With Halloween ushering in the weekend this year and no school nights to worry about, the D.C. area has more parties, costume contests, ghost tours and more than any one person could possibly get to. Our fun guide will help give your holiday a macabre gay twist.
5 great ghost tours
1. The Crime Museum (575 7th St., N.W.) has its sixth annual Fright at the Museum — Dead Men Walking event which continues through Saturday for those brave enough to be led through a dim-lit maze of empty jail cells, electric chairs, dark alleys and gruesome crime scenes. Tickets are $30. Details at crimemuseum.org.
2. Markoff’s Haunted Forest in Dickerson, Md., also continues through Saturday with horrifying scenes of limbo, absolution, greed, gluttony and other circles of hell. E-mail [email protected] to reserve a remaining slot.
3. Space is filling up fast but a few slots remain for the 90-minute Capitol Hill Ghost Tour, which continues through Nov. 8. For $25, you can meet up at the Starbucks at 237 Pennsylvania Ave., S.E. and be regaled with tales of hauntings in the Capitol building, the Library of Congress, the Supreme Court and more. Details at scarydc.com.
4. For hundreds of years, the homes of Lafayette Square are said to be among the most haunted of all in Washington. Ghost Story Tours meet at 16th and H streets, N.W. for private ghost tours through Saturday, though they can also be booked year around as well. Contact Natalie at [email protected] or call 301-346-5303. More information is at historicstrolls.com.
5. Sometimes it’s creepier out in the country. Actors, elaborate sets and original scary stories abound at Darkwood Manor (104 N. Hawksbill St., in Luray, Va.) where tours continue through Saturday night. Tickets are $12. Visit darkwoodmanor.net for details.
5 great neighborhoods for trick or treating
Where’s the best place to go trick or treating in the District? Depends whom you ask. CBS D.C.’s Jamie Hardin, who prides herself on finding D.C.’s “off-the-beaten-path treasures” recommends Capitol Hill, Embassy Row, Georgetown, the Smithsonian National Zoo and Old Town Alexandria as the best spots. Curbed (dc.curbed.com) recommends Friendship Heights, Chevy Chase, American University Park and Tacoma as the best spots. The only shared neighborhood on the lists is Georgetown, which Curbed ranked as the best spot for its easy walkability and affluence.
If you want to “gay it up” a bit, Ellen Kahn of Rainbow Families says her neighborhood in East Silver Spring that borders Takoma Park is rife with a cluster of nearly 20 same-sex, mostly lesbian couples with kids in the area of Richmond Avenue, Gist Avenue, Takoma Avenue, and Chicago Avenue.
“It’s always a pretty active Halloween scene there,” she says. “Capitol Hill is also a good place to find some diversity, maybe more dads too.”
On Sunday, take your gay family out to Centreville, Va., for the group’s “Fall Day at Cox Farms,” where Rainbow Families D.C. will meet up for kid-friendly slides, animals, mazes, hayrides, live music, great food and a pumpkin smashing event. The fun starts at 10 a.m. Visit rainbowfamiliesdc.org for details.
5 big-screen thrills
Viewers at Today (today.com/popculture) just voted 1973’s (No. 1) “The Exorcist” their favorite scary movie. Sixteen horror classics were whittled down to two where the final showdown was held between “The Exorcist” and (No. 2) “The Shining,” the classic 1980 Stanley Kubrick creeper.
Celebrate the film’s win — if you dare — with a visit to the famous steps in Georgetown where the movie’s climactic scene was filmed.
If you’re up for a communal experience, the AFI Silver in Silver Spring (8633 Colesville Rd.) has an eclectic lineup today with “Sleepy Hollow” at 3 p.m., “Frankenweenie” at 5:10, “Shaun of the Dead” at 9 and for a genuinely creepy experience, check out the 11 p.m. screening of (No. 3) “Rosemary’s Baby” at 11 p.m. The fun continues Saturday with a string of classic early creepers with live accompaniment including (No. 4) “Dracula” (1931), “Nosferatu” and “The Lodger,” the classic Hitchcock tale of Jack the Ripper, the Master’s third film. Details at afi.com/silver.
