Living
Taboo topics
New doc explores how gay marriage battle went down last year in Md.

Yoruba Richen, director/producer of ‘The New Black.’ (Photo by Luke Rattray; courtesy the filmmakers)
‘The New Black’
AFI Docs
Saturday at 1:30 p.m.
Goethe-Institute
812 7th St., N.W.Sunday at 1:15 p.m.
AFI Silver Theatre
8633 Colesville Rd.
Silver Spring, MD
$13
afi.com/afidocs
One of the big debates with reality TV is the inevitable degree to which the camera’s presence affects the way people act. It’s unquantifiable, of course, but it’s also a challenge for documentary filmmakers.
Yoruba Richen says she knew it would be hard to capture the kind of exchanges she wanted to get in her film “The New Black,” a piece that explores both last year’s battle for Maryland Question 6, a referendum question that won 52 percent of the vote last November to uphold same-sex marriage rights there, but also the larger issue of how the African-American community is grappling with gay rights and the degree to which many feel it’s comparable to the civil rights struggle. The roughly 80-minute documentary screens twice this weekend as part of the AFI Docs (formerly Silverdocs) festival that continues through Sunday.
Two such exchanges especially stand out — one Sharon Lettman-Hicks, executive director of National Black Justice Coalition, has with anti-gay family members at her husband’s (she’s an LGBT ally) retirement party and the tear-laced discussion 24-year-old lesbian Karess Taylor-Hughes has coming out to her religious foster mother.
Richen says both took a delicate approach.
“It’s hard,” she says during a phone interview from her Brooklyn home. “It’s really hard. You can’t just come in with lights and 5,000 people. You try to be as spare as you can. Like at that barbecue, it was just me and a camera person, that’s it. And there has to be a level of trust there. At that point with Sharon, we had already been filming for two years and the same with Karess. But there can be an advantage too because I think that for us, especially in the African-American community, we don’t always get a chance to share our stories so there can be a level of comfort and excitement that we are getting to talk about this issue. Also I think the fact that I’m black and there was another black person doing the filming helped everybody be a little more comfortable as well.”
Richen, a lesbian, met Lettman-Hicks at an LGBT conference in Dallas in 2010 and quickly recognized her as an ideal vehicle to explore the issues of race and sexuality that had been haunting her since many blamed blacks for California’s Prop. 8 ballot measure in 2008, the success of which overturned same-sex marriage rights there. After starting the project, she started to see Maryland — where gay marriage hadn’t yet bubbled to the surface when the project began — as a strong microcosm for the issues the entire country is dealing with at the intersection of race and religion.
Lettman-Hicks says she gave her family and her husband’s family a “heads up” before the film crew arrived. About three people opted out and said they didn’t want to be filmed.
She says she was happy to put herself and her family out there — even ones who aren’t politically on the same page with her — because she sensed the ultimate effect the piece could have.
“I came to LGBT activism later in life,” Lettman-Hicks says. “But my husband and I are both humanitarians and this is our passion, to make the black family whole again and stronger. These are just my brothers and sisters and these conversations are long overdue. Too many people have been harmed, both directly and indirectly, and the underlying issues stem much deeper.”
Samathan Master, a 25-year-old Columbia, Md., resident who identifies as a black queer femme, got involved with the project through her partner Kandice Fields, who is friends with Taylor-Hughes. She has worked with Equality Maryland and Human Rights Campaign and knocked on doors for Question 6 last year. She says she was happy to participate because the issue is loaded with history and baggage.
“Any conversation around sexuality and the black community is met with trepidation,” Master says. “I don’t really think black folks are any more or less homophobic than their white counterparts, but I think the way black people have dealt with sexuality since the days of slavery has been to not talk about it so then you have this movement and this thrust of LGBT equality and people coming out, right, so … there ends up being all this baggage we’ve carried with us century after century but it’s always been very quiet baggage and now that people are out and talking about it, there’s been an attempt to silence something that we’ve always known has existed but never really been vocal about.”
