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Game changers
Pioneering women coaches and researchers share decades of insight
Pat Griffin, Helen J. Carroll and Sue Rankin agree queer women in sports face unique challenges that stem from societal ills. (Photos courtesy Griffin, NCLR and Rankin & Associates respectively)
With Athlete Ally, the You Can Play Project, GO! Athletes, Break the Silence and dozens of others organizations and even gay representation at last in the NBA and NFL, it’s easy to think the era of homophobia in sports is behind us. But three LGBT women who’ve had long and pioneering careers in the field stress two main points: one, it ain’t over yet and two, even in the apparent victories, shades of sexism and stereotypes remain.
Helen J. Carroll, a lesbian, was an acclaimed national championship basketball coach from the University of North Carolina-Asheville before joining the National Center for Lesbian Rights in August 2001 to launch its Sports Project, which works to eliminate discrimination based on sexual orientation and gender identity in sports through advocacy, outreach and litigation. The project works on all levels of athletic competition to ensure that LGBT athletes can compete and participate “open and equally.”
After retiring as associate professor of education from Pennsylvania State University in 2013, Sue Rankin runs the consulting firm Rankin & Associates in which she does climate assessment work for universities. She’s the author of several LGBT books such as “The Lives of Transgender People,” “Campus Climate for Sexual Minorities: a National Perspective” and “Our Place on Campus: LGBT Services and Programs in Higher Education.” For 17 years, Rankin, who identifies as queer, was head coach for women’s softball at Penn State.
Pat Griffin is the founding director of Changing the Game, a GLSEN sports project that focuses on K-12 school athletic and physical education programs. She’s professor emeritus in the Social Justice Education Program at the University of Massachusetts, Amherst and former director of the It Takes a Team! Education Campaign for LGBT issues in Sport. She’s a two-time Gay Games medalist and the author of “Strong Women, Deep Closets: Lesbians and Homophobia in Sports.”
If there’s anybody in the country qualified to discuss the nuances of LGBT people in sports, it’s these three. During lengthy and wide-ranging interviews last week, they talked freely about the impact of having out players like Michael Sam (the St. Louis Rams) and Jason Collins (the Brooklyn Nets), why out women are often shortchanged by comparison and what hurdles the country is still grappling with on these fronts.
“One thing we’ve realized in the Sports Project is that we still have a large number of people out there who are still being discriminated against in individual cases and certainly with transgender players,” Carroll says. “We’re doing a lot of work in that area right now because you’ll often see policies that are adopted against trans players that are in effect for an entire state. That’s going to continue if you don’t have a [National Center for Lesbian Rights] that can back up people legally and work with them pro bono. … I can’t tell you how many times we’ve seen [coaches come out] and get fired on the spot.”
Griffin says, “so much change has happened in the last five years, it boggles the mind … It’s very exciting, but we’re certainly not home free.”
Although in some ways she longs for a day when an athlete coming out will not be considered newsworthy, she also laments the wildly disproportionate amount of coverage Sam and Collins got compared to, say, Brittney Griner, the Phoenix Mercury (WNBA) center who came out in 2013. She says the reasons are multi-layered.
“The piece I always pick up is that it has so much to do with gender expectation and how society reacts if nobody thinks you’re gay,” Griffin says. “If you’re Michael Sam, he could have gone in as a closeted gay man and nobody would have said, ‘Oh, I wonder if he’s gay,’ but if you’re a woman and an athlete, you’re already going against heterosexual orthodoxy because you’re sweaty, competitive, strong, so you’re breaking all those gender expectations and people automatically go, ‘Oh, she must be a lesbian.’ Any woman who exhibits strength and leadership — ask Hillary — or any woman who tells some guy she’s not interested, they go, ‘Oh, you must be a lesbian.’ It’s reserved as a way to let women know they’ve stepped out of bounds and it’s used very effectively to make women have to apologize. It affects men a little differently because of sexism.”
Variations of this phenomenon can also be seen, Rankin argues, in the varying reactions seen in the coming out of, say, figure skating Olympic gold medalist Brian Boitano, whose 2013 coming out at age 50 was seen as wildly overdue, versus still-active players in other sports such as Sam.
“It’s again that sexism and heterosexism coming into play,” Rankin says. “If you’re Brian Boitano in figure skating or even Greg Louganis in diving, these are considered gay sports so having a gay man in them is not seen as a big deal. But in pro football or pro basketball when you have gay players — it’s not really that they’re considered more macho because all sports are grueling — but we see in those sports traits that we traditionally assign to men, if you will or what we think of as a man in our culture, then that sends a different message.”
The three women all say, based on personal experience and their research, that significant numbers of lesbian players on teams for which they played and coached in years’ past, did provide opportunities for community.
Upon moving to Massachusetts for graduate school in the ‘70s, Griffin noticed a “community of lesbian friends” and “a discovery process” on the women’s swim team she coached. She says being fully out at sports conferences as early as 1982 made her feel like a lone voice in the wilderness and a “pariah.”
“I’d have women walk out of workshops at conferences after 10 minutes because they were just too scared to stay,” she says. “Scared that if their administrator knew they were seen at a session on homophobia and sports, they’d lose their jobs. It’s amazing how uncomfortable it was in those years.”
Rankin, who coached softball at Penn State until 1996, remembers a “definite underground within the athletic world for lesbians,” she says. “If you played, you were automatically pegged as being gay.”
And Carroll who says basketball has “pretty much been my life,” remembers the “wonderful experience” she had coaching many years in North Carolina where a kind of “don’t ask, don’t tell”-type policy took hold.
So if those kinds of experiences — at least for women — were relatively common, has homophobia in sports really been that big of a problem?
“This really gets into stereotypes,” Carroll says. “Is it easier for lesbians in sports than gay men? The answer is no, it’s not easier, it’s just different. If it’s so easy, why do we not have more women coming out? … Even if people on the teams know, the women don’t talk about it in the media or do anything to help the movement or help the situation. … From the outside, it may look like it’s this culture where everybody knows, it’s not really a big deal but again, it’s that combination of sexism and homophobia at work.”
Griffin argues that just because some women may not have been castigated for their perceived sexual orientations, that phenomenon probably had a scary downside for gay men.
“If we really knew, there probably are more lesbians playing pro sports than gay men and I’d say the reason for that is that in some ways, when you’re a little boy, you get the femininity beaten out of you or the gay,” she says. “There’s actually research to back this up. It’s less likely that you would find young gay men who have persevered who identified themselves as gay early on to get to the professional ranks. That would be one way to explain that.”
Regardless of the challenges that remain, Carroll says the work she, Rankin and Griffin are doing is pioneering and important.
“What Pat and Sue have really done is they’ve laid a groundwork for people who are doing media articles and research to go back and look at,” she says. “People in media are always asking for statistics and asking, ‘What does this look like?’ What little has been done, for years it was Pat and Sue who were doing it and that was really important. They’ve been working on this for decades to we have people who really know the lay of the land and how the attitudes have changed from the ‘70s and ‘80s up until now. People often say, ‘Well, everything’s changed in the last five years,’ and that’s just not true. It’s been changing for the last four decades but just reached a tipping point in the last five years where we started seeing some movement really, really fast. That never would have happened without all that work in the past.”
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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