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A Dave Koz Christmas

New album, tour not bad for a ‘nice little gay Jewish boy’

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Dave Koz, gay news, Washington Blade
Dave Koz, gay news, Washington Blade

Dave Koz says his new duets album was a joy to make. (Photo by Bryan Sheffield)

Dave Koz & Friends Christmas Tour

 

Music Center at Strathmore

 

5301 Tuckerman Lane

 

North Bethesda, Md.

 

Tuesday at 8 p.m.

 

strathmore.org

 

VIP tickets with meet-and-greet available at davekoz.com

 

General tickets: $38-85

 

Jazz saxophonist Dave Koz delights in the irony of having a fifth Christmas album out this fall (“The 25th of December”) and his wildly popular holiday tour now in its 17th year — quite a turn of events for the self-described “nice little gay Jewish boy.”

Touring this year with Christopher Cross and soul diva Maysa, the “2014 Dave Koz and Friends Christmas Tour,” kicked off on Black Friday in Sarasota, Fla. We talked to him by phone this week from his hotel room in West Palm Beach, Fla. — it took him a few seconds to remember which city he was in — for a spirited chat on his music, life off the road and musical camaraderie with Richard Marx, Johnny Mathis and more. His comments have been edited for length.

WASHINGTON BLADE: So far so good on the tour?

DAVE KOZ: This is the first year where I’ve walked off the first night with no notes, nothing to say, no changes at all. … We’ve done it three nights now and it’s been going over gangbusters. I’m so proud of the show. … With all the crazy stuff in the world right now, it’s a lot of positivity coming at you.

BLADE: Do you feel an added spring in your step with this year’s show since there’s the new album too?

KOZ: I do because it gives us an opportunity to bring in a lot of new music. The album, “25th of December,” was a true joy to make. The producer, Rickey Minor, has a long resume of great artists he’s worked with and this was my first-ever true duets album. It’s really a vocal album with very little instrumental music, so this was an opportunity to bring a lot of that music into the show.

BLADE: So Christopher Cross and Maysa, your guests for the tour, are singing some of the songs that others sang on the album?

KOZ: Yes, that’s basically how we do it. Christopher is also doing some of his hits and a few from his own Christmas album … and Maysa, who’s just a powerhouse diva like a young Aretha Franklin, she does a lot of the heavy lifting singing stuff like “Do You Hear What I Hear,” which Gloria Estefan sang on the album and the Fantasia medley and “Grown-Up Christmas List” and more.

BLADE: You toured with Richard Marx many years ago in his band and now have him on your new album. Had you stayed in touch all along or did you recently get reacquainted with him?

KOZ: We sort of lost touch for quite a number of years. I sent him a note when his father passed. I think that was the impetus for us getting back in touch. Then he moved to L.A. maybe a year and a half ago and we started hanging out more, meeting up, talking about the music business and so on. It’s fun. … Even though we’re about the same age, he’s one of the first bosses I ever had. He’s an extremely talented, very heartfelt guy. Very smart. I’ve learned a lot from him.

BLADE: When and where was the album recorded and about how long did it take to make?

KOZ: In Hollywood at Rickey Minor’s studio, the Red Lotus, over about a six-week period starting the first week of June. That’s the great irony of making Christmas albums, at least in L.A. — they’re usually made in the dead of summer but we kept it nice and chilly in the studio.

BLADE: I know not everyone did their vocals live with you but several did. How did you get so many guest artists’ schedules coordinated?

KOZ: That’s really the genius of working with Rickey Minor. He’s one of those guys who can have a ton of different things going on at one time and somehow keep it all together. We made a good team. We’d be smiling and dialing and asking with one hand and recording whomever was there and had said yes with the other hand. … I really got lucky. There are so many people I love and respect here — Kenny G and I did a duet for the first time, Stevie Wonder — I can’t believe he’s even on this album — Johnny Mathis, Richard, Eric Benet, BeBe Winans, India Arie, Trombone Shorty. It was so much fun to make. There was only one person who said no and it was just because of her schedule.

BLADE: Who?

KOZ: Jennifer Hudson. She had a new album out of her own and a lot going on.

BLADE: Johnny Mathis seems pretty low key on gay stuff. Did the two of you compare any gay notes or anything like that?

KOZ: Oh yeah, all the time actually. The way he has dealt with that is the way he deals with his life in general. I don’t think he places any great importance on it. I mean, of course it’s important to him and the fact that he is an older gentleman and acknowledged it in a way many established iconic stars wouldn’t do, says a lot about the kind of human being he is. But the fact that he didn’t make so much of it, that he just sort of did it and moved on, is very much like who he is. He’s a very happy-go-lucky, very transparent person. Very pure and very light. Almost like a little elf. He’s very effervescent. …He’s a massive star, yet there’s no ego. Just this beautiful person and I respect him in so many ways.