And if you want to gay it up, check out newnownext.com’s list of “The 13 most homoerotic horror movies of all time” which includes slasher flick (No. 5) “Hostel,” “American Psycho” and (of course!) “The Talented Mr. Ripley.”
5 great costumes
Gene’s Costumes (10636 Connecticut Ave., Kensington, Md.) has Halloween costumes for every fantasy a person wants to live out for the night. Here are some of their trendiest get-ups this season if you need some last-minute inspiration!
1. The Joker — one of the most famous villains in pop culture so it’s no surprise it’s one of the most popular costumes. It’s a quick costume to throw together because the main component is all about re-creating the tell-tale Joker makeup.
2. Pirate — Pirates can be sexy or scary depending on how you put together the costume. “Robin Hood’s” Captain Hook, another famous villain, has shown his popularity selling many at Gene’s Costumes. “Pirates of the Caribbean’s” character Jack Sparrow, made a pop culture icon by Johnny Depp, has also been a huge pirate favorite.
3. “Frozen” — The kids will love to dress up as characters from the top-grossing animated film of all time, “Frozen.” The most popular costume for girls has been Elsa and her sister Anna. While boys have been eager to dress up as iceman Kristoff and Prince Hans.
4. Flapper — One of the women’s favorite costumes has been a 1920s flapper. This costume is easy to pull together at the last minute. A loose fitting dress, cigarette holder and bob haircut wig create a look that’s both sexy and glamorous.
5. Military General — Another sexy choice is a military general. A popular men’s choice at Gene’s Costumes, this look is distinguished but fun. The authoritative costume will have people turning heads for a man in uniform.
Halloween gay party roundup
All parties are Halloween night (Oct. 31) except where noted.
D.C. Bear Crue hosts a Monster Bear Party at Town (2009 8th St., N.W.) tonight from 6-11 p.m. There will be a Halloween costume contest with several prizes. For more details, visit dcbearcrue.com.
Mixtape holds its third annual Halloween bash at the Howard Theatre (620 T St., N.W.) from midnight-4 a.m. Tickets are $10. For more information, visit thehowardtheatre.com.
Green Lantern (1335 Green Ct., N.W.) hosts “Not Another Drag Show: the 10th Edition” at 10 p.m. Performances will be by Sofonda Coxxx, Gladys Kravitz, Surley Bossy and many more. There will be a live auction, Halloween costume contest and drink specials. There is a suggested $5 donation at the door to benefit the Gay Men’s Chorus of Washington’s GenOUT youth outreach program. For details, visit greenlanterndc.com.
Phase 1 (525 8th St., S.E.) hosts a Halloween party “Thrillher” at 7:30 p.m. There will be a costume contest at midnight with a $300 cash prize. DJ Lez Rage will play tracks and there will be drink specials. For more details, visit phase1dc.com.
Girl Code hosts “#GirlCodeFridaze Halloween Edition,” a costume party, at Vita Lounge (1318 9th St., N.W.) from 10 p.m.-3 a.m. Admission is $10 before midnight and $15 after. Come in costume and admission is $10 all night. For more information, visit girlcodefridaze.eventbee.com.
“Treats or Freaks,” an LGBT ladies Halloween party, is at Mad Momos (3605 14th St., N.W.) from 10 p.m.-3 a.m. DJ Jai Syncere, Dj India and DJ DeeDub will provide music. Come in costume and tickets are $10 before 11:30 and $15 after, without a costume tickets are $20 all night. There will be four costume contests with cash prizes. For more information, visit dcpridebarhop.com.
Cobalt (1639 R St., N.W.) hosts “Madscience Presents: Freak Show” at 10 p.m. DJ Madscience will host the party. Sasha Adams will host the costume contest with a grand prize of $1,000. Belevedere drinks are $6 all night and there will also be an open vodka bar from 11 p.m.-midnight. For more information, visit cobaltdc.com.
