Arts & Entertainment
SPRING ARTS PREVIEW CONCERTS: Sounds of spring (and beyond)
GMCW, Jane Lynch, Bette and more coming to region
Trans singer/songwriter Eli Conley plays Ebeneezer’s Coffeehouse next month. (Photo courtesy Conley)
The Gay Men’s Chorus of Washington has its “When You Wish” show, Disney songs with a gay twist, March 13-14 at Lincoln Theatre (1215 U St., N.W.). For tickets and details, visit gmcw.org.
Out singer/songwriter and GLAAD Award-nominee Mary Gauthier plays Jammin’ Java (227 Maple Ave., E. Vienna, Va.) March 19. She’s touring behind “Trouble & Love,” her first studio album in four years. Visit jamminjava.com for tickets.
A capella group Pentatonix performs at the Patriot Center (4500 Patriot Cir., Fairfax, Va.) on March 19 at 8 p.m. Their Christmas album “That’s Christmas To Me” was a hit album over the holiday season reaching No. 2 on the Billboard chart. They have performed on “The Today Show” and “Macy’s Thanksgiving Parade.” Tickets range from $29.50-49.50. Doors open at 6:30 p.m. For more details, visit patriotcenter.
Soul singer Ledisi comes to DAR Constitution Hall on March 21 at 8 p.m. Singers Raheem DeVaugn and Leela James will also be performing. Tickets range from $85-110. For more information, visit dar.org.
British songstress Jessie Ware performs at 9:30 Club (815 V St., N.W.) on March 31. Her album “Tough Love” includes her latest single release “Champagne Kisses.” Ware will be joined by alternative R&B singer Jesse Boykins III. Doors open at 6 p.m. Tickets are $30. For more details, visit 930.com.
Broadway legend Audra McDonald will play the region twice in the coming months. She’s at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on March 27 then plays Wolf Trap (1551 Trap Road, Vienna, Va.) on June 22 with the National Symphony Orchestra. Details at strathmore.org and wolftrap.org respectively.
Audra McDonald (Washington Blade photo by Michael Key)
Out concert pianist Stephen Hough returns to the Kennedy Center on April 1 to play a mostly Debussy recital in the Terrace Theater. Tickets are $49. Details at kennedy-center.org.
Trans folk artist Eli Conley and his band play Ebenezer’s Coffeehouse (201 F St., N.E.) on April 2. Tickets are $10. Details at ebenezerscoffeehouse.com.
The Philadelphia Orchestra under the baton of out music director Yannick Nezet-Setuin plays the Kennedy Center Concert Hall on April 7. On the program are the Grieg Piano Concerto in A minor and the Rachmaninoff Symphony No. 2 in E minor. Tickets are $35-105. Details at kennedy-center.org.
Singer and actress Jane Lynch performs her musical comedy show “Sing Jane Sing” at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 24-25 at 7:30 p.m. Lynch, best known for her portrayal of Sue Sylvester on “Glee,” will perform both American standard songs and show tunes. Tickets are $89.50.
Jane Lynch will perform at the Birchmere two nights later this month. (Photo courtesy Birchmere)
Singer Neil Diamond performs at the Verizon Center (601 F St., N.W.) on April 4 at 8 p.m. Diamond’s latest album “Melody Road” was released last year. Diamond will perform songs from “Melody Road” as well as classic favorites. Doors open at 7 p.m. Tickets range from $65-175. For more details, visit verizoncenter.
Drummer and percussionist Sheila E. comes to the Howard Theatre on April 30 at 8 p.m. Sheila E has worked with Prince, Lionel Ritchie, Beyonce and many more. She has released seven albums to date. Doors open at 6 p.m. Tickets are $37.50 in advance and $42 day of show. Seating is first come, first seated. There will be a full dinner menu available. For more details, visit thehowardtheatre.com.
Legendary actress and singer Julie Andrews joins Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for “An Evening with Julie Andrews” on April 25 at 9 p.m. Andrews will be joined by moderator Peter Marks and Strathmore Children’s Chorus will perform. The show will be part conversation, stories and clips. The performance is part of Strathmore’s 10th anniversary Spring Gala. Andrews will not sing. Tickets range from $58.50-157. For more information, visit strathmore.org.
Though she won’t be singing, locals get a rare chance to see Julie Andrews live on April 25 at the Strathmore. (Photo courtesy Strathmore)
Alternative indie dance duo Matt and Kim perform at 9:30 Club (815 V St., N.W.) on May 11-12. Their well known singles include “Let’s Go” and “Daylight.” Doors open at 7 p.m. The May 11 show is sold out. Tickets for the May 12 are at 930.com.
Aretha Franklin plays the Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) on May 13. Details at strathmore.org.
Howard Theatre presents “Salute to the Divas: Girl Groups and Ladies of Hip Hop,” a concert drag show headlined by drag performer Shi-Queeta-Lee on May 24 at 8 p.m. Impersonations will include Nicki Minaj, Diana Ross and the Supremes, Queen Latifah, Missy Elliot and many more. This show is a part of Black Pride. General admission tickets are $49.50. General admission tickets are $20 in advance and $25 day of show. There will be a full dinner menu available. For more information, visit howardtheatre.com.
‘Drag Salute to the Divas’ returns to the Howard. (Washington Blade file photo by Michael Key)
Lesbian singer-songwriter Jonatha Brooke performs at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on May 29 at 7:30 p.m. Brooke has released 11 albums and has toured internationally. Tickets are $29.50. For more information, visit birchmere.com.
And to peek ahead slightly to summer, some huge names are on the calendar.
Pop-country hybrid singer Taylor Swift performs a two-night show at Nationals Park (1500 S Capitol St., S.E.) on July 13-14 at 7 p.m. The first night is sold out. Swift’s opening acts will be alternative rock group Vance Joy and pop singer Shawn Mendes.Tickets range from $54.50-134.50. VIP tour packages range from $199-399 and include a limited edition set of Taylor Swift “1989” tour lithographs among other perks. For more information, visit Washington.nationals.mlb.com.
Bette Midler brings her tour to the Verizon Center (601 F St., N.W.) on June 22 at 8 p.m. Midler’s latest album release ‘It’s the Girls!” is a musical tribute to famous girl groups in history from the Andrews Sisters to TLC. Doors open at 7 p.m. Tickets range from $55-290. For more details, visit verizoncenter.
Sam Smith performs at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on July 24 at 8 p.m. Smith, who is gay, has won four Grammy awards from his first album “In the Lonely Hour.” Tickets range from $45-97.50. Doors open at 6:30 p.m. This is an all-ages show. For more information, visit merriweathermusic.com.
Lady Gaga and Tony Bennett perform at the Kennedy Center (2700 F St., N.W.) on July 31 and Aug.1 in promotion for their new collaborative jazz album “Cheek to Cheek.” Songs from the album include both solo and duet performances. Songs from the album include classic jazz songs such as the title track “Cheek to Cheek,” “But Beautiful” and “I Won’t Dance.” Tickets range from 4125-275. Tickets go on sale March 11. For more information, visit kennedy-center.org.
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
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