Refreshingly, though, “The New Black” isn’t just an LGBT propaganda machine. Anti-gay ministers such as Bishop Harry Jackson are interviewed in the film. Less notoriously, though, is one of its key figures — Pastor Derek McCoy, president of Maryland Family Alliance and associate pastor of Hope Christian Church in Beltsville, Md.
Richen says even though McCoy worked against Question 6 (and thus against same-sex marriage), she says her integrity as a documentarian necessitated the inclusion of other voices.
“He worked with me and I’m very grateful he did,” Richen says. “I really did my best to let them present their stories and their truth and they didn’t ask me a lot up front about my personal positions.”
Richen and her crew shot more than 100 hours of footage over a three-year period wrapping last November. Had Question 6 failed, she’s not sure she would have ended the story when she did though it ended up giving the ending a celebratory feel. She followed several key participants through Election Day. Richen won’t say how much the film cost to make but says she had support from PBS, Tribeca, Sundance, the Gill Foundation and several other entities. She says it came in the normal range — under $1 million, which is normal for a project of this scope.
Lettman-Hicks says viewers are in for a treat and that watching the film recently at its Los Angeles premiere was a powerful experience.
“It was all done with a lot of integrity,” she says. “There wasn’t one thing in there where I was like, ‘What’s that in there for?’ … A lot of it is reflective of my day-to-day life. Some of these conversations we’re having, that’s a day at work for me, but what was really a surprise was watching some of the young people. I was so touched by Samantha and Karess’s courage out there canvassing the streets in Baltimore. I was just so, so proud.”
Real Estate
Unconventional homes becoming more popular
HGTV show shines spotlight on alternatives to cookie cutter
While stuck in the house surrounded by snow and ice, I developed a new guilty pleasure: watching “Ugliest House in America” on HGTV. For several hours a day, I looked at other people’s unfortunate houses. Some were victims of multiple additions, some took on the worst décor of the ‘70s, and one was even built in the shape of a boat.
In today’s world, the idea of what a house should look like has shifted dramatically. Gone are the days of cookie-cutter suburban homes with white picket fences. Instead, a new wave of architects, designers, and homeowners are pushing the boundaries of traditional housing to create unconventional and innovative spaces that challenge our perceptions of what a home can be.
One of the most popular forms of alternative housing is the tiny house. These pint-sized dwellings are typically fewer than 500 square feet and often are set on trailers to allow for mobility. Vans and buses can also be reconfigured as tiny homes for the vagabonds among us.
These small wonders offer an affordable and sustainable living option for those wishing to downsize and minimize their environmental footprint. With clever storage solutions, multipurpose furniture, and innovative design features, tiny homes have become a creative and functional housing solution for many, although my dogs draw the line at climbing Jacob’s Ladder-type steps.
Another unusual type of housing gaining popularity is the shipping container home. Made from repurposed shipping containers, these homes offer a cost-effective and environmentally friendly way to create modern and sleek living spaces. With their industrial aesthetic and modular design, shipping container homes are a versatile option for those contemplating building a unique and often multi-level home.
For those looking to connect with nature, treehouses are a whimsical and eccentric housing option. Nestled high up in the trees, these homes offer a sense of seclusion and tranquility that is hard to find in traditional housing. With their distinctive architecture and stunning views, treehouses can be a magical retreat for those seeking a closer connection to the natural world.
For a truly off-the-grid living experience, consider an Earthship home. These self-sustaining homes use recycled construction materials and rely on renewable energy sources like solar power and rainwater harvesting. With their passive solar design and natural ventilation systems, Earthship homes are a model of environmentally friendly living.
For those with a taste for the bizarre, consider a converted silo home. These cylindrical structures provide an atypical canvas for architects and designers to create modern and minimalist living spaces. With curved walls and soaring ceilings, silo homes offer a one-of-a-kind living experience that is sure to leave an impression.
Barn homes have gained popularity in recent years. These dwellings take the rustic charm of a traditional barn and transform it into a modern and stylish living space. With their open, flexible floor plans, lofty ceilings, and exposed wooden beams, barn homes offer a blend of traditional and contemporary design elements that create a warm and inviting atmosphere, while being tailored to the needs and preferences of the homeowner.