Town (2009 8th St., N.W.) boasts “D.C.’s largest Halloween party and costume contest” with a $1,000 prize tonight. Details at towndc.com. A “Night of the Living Dead” party is scheduled for Saturday night.
Destiny B. Childs hosts a $500 costume contest at Ziegfeld’s/Secrets (1824 Half St., S.W.) tonight. Details at secretsdc.com.
JR.’s (1519 17th St., N.W.) has a $250 prize for its costume contest starting at 11 p.m. Details at jrsbar-dc.com.
Number Nine (1435 P St., N.W.) holds a Halloween party at 10 p.m. hosted by Peaches. There will be a costume contest starting at 11 p.m. with a prize of $250 in cash and a $250 Number Nine gift card. For more details, visit numberninedc.com.
The Mansion on O Street (2020 O St., N.W.) hosts a Halloween costume party from 8 p.m.-midnight There will be a DJ, prizes, a chocolate fountain, pumpkin decorating contest and a treasure hunt. During the party guests will have the opportunity to explore the 100 rooms in the mansion. There is also a cash bar. Costume contest categories include best couples costume, most creative, scariest costume and more. Tickets are $50. For more information, visit omansion.com.
United Solders and Sailors of America host Trick or Treat, a Halloween costume fundraiser, at the Ugly Mug (728 8th St., S.E.) tonight from 8 p.m.-midnight. There will be raffle items and a costume contest. Wristbands are $10 for food and drink specials. Proceeds from the event will go toward care and comfort items for Walter Reed Military Medical Hospital. For more details, visit facebook.com/usaoa.
Onyx presents The Blackout Ball at MOVA Lounge (2204 14th St., N.W.) Saturday from 10 p.m.-2 a.m. Guests should bring a mask. There will be strippers, raffle prizes and a cash bar. Cover is $10. For details, visit facebook.com/onyx.midatlantic.
The Yards Park (355 Water Street) hosts “Graveyards at the Yards Park,”a Day of the Dead festival, Saturday from 6-10 p.m. The park will be transformed into a graveyard with magicians, escape artists, contortionists, fire artists and much more. There will also be a mariachi band and performance by rock-folk band Kingsley Flood. Admission is free. For more information, visit theyardsdc.com.
Melissa Etheridge shares Q&A in advance of April 26 Tysons tour stop
Rock pioneer finds inspiration in the past — from revisiting old demos to reconnecting with celeb pals like Ellen
We caught up with rock legend Melissa Etheridge on April 8 by phone from Snoqualmie, Wash. — it’s about 26 miles east of Seattle —where she was playing the Snoqualmie Casino on her “One Way Out Tour,” which plays our region on Tuesday, April 26.
It’s named after her latest album, released last fall, which found Etheridge, who’s been out since ’93, revisiting demos from early in her career.
Her comments have been slightly edited for length.
WASHINGTON BLADE: “One Way Out” sounds like such a cool project. Was it all re-recorded stuff of old songs or were some of those vintage takes on the record as well?
MELISSA ETHERIDGE: The last two songs, the live songs, were from where? From 2002? OK, but the other songs were newly recorded.
BLADE: And how many of them did you remember?
ETHERIDGE: You know, when I found them again, they all came back very clearly. And I was like, “Oh, this is — why did I throw that away? That’s weird.” And I really enjoyed, you know, hearing them, they were just old demos. I’d never done full-blown recordings. So I thought, “This is great, I want to do these songs.”
BLADE: We have a relatively new venue you’re going to be playing, Capital One Hall. I’ve only been there once. You excited?
ETHERIDGE: Yeah, it’s always fun. I love the D.C.-area crowd. It’s just really, really nice.
BLADE: And how do you decide where you’ll be? Or do you have any say in it?
ETHERIDGE: Well, it’s not necessarily me. I do have a say in it, in what I want the whole tour to look like. But it is really up to William Morris, my agent, to find the right venue that understands what we need and the kind of atmosphere we’re looking for that and the amount of people and, you know, that sort of thing.
