done before.

 

Blade: So often in electronic dance music, the producers get much of the credit while some pop stars — not all certainly — are seen as the outlet but not really the visionary, more so than in other genres perhaps. Does that dynamic bother you?

Gradiva: No, because I’m very involved. My songs are really born out of guitar or I’ll go to the studio and produce something basic on guitar myself or play my songs on the piano. I’m very involved, though. I pay attention to every lyric. I want something deep, meaningful and universal. I love the process — creating and perfecting.

 

Sasha Gradiva, gay news, Washington Blade, music

Sasha Gradiva says she left a successful music career in Russia because she’d never have worldwide impact unless she broadened her fan base into English-speaking countries. (Photo courtesy Saadko Records)

Blade: Creating an image as a dance artist is so essential but is there ever a clash between being perhaps aloof or mysterious for a photo shoot or in a video or even on stage, but then in interviews or with social media presenting yourself to fans as a real person who eats, sleeps, shops, etc. like everyone else? Does one diminish the other?

Gradiva: I don’t find it hard at all to be down to earth or to talk to fans. I totally say no because I think perception of art and show business has changed tremendously since maybe like 10 years ago and I literally feel that there’s (in embracing) all the new things with social media and the internet, it broadens your reach in a lot of ways but at the same time, there’s some anxiety because there’s no curtain anymore. Even when you have nothing left to give. People can see through it all now and they’ll know exactly who you are. They see your Tweets and your pictures and this wall is dissolved. It’s good but it’s challenging at the same time. The solution for this is just to relax and be available and be yourself and this will be the best protection from anxiety that you could have. We’ve chosen this path to be in front of many people and we commit to sharing our life and vision with them. It’s an important gift, not a curse.

 

Blade: But did the old system allow celebrities to have more mystique?

Gradiva: The entire machine was working differently back then. Now that’s just impossible. If you’re going to be behind the curtain, you’re going to stay behind the curtain. You need to be accessible and available and share everything with fans. That’s why you’ll be a successful artist, not because you hide something. It might be more difficult for the artists to deal with, but it’s more honest. If an artist is dumb, fans will know right away. Of if you’re not genuine, they’ll pick up on that. It’s a little bit brutal but it’s honest and I prefer honesty.

 

Blade: You got a lot of press buzz for the guns you wore to the Grammys last year. When the dust settled, do you feel the message you wanted to convey came across or was there some sense you’d become simply “the girl in the gun dress.”

Gradiva: I definitely got a lot of attention, which I didn’t expect from the peace movement and the anti-violence movement. I meant it as a political statement if you will for people to pay attention to how much energy and money and sources the world spends on useless things. The most horrible things in the world are wars and producing weapons and drugs and when you think about how many things people could use this money for that would be so much better, people aren’t even curious to hear the research that’s been done on this which is very much available by the way. Our society just seems not to be there spiritually yet to address that. That was my attempt and we got good results. I want to do more socially to make the world a better place because I think that’s exactly what we’re supposed to do, not just sing and have fun.

 

Blade: Are you straight?

Gradiva: At the present time, yes.

 

Blade: How did you end up playing Pride events? Is it just a logical fit considering the kind of music you make or do you have some personal investment in the community?

Gradiva: I feel very connected to my gay audience. I guess it’s a destiny. The gay audience has been the first ones to support my music. And it saddens me that in my native country, in Russia, they don’t allow gay Pride. I will be fighting as much as I can for gay rights. It’s definitely something that touches me a lot.

 

Blade: You had released a few albums in Russia and seemed to be on your way with a music career there. Why did you uproot and move to the U.S.?

Gradiva: All the music that inspired me growing up was from America and Europe — people like Michael Jackson, Cyndi Lauper, Depeche Mode — and I always wanted bigger stages, to travel the world. I’d had two albums that were very successful but at some point while I was still young I just thought, “Well, I want to move and do this — it will either be in this lifetime or in the next, so I decided to do it in this lifetime.” My friends and colleagues thought I was completely out of my mind because it was not logical at all, but this is what I’ve done and the reaction in America so far has been so rewarding. It actually makes me cry, it’s really touching.

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Real Estate

D.C.’s housing reality: Cautious optimism meets landlord strain

Cost of living remains a major problem

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(Photo by sparky2000/Bigstock)

Washington has long prided itself on stability. Anchored by the federal government and buoyed by a highly educated workforce, the District has historically weathered economic uncertainty better than most cities.

But beneath that stability, cracks have been showing since January 2025.

I was having a conversation with a prospective client the other day and offered him a candid assessment of the District’s economic outlook. Simply put, structural challenges have been shaping the city’s future, a new mayoral election, and more that blends cautious optimism with clear concern about the changes ahead.

