Arts & Entertainment
No walk in the ‘Park’ for Claybourne Elder
George’ actor Elder on the rigors of artistic life

Brynn O’Malley as Dot and Claybourne Elder as George in ‘Sunday in the Park with George.’ (Photo by Margot Schulman; courtesy Signature Theatre)
‘Sunday in the Park with George’
Through Sept. 21
4200 Campbell Ave. Arlington
703-820-9771
At 32, Claybourne Elder is living the theater dream with a charmed career. The handsome out actor’s first big break came playing Hollis Bessemer, the young gay heir in the original off-Broadway production of Stephen Sondheim’s “Road Show” in 2008.
“I’d just moved to New York and went on an open chorus call never dreaming I’d be cast,” he says. “They asked me back and I got the part. Suddenly I was playing across from two actors I revere, Michael Cerveris and Alexander Gemignani, and Sondheim was sitting around drinking coffee and giving notes. It was unreal.”
Elder has worked nonstop ever since on Broadway and beyond, interpreting extant parts and creating roles like Clyde Barrow’s likable brother Buck in the Broadway musical “Bonnie & Clyde,” and aviator Charles Lindbergh in “Take Flight.” He played Ollie, a New Orleans prostitute in “One Arm,” Moisés Kaufman’s dramatic adaptation of Tennessee Williams’ same-titled short story and unfinished screenplay.
And now he’s tackling the part of George in Signature Theatre’s production of Stephen Sondheim and James Lapine’s wondrous musical “Sunday in the Park with George,” a role Elder has had his eye, and ear, on for a long time. The story focuses on the struggles of French painter Georges Seurat (called George in the musical). He’s surrounded by his lover Dot, and his masterpiece “A Sunday Afternoon on the Island of Le Grande Jatte” and those characters depicted in the painting. In the second act, George’s sculptor descendant (also named George and also played by Elder) strives to make sense of life, love and art in 1980s New York City.
For many musical theater lovers, “Sunday in the Park with George” holds a special place in the canon.
“It’s my favorite among all the children,” says Elder laughing. “It’s true. The show has so many universal themes. People connect to it in deep ways. It’s an emotionally charged theatrical event.”
“And my part is magically written,” he adds. “I couldn’t ask for a part written more perfectly in my range. I’m a tenor with a dash of baritone. My songs have lovely rich lower things and then go up high. It’s technically challenging but in a very pleasurable way, never needlessly challenging. Sondheim never writes music to impress. He doesn’t have to.”
Matthew Gardiner, the Signature production’s director, concurs on “Sunday’s” specialness. “Ever since first watching the original Broadway production on VHS tape in middle school, I’ve always wanted to do this musical. The score sung by Mandy Patinkin and Bernadette Peters is forever seared on my brain. It’s perfection and for my money, it has some of the best music ever written. It speaks to what it is to be an artist. And what it means to connect with people and achieve harmony in our lives.”
Finding the right actor to play George was imperative to Signature’s production, Gardiner says. “There were casting sessions in New York and Washington. We were looking for a strong, quiet presence. There’s something serious going on behind Elder’s eyes. In tandem with him being a fantastic singer and a great actor, he’s a likable and engaging person — someone to root for. That’s not something you can direct.”
Elder, who graduated from the University of Utah with a degree in dramaturgy, confesses to being sort of a geek. His major allowed him to study works within historical and philosophical contexts. As an actor, he uses extensive research to get a handle on his characters. And it works. Fans sometimes don’t recognize him from one show to the next. “Well, that’s what actors do,” Elder says. “We disappear into the role.”
It’s not as easy to disappear on TV. Last year Elder took a break from theater to appear on CW’s “The Carrie Diaries,” the now-canceled prequel to “Sex and the City.”
“From that show I got recognized by 15-year-old girls and gay men a lot,” he says, recalling one bar visit with family. “A patron wouldn’t stop screaming ‘Pete!’ It took me a while to realize he was calling me. Pete was my character’s name on the show. That was a first.”
Georges Seurat died at just 31 without ever having sold a painting. Still, Elder feels connected to him. “He’s consumed by art. I can relate to that. Theater requires me to be in a room every day performing. When you’re in a show in New York you don’t leave town. You miss weddings and life events all the time. That’s just how it is.”
Fortunately, Elder’s husband, director Eric Rosen, is in the business and understands how it works. The couple is based in New York City and Kansas City, Mo., where Rosen heads up the Kansas City Repertory Theatre. They work hard to spend quality time together and stay close with their families. Elder describes his Mormon parents as “the most liberal conservatives you’ll ever meet.”
Next up, Elder is slated to play the young doctor in John Doyle’s off-Broadway revival of Rodgers and Hammerstein’s “Allegro.” Rehearsals start the day after Signature’s “Sunday” closes. And the dream continues.
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
Friday, November 28
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, November 30
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.
Monday, December 1
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Tuesday, December 2
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions.
Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite.
Wednesday, December 3
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected].
Thursday, December 4
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
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