BLADE: Tell me about Etheridge TV. I just wonder, when we were in that acute phase of the pandemic, wasn’t it even remotely tempting to you to just take a break?
ETHERIDGE: No, because since I was 12 years old, I sang all the time for people, like five days a week and it’s just been what I do. And so when it was like, I was looking at a massive, cavernous amount of time that I was going to be home, I still needed a way to pay the bills, so we put our heads together — I’ve got one of the greatest television minds with me, you know, my wife (TV producer Linda Wallem), so I had the space and I had the equipment, and I was like, “Let’s do it.” And it was really fun to learn new things. It was fun to learn about computers and sound and streaming and lights and cameras and all these things that I didn’t know. … I feel a little smarter.
BLADE: When did you start back on the road?
ETHERIDGE: We went out last fall. We went out September, October, right around there. And you know, it was a little different, Now things are things are loosening up … but some places still require masks. But people are starting to get back out and it feels good. It’s not the overwhelming thing that it was a few months ago.
BLADE: And what was it like being on ‘Ellen’ again for her final season?
ETHERIDGE: Oh, I love her. She’s such an old friend. You know, I say that about myself, too. (chuckles) But, you know, she’s just a relationship in my life that I have treasured. We’ve watched each other grow and the changes we’ve made and the successes and what we’ve gone through and I love that she had me on and just it was just a really — she’s a dear friend. And she showed an old photo there, and we both said, “Oh, that was before we were so busy.”
BLADE: Do you talk to her often?
ETHERIDGE: I would say we see each other socially once or twice a year. It just seemed like once we started having children, all my friends from my 20s and 30s when we were not as busy — it just gets harder to stay in touch and life got crazy.
BLADE: So when you were hanging out back in the day with Ellen and Rosie and everybody, how was it that Brad Pitt was in that group too?
ETHERIDGE: Well, my girlfriend (Julie Cypher) had been married to Lou Diamond Phillips and we were all very good friends with Dermot Mulroney and Catherine Keener and Catherine Keener did a movie with Brad, like a movie nobody saw, like Johnny Dangerously or something (1991’s “Johnny Suede”), some really weird movie. So I met Brad before he was terribly famous. He was a part of that group. There was a whole group of all of us that just hung out, and we were all totally different. We were just like young, hungry Hollywood and we’d talk about, “Oh, I had this audition,” or “I went and did this,” and we were just all trying to make it in that town. So we’d get together and have fun.
BLADE: I was so terribly sorry to hear about Beckett (Etheridge’s son, who died in 2020 at age 21 after struggling with opioid addiction). How are you and the rest of the family, especially (Beckett’s twin) Bailey, dealing with it now?
ETHERIDGE: There are many, many families like us that deal with a loss like that. It just blows a family sideways. But we have a deep love and connection, all of us. We all knew he had a problem and it’s a problem that starts way before he actually passes, so it was not a surprise. So now we’re just living with the missing aspect. You try not to think about what could have been and you try to think about him in a happier place and that he’s out of pain, so that helps us.
BLADE: Had he and Bailey been as close in recent years?
ETHERIDGE: They were very close, but in the last couple of years as he made worse and worse choices, we couldn’t support that, so they were less close, but of course in her heart, it was her brother, he was very dear to her.
BLADE: Did you watch the Grammys? Was there anybody you were particularly rooting for?
ETHERIDGE: I watched bits and pieces of it. I had a show that night, so I didn’t get to see the main thing, but I have seen pieces and I just love the crazy diversity and you know, the TikTok people winning stuff, it’s like, “Wow, this is so not the Grammys I remember from the ’80s,” but that was what, 30 years ago? So it’s all good.
BLADE: You were such a perennial favorite back in the day in the best rock female category. Were you pissed when they eliminated it?
ETHERIDGE: It’s sad because I felt like the criteria they were using to judge what is female rock, they just really dropped the ball. I still think there are some amazing musicians that could be considered, you know, rock, but it feels like we’re having a hard time even defining what rock and roll is now anyway. There’s a whole bunch of strong women out there playing, rocking, you know, playing guitar, being excellent musicians and songwriters. If you can’t call it best rock female, OK, call it something else.
