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A Dave Koz Christmas

New album, tour not bad for a ‘nice little gay Jewish boy’

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Dave Koz, gay news, Washington Blade
Dave Koz, gay news, Washington Blade

Dave Koz says his new duets album was a joy to make. (Photo by Bryan Sheffield)

Dave Koz & Friends Christmas Tour

 

Music Center at Strathmore

 

5301 Tuckerman Lane

 

North Bethesda, Md.

 

Tuesday at 8 p.m.

 

strathmore.org

 

VIP tickets with meet-and-greet available at davekoz.com

 

General tickets: $38-85

 

Jazz saxophonist Dave Koz delights in the irony of having a fifth Christmas album out this fall (“The 25th of December”) and his wildly popular holiday tour now in its 17th year — quite a turn of events for the self-described “nice little gay Jewish boy.”

Touring this year with Christopher Cross and soul diva Maysa, the “2014 Dave Koz and Friends Christmas Tour,” kicked off on Black Friday in Sarasota, Fla. We talked to him by phone this week from his hotel room in West Palm Beach, Fla. — it took him a few seconds to remember which city he was in — for a spirited chat on his music, life off the road and musical camaraderie with Richard Marx, Johnny Mathis and more. His comments have been edited for length.

WASHINGTON BLADE: So far so good on the tour?

DAVE KOZ: This is the first year where I’ve walked off the first night with no notes, nothing to say, no changes at all. … We’ve done it three nights now and it’s been going over gangbusters. I’m so proud of the show. … With all the crazy stuff in the world right now, it’s a lot of positivity coming at you.

BLADE: Do you feel an added spring in your step with this year’s show since there’s the new album too?

KOZ: I do because it gives us an opportunity to bring in a lot of new music. The album, “25th of December,” was a true joy to make. The producer, Rickey Minor, has a long resume of great artists he’s worked with and this was my first-ever true duets album. It’s really a vocal album with very little instrumental music, so this was an opportunity to bring a lot of that music into the show.

BLADE: So Christopher Cross and Maysa, your guests for the tour, are singing some of the songs that others sang on the album?

KOZ: Yes, that’s basically how we do it. Christopher is also doing some of his hits and a few from his own Christmas album … and Maysa, who’s just a powerhouse diva like a young Aretha Franklin, she does a lot of the heavy lifting singing stuff like “Do You Hear What I Hear,” which Gloria Estefan sang on the album and the Fantasia medley and “Grown-Up Christmas List” and more.

BLADE: You toured with Richard Marx many years ago in his band and now have him on your new album. Had you stayed in touch all along or did you recently get reacquainted with him?

KOZ: We sort of lost touch for quite a number of years. I sent him a note when his father passed. I think that was the impetus for us getting back in touch. Then he moved to L.A. maybe a year and a half ago and we started hanging out more, meeting up, talking about the music business and so on. It’s fun. … Even though we’re about the same age, he’s one of the first bosses I ever had. He’s an extremely talented, very heartfelt guy. Very smart. I’ve learned a lot from him.

BLADE: When and where was the album recorded and about how long did it take to make?

KOZ: In Hollywood at Rickey Minor’s studio, the Red Lotus, over about a six-week period starting the first week of June. That’s the great irony of making Christmas albums, at least in L.A. — they’re usually made in the dead of summer but we kept it nice and chilly in the studio.

BLADE: I know not everyone did their vocals live with you but several did. How did you get so many guest artists’ schedules coordinated?

KOZ: That’s really the genius of working with Rickey Minor. He’s one of those guys who can have a ton of different things going on at one time and somehow keep it all together. We made a good team. We’d be smiling and dialing and asking with one hand and recording whomever was there and had said yes with the other hand. … I really got lucky. There are so many people I love and respect here — Kenny G and I did a duet for the first time, Stevie Wonder — I can’t believe he’s even on this album — Johnny Mathis, Richard, Eric Benet, BeBe Winans, India Arie, Trombone Shorty. It was so much fun to make. There was only one person who said no and it was just because of her schedule.

BLADE: Who?

KOZ: Jennifer Hudson. She had a new album out of her own and a lot going on.

BLADE: Johnny Mathis seems pretty low key on gay stuff. Did the two of you compare any gay notes or anything like that?

KOZ: Oh yeah, all the time actually. The way he has dealt with that is the way he deals with his life in general. I don’t think he places any great importance on it. I mean, of course it’s important to him and the fact that he is an older gentleman and acknowledged it in a way many established iconic stars wouldn’t do, says a lot about the kind of human being he is. But the fact that he didn’t make so much of it, that he just sort of did it and moved on, is very much like who he is. He’s a very happy-go-lucky, very transparent person. Very pure and very light. Almost like a little elf. He’s very effervescent. …He’s a massive star, yet there’s no ego. Just this beautiful person and I respect him in so many ways.

BLADE: Christmas songs can be tricky. Like covers or standards, you want them to sound fresh, not like the same old thing everybody’s heard 9,000 times, yet twist that melody around too much and people can get alienated real fast. Do you agree with that notion? If so, how do you find that sweet spot where it sounds fresh yet not too different?