For one, the long-term shift toward remote and hybrid work continues to reshape the city in ways many people still underestimate. There has been a change in the rhythm of downtown D.C., reduced daytime foot traffic for local businesses, and created uncertainty for commercial real estate owners and the neighborhoods that depended on those workers every day.

At the same time, the cost of living in the District continues to rise at a pace that many residents are struggling to absorb. Even residents with strong incomes are becoming more cautious about spending and relocation decisions.

Landlords are feeling those pressures as well. Many smaller housing providers are operating in an environment where expenses continue to rise faster than revenue while the regulatory environment has grown increasingly complex. For some rental owners, especially those with older buildings or only a few rental units, the math is making it harder to cover costs, much less generate passive income. 

There is also growing concern about the District government’s own financial outlook. Significant budget pressures and spending cuts are being had in a more serious way than many Washingtonians are used to hearing. As uncertainty in federal employment affects local tax revenue and consumer confidence, how will the city fund services, infrastructure, housing programs, and public safety priorities in the years ahead? 

At the same time, consumer confidence feels noticeably down than it did even a few years ago. People are taking longer to make decisions, whether that means signing a lease, purchasing a home, renovating a property, or expanding a business. That hesitation creates a slower-moving marketplace where caution often replaces momentum. 

Despite all this, Washington has proven remarkably resilient over time. The city continues to attract talented professionals, international investment, universities, healthcare institutions, and industries tied to government, law, technology, and public policy. Neighborhoods continue to evolve, and demand for well-managed rental housing remains strong in the core areas of the city.

Unlike other major cities driven by private industry, federal employment and contracting are two of the main pillars of Washington’s economy. That reliance has long insulated the region from deep recessions. But it also creates vulnerability when federal activity slows.

D.C.’s economy is far more interconnected and interdependent than many people fully appreciate. Between significant federal layoffs, the District’s high unemployment rate, and broader economic uncertainty, there are a number of warning signs that property owners should be paying close attention to. When federal hiring slows or contracts tighten, the impact extends well beyond government workers themselves. It affects restaurants, retail, housing, and countless other sectors tied to the District’s economic activity. 

Brookings Institution has documented how job losses in higher-income sectors can disproportionately impact urban economies—precisely because those workers drive local spending.

Research from the Urban Institute supports this view, noting that federal workforce disruptions can quickly ripple through the region’s economy. For landlords and renters alike, those ripples are already being felt.  Renters see many more properties on the market which gives them leverage on negotiating discounts in rent or special incentives.  Housing providers, already squeezed by the reality of a weak economy and strong regulations face lowering rents and income.

For years, affordability has been one of D.C.’s most persistent challenges. Much of that pressure has been driven by strong job growth and sustained demand for housing at a pace that new housing inventory has struggled to match. That imbalance has steadily pushed rents and home prices higher, leaving many residents financially stretched.

Recent multifamily housing data suggests the market is already beginning to adjust. Developers delivered more than 15,000 apartment units across the Washington metropolitan area over the past year, and several industry reports have noted that elevated supply levels, combined with slower demand growth, have contributed to softer occupancy levels and downward pressure on rents in portions of the region. CoStar, CBRE, and Northmarq have all reported rising vacancy rates across segments of the D.C. multifamily market as newly delivered Class A inventory continues entering the pipeline at a time when hiring growth has moderated and federal workforce uncertainty has increased. 

At the same time, several economists and housing analysts have cautioned that the District’s affordability challenges are deeply structural and unlikely to disappear quickly. The Joint Center for Housing Studies of Harvard University has repeatedly identified Washington among the nation’s more cost-burdened metropolitan areas, particularly for renters, while Zillow data continues to show housing costs consuming a substantial percentage of household income for many residents.

From my own perspective as a property manager working directly in the market every day, I believe we are beginning to see the early stages of a market recalibration rather than a collapse. Anecdotally, there appears to be more competition among larger apartment buildings than there was several years ago, particularly in neighborhoods where substantial new inventory has recently delivered. That does not necessarily mean dramatic rent declines are coming, but it does suggest that the imbalance between supply and demand may be moderating somewhat after years of sustained upward pressure on pricing.

Even if prices soften, affordability will remain a long-term challenge.

Regulation and the Realities of Tenant Turnover

The same rental owner I spoke with pointed to regulatory hurdles as a major source of hesitation to continue renting out his property, given past bad experiences with tenants and excessive costs to prepare the rental for a new tenant.  

For many small property owners, the cumulative weight of regulation, maintenance costs, and market uncertainty is becoming harder to bear. Clients of mine have described feeling overwhelmed, not just financially, but emotionally. What was once a source of pride has, in some cases, become a source of stress.