BLADE: I remember so vividly when you were on the Grammys in 2005, in the midst of chemo, when you sang “Piece of My Heart.” I remember you saying you were wondering how people would react to seeing you bald. Having been through that, any thoughts on the Will/Jada Oscars situation since her baldness, too, was due to a medical condition?
ETHERIDGE: You know, it’s funny, I did feel a little remembrance of (thinking), “I just hope people don’t make fun of me.” That was kind of the first thing because to go out there bald, that was so different for me as an artist whose hair had kind of defined her. I was thinking, “How am I gonna rock without my hair?” I thought people might make fun of me, but I got over that. I just thought, “Well, if somebody makes fun of me, that just makes them look bad.” So I just walked through it. And you know, it’s hard to draw the line between what’s funny and what’s painful and how to look at something. I feel for all parties involved.
BLADE: When you go on these cruises, do fans give you some space or do they swarm around the minute you walk out? Is it even enjoyable for you?
ETHERIDGE: Yeah, it is. You know, we did our last one, now we’re doing Etheridge Island, we now have a destination in Mexico, outside of Cancun, it’s just this island that we’re going to that is really fantastic. But I do I make myself available, I don’t run away. When I have to be somewhere, I have a great company we work with called Sixthman that knows how to get me from point A to point B without being bogged down. But I do my make myself available. Everyone gets a picture with me. It’s my work, but I love it. I try to make myself available but also have some time just for myself too.
BLADE: You Tweeted a few nights ago about having a tight curfew of just 90 minutes at a casino but then it worked out and you got to do a full set. Why are the curfews so tight at casinos?
ETHERIDGE: Why do you think? They want people at the tables. Like for tonight, we we settled on 100 minutes. They’re giving me 10 extra minutes. I don’t like it, but in some areas, the only really good venue is a casino, so if you want to reach your folks there, you kind of have to meet them half way.
BLADE: Yeah, but it seems like in concert halls, the curfews can sometimes be really tight too. Even Madonna got her lights shut off a couple years ago. Of course, she’s notoriously late, but why are they so strict with these things nowadays?
ETHERIDGE: There are all different situations — concert halls often have union crews that will absolutely shut you down if you go one second over. There are also sound curfews, noise curfews, mostly with outdoor venues, but sometimes indoor as well. They have an agreement with the neighborhood. So you have people in the neighborhood standing by with their phones ready to pounce the minute it goes over one minute, they’re gonna call the police. As a performer, you just realize, “OK, it’s not just about me.” When I don’t have a curfew, I usually land at about two hours and some change. That seems comfortable to everyone. Any longer and I think I’m wearing my audience out. When I’m at a place with a shorter show, I just do my best.
BLADE: I know you’re a big Chiefs fan. Did you watch that game back in January all the way to the end?
ETHERIDGE: Well, at the end of it, I was on the floor. My wife was like, “Honey, honey, there’s still 13 seconds,” and I was moaning and sort of getting my feet on the floor and, you know, laying down and throwing a fit. And she’s like, “No, there’s still 13 seconds.” I dragged myself back to the television. And I couldn’t believe it. I was like, “Wait a minute. Did we just win?” You know, just really crazy, really crazy stuff. … When you’re a fan like that, it’s a ride you can’t fully explain.
BLADE: Are you in a cordial or good place with your exes? Does it get easier when the kids are starting to grow up?
ETHERIDGE: Oh, yeah. Oh, yeah. And you realize that it’s best for the kids if you can really get along and that any sort of conflict that can’t get resolved, that gets emotional, does no good for anyone. And absolutely, I have, I’ve gotten better at that as the years have gone by.
BLADE: Do you have the slightest inkling yet what the next studio album might be like?
ETHERIDGE: Well, I’ve got some interesting projects that I’m not ready to talk about just yet. But they have to do with my life story. There’s a lot of digging up of my past and really telling the story. So I imagine the next series of music you’ll get from me is going to be very focused on my journey.