In addition to their unique character, barn homes also offer a sense of history and charm that is hard to find in traditional housing. Many of them have a rich and storied past, with some dating back decades or even centuries.
If you relish life on the high seas (or at a marina on the bay), consider a floating home. These aquatic abodes differ from houseboats in that they remain on the dock rather than traverse the waterways. While most popular on the West Coast (remember “Sleepless in Seattle”?), you sometimes see them in Florida, with a few rentals available in Baltimore’s Inner Harbor and infrequent sales at our own D.C. Wharf. Along with the sense of community found in marinas, floating homes offer a peaceful retreat from the hustle and bustle of city life.
From tiny homes on wheels to treehouses in the sky or homes that float, these distinctive dwellings offer a fresh perspective on how we live and modify traditional thoughts on what a house should be. Sadly, most of these homes rely on appropriate zoning for building and placement, which can limit their use in urban or suburban areas.
Nonetheless, whether you’re looking for a sustainable and eco-friendly living option or a whimsical retreat, there is sure to be an unconventional housing option that speaks to your sense of adventure and creativity. So, why settle for a run-of-the-mill ranch or a typical townhouse when you can live in a unique and intriguing space that reflects your personality and lifestyle?
Valerie M. Blake is a licensed Associate Broker in D.C., Maryland, and Virginia with RLAH @properties. Call or text her at 202-246-8602, email her at [email protected] or follow her on Facebook at TheRealst8ofAffairs.
Real Estate
Convert rent check into an automatic investment, Marjorie!
Basic math shows benefits of owning vs. renting
Suppose people go out for dinner and everyone is talking about how they are investing their money. Some are having fun with a few new apps they downloaded – where one can round up purchases and then bundle that money into a weekly or monthly investment that grows over time, which is a smart thing to do. The more automatic one can make the investments, the less is required to “think about it” and the more it just happens. It becomes a habit and a habit becomes a reward over time.
Another habit one can get into is just making that rent check an investment. One must live somewhere, correct? And in many larger U.S. cities like New York, Chicago, D.C., Los Angeles, Miami, Charlotte, Atlanta, Dallas, Nashville, Austin, or even most mid-market cities, rents can creep up towards $2,000 a month (or more) with ease.
Well, do the math. At $2,000 per month over one year, that’s $24,000. If someone stays in that apartment (with no rent increases) for even three years, that amount triples to $72,000. According to Rentcafe.com, the average rent in the United States at the end of 2025 was around $1,700 a month. Even that amount of rent can total between $60,000 and $80,000 over 3-4 years.
What if that money was going into an investment each month? Now, yes, the argument is that most mortgage payments, in the early years, are more toward the interest than the principal. However, at least a portion of each payment is going toward the principal.
What about closing costs and then selling costs? If a home is owned for three years, and then one pays out of pocket to close on that home (usually around 2-3% of the sales price), does owning it for even three years make it worth it? It could be argued that owning that home for only three years is not enough time to recoup the costs of mostly paying the interest plus paying the closing costs.
Let’s look at some math:
A $300,000 condo – at 3% is $9,000 for closing costs.
One can also put as little as 3 or 3.5% down on a home – so that is also around $9,000.
If a buyer uses D.C. Opens Doors or a similar program – a down payment can be provided and paid back later when the property is sold so that takes care of some of the upfront costs. Knowledgeable lenders can often discuss other useful down payment assistance programs to help a buyer “find the money.”
Another useful tactic many agents use is to ask for a credit from the seller. If a property has sat on the market for weeks, the seller may be willing to give a closing cost credit. That amount can vary. New construction sellers may also offer these closing cost credits as well.
And that, Marjorie, just so you will know, and your children will someday know, is THE NIGHT THE RENT CHECK WENT INTO AN INVESTMENT ACCOUNT ON GEORGIA AVENUE!
