Arts & Entertainment
SPRING ARTS PREVIEW CONCERTS: Sounds of spring (and beyond)
GMCW, Jane Lynch, Bette and more coming to region
Trans singer/songwriter Eli Conley plays Ebeneezer’s Coffeehouse next month. (Photo courtesy Conley)
The Gay Men’s Chorus of Washington has its “When You Wish” show, Disney songs with a gay twist, March 13-14 at Lincoln Theatre (1215 U St., N.W.). For tickets and details, visit gmcw.org.
Out singer/songwriter and GLAAD Award-nominee Mary Gauthier plays Jammin’ Java (227 Maple Ave., E. Vienna, Va.) March 19. She’s touring behind “Trouble & Love,” her first studio album in four years. Visit jamminjava.com for tickets.
A capella group Pentatonix performs at the Patriot Center (4500 Patriot Cir., Fairfax, Va.) on March 19 at 8 p.m. Their Christmas album “That’s Christmas To Me” was a hit album over the holiday season reaching No. 2 on the Billboard chart. They have performed on “The Today Show” and “Macy’s Thanksgiving Parade.” Tickets range from $29.50-49.50. Doors open at 6:30 p.m. For more details, visit patriotcenter.
Soul singer Ledisi comes to DAR Constitution Hall on March 21 at 8 p.m. Singers Raheem DeVaugn and Leela James will also be performing. Tickets range from $85-110. For more information, visit dar.org.
British songstress Jessie Ware performs at 9:30 Club (815 V St., N.W.) on March 31. Her album “Tough Love” includes her latest single release “Champagne Kisses.” Ware will be joined by alternative R&B singer Jesse Boykins III. Doors open at 6 p.m. Tickets are $30. For more details, visit 930.com.
Broadway legend Audra McDonald will play the region twice in the coming months. She’s at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on March 27 then plays Wolf Trap (1551 Trap Road, Vienna, Va.) on June 22 with the National Symphony Orchestra. Details at strathmore.org and wolftrap.org respectively.
Audra McDonald (Washington Blade photo by Michael Key)
Out concert pianist Stephen Hough returns to the Kennedy Center on April 1 to play a mostly Debussy recital in the Terrace Theater. Tickets are $49. Details at kennedy-center.org.
Trans folk artist Eli Conley and his band play Ebenezer’s Coffeehouse (201 F St., N.E.) on April 2. Tickets are $10. Details at ebenezerscoffeehouse.com.
The Philadelphia Orchestra under the baton of out music director Yannick Nezet-Setuin plays the Kennedy Center Concert Hall on April 7. On the program are the Grieg Piano Concerto in A minor and the Rachmaninoff Symphony No. 2 in E minor. Tickets are $35-105. Details at kennedy-center.org.
Singer and actress Jane Lynch performs her musical comedy show “Sing Jane Sing” at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 24-25 at 7:30 p.m. Lynch, best known for her portrayal of Sue Sylvester on “Glee,” will perform both American standard songs and show tunes. Tickets are $89.50.
Jane Lynch will perform at the Birchmere two nights later this month. (Photo courtesy Birchmere)
Singer Neil Diamond performs at the Verizon Center (601 F St., N.W.) on April 4 at 8 p.m. Diamond’s latest album “Melody Road” was released last year. Diamond will perform songs from “Melody Road” as well as classic favorites. Doors open at 7 p.m. Tickets range from $65-175. For more details, visit verizoncenter.
Drummer and percussionist Sheila E. comes to the Howard Theatre on April 30 at 8 p.m. Sheila E has worked with Prince, Lionel Ritchie, Beyonce and many more. She has released seven albums to date. Doors open at 6 p.m. Tickets are $37.50 in advance and $42 day of show. Seating is first come, first seated. There will be a full dinner menu available. For more details, visit thehowardtheatre.com.
Legendary actress and singer Julie Andrews joins Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for “An Evening with Julie Andrews” on April 25 at 9 p.m. Andrews will be joined by moderator Peter Marks and Strathmore Children’s Chorus will perform. The show will be part conversation, stories and clips. The performance is part of Strathmore’s 10th anniversary Spring Gala. Andrews will not sing. Tickets range from $58.50-157. For more information, visit strathmore.org.
Though she won’t be singing, locals get a rare chance to see Julie Andrews live on April 25 at the Strathmore. (Photo courtesy Strathmore)
Alternative indie dance duo Matt and Kim perform at 9:30 Club (815 V St., N.W.) on May 11-12. Their well known singles include “Let’s Go” and “Daylight.” Doors open at 7 p.m. The May 11 show is sold out. Tickets for the May 12 are at 930.com.
Aretha Franklin plays the Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) on May 13. Details at strathmore.org.
Howard Theatre presents “Salute to the Divas: Girl Groups and Ladies of Hip Hop,” a concert drag show headlined by drag performer Shi-Queeta-Lee on May 24 at 8 p.m. Impersonations will include Nicki Minaj, Diana Ross and the Supremes, Queen Latifah, Missy Elliot and many more. This show is a part of Black Pride. General admission tickets are $49.50. General admission tickets are $20 in advance and $25 day of show. There will be a full dinner menu available. For more information, visit howardtheatre.com.
‘Drag Salute to the Divas’ returns to the Howard. (Washington Blade file photo by Michael Key)
Lesbian singer-songwriter Jonatha Brooke performs at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on May 29 at 7:30 p.m. Brooke has released 11 albums and has toured internationally. Tickets are $29.50. For more information, visit birchmere.com.
And to peek ahead slightly to summer, some huge names are on the calendar.
Pop-country hybrid singer Taylor Swift performs a two-night show at Nationals Park (1500 S Capitol St., S.E.) on July 13-14 at 7 p.m. The first night is sold out. Swift’s opening acts will be alternative rock group Vance Joy and pop singer Shawn Mendes.Tickets range from $54.50-134.50. VIP tour packages range from $199-399 and include a limited edition set of Taylor Swift “1989” tour lithographs among other perks. For more information, visit Washington.nationals.mlb.com.
Bette Midler brings her tour to the Verizon Center (601 F St., N.W.) on June 22 at 8 p.m. Midler’s latest album release ‘It’s the Girls!” is a musical tribute to famous girl groups in history from the Andrews Sisters to TLC. Doors open at 7 p.m. Tickets range from $55-290. For more details, visit verizoncenter.
Sam Smith performs at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on July 24 at 8 p.m. Smith, who is gay, has won four Grammy awards from his first album “In the Lonely Hour.” Tickets range from $45-97.50. Doors open at 6:30 p.m. This is an all-ages show. For more information, visit merriweathermusic.com.
Lady Gaga and Tony Bennett perform at the Kennedy Center (2700 F St., N.W.) on July 31 and Aug.1 in promotion for their new collaborative jazz album “Cheek to Cheek.” Songs from the album include both solo and duet performances. Songs from the album include classic jazz songs such as the title track “Cheek to Cheek,” “But Beautiful” and “I Won’t Dance.” Tickets range from 4125-275. Tickets go on sale March 11. For more information, visit kennedy-center.org.
Photos
PHOTOS: Remove the Regime rally and march
Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial
The Remove the Regime rally and march was held on Saturday, Nov. 22.
(Washington Blade photos by Michael Key)
Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.
Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.
(Washington Blade photos by Michael Key)
Books
Pioneering gay journalist takes on Trump 2.0 in new book
Nick Benton’s essays appeared in Fall Church News-Press
Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.
In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.
His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.
Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”
Please Don’t Eat Your Children
In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.
As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.
Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.
But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.
It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”
Nick Benton’s new book is available now at Amazon.
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