New Cranes sommelier brings spirit to wine and sake program
Stewart-Woodruff curates eclectic list for Michelin-starred restaurant
Outfitted in a blue damask dinner jacket with satin lapels and an energetic smile, Eric Stewart-Woodruff carves an impressive figure when chatting about his favorite vintages. Stewart-Woodruff, who’s gay, is the new sommelier at Michelin-starred Cranes in Penn Quarter.
Stewart-Woodruff curates an eclectic wine – and sake – program focusing on pairings with celebrated Chef Pepe Moncayo’s innovative, global flavors. Cranes, which explores intersections of Spanish and Japanese cuisine, opened just before the pandemic, and received a coveted Michelin star in 2021.
Stewart-Woodruff did not start off in the wine industry. In fact, he does not have any formal training in wine. Instead, after a career as a professional photographer, he pivoted to the restaurant industry, where he developed his love of wine. While working for a distributor, he connected with D.C.’s own District Winery. This opportunity allowed him to express his truest self, as a lead tour guide, wine ambassador and sommelier. He credits his identity and personality as his reason for thriving.
“I bring my whole self to work,” he says, “offering a level of humanity and approachability.”
After the pandemic temporarily shuttered District Winery, Stewart-Woodruff found himself interviewing at Cranes, enamored with Moncayo’s “creative vision,” he says – and was sold. He began in late summer of 2021.
Through his work in hospitality, Stewart-Woodruff notes that the industry can be hetero-male dominated. He has been able to break through by not holding back on his identity.
“I tend to play with expectations of what a sommelier may look or act like,” he says. “I move away from what one may stereotypically look like, but still present like one.”
For him, that means talking about wine and wine education “as if it were gossip,” he says. “I like to view wine like we are at brunch. Wine has personality, it’s performative, and it has stereotypes.” He is seeking to break molds of specific likes and dislikes, exploring the depth that wine has to offer, in the context of the Spanish-Japanese Cranes menu. In fact, he says, Moncayo is supportive of his innovative, certification-less angle. “I become more relatable,” he says.
He also presents original events. He paired with local guest sommelier Andrew Stover (also a gay man) on Tuesday, March 29 for a springtime showcase of specialty rosé wines paired with Moncayo’s dishes. The duo poured tastes of specialty, small-batch wines from Brazil, Italy, Spain, Uruguay, and Maryland.
Leaning into the innovative spirit, the wine-by-glass list is not split by color. Instead, it is divided into evocative categories. For example, both a chardonnay and a pinot noir fall into the “Elegant, round, and mellow” category.
As a Spanish-Japanese restaurant, Cranes not only possesses an extensive wine cellar, but has consistently expanded its sake program. Sakes by the glass are split into the same exact categories. The very same “Elegant, round, and mellow” list includes Ginjo Nama Genshu and junmai daiginjo.
Stewart-Woodruff explains that wine and sake should be attended to similarly. “Sake is something you can think about like a beer in terms of production but treat like a wine,” he says. Sake is a fermented polished-rice beverage, dating back more than two millennia in Japan.
“Sake has aromatics, texture, body, and finish.” He takes pride in discussing customers’ palate preferences, and turning them onto a specific sake, for their qualities of earthiness, acidity, or others.
“Many people don’t experience sake outside of college or bars. Now, I can be a sommelier for sake, and for the marriage of Eastern and Western cuisine and beverage.” He expresses excitement at being innovative in his sake beverage pairings, occupying a niche space. When discussing both wine and sake, he aims to bring an artistic flair and tour-guide enthusiasm to the table.
Woodruff credits his identity and background for his success. He aims to bring a level of humanity and approachability to what has been a formal, stuffy area. He has high ambitions to portray sake as sophisticated as wine in the customer’s mind, “but it pairs well with Moncayo’s conceptually ambitious menu,” he says.
“Wine and sake are as eclectic as humanity. I want people to accept experiencing wine like the world has accepted me.”
