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SPRING ARTS PREVIEW CONCERTS: Sounds of spring (and beyond)

GMCW, Jane Lynch, Bette and more coming to region

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concert, gay news, Washington Blade

Trans singer/songwriter Eli Conley plays Ebeneezer’s Coffeehouse next month. (Photo courtesy Conley)

The Gay Men’s Chorus of Washington has its “When You Wish” show, Disney songs with a gay twist, March 13-14 at Lincoln Theatre (1215 U St., N.W.). For tickets and details, visit gmcw.org.

Out singer/songwriter and GLAAD Award-nominee Mary Gauthier plays Jammin’ Java (227 Maple Ave., E. Vienna, Va.) March 19. She’s touring behind “Trouble & Love,” her first studio album in four years. Visit jamminjava.com for tickets.

A capella group Pentatonix performs at the Patriot Center (4500 Patriot Cir., Fairfax, Va.) on March 19 at 8 p.m. Their Christmas album “That’s Christmas To Me” was a hit album over the holiday season reaching No. 2 on the Billboard chart. They have performed on “The Today Show” and “Macy’s Thanksgiving Parade.” Tickets range from $29.50-49.50. Doors open at 6:30 p.m. For more details, visit patriotcenter.monumentalnetwork.com.

Soul singer Ledisi comes to DAR Constitution Hall on March 21 at 8 p.m. Singers Raheem DeVaugn and Leela James will also be performing. Tickets range from $85-110. For more information, visit dar.org.

British songstress Jessie Ware performs at 9:30 Club (815 V St., N.W.) on March 31. Her album “Tough Love” includes her latest single release “Champagne Kisses.” Ware will be joined by alternative R&B singer Jesse Boykins III. Doors open at 6 p.m. Tickets are $30. For more details, visit 930.com.

Broadway legend Audra McDonald will play the region twice in the coming months. She’s at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on March 27 then plays Wolf Trap (1551 Trap Road, Vienna, Va.) on June 22 with the National Symphony Orchestra. Details at strathmore.org and wolftrap.org respectively.

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Audra McDonald (Washington Blade photo by Michael Key)

Out concert pianist Stephen Hough returns to the Kennedy Center on April 1 to play a mostly Debussy recital in the Terrace Theater. Tickets are $49. Details at kennedy-center.org.

Trans folk artist Eli Conley and his band play Ebenezer’s Coffeehouse (201 F St., N.E.) on April 2. Tickets are $10. Details at ebenezerscoffeehouse.com.

The Philadelphia Orchestra under the baton of out music director Yannick Nezet-Setuin plays the Kennedy Center Concert Hall on April 7. On the program are the Grieg Piano Concerto in A minor and the Rachmaninoff Symphony No. 2 in E minor. Tickets are $35-105. Details at kennedy-center.org.

Singer and actress Jane Lynch performs her musical comedy show “Sing Jane Sing” at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 24-25 at 7:30 p.m. Lynch, best known for her portrayal of Sue Sylvester on “Glee,” will perform both American standard songs and show tunes. Tickets are $89.50.

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Jane Lynch will perform at the Birchmere two nights later this month. (Photo courtesy Birchmere)

Singer Neil Diamond performs at the Verizon Center (601 F St., N.W.) on April 4 at 8 p.m. Diamond’s latest album “Melody Road” was released last year. Diamond will perform songs from “Melody Road” as well as classic favorites. Doors open at 7 p.m. Tickets range from $65-175. For more details, visit verizoncenter.monumentalnetwork.com.

Drummer and percussionist Sheila E. comes to the Howard Theatre on April 30 at 8 p.m. Sheila E has worked with Prince, Lionel Ritchie, Beyonce and many more. She has released seven albums to date. Doors open at 6 p.m. Tickets are $37.50 in advance and $42 day of show. Seating is first come, first seated. There will be a full dinner menu available. For more details, visit thehowardtheatre.com.

Legendary actress and singer Julie Andrews joins Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for “An Evening with Julie Andrews” on April 25 at 9 p.m. Andrews will be joined by moderator Peter Marks and Strathmore Children’s Chorus will perform. The show will be part conversation, stories and clips. The performance is part of Strathmore’s 10th anniversary Spring Gala. Andrews will not sing. Tickets range from $58.50-157. For more information, visit strathmore.org.

concert, gay news, Washington Blade

Though she won’t be singing, locals get a rare chance to see Julie Andrews live on April 25 at the Strathmore. (Photo courtesy Strathmore)

Alternative indie dance duo Matt and Kim perform at 9:30 Club (815 V St., N.W.) on May 11-12. Their well known singles include “Let’s Go” and “Daylight.” Doors open at 7 p.m. The May 11 show is sold out. Tickets for the May 12 are at 930.com.