KOZ: Oh, that’s something I’m constantly thinking of and with a lot of the songs we recorded, there are quintessential recordings out there that you could never compete with. … Christmas music is like comfort food for people — they want what they know and if they hear a song they don’t know, they think, “OK, I don’t know this — I’m tuning out.” So it’s very hard to introduce new Christmas music and put some energy into some of these classics yet not change them so much that it becomes blasphemy. And believe me, I’ve heard plenty of albums where it was like, “What? Why would you ever do that?”

BLADE: In your genre, is there a gulf or any tension between what might work great on AC radio or on an album but might be too mellow or low-key to work on stage? Your show has a lot more energy and passion than people may realize.

KOZ: There’s a lot of freedom but one thing we did on this album, and about eight songs from it are in the show, is that we recorded it all live in studio with the musicians all there together in one room, so it’s very easy to translate this album to a live situation. But yeah, there are times where we’ll try something out live that just doesn’t seem to work and we just say, “OK — maybe another year.”

BLADE: Did you ever think starting out that your musical persona would be so heavily dominated by Christmas music or was it just something that developed over time?

KOZ: No, I never saw that coming. I grew up loving Christmas. My family only celebrated Hanukkah but I used to love to slip away on Christmas Eve to my best friend’s house and trim the tree, listen to music and eat ham with them. I loved it. So in that respect, it’s not surprising. … But it is nice, as I said, with all the shit going on in the world, to put some positivity out there and we work our asses off doing it. We’re doing 23 shows in 26 days.

BLADE: You live in Los Angeles when you’re not traveling. Do you have a gay social life there? Do you ever hang out in West Hollywood?

KOZ: That’s not really my scene although I enjoy it once in a while, especially when out-of-town friends visit. But I travel so much, when I’m home I just like to chill a little bit. But yeah, I have an active friend circle there.

BLADE: Last time we chatted you were single. Still?

KOZ: Yes, but it kind of works for me. I still have a lot of fun and meet a lot of wonderful people and there’s no shortage of love in my life, but I don’t feel that anything’s missing. If it happened, I would embrace it though.

BLADE: What do you do on Christmas Day when the tour’s over?

KOZ: Sleep. I’m a big sleeper when I’m home. But this year we’re also working on something very exciting that’s been years in the making. We’re opening a new place called Spaghettini & the Dave Koz Lounge in Beverly Hills right on Canon Drive on new restaurant row. It will be fine dining then turn into a headliner music venue after dinner.  I’m playing there New Year’s Eve.

BLADE: Just for fun, what’s the gayest thing on your iPod?

KOZ: Probably the “Smash” soundtrack.

BLADE: Does touring this time of year take the fun out of Christmas for you?

KOZ: No. I love it because I get a chance to celebrate Christmas every night with all these wonderful people who get dressed and come out. … and for the longest time, my family has always gotten together after the holidays to celebrate. We’re the only family who celebrates Hanukkah in January. It’s great. The presents are cheaper then.

BLADE: What would make your Christmas memorable this year?

KOZ: I hate to sound cliche but it really shocks me how much intolerance is still tolerated in this country. … All this stuff we’ve seen in Ferguson, it’s just craziness. So many race problems happening that in 2014, I would have hoped we’d have had a better handle on by now. It’s a big problem and it’s reared its ugly head again. My hope is that we can start to deal with those things and move beyond them with more forward momentum in the new year.

Dave Koz, gay news, Washington Blade

Dave Koz (Photo by Bryan Sheffield)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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Looking back at the 10 biggest A&E stories of 2025

‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more

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Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.

With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:

10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes 

A scene from ‘The Mysterious Gaze of the Flamingo.’ (Image courtesy AFI Fest)

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.

Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”

9. ‘The Last of Us’ returns for an even gayer season 2

While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.

8. ‘Emilia Pérez’ sparks controversy 

Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.

7. ‘Sorry, Baby’ establishes Eva Victor as major talent  

Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.

Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.

6. Paul Reubens comes out in posthumous doc

Paul Reubens came out posthumously in 2025. (Image courtesy of HBO)

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.

The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.

5. Lady Gaga releases ‘Mayhem’ 

Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”

4. Cynthia Erivo, Ariana Grande perform at the Oscars 

Cynthia Erivo performs in the 97th Academy Awards. (Screen capture via ABC)

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.

3. Indya Moore speaks out against Ryan Murphy 

Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.

2. Cole Escola wins Tony for Best Leading Actor 

Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.

The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!

1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’ 

Jonathan Bailey made some sexy history in 2025.

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.

“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.

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Your guide to D.C.’s queer New Year’s Eve parties

Ring in 2026 with drag, leather, Champagne, and more

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Trade leans into a shark motif with its NYE plans. (Washington Blade photo by Michael Key)

With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.

Pitchers

This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.”  There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.

Trade

D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.

Number Nine

While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.

Crush

Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.

Bunker

This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.

District Eagle

This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.

Kiki, Shakiki

Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.

Spark

This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks). 

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