Arts & Entertainment
Oyamel’s chef wows
A night of exquisite Mexican cuisine
Oyamel Taco (photo courtesy Oyamel)
Chef Jose Andres is a powerhouse in the D.C. restaurant scene. Along with business partner Rob Wilder, he owns several renowned restaurants, including Jaleo, America Eats, minibar, Zaytinya, and Oyamel (401 7th St., N.W.) Andres has also won numerous awards including Outstanding Chef from the James Beard Foundation (2011) and Time magazine named him one of the world’s 100 most influential people in 2012. When Andres recently appointed a new head chef at Oyamel, it seemed like the perfect time to dine in this newly renovated space.
Chef Colin King was appointed the head chef of Oyamel after serving as the sous chef at Zaytinya under Chef Michael Costa starting in the summer of 2012. King quickly proved himself a leader in the kitchen. Prior to joining ThinkFoodGroup, Chef King worked at Market Restaurant Group in Tucson, Ariz. He served as the executive chef at Harvest Restaurant and Hacienda de Sol. Since this was our opportunity to experience all that Chef Colin King could deliver we opted for the “Oyamel Experience Menu,” where he took us on a culinary tour through Mexican cuisine for $55 per person. I personally opted to also indulge in the Artisan Bar Pairing for $35.00.
The experience began with chips, salsa, and guacamole made tableside with fresh creamy avocadoes, tomatillo, serrano chile and queso fresco. As we worked our way through the guacamole a plate of tuna ceviche was brought to the table. The tuna was lightly marinated in lime adding a fresh citrusy zip to the fish; avocado, toasted pecans and jalapenos accompanied it. After the tuna ceviche, which was an outstanding dish, we were presented with a plate of “ceviche tradicional” — raw striped bass with lime, onion, tomato, sweet potato and corn. All of these components came together perfectly and each bite erupted with freshness and well balanced flavors. To accompany the two ceviches I was served the “Sagrado Corazon,” which was tequila, cilantro, and toasted coriander gimlet over hibiscus ice. It morphed into a delightfully floral drink as the hibiscus ice melted away.
Spectacular dish after spectacular dish continued to arrive at the table, each one seeming to be better than the last. Then the seared red fish was put in front of us. This fish had a rich and meaty texture, not the flakey texture you expect from fish. It was seasoned perfectly with tomatoes, onions, olives, capers, and jalapeno chilies giving it a deep warm flavor. This was one of the true standout dishes of the evening. After the red fish we sampled a couple of tacos from the menu, including the wild mushroom taco with salsa, shallots and Mexican cream as well as the legendary sautéed grasshopper taco.
We were beginning to feel satiated when the two plates of dessert arrived at the table. The “tres leches con pina” was a cake soaked in rum, three milks, as well as pineapple salsa and it was served with a scoop of caramel ice cream. The other was the “café de olla” which was coffee ice cream, Mexican cinnamon and sugar, caramelized bananas, lime gelatin and Mexican cinnamon shortbread. Both dishes were devoured in moments and we ended up getting seconds of both.
There was not a single dish that was put in front of us that was disappointing. Head Chef Colin King does not let the diner down as he leads you through a delectable tour of Mexico. Each plate is unique and impeccably prepared, allowing the food and flavors to speak for themselves. It was a delightful evening, and the best part was, we didn’t even need to decide what to order, Chef King handled that all for us.
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
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