Aretha Franklin plays the Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) on May 13. Details at strathmore.org.

Howard Theatre presents “Salute to the Divas: Girl Groups and Ladies of Hip Hop,” a concert drag show headlined by drag performer Shi-Queeta-Lee on May 24 at 8 p.m. Impersonations will include Nicki Minaj, Diana Ross and the Supremes, Queen Latifah, Missy Elliot and many more. This show is a part of Black Pride. General admission tickets are $49.50. General admission tickets are $20 in advance and $25 day of show. There will be a full dinner menu available. For more information, visit howardtheatre.com.

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‘Drag Salute to the Divas’ returns to the Howard. (Washington Blade file photo by Michael Key)

Lesbian singer-songwriter Jonatha Brooke performs at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on May 29 at 7:30 p.m. Brooke has released 11 albums and has toured internationally. Tickets are $29.50. For more information, visit birchmere.com.

And to peek ahead slightly to summer, some huge names are on the calendar.

Pop-country hybrid singer Taylor Swift performs a two-night show at Nationals Park (1500 S Capitol St., S.E.) on July 13-14 at 7 p.m. The first night is sold out. Swift’s opening acts will be alternative rock group Vance Joy and pop singer Shawn Mendes.Tickets range from $54.50-134.50. VIP tour packages range from $199-399 and include a limited edition set of Taylor Swift “1989” tour lithographs among other perks. For more information, visit Washington.nationals.mlb.com.

Bette Midler brings her tour to the Verizon Center (601 F St., N.W.) on June 22 at 8 p.m. Midler’s latest album release ‘It’s the Girls!” is a musical tribute to famous girl groups in history from the Andrews Sisters to TLC. Doors open at 7 p.m. Tickets range from $55-290. For more details, visit verizoncenter.monumentalnetwork.com.

Sam Smith performs at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on July 24 at 8 p.m. Smith, who is gay, has won four Grammy awards from his first album “In the Lonely Hour.” Tickets range from $45-97.50. Doors open at 6:30 p.m. This is an all-ages show. For more information, visit merriweathermusic.com.

Lady Gaga and Tony Bennett perform at the Kennedy Center (2700 F St., N.W.) on July 31 and Aug.1 in promotion for their new collaborative jazz album “Cheek to Cheek.” Songs from the album include both solo and duet performances. Songs from the album include classic jazz songs such as the title track “Cheek to Cheek,” “But Beautiful” and “I Won’t Dance.” Tickets range from 4125-275. Tickets go on sale March 11. For more information, visit kennedy-center.org.

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Fighting ‘Rainbow Panic’ in museums

Here’s how we can resist the escalation of anti-LGBTQ censorship

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A Pride flag was removed from the Stonewall National Monument in February after a directive from the Trump administration. It was later restored after protests. (Photo courtesy NPS)

Back in February of 2025, I wrote a piece for New York City-based arts publication Hyperallergic about the importance of museums stepping up for their LGBTQ staff. I was right to be concerned. Over the last three years, censorship of LGBTQ histories and art has exploded in the museum field. Discourse surrounding censorship of art and artifacts reflects galleries, libraries, archives, and museums (GLAM) institutions’ push to erase LGBTQ stories, language, and people from not just exhibitions but also the wider museum field. 

Many now recognize this rush of censorship in the early 2020s as the “rainbow panic,” first coined by historian Wendy Rouse in her piece published in July 2025. 

While LGBTQ censorship in GLAM institutions is not new, the recent push to censor queer and trans histories under the Trump administration began in May 2024 when members of the City Council of Lubbock, Texas cut funding for the First Friday Art Trial due to the inclusion of a drag performance. 

Additional cancellations followed, including in February 2025, when the Art Museum of the Americas canceled “Nature’s Wild With Andil Gosine” scheduled to open in March. While the museum did not say why, some of Gosine’s work that was set to be part of the exhibition reflected on LGBTQ identity and activism in the Caribbean.  

That same month, the National Park Service removed mentions of transgender people from the Stonewall National Memorial website, now seen as a watershed moment in queer erasure. In response, the LGBTQ+ History Association issued a statement warning about the recent moves to censor and erase LGBTQ history and art. 