BLADE: Christmas songs can be tricky. Like covers or standards, you want them to sound fresh, not like the same old thing everybody’s heard 9,000 times, yet twist that melody around too much and people can get alienated real fast. Do you agree with that notion? If so, how do you find that sweet spot where it sounds fresh yet not too different?

KOZ: Oh, that’s something I’m constantly thinking of and with a lot of the songs we recorded, there are quintessential recordings out there that you could never compete with. … Christmas music is like comfort food for people — they want what they know and if they hear a song they don’t know, they think, “OK, I don’t know this — I’m tuning out.” So it’s very hard to introduce new Christmas music and put some energy into some of these classics yet not change them so much that it becomes blasphemy. And believe me, I’ve heard plenty of albums where it was like, “What? Why would you ever do that?”

BLADE: In your genre, is there a gulf or any tension between what might work great on AC radio or on an album but might be too mellow or low-key to work on stage? Your show has a lot more energy and passion than people may realize.

KOZ: There’s a lot of freedom but one thing we did on this album, and about eight songs from it are in the show, is that we recorded it all live in studio with the musicians all there together in one room, so it’s very easy to translate this album to a live situation. But yeah, there are times where we’ll try something out live that just doesn’t seem to work and we just say, “OK — maybe another year.”

BLADE: Did you ever think starting out that your musical persona would be so heavily dominated by Christmas music or was it just something that developed over time?

KOZ: No, I never saw that coming. I grew up loving Christmas. My family only celebrated Hanukkah but I used to love to slip away on Christmas Eve to my best friend’s house and trim the tree, listen to music and eat ham with them. I loved it. So in that respect, it’s not surprising. … But it is nice, as I said, with all the shit going on in the world, to put some positivity out there and we work our asses off doing it. We’re doing 23 shows in 26 days.

BLADE: You live in Los Angeles when you’re not traveling. Do you have a gay social life there? Do you ever hang out in West Hollywood?

KOZ: That’s not really my scene although I enjoy it once in a while, especially when out-of-town friends visit. But I travel so much, when I’m home I just like to chill a little bit. But yeah, I have an active friend circle there.

BLADE: Last time we chatted you were single. Still?

KOZ: Yes, but it kind of works for me. I still have a lot of fun and meet a lot of wonderful people and there’s no shortage of love in my life, but I don’t feel that anything’s missing. If it happened, I would embrace it though.

BLADE: What do you do on Christmas Day when the tour’s over?

KOZ: Sleep. I’m a big sleeper when I’m home. But this year we’re also working on something very exciting that’s been years in the making. We’re opening a new place called Spaghettini & the Dave Koz Lounge in Beverly Hills right on Canon Drive on new restaurant row. It will be fine dining then turn into a headliner music venue after dinner.  I’m playing there New Year’s Eve.

BLADE: Just for fun, what’s the gayest thing on your iPod?

KOZ: Probably the “Smash” soundtrack.

BLADE: Does touring this time of year take the fun out of Christmas for you?

KOZ: No. I love it because I get a chance to celebrate Christmas every night with all these wonderful people who get dressed and come out. … and for the longest time, my family has always gotten together after the holidays to celebrate. We’re the only family who celebrates Hanukkah in January. It’s great. The presents are cheaper then.

BLADE: What would make your Christmas memorable this year?

KOZ: I hate to sound cliche but it really shocks me how much intolerance is still tolerated in this country. … All this stuff we’ve seen in Ferguson, it’s just craziness. So many race problems happening that in 2014, I would have hoped we’d have had a better handle on by now. It’s a big problem and it’s reared its ugly head again. My hope is that we can start to deal with those things and move beyond them with more forward momentum in the new year.

Dave Koz, gay news, Washington Blade

Dave Koz (Photo by Bryan Sheffield)

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” and “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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Visible and unapologetic: MAL brings the kink this weekend

Busy lineup includes dances, pups, super heroes, and more

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink. 

The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.

MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.

During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.

“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and  seeing who will become our new Mr. MAL.”

In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.

According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.

Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”

Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt. 

Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.

Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.

After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons. 

DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.

Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m. 

Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.

Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m.. 

“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.

Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music. 

Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.

Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.

The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.

From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.

Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.

The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement. 

Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.

Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.

Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m. 

At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025. 

From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse. 

Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.

At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.

Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”

In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend. 

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