a&e features
Drag drama
Courtney Act joins Ladies of Town this weekend for guest appearance

‘RuPaul’s Drag Race’ season six runner-up Courtney Act says the show kicked her career into high gear. (Photo by Magnus Hastings; courtesy Project Publicity)
Meet & Greet & Seat tickets available for $20 gives you admission, access to a meet-and-greet at 9 p.m. and a chance to get seats for the show before the doors open to the general public. But to get seats, you must arrive before 10.
Regular cover is $8 from 10-11 p.m. and $12 after
Drag show starts at 10:30 p.m. downstairs
Music upstairs by CTRL
Town Danceboutique is always a prime spot for “RuPaul’s Drag Race” alumni and the tradition continues.
Last week season six champion Bianca Del Rio started a new monthly comedy cabaret show there and on Saturday night, the regular Saturday night drag troupe welcomes guest star Courtney Act, who came in second this year. As Courtney, Aussie Shane Jenek, 32, delighted “Drag Race” fans with his obvious singing and stage talent and a female look that was eerily convincing. We caught up with him this week by phone from Los Angeles. His comments have been slightly edited for length.
WASHINGTON BLADE: Will you be doing the “Boys Like Me” show at Town or something else?
COURTNEY ACT: No. This is just going to be sort of the regular Saturday night at Town with special guest Courtney Act. I did “Boys Like Me” in New York and would definitely like to tour it, but not this time.
BLADE: Did you enjoy Capital Pride and Town when you were here in June?
ACT: I did. Capital Pride, can I say, was I think my favorite Pride I did in America this year. It was absolutely epic and then we performed after at Town and that was epic too. The crowd there was amazing.
BLADE: What was the big delay on the main stage at Pride? I know you were on pretty early but things seemed to be running hours behind and it was dark by the time Bianca went on. What was going on backstage?
ACT: Well, Darienne went on and then I went on and then I think Rita Ora came out. There was some confusion in the lineup because she had to leave early so she ended up going earlier in the day and that bumped everybody else later I believe. Adore and Bianca ended up going on at the end.
BLADE: Did you bring a strategy for “Drag Race” per se or were you just there to bring your A game overall?
ACT: I just brought my A game. I’m a huge fan of the show. I love watching it and I just thought, “How do I want the world to see me?” … When I found out I might be on the show, I called everybody around the world that I’d ever worked with where I’d had a good costume and tracked down, like the wings and, you know, all these difference pieces and also had some things made and put it all together with my friends and business partners. Vanity from Wigs by Vanity flew over from Australia — this is before I was even confirmed, while they were still doing the background check — I took a chance on a happy ending and Vanity flew over and we both styled wigs for a whole week. So I just got everything ready just in case so yeah, I definitely brought my A game.
BLADE: Were you exhausted by the end?
ACT: No, I had a great time. There was no television, no mobile phones, no internet, no social media … not every day to you get to wake up and do all of those things at such a high standard so it was actually kind of amazing. And every week was different. It wasn’t like we were doing some production show eight times a week. We were doing a musical one week, an interview challenge the next. Each week was different.
BLADE: Who was your favorite celebrity guest judge?
ACT: Well I did love Khloe Kardashian. I didn’t know much about her but she kind of won my heart. And then since the show, Chaz Bono and I have become very good friends and it was a great gift getting to meet him on the show and becoming friends.
BLADE: What was your take on the “Female or She-Male” segment controversy?
ACT: I thought it was probably a little ill thought out. I don’t think it was intentionally meant to be offensive but I guess the thing about transphobia, homophobia, any kind of phobia, is that it often stems from ignorance not from intentionally trying to put someone down. I think if they were to do it again, they probably wouldn’t include the word she-male. But it sort of came at a time where we’re seeing a new revolution with gender in society. We had the women’s liberation in the ‘60s and ‘70s and now it’s like the trans revolution where you have inspiring trans people like Chaz Bono, Laverne Cox, Janet Mock … coming to light and it’s kind of the first time we’ve had inspirational trans people in pop culture. I think the she-male controversy kind of sparked a lot of conversation and I think a lot of changes and conversations began because of that so, you know, in some ways it was a good thing.
BLADE: But accusing RuPaul of being transphobic? Isn’t that a little ridiculous?