Joseph Hudson is a referral agent with Metro Referrals. Reach him at 703-587-0597 or [email protected].
Some vehicles age quietly — but not muscle cars.
For 2026, the Chevrolet Corvette tightens its focus, fixes one glaring flaw (the previously dowdy interior) and flaunts a futuristic design. The Dodge Charger, on the other hand, is loud and proud, daring you to ignore its presence at your peril.
CHEVROLET CORVETTE
$73,000-$92,000
MPG: 16 city/25 highway
0 to 60 mph: 2.8 seconds
Cargo space: 13 cu. ft.
PROS: Awesome acceleration. Race-car feel. Snazzy cabin.
CONS: No manual transmission. No rear seat. Tight storage.
Finally, the Chevrolet Corvette feels as good inside as it looks flying past you on the freeway. That’s thanks to the classy, completely redesigned cabin. Gone is the old, polarizing wall of buttons in favor of a sleeker, three-screen cockpit. There’s a large digital gauge cluster, a wide infotainment screen angled toward the driver, and a marvy new auxiliary display. Everything is modern and a bit glitzy — but in a good way.
Fit and finish are higher quality than before, and the controls are more intuitive. Chevy’s Performance App is now standard across trims, offering real-time data for drivers who enjoy metrics as much as momentum. And the new interior color schemes, including slick asymmetrical options, let you express yourself without screaming for attention—confidence, not obnoxious bluster.
As for handling, the steering is quick and sure, body control is exceptional, and acceleration is blazingly fast. A mid-engine layout also delivers sublime balance.
Three trim options, including the V8-powered Stingray, the E-Ray (also with a V8 but paired with electric all-wheel drive), and the Z06 and ZR1 variants for racing devotees.
(Note to self: For a truly mind-blowing experience, there’s the new 1,250-horsepower ZR1X all-electric supercar that goes from 0 to 60 mph in less that 2 seconds and is priced starting at $208,000.)
Yes, the ride in any of these Corvettes can be firm. And visibility is, well, rather compromised. But this supercar is a total Dom, not a timid sub. Think Alexander Skarsgard in “Pillion,” and you get the picture.
DODGE CHARGER

$52,000-$65,000
MPG: 16 city/26 highway
0 to 60 mph: 3.9 seconds
Cargo capacity: 22.75 cu. ft.
PROS: Choice of gas or EV power. Modern tech. Spacious cabin.
CONS: No V8 engine (yet). Soft steering. Less-than-lithe cornering.
Everything old is new again for the Dodge Charger. The automaker initially was phasing out gas-powered models in a shift to electric vehicles but then quickly pivoted back to include gas engines after yo-yo regulatory changes this year from, well, the yo-yos in the White House.
Powerful twin-turbo engines in the R/T and Scat Pack trims produce up to 550 horsepower. These models come standard with all-wheel drive but can be switched to rear-wheel drive for classic muscle-car antics when the mood strikes you.
At the same time, Dodge still offers the electric Charger Daytona, delivering up to 670 horsepower and ferocious straight-line acceleration.
The Charger’s aggressive design, massive digital displays and practical hatchback layout carry over, reinforcing its ability to be both a performance diva and everyday companion. With the larger-than-expected storage space, I appreciated being able to fit a boatload of groceries in the trunk during a Costco run.
New wheel designs, paint choices and trim variations help you visually distinguish between gas and electric Chargers. But no matter the model, each one feels decisive and deliberate on the road. Commuting in stop-and-go traffic during rush hour is fine, but this street machine excels at high-speed cruising on the freeway.
The turbo six-cylinder engine delivers muscular torque with less drama than the old V8s, but still with plenty of urgency. The electric Daytona version is a different kind of thrill, with its instant, silent thrust that feels like it could almost launch you to the moon.
Steering is stable but not exactly crisp, and the Charger’s weight makes it less lithe—and lively—than other muscle cars, especially when navigating tight corners.
But that’s just fine with me. Like Bea Arthur as Dorothy in “The Golden Girls,” this no-nonsense muscle car is proud to be big, bold and brassy.