We’re seeing more small landlords sell their rental homes, questioning whether it’s worth staying in the market. That’s a significant shift from even five or ten years ago. The National Multifamily Housing Council has noted that regulatory complexity often disproportionately impacts smaller landlords, who lack the resources of larger firms.

Some are choosing to sell. Others are simply trying to hold on. The result is the same – less rental housing for DC residents.

A Shift From Pride to Disillusionment

Perhaps the most striking theme is the emotional shift described by the property owner. For some, owning property in D.C., once a milestone achievement, has become a source of disillusionment. They cited financial losses, regulatory frustration, and a growing sense of political alienation.

There are also broader concerns about:

  • The decline of small multifamily ownership 
  • Rising foreclosures in certain segments 
  • Increased consolidation by larger institutional landlords 

If small landlords continue to exit the market, it changes the entire housing ecosystem. You lose diversity in housing options, and that can have long-term consequences for affordability.  It also robs families of having homes large enough to live in.

Politics and Policy: A System at a Standstill?

The political environment has obviously been a key factor shaping the city’s housing future. Following the 2026 elections, a lack of significant leadership change may result in continued policy stagnation.

Without meaningful policy shifts, we’re likely to see more of the same:  continued and increasing pressure on landlords and not enough study and focus on policies to increase housing supply by first stopping those property owners fleeing the District’s extreme tenant friendliness. The D.C. City Council remains central to these decisions, with advocacy groups continuing to push for expanded tenant protections. The importance of balance cannot be understated: ensuring protections for renters while maintaining a viable environment for housing providers.  

Taken together, these dynamics point to a housing system at a crossroads.

D.C. must find a way to balance:

  • Tenant protections 
  • Housing affordability 
  • Landlord sustainability 
  • Long-term investment in housing supply 

What’s Next?

D.C. isn’t going anywhere. The question is how it adapts. If we can find the right balance, there’s a path forward, but it’s going to take time and thoughtful policy decisions. For landlords, that path will require adaptability and engagement. For renters, it may mean gradual rather than immediate relief. For policymakers, it presents a clear challenge: create a system that works for everyone.

Scott Bloom is owner and senior property manager of Columbia Property Management. Contact him via ColumbiaPM.com.

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Real Estate

Introducing Next-Generation Assisted Living & Memory Support.

Now Available in Tysons: Kokua at The Mather

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We have good news for those seeking assisted living or memory support for a loved one: a fresh, hospitality-driven approach to care is now available in the heart of Tysons, Virginia. Kokua at The Mather opened in fall 2025 and provides residents with collaborative care as well as everyday possibilities for creativity, purpose, and connection. 

For a limited time, Kokua is welcoming new residents with exclusive move-in incentives. 

“Kokua is a Hawaiian word meaning ‘To extend help to others without expecting anything in return,’” explains Brandon Davidson, Administrator. “If you’re seeking support for a loved one, Kokua is worth a closer look. We take an individualized approach to care, with evidence-based practices provided by a dedicated, interdisciplinary team.” 

LIMITED-TIME OPPORTUNITY

“At Kokua, we focus on the individual. We blend care with our research-driven approach to deliver personalized wellness tailored to residents’ needs and preferences,” says Davidson. 

Residents enjoy the freedom to choose from enriching programs, meaningful social opportunities with experiences such as sensory walks, meditation, acupuncture, Reiki, songwriting workshops, poetry readings, Sensory Symphony Swim, and more.

Assisted Living in Ādar

Ādar means “respect”, and Kokua delivers. Comfortable residential living is combined with caring assisted living services, enabling residents to remain as independent as possible. Each one-bedroom apartment home (ranging in size up to nearly 900 square feet) offers generous space and thoughtful design, complemented by assistance with daily living tasks and emergency response systems for peace of mind. 

Memory Support in Miran

Miran means “peaceful”—another pillar in the Kokua way of life. Private suites are designed for those with mild to moderate Alzheimer’s disease, dementia, or similar cognitive conditions. “Our person-centered approach embraces individual strengths and needs, with an interdisciplinary team that includes a staff member in attendance 24 hours a day to assist with event reminders and activities of daily living,” says Davidson. “Residents have access to a variety of opportunities to connect, express, and explore their potential through social events, wellness programs, creative arts, and more.”

Kokua offers the next generation of care in these areas, with a commitment to highly personalized service. 

INSPIRED AMENITIES & BOUTIQUE SERVICE

Nestled in a lively urban neighborhood, Kokua incorporates biophilic design that brings the outside in to enhance health and wellbeing. 

