Arts & Entertainment
Jason & deMarco bring ‘Diversity’ tour to region
Gay Christian pop duo celebrate music, family in low-key concert
I’ll be honest — I initially feared I was in for an unbearably saccharine evening when Saturday night’s Jason & deMarco concert at Veritas United Church of Christ in Hagerstown, Md., opened with the duo — partners in music and life — walking down the aisle, crooning “Twinkle, Twinkle Little Star” each holding one of their toddler-aged twin sons.
The gay Christian pop act (interviewed here), in their first appearances in the region since playing Capital Pride in 2008, played MCC-D.C. Friday night, Veritas on Saturday and were scheduled to be in both Frederick and Bethesda, Md., Sunday. This fall leg of their “Celebrating Diversity Tour,” finds them traveling the country with their young sons, Jason’s parents, their inspirational — but not too heavy handed — music and a message of love, dreaming big, LGBT inclusion and marital commitment.
Though it flirted occasionally with being too sugary, the evening was thoroughly redeemed by two points. First, context. The church they were at is less than a mile from a shopping area that has a Christian bookstore in the same shopping center as Target, a Hobby Lobby craft supply mega-store that’s so fundamentalist its owners think bar codes are Satanic, and a Chick-fil-A. In a region so rampant with traditional, conservative (i.e. anti-gay) brands of Christianity, that Jason & deMarco were even there, was a bit of a miracle. New church Veritas, which meets at Church of the Holy Trinity, is a bastion of gay-friendly light in a highly conservative area. Jason & deMarco’s music and message are refreshing enough in and of themselves but in that context, both took on added significance.
Second, the two guys are sorely underrated as singers. They’re not just decent singers — they’re both showstoppers easily in the league of Michael Buble or Clay Aiken. Throughout a nearly 90-minute set of standards, covers, praise and worship ditties and more, they lavishly showered their big, brassy, precisely pitched-and-harmonized vocals all over the space. Over the course of a 10-year-plus career, they never made much of a splash outside the gay umbrella (the mainstream can handle one gay performer at a time, but two perhaps, is a bit much it appears), but talent wise they’re on a par with the best male pop singers around.
Standouts were a shiver-inducing a cappella rendition of the classic hymn “In the Garden,” a lovely (and faithful) rendition of the worship standard “How Great is Our God” and a funky, soulful take on U2’s “One.” Only John Lennon’s chestnut “Imagine” felt out of place. While tastefully performed, it’s anti-religion sentiments — even in a setting as free-thinking as this — were slightly jarring.
Their set was:
1. Twinkle Twinkle/First Love
2. In the Garden (with Jason’s mom)
3. How Great is Our God (Chris Tomlin cover)
4. The Prayer
5. I Will Bless the Lord at All Times
6. Breathe (Michael W. Smith cover)
7. Hallelujah
8. Imagine (John Lennon cover)
9. You Are Loved
*offertory
10. One (U2 cover)
11. Bridge Over Troubled Water (Simon & Garfunkel cover)
Celebrity News
Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey
‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt
Uncloseted Media published this interview on July 7.
By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.
Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.
Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.
(Washington Blade photos by Landon Shackelford)













Theater
‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF
Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s
‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org
Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).
“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”
In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.
And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).
“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”
And he’s given it a lot of thought.
“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”
Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this”
Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”
Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file.
Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.
Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”
Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.
Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M.
Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.
When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them.
“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.”
In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.
CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.