Legalization trend continues as Nat’l Cannabis Festival kicks off
D.C.’s 420 Week runs April 16-24
The sixth annual National Cannabis Festival kicks off in D.C. on April 16 as the nation continues to see advances in legalizing cannabis, particularly for medical uses.
Just this week, Republican Gov. Glenn Youngkin signed HB 933 and SB 671, to provide numerous operational improvements to the state’s medical cannabis program, including eliminating the requirement that patients register with the Board of Pharmacy after receiving their written certification from a registered practitioner.
“These legislative improvements will bring great relief to the thousands of Virginians waiting to access the medical cannabis program,” said JM Pedini, NORML’s Development Director and the Executive Director of Virginia NORML. “We hear from dozens of Virginians each week who are struggling with the registration process and frustrated by the 60-day wait to receive their approval from the Board of Pharmacy,” Pedini added.
There are more than 47,000 program registrants, with an estimated 8,000 applicants still awaiting approval.
The new laws will take effect July 1. Until that time, patients will still be required to register with the Board of Pharmacy in order to shop at one of the state’s ten operational dispensaries. After July 1, patients who would like to receive a physical card will still have the option to request one by registering with the Board of Pharmacy.
The changes in Virginia law reflect growing support nationwide for reforming marijuana laws. Most Americans favor the enactment of a broad array of legal reforms specific to marijuana policy, according to new nationwide polling data provided by YouGov.com.
Specifically, six-in-10 Americans say that “marijuana should be made legal in the United States.” Majorities of Democrats (72 percent) and independents (60 percent) back legalization, while most Republicans (46 percent) do not.
Last week, members of the United States House of Representatives voted 220 to 204 in favor of The MORE Act, which removes marijuana from the federal Controlled Substances Act thereby allowing states to legalize cannabis markets free from federal interference. Most Democrats (217) voted for the bill while all but three Republicans voted against it.
A majority of Americans also support amending federal law so that banks and other financial institutions can explicitly partner with state-licensed marijuana businesses. Support for the policy change is strongest among Democrats (66 percent) and weakest among Republicans (38 percent).
Under existing federal law, financial institutions are discouraged from partnering with state-licensed cannabis businesses. According to the most recent financial information provided by the US Treasury Department, only about ten percent of all banks and only about four percent of all credit unions provide services to licensed cannabis-related businesses.
House members have voted on six separate occasions to pass federal legislation (The SAFE Banking Act) to reform this policy, but Senators have never taken any action to advance it in the Upper Chamber. Most recently, House members voted in February to include SAFE Banking provisions in HR 4521: the America COMPETES Act. Senators failed to include similar language in their version of the bill. (Courtesy NORML)
420 Week arrives in D.C.
D.C. is gearing up for a blazing 420 Week, featuring several days of exciting panels, art and community-building events and parties culminating in the National Cannabis Festival on April 23, featuring Wiz Khalifa, Lettuce, Ghostface Killah, Backyard Band, DuPont Brass, Shamans of Sound, Cramer, and more.
This year, the sixth annual National Cannabis Festival, which celebrates progress on cannabis legalization, is expanding to a full weekend of epic cannabis-related events, including the National Cannabis Policy Summit April 22 at the Ronald Reagan Building and International Trade Center and the National Cannabis Championship, presented by Gentleman Toker and slated for April 24 at Echostage with Slick Rick. The weekend is the capstone of 420 Week, hosted by the National Cannabis Festival organizers in partnership with the Eaton Hotel and DC Brau. The week kicks off on Saturday, April 16, with movie screenings, evening parties, a beer launch and more. Read on for the week’s highlights, courtesy of Festival organizers:
Saturday, April 16 – Sunday, April 24
Eaton Hotel + DC Brau
From the Hemp and Hops Panel and launch of NCF Legalize It! Lager at DC Brau (3178-B Bladensburg Rd. NE) on April 16 to the 4/20 Kickback Party featuring Khalifa Kush and panel with artists discussing cannabis’s role in their practice at the Eaton Hotel (1201 K St, NW), 420 Week promises something for everyone with an interest in cannabis culture. Take a tour with Luckie Chucky tours, participate in a “Plantwave Soundbath” and more. Nearly all events are free; RSVP required. Visit nationalcannabisfestival.com for details.