The Association was right to be concerned because the following month, Trump released his Executive Order titled “Restoring Truth and Sanity to American History” where he targeted the National Museum of American History, National Museum of African American History and Culture, and the American Women’s History Museum. 

But it wasn’t just erasure, it was also intentional renaming. Also in February 2025, the Scottsdale Museum of Contemporary Art changed its traveling exhibition of work by women, queer and trans artists, changing the title that was originally “transfeminisms.” By June, the Art Institute of Chicago changed the title of an exhibition of Gustave Caillebotte’s work and removed discussions of gender and sexuality from the wall text that were included when the show was displayed in Paris and Los Angeles. 

In the last year, censorship has especially escalated with Amy Sherald cancelling her show “American Sublime” at the National Portrait Gallery (and moving it to the Baltimore Museum of Art) and art scholar Ignacio Darnaude writing in an Out op-ed that the National Portrait Gallery (NPG) exhibition “Felix Gonzalez-Torres: Always to Return” did not include information about the artist’s queer identity or the work’s connections to AIDS. The National Portrait Gallery has denied claims of erasure.

This leads us to the most recent happening when in February 2026, a Pride flag was removed from the Stonewall National Monument after a directive from the Trump administration. Thankfully, later that month, protesters re-raised the flag. In April 2026, the National Park Service agreed to restore the Pride flag at the Stonewall National Memorial and keep it up permanently. But even with this victory — the result of queer and trans organizing — attacks on LGBTQ histories remain. 

As the histories we fought to collect and interpret are censored and erased, through museums’ compliance-in-advance as well as government discrimination and decree, we (I write as a queer GLAM worker) see a willingness to sacrifice those histories and our communities for institutional safety, funding, and government support. 

Please know the LGBTQ community will remember the hard truths we learned this past year — that we and our histories were expendable. If we can be cast aside, hidden, or disowned, whose histories are safe? How can (and can we) rebuild trust in the institutions that failed us this past year? It’s not just the LGBTQ community. In fact, just this January, the National Park Service removed signage from the Independence National Historical Park in Philadelphia that referenced slavery at the President’s House Site.

Please help us to fight the erasure of queer and trans histories and communities. Please stand with the LGBTQ community (and LGBTQ+ GLAM workers) against the violence we are facing — not just outside museums, but inside them too. 

For ways that you can help to fight historical erasure, including against the LGBTQ community, please consider the following:

Consume queer history content. Whether it be by visiting exhibitions, listening to a podcast, going on a walking tour or lecture, or buying queer history books, your presence and money speak volumes. And learn your local queer histories. Often, we focus on the large-scale histories that surround the Stonewall Uprising, Compton Cafeteria Riots, and other pivotal moments, but there’s queer history all around us. It’s time to learn and celebrate these histories.

On that topic, volunteer and contribute your time to local LGBTQ history initiatives. Everyone is based in different parts of the country, so another great option for access are online projects like The Pink Triangle Legacies Project, Queer Zine Archive Project, Queer Digital History Project, and Invisible Histories. Everyone has skills, especially GLAM workers, to support the work of these independent history groups. 

Financially support and visit grassroots LGBTQ+ archives and museums. Despite mass censorship and violence over the past year, queer and trans history workers have created and facilitated groundbreaking exhibitions and community action at the Museum of Transology (specifically the TRANSCESTRY exhibition), the Museum of Transgender Hirstory & Art, and other grassroots archives, libraries, and museums created by and for our communities

Queer and trans museum workers refuse to be silenced and shut out of institutions that have long ignored our histories. The work that we do to seek representation is too important, too urgent, to abandon. We look to these grassroots efforts as models for how our institutions can preserve and tell queer and trans histories because many of them were founded themselves during times of censorship and violence.

Find and support your local LGBTQ (and other) employee resource groups and other organizations pushing for transparency and accountability at your workplaces. Right now, many of these groups have gone underground. Where you can, provide mutual aid and financial and organizational support to these groups, and you can be an advocate (especially if you have privilege and protection) for these organizations and their efforts. 

Support the unionization of GLAM workers — show up for pickets and use your attendance and money to support institutions that support and invest in their LGBTQ cultural workers. This past year has been incredibly difficult for LGBTQ museum workers — from censorship and erasure of our histories to the firing of and discrimination against LGBTQ federal workers, federal agencies have denied our existence, cut off lifesaving care for LGBTQ people, and ordered the termination of employee community resource groups. 