ACT: Well no, obviously that’s ridiculous. Sometimes people can get too caught up in the heresy, like, “Oh my God, this person said this,” and it’s like, well, yeah, there are some very loud people saying things that just don’t make any sense but I think you have to use your better judgement and say, “Yeah, you know what — even though she-male wasn’t the smartest thing, is RuPaul transphobic? No. Is World of Wonder out to, you know, put down trans people? No, of course not. So I think the controversy can get extremely unbalanced and I think when the issue arrives, it’s about doing things objectively and having a balance on both sides. I think RuPaul kind of got embroiled in the controversy because he addressed, you know, the right wing if you will, of trans activists rather than focusing on the solution. I can’t remember the statistic for sure off hand but something like one in six, one in eight, trans people will end up being murdered. That’s a statistic that’s dumbfounding. And you also see the state of homelessness and all sorts of other social issues that affect trans people much more than cisgender people and that’s the real conversation that needs to come out that whole debate. How can we improve the lives of trans people? How can we see them as equal and how can we move forward?
BLADE: You’ve said what ended up on the show was only about 10 percent of your overall persona and that things were taken out of context and such. I’m sure that’s true to an extent but you had to know they were going to take the bitchiest exchanges and play those up, right?
ACT: You know they’re going to sensationalize things. They’re making a reality TV show, not a documentary. I think that’s obvious but what I didn’t anticipate — I thought those things may be heightened, but I thought they would still be honest. There was obviously some creative license taken but I guess my expectation was that when it came to the outcome of my whole experience on the show, I am almost anti- a lot of the things that Courtney came to represent. So to see myself portrayed as the mean girl or someone who was mean to Joslyn, it kind of goes against everything I stand for as a person. That was challenging for me personally to watch. I love Joslyn and we’re friends and there was no real drama between us. That was maybe a 10-minute period where we discussed how she was feeling hurt by what the judges said and then it was compounded by what I said. But that all happened in one episode for like 10 minutes but then there were all these other occurrences built into the show where I was being depicted as being rude to Joslyn and it just wasn’t like that.
BLADE: Do you and Bianca, Adore and Darienne (the season six finalists) get to see each other often or do many shows together?
ACT: Not as often as we’d like but we maintain a very active iMessage thread and everyday we’re messaging one another. We’re always in different parts of the world, so there’s always somebody awake and participating and we’re always thinking, “When is our next gig together, we really need to hang out again.” We had the best afternoon hanging out at Capital Pride.
BLADE: How much of what you do now is tied in with the Logo juggernaut if any?
ACT: None of these are official Logo or World of Wonder gigs but they’re obviously all because we were on the show and people know who we are.
BLADE: What are your thoughts on the current Facebook controversy with the real names policy?
ACT: I’ve always had a fan page and a boy page so it didn’t affect me personally but I do understand the argument. But I think Justin Bond made a good argument on Huffington Post that there are people in places around the world who need to have a fake name to protect their identity because either their family, their society, their country, their religion doesn’t accept who they are. I think the thing that’s different about drag queens is we’re talking about the algorithm picking up fake names, not somebody in the Middle East who’s trying to maintain an online identity because that’s their only outreach to the outside world. For drag queens who have a public persona, I think a fan page makes more sense but I think for people who have a personal page in their name, I don’t see why that shouldn’t be possible too. I think there can be an opportunity for people to register with Facebook privately their real details and then have a profile in a performance name.
BLADE: You always have the hottest guys on your single covers and promo photos. Who are these people and where do you find them?
ACT: There’s a “Mean Gays” of West Hollywood. … The boys in my “Mean Gays” video are just go go boys and friends in West Hollywood.
BLADE: Do you sing differently as Shane versus as Courtney?
ACT: Yeah, she sings higher. I usually sing about one tone below a natural female sort of key. Then as a boy, it’s in a lower key. It’s fun on the Atlantis gay cruises I can do Courtney’s show “Boys Like Me” one night, then do a boy cabaret show on a different night in the smaller room.
BLADE: You were well established before “Drag Race.” Did that just kick everything into high gear for you? What has the effect been like?
ACT: It’s been epic since “Drag Race.” I was known in Australia and had a bit of a following around the world but yes, “Drag Race” just — I was just in Europe doing a two-week tour and in Berlin, this venue was packed with people all screaming and singing along to “Mean Gays” and it was amazing because not only were all these people there, “Drag Race” isn’t even shown on television there so they’d all had to commit a crime and illegally downloaded the show just to know who I am. In America, you know, we’re sort of accustomed to seeing the fandom of the “Drag Race” girls, but it’s really taking the world by storm. We’re in America, in Europe, in Australia, in Canada — drag queens are taking over the world.

Aussie native Courtney Act, 32, started doing drag in 2000 and came to the U.S. in 2010. (Photo by Mathu Andersen; courtesy Project Publicity)
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” and “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
a&e features
Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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Honduras3 days agoCorte IDH reconoce a Thalía Rodríguez como familia social de Leonela Zelaya