National Cannabis Policy Summit
Friday, April 22, 10 a.m.-4 p.m.
Ronald Reagan Building and International Trade Center
1300 Pennsylvania Avenue NW
Join a who’s who of activists, industry pioneers, government leaders, journalists and more for an electric and illuminating day looking at the era’s most pressing cannabis policy challenges and opportunities. U.S. Senate candidate and Civil Rights activist Gary Chambers; Grover Norquist, president of Americans for Tax Reform; Portland Cannabis Program Manager Dasheeda Dawson; Aamra Ahmad, senior policy counsel for the American Civil Liberties Union and many others will be on hand to discuss environmental impacts of cannabis cultivation, banking legislation, decriminalization and more. Afterward, stay for a reception sponsored by Weedmaps. All events are free; registration is strongly recommended. Visit nationalcannabisfestival.com/ncf-policy-summit for details.
National Cannabis Festival
Saturday, April 23, 12 p.m.
RFK Festival Grounds
2400 East Capitol St., NE, Lot 8
The highlight of 420 Week events is the East Coast’s largest ticketed cannabis gathering, which returns to Washington’s RFK Campus with performances from Wiz Khalifa Lettuce, Ghostface Killah and many others. Also on tap: a wide range of exhibitors, five pavilions on topics from wellness to agriculture to education, and a brand-new culinary pavilion featuring top chefs from Maydan, Maketto, Moon Rabbit, as well as the Munchies Zone, with 75 of the region’s most popular food trucks including Peruvian Brothers, Jerk at Nite, Reba’s Funnel Cakes and more. (Note: No THC infused foods are permitted to be sold or sampled at NCF; festival-goers must be 21 and up.) Tickets range from $75-$375 for one or two-day admission to the festival and National Cannabis Championship. Visit nationalcannabisfestival.com/tickets.
National Cannabis Championship Presented by Gentleman Toker
Sunday, April 24, 12 p.m.
2135 Queens Chapel Rd., NE
Slick Rick and DJ Footwerk are giving festival-goers a sendoff to remember on the final day of 420 Week and the festival weekend, at the National Cannabis Championship at Echostage, new this year. Presented by Gentleman Toker, this awards show and bash celebrates the incredible cannabis cultivation taking place in the Washington area and across the Mid-Atlantic. Expect exhibitors, comedy, munchies, drinks and a chance to chill with some of the biggest names and brands in cannabis cultivation. Tickets are $55. Visit nationalcannabisfestival.com/tickets.
“Don’t Say Gay” student leader says school stopping run for student leadership
Rehoboth Beach summer events roundup
Rehoboth Beach summer 2022: ‘Let’s choose joy!’
Leave no one behind: Building an LGBTQ+ movement for all
GLAA has lost its way and should close
Attorney, LGBTQ activist and author Urvashi Vaid dies
Federal court blocks part of Ala. trans medical treatment law
Brian Sims, four other LGBTQ candidates lose races in Pa.
Two gay candidates disqualified from D.C. primary ballot
Task Force targets five battleground states in ‘Queer the Vote’
Sign Up for Blade eBlasts
Obituary5 days ago
Attorney, LGBTQ activist and author Urvashi Vaid dies
U.S. Federal Courts5 days ago
Federal court blocks part of Ala. trans medical treatment law
Opinions5 days ago
An unlikely revolution is happening at Christian universities
Pennsylvania1 day ago
Brian Sims, four other LGBTQ candidates lose races in Pa.
Music & Concerts5 days ago
Tori Amos spins magic at Sunday night D.C.-area concert
District of Columbia6 days ago
Alexander-Reid, Pendarvis honored as ‘legendary elders’
Books6 days ago
‘Queer Country’ explores origins of growing genre of music
News6 days ago
Comings & Goings