Arts & Entertainment
Sam inspires college athletes to come out
Despite progress, homophobia persists in locker rooms

Hudson Taylor, founder of Athlete Ally, said Michael Sam has inspired many collegiate athletes to come out. (Washington Blade photo by Michael Key)
A number of collegiate athletes have come out as gay in the months since former University of Missouri defensive end Michael Sam publicly declared his sexual orientation.
Parker Camp, a member of the University of Virginia swim team, began coming out to his family and friends earlier this year as he told Outsports.com, an LGBT sports website. He and four other teammates held a handwritten sign that read “2 of us gay. The other 3 don’t care” as part of an ad campaign promoting diversity.
Derrick Gordon of the University of Massachusetts in April became the first member of a NCAA Division 1 basketball team to come out as gay. Connor Mertens, a kicker for the Willamette University football team in Oregon, in June publicly acknowledged his bisexuality.
Edward “Chip” Sarafin, a backup senior offensive lineman for Arizona State University, earlier this month told Compete, a Phoenix-based sports magazine, that he began coming out to his teammates last year.
“It was really personal to me, and it benefited my peace of mind greatly,” he told Compete.
Hudson Taylor, founder of Athlete Ally, a group that advocates for LGBT athletes, told the Washington Blade during a recent telephone interview he feels Sam has inspired many collegiate athletes.
“[He] has walked in the shoes of every closeted athlete and every closeted athlete is walking in Michael Sam’s shoes,” he said. “As Michael has a successful career and has come out without incident, I think it shows that next generation of athletes that sport is a welcoming environment for them to be themselves.”
Helen Carroll, director of the National Center for Lesbian Rights Sports Project, agreed.
“They can see positive things happening with those people,” said Carroll. “That can even be just a college student coming out, their coming out story and their teammates accept them and their coach is accepting.”
Challenges remain for collegiate athletes who are considering coming out.
Carroll said homophobic comments in the locker room persist and may deter collegiate athletes from publicly disclosing their sexual orientation or gender identity and expression. She also referred to what she described as “old-school coaches” who discourage their players from coming out until they graduate.
“There’s still that out there in a lot of places,” Carroll told the Blade.
The case of former Penn State women’s basketball coach Rene Portland remains among the most high-profile examples of anti-LGBT discrimination in collegiate sports.
A former player, Jennifer Harris, accused Portland in a 2005 lawsuit of having a “no-lesbian” policy and trying to force her to quit the team, even though she is not gay.
Harris also sued then-Penn State Athletics Director Tim Curley, who is among the former university administrators facing charges for allegedly covering up sex-abuse allegations against former assistant football coach Jerry Sandusky.
She reached a confidential settlement with Portland and Curley in 2007.
Penn State later fined Portland $10,000 and ordered her to take a diversity-sensitivity class after the university settled with Harris.
Portland resigned in 2007 after 27 seasons.
“We’re not as likely to see a case like that, but I am sure somewhere across the nation there are more Rene Portland’s out there,” said Carroll.
Other cases have generated headlines over the past year.
Anthony Villarreal, a former track runner at William Jessup University, a Christian university outside of Sacramento, Calif., said school administrators expelled him last year because he is gay. Leah Johnson last month told Outsports.com an assistant coach at the University of Richmond in Virginia told her to break up with her girlfriend, Miah Register, “before she steps foot on this campus” to play for the team.
In spite of these cases and others like them, Carroll and Taylor maintain more collegiate athletes will come out. And they both look to the way the University of Missouri handled Sam’s decision to publicly disclose his sexual orientation as an example of how they feel administrators and coaches should handle it.
“Michael Sam was out for a good period of time before the world knew about it,” Taylor told the Blade. “It seemed like it didn’t matter one bit to his teammates, to his coaches or to the Missouri family. Missouri did a great job and really showed that they are a welcoming environment for LGBT athletes.”
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)

















Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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