Arts & Entertainment
SPRING ARTS PREVIEW CONCERTS: Sounds of spring (and beyond)
GMCW, Jane Lynch, Bette and more coming to region
Trans singer/songwriter Eli Conley plays Ebeneezer’s Coffeehouse next month. (Photo courtesy Conley)
The Gay Men’s Chorus of Washington has its “When You Wish” show, Disney songs with a gay twist, March 13-14 at Lincoln Theatre (1215 U St., N.W.). For tickets and details, visit gmcw.org.
Out singer/songwriter and GLAAD Award-nominee Mary Gauthier plays Jammin’ Java (227 Maple Ave., E. Vienna, Va.) March 19. She’s touring behind “Trouble & Love,” her first studio album in four years. Visit jamminjava.com for tickets.
A capella group Pentatonix performs at the Patriot Center (4500 Patriot Cir., Fairfax, Va.) on March 19 at 8 p.m. Their Christmas album “That’s Christmas To Me” was a hit album over the holiday season reaching No. 2 on the Billboard chart. They have performed on “The Today Show” and “Macy’s Thanksgiving Parade.” Tickets range from $29.50-49.50. Doors open at 6:30 p.m. For more details, visit patriotcenter.
Soul singer Ledisi comes to DAR Constitution Hall on March 21 at 8 p.m. Singers Raheem DeVaugn and Leela James will also be performing. Tickets range from $85-110. For more information, visit dar.org.
British songstress Jessie Ware performs at 9:30 Club (815 V St., N.W.) on March 31. Her album “Tough Love” includes her latest single release “Champagne Kisses.” Ware will be joined by alternative R&B singer Jesse Boykins III. Doors open at 6 p.m. Tickets are $30. For more details, visit 930.com.
Broadway legend Audra McDonald will play the region twice in the coming months. She’s at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on March 27 then plays Wolf Trap (1551 Trap Road, Vienna, Va.) on June 22 with the National Symphony Orchestra. Details at strathmore.org and wolftrap.org respectively.
Audra McDonald (Washington Blade photo by Michael Key)
Out concert pianist Stephen Hough returns to the Kennedy Center on April 1 to play a mostly Debussy recital in the Terrace Theater. Tickets are $49. Details at kennedy-center.org.
Trans folk artist Eli Conley and his band play Ebenezer’s Coffeehouse (201 F St., N.E.) on April 2. Tickets are $10. Details at ebenezerscoffeehouse.com.
The Philadelphia Orchestra under the baton of out music director Yannick Nezet-Setuin plays the Kennedy Center Concert Hall on April 7. On the program are the Grieg Piano Concerto in A minor and the Rachmaninoff Symphony No. 2 in E minor. Tickets are $35-105. Details at kennedy-center.org.
Singer and actress Jane Lynch performs her musical comedy show “Sing Jane Sing” at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 24-25 at 7:30 p.m. Lynch, best known for her portrayal of Sue Sylvester on “Glee,” will perform both American standard songs and show tunes. Tickets are $89.50.
Jane Lynch will perform at the Birchmere two nights later this month. (Photo courtesy Birchmere)
Singer Neil Diamond performs at the Verizon Center (601 F St., N.W.) on April 4 at 8 p.m. Diamond’s latest album “Melody Road” was released last year. Diamond will perform songs from “Melody Road” as well as classic favorites. Doors open at 7 p.m. Tickets range from $65-175. For more details, visit verizoncenter.
Drummer and percussionist Sheila E. comes to the Howard Theatre on April 30 at 8 p.m. Sheila E has worked with Prince, Lionel Ritchie, Beyonce and many more. She has released seven albums to date. Doors open at 6 p.m. Tickets are $37.50 in advance and $42 day of show. Seating is first come, first seated. There will be a full dinner menu available. For more details, visit thehowardtheatre.com.
Legendary actress and singer Julie Andrews joins Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for “An Evening with Julie Andrews” on April 25 at 9 p.m. Andrews will be joined by moderator Peter Marks and Strathmore Children’s Chorus will perform. The show will be part conversation, stories and clips. The performance is part of Strathmore’s 10th anniversary Spring Gala. Andrews will not sing. Tickets range from $58.50-157. For more information, visit strathmore.org.
Though she won’t be singing, locals get a rare chance to see Julie Andrews live on April 25 at the Strathmore. (Photo courtesy Strathmore)
Alternative indie dance duo Matt and Kim perform at 9:30 Club (815 V St., N.W.) on May 11-12. Their well known singles include “Let’s Go” and “Daylight.” Doors open at 7 p.m. The May 11 show is sold out. Tickets for the May 12 are at 930.com.
Aretha Franklin plays the Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) on May 13. Details at strathmore.org.
Howard Theatre presents “Salute to the Divas: Girl Groups and Ladies of Hip Hop,” a concert drag show headlined by drag performer Shi-Queeta-Lee on May 24 at 8 p.m. Impersonations will include Nicki Minaj, Diana Ross and the Supremes, Queen Latifah, Missy Elliot and many more. This show is a part of Black Pride. General admission tickets are $49.50. General admission tickets are $20 in advance and $25 day of show. There will be a full dinner menu available. For more information, visit howardtheatre.com.
‘Drag Salute to the Divas’ returns to the Howard. (Washington Blade file photo by Michael Key)
Lesbian singer-songwriter Jonatha Brooke performs at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on May 29 at 7:30 p.m. Brooke has released 11 albums and has toured internationally. Tickets are $29.50. For more information, visit birchmere.com.
And to peek ahead slightly to summer, some huge names are on the calendar.
Pop-country hybrid singer Taylor Swift performs a two-night show at Nationals Park (1500 S Capitol St., S.E.) on July 13-14 at 7 p.m. The first night is sold out. Swift’s opening acts will be alternative rock group Vance Joy and pop singer Shawn Mendes.Tickets range from $54.50-134.50. VIP tour packages range from $199-399 and include a limited edition set of Taylor Swift “1989” tour lithographs among other perks. For more information, visit Washington.nationals.mlb.com.
Bette Midler brings her tour to the Verizon Center (601 F St., N.W.) on June 22 at 8 p.m. Midler’s latest album release ‘It’s the Girls!” is a musical tribute to famous girl groups in history from the Andrews Sisters to TLC. Doors open at 7 p.m. Tickets range from $55-290. For more details, visit verizoncenter.
Sam Smith performs at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on July 24 at 8 p.m. Smith, who is gay, has won four Grammy awards from his first album “In the Lonely Hour.” Tickets range from $45-97.50. Doors open at 6:30 p.m. This is an all-ages show. For more information, visit merriweathermusic.com.
Lady Gaga and Tony Bennett perform at the Kennedy Center (2700 F St., N.W.) on July 31 and Aug.1 in promotion for their new collaborative jazz album “Cheek to Cheek.” Songs from the album include both solo and duet performances. Songs from the album include classic jazz songs such as the title track “Cheek to Cheek,” “But Beautiful” and “I Won’t Dance.” Tickets range from 4125-275. Tickets go on sale March 11. For more information, visit kennedy-center.org.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.
When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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