Throughout Kokua, residents enjoy a collection of thoughtfully designed spaces and top-shelf hospitality in an upscale community. Beautifully appointed gathering spaces create flexible opportunities for wellness, connection, and everyday enjoyment. A spacious outdoor terrace, demonstration kitchens, art and music studios, and more are used for an array of programs and are available to residents and their visitors. Multiple restaurants offer chef-prepared cuisine with flexible, open-hour service.

“Here at Kokua, we’re offering the next generation of care in Ādar and Miran, and it’s available to the public for a limited time,” says Davidson. Now is an ideal time to explore the personalized care and quiet luxury that Kokua at The Mather has to offer.

For more information, download a brochure at www.themathertysons.com/kokua. To schedule a visit or for additional details, contact Kokua at [email protected] or (571) 282.3650.

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Autos

A magical Mercedes

S-Class continues to define what luxury really means

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Mercedes S-Class

At my stage of life — “somewhere between 40 and death,” as the iconic line goes in the musical “Mame” — I want some pampering. A lot of pampering. 

Luckily, for anyone who constantly craves a soothing spa, steam room or sauna, there’s the completely updated Mercedes S-Class. This flagship sedan is now so full of glitz, glamour, and gee-whiz gadgetry, it gives new meaning to the term “auto erotica.” 

Does this make the S-Class a “gay” ride? For me, any vehicle that pushes my buttons like this one is a Kinsey 6.

MERCEDES S-CLASS

$122,000 (est.)

MPG: 21 city/31 highway

0 to 60 mph: 4.3 seconds

Trunk space: 19 cu. ft. 

PROS: Exceptional comfort. Ultra-quiet cabin. Cutting-edge safety.

CONS: Price climbs fast. Tech learning curve. Sportier competitors.    

The S-Class continues to define what luxury really means, with a bolder silhouette, larger grille, and striking, next-gen LED headlights. There’s also an optional illuminated Mercedes star on the hood. Overall, nearly 2,700 parts are new or improved, so more than 50 percent of this vehicle has been updated. An extreme makeover, to be sure. 

At the same time, this latest S-Class leans harder into intelligence and electrification than ever before. Under the hood, a range of turbocharged inline-six and V8 engines — paired with mild-hybrid systems — deliver power in a way that seems almost edited for smoothness. Braking is solid and strong, too, but never abrupt. All the engineering is fine-tuned and intentional.

Yes, the top-of-the line S580 version is more expensive, almost $140,000. But it’s also blisteringly fast, zipping from 0 to 60 mph in just 3.9 seconds. That’s as lickety-split swift as a Lamborghini Revuelto supercar, which has a starting MSRP of $610,000 and can easily exceed — yowza! — $800,000.

Colors? There are 150 to choose from for the exterior and 400 for the interior. You can even customize the illuminated door sills, interior stitching and wheel accents.

And the ride quality? Sublime. Adaptive air suspension reads the road constantly, leveling out imperfections before they even register. Rear-axle steering enhances maneuverability, making this full-sized sedan feel surprisingly nimble in tight spaces. On the highway, the S-Class simply glides like a private yacht on the calmest of seas — extremely quiet, composed and completely unbothered.

Whenever you slide inside, the cabin immediately sets the tone. A massive OLED digital display — the same high-def technology used for cinematic viewing and gaming monitors — anchors the dashboard, running the latest MBUX infotainment interface. Highly customizable, this software allows for advanced voice commands that feel natural, not forced. And an augmented-reality navigation system takes your route and overlays it onto live camera feeds. It’s intuitive — mostly, as there is a learning curve for all this cutting-edge gear. Overall, though, such amenities make older setups feel like dial-up internet. 

A Burmester surround-sound stereo is available in 3D or 4D, with up to 31 speakers, 1,690 watts and tactile transducers in the seats that vibrate and pulse with the music. Those seats are, of course, extremely comfortable. And the seatbelts? These are now heated. 

Let’s not forget the latest cabin air-filtration system, which can remove ultra-fine particles to deliver air quality that rivals medical environments. Clean air, yes, but even this seems like a special treat. It’s like being swaddled in couture, not ready-to-wear. 

And lastly, there’s the rear-seat area, which — to be honest — is where the S-Class really shines. Executive packages offer multi-contour reclining seats with rapid heating and ventilating, heated armrests and massage functions. You can opt for a footrest, which ups the glam factor to give you a calf massage. Dual 13.1-inch display screens come with their own remote controls. There’s also a video-conferencing feature, to help transform the rear cabin into a fully connected mobile office. For me, it feels less “back seat” and more “private lounge.” 

Even in fiction, high-tech luxury carries weight. Tony Stark helped cement the idea that state-of-the art vehicles can be aspirational, not just practical. The magical S-Class fits right into that narrative — minus the flying suit (for now).

Mercedes S-Class interior
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