Mobilize and fight against anti-LGBTQ legislation affecting your queer and trans GLAM colleagues (and your neighbors). As goes LGBTQ histories and representation, so goes rights for queer and trans museum staff. The best examples of this are the experiences of queer and trans federal and trust workers. Call your representatives, participate in resistance efforts, and contribute to mutual aid supporting people most hurt by the legislation. 

Hope is not lost! LGBTQ history, as I can attest, is not going anywhere, but amid the rising tide of censorship and erasure, there has never been a more important time to show up in support of LGBTQ preservation, curation, and education efforts. As the victory surrounding the Pride flag at the Stonewall National Monument represents, these are hard-fought battles but ones that we can win with your support.

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Outright International honors Cyndi Lauper at annual NYC gala

Singer, long-time ally spoke with Blade on red carpet

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Cyndi Lauper attends Outright International's Celebration of Courage gala in New York on June 1, 2026. (Washington Blade photo by Michael K. Lavers)

NEW YORK — Cyndi Lauper on Monday said LGBTQ Americans and their allies cannot give up in the fight for equality.

“We need to band together. We need to stand together, and we need to speak out, and we need to help each other,” she told the Washington Blade during an interview after she arrived at Outright International’s Celebration of Courage gala that took place at Pier 60 in Manhattan’s Chelsea neighborhood. “Otherwise, we’re dead.”

Outright International honored the singer and long-time ally at the gala that raised nearly $1.5 million for the global LGBTQ and intersex advocacy group. Levi Strauss and VoteLGBT, a group that seeks to increase LGBTQ representation in Brazilian politics, also received awards at the event that Laverne Cox emceed.

“These people have courage — you have the courage to stand up,” said Lauper in her acceptance speech, specifically referring to VoteLGBT and its work in Brazil.

‘I just saw a lot of things that weren’t right’

Lauper’s LGBTQ advocacy spans decades.

She co-founded True Colors United, which seeks to end homelessness among LGBTQ youth, in 2008. Gregory Lewis, who co-founded True Colors United alongside Lauper, introduced her at the Outright International gala.

Lauper in 2010 created the “Give a Damn” campaign through True Colors United that specifically encouraged straight people to support LGBTQ rights. She raised funds for True Colors United and the Stonewall Community Foundation when she was a contestant on President Donald Trump’s “The Celebrity Apprentice” the same year.

Lauper headlined the WorldPride 2019 opening ceremony in New York. She received the first U.N. High Note Global Prize for her LGBTQ rights advocacy later that year.

Lauper in 2022 performed at the White House ceremony during at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. Lauper last year was inducted into the Rock and Roll Hall of Fame.

Cyndi Lauper on Dec. 13, 2022, performs at the White House ceremony at which then-President Joe Biden signed the Respect for Marriage Act, which codified marriage rights for same-sex couples into federal law. (Washington Blade photo by Michael Key)

Lauper in her Outright International speech talked about her decision to support LGBTQ rights.

“I just saw a lot of things that weren’t right,” she said.

“Because I’m friend and family, I thought it would be important to show up here and be with you guys,” added Lauper.

She told gala attendees and honorees that they inspire her.

“Tonight was a big inspiration for me because I was feeling kind of down about how things are going,” said Lauper. “I know that we need to stand together in any civil rights movement — and that’s what it fucking is!”

Lauper reiterated that message when she spoke with the Blade. She also criticized those who “weaponize religion” in their opposition to LGBTQ rights in the U.S. and around the world.

“That’s very sad,” said Lauper. “Religion is supposed to be about humanity and love and understanding each other.”

Lauper urged gala attendees to vote and to encourage their families and friends to do the same. She also told them not to “give up.”

“We can never give up,” said Lauper. “Even though it might look like we’re not going anywhere, you guys made me see that we are.”

“That inspires people,” she added. “You make ripples and you change right before your eyes. It don’t look like much, but it is and it gets bigger and bigger and bigger.”

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Why Michelle Visage needs you to get ‘PrEP Wise’

‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign

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Michelle Visage (Photo by Santiago Felipe/Getty Images for MTV)

If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy. 

Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’ 

Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.

Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”

“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”

Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family. 

“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”

Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign. 

“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.” 

It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.

“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources. 

“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”

“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”

Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.

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