a&e features
Larry Kramer’s magnum opus
On the eve of his 80th birthday, author talks new novel, Supreme Court and more

Larry Kramer plans to celebrate his birthday next month by ‘staying alive’ and ‘continue writing.’ (Photo by Jean Carlomusto; courtesy Farrar Straus Giroux)
Larry Kramer is up front about his frailties. Having “almost died three times,” and freely admitting to “not being so mobile,” he also tells a publicist to warn me he’s hard of hearing and a phone interview may be tough. He’s game to try, though.
Unfortunately, it didn’t work out and so after a couple of questions, we opt for an e-mail exchange. It’s not nearly the death knell to friendly sparring I fear. He has his answers back in about 20 minutes and answers several rounds of follow-ups quickly and without grumble.
The occasion? The publication of his new novel “The American People, Vol. 1: Search for My Heart,” which Farrar, Straus and Giroux published in April. It’s a behemoth —nearly 800 pages that tells variously of prehistoric monkeys, the Puritans, the American Revolution, the Civil War and also the abundant — in Kramer’s vision — homosexual proclivities of the U.S. Founding Fathers with a dizzying cast that includes Washington, Hamilton, Lincoln and even John Wilkes Booth.
Kramer, a D.C. native, is widely known for his groundbreaking and searing play “The Normal Heart,” adapted into an HBO Emmy-winning film last year, and other works such as the novel “Faggots” (1978) and his Oscar-nominated screenplay of “Women in Love.” A pioneering AIDS activist, he cofounded the Gay Men’s Health Crisis in 1982 and founded ACT-UP in 1987. He turns 80 next month and lives in New York’s Greenwich Village with his husband, David Webster (they wed in 2013) and their Cairn Terrier, Charlie, a rescue dog Kramer, always a dog person, says is “very good natured.” He ends our session by admonishing me via e-mail to “be sure to put something in about how much you loved ‘The American People’ and everyone should rush out and buy it and read it immediately!” It is not a stretch to accommodate this request.
WASHINGTON BLADE: Is it fair to say your book is a take on “how it might have happened” on issues of gay Americans, HIV and the Founding Fathers?
LARRY KRAMER: No. I am saying that I think this all did happen. I wanted to write a history of our people.
BLADE: Do you feel AIDS was started on purpose by homophobic German scientists?
KRAMER: No! I am saying that the AIDS virus has been with us since our country started, centuries ago.
BLADE: The New York Times review says your book suggests that “gay men have been with us long before homosexuality had a name and it is past time we extend to these men our historical sympathy and imagination.” Is that a fair estimation?
KRAMER: Of course, although I have never had a good review from the New York Times for anything!
BLADE: Did you envision the book as having such scale at the outset?
KRAMER: Yes. I was striving to write a “big book.” The technical problems interested me. I’ve written plays, movies, essays, a shorter novel. I wanted to see how far I could stretch myself. As I love to write, it’s been an exciting, challenging journey.
BLADE: What was the hardest part of the process? Did you hit any artistic brick walls along the way?
KRAMER: The hardest part was trying to figure out what makes a reader read such a long and complicated book that tells many stories and has a huge cast of characters.
BLADE: You’ve spoken of applying gaydar to historical matters. How fair in general do you feel that is or did it matter for your purposes?
KRAMER: I do not think the gay community is plugged in enough to their radar, so I tried to do it for them.
BLADE: In the modern day, much gaydar has been directed at former U.S. Rep. Aaron Schock (R-Ind). It sounds as though he had transparency issues regardless of whether he’s gay or straight, but is this kind of speculation of his being gay warranted?
KRAMER: Who gives a shit about “speculation” and whether it’s warranted or not? That’s the coward’s way out.
BLADE: Art, history and autobiography are always blurred in your work with characters like Ned Weeks (“The Normal Heart”) or Fred Lemish (“Faggots” and “The American People”). What is accomplished either historically or artistically by taking this approach?
KRAMER: A writer has one great subject to write about, his own life. My life has had many rivers, lived by many Larry Kramers.
BLADE: How’s volume two of “The American People” coming? About what percentage is done?
KRAMER: I have a rough draft but it’s very rough.
BLADE: You’ve taken on the possible homosexual proclivities of the Founding Fathers. Is there a point where similar approaches might be unfair or too obscured by history to justify? Any thoughts on those who assume, for instance, David and Jonathan in the Old Testament were lovers?
KRAMER: Having a strong opinion does not need the justification you are speaking about. No history of gay people exists, which is why I am trying to write one.
BLADE: But at any point in writing “American People,” did you feel you were on shaky ground? Isn’t it relatively easy to slap a gay nametag on a historical figure? What purpose is served in doing this beyond crafting entertaining fiction? Obviously it appears you had more in mind than that.
KRAMER: You miss the whole point of the book if you think I just made up these gay historical figures. I certainly was not out to craft entertaining fiction, but to instruct our people in their history. The only “shaky ground” was my concern people would not take seriously what I was telling them. Interesting that the great reviews arriving are from gay critics and the nasty ones are from straights!
BLADE: You’ve spoken often of the virtues of anger. Are you bitter? If so, is this a negative emotion?
KRAMER: I am not bitter. I am angry. Anger is a wonderful motivator for me!
BLADE: How old were you when you left Washington, D.C.?
KRAMER: I went off to Yale when I was 18. I still go back to see friends.
BLADE: Predictions for the Supreme Court gay case argued last week? If we win there, will we have won overall?
KRAMER: We will have won the right to marry. We have not yet won equality or a cure to AIDS.
BLADE: You’ve been critical of so many approaches to activism from HRC to Frank Kameny and beyond over the years. But could we have gotten to the Supreme Court solely using ACT-UP-style approaches? Couldn’t a variety of approaches have helped us in the long run?
KRAMER: Who says these kind of tactics were not used to help win marriage? I don’t remember criticizing Frank.
BLADE: Didn’t you feel Frank and some others spent too much time looking back?
KRAMER: Yes, I did say that.

The cast of Arena Stage’s 2012 production of ‘The Normal Heart.’ (Photo courtesy Arena)
BLADE: You told the Advocate recently you are working on a “Normal Heart” sequel, but didn’t you do that already with “Destiny of Me”? Is this another work?
KRAMER: I am working on a sequel to the HBO movie, which was a big success for them. But it has not been announced yet until they approve my screenplay and whether Ryan Murphy is free to direct it. “The destiny of Me” was more a prequel than a sequel.
BLADE: Were you overall pleased with how the HBO adaptation turned out?
KRAMER: Very much so. I loved working with Ryan and we had such a great cast, Mark Ruffalo, Julia Roberts, Jim Parsons, all of whom we want to use in this sequel.
BLADE: Any thoughts on Armistead Maupin or the late Paul Monette (other gay writers of note)?
KRAMER: Paul was a dear friend and I am friendly with Armistead and I admire their work. I know many of the gay writers today and feel uncomfortable commenting on their work.
BLADE: Did you see the 2012 “Normal Heart” production at Arena Stage in Washington? Any thoughts?
KRAMER: I loved what Arena did. It was especially moving to me because when I was a kid, I went to see many of their productions in that small remodeled old movie theater on New York Avenue.
BLADE: How long have you been with David? Once you recovered, how did it feel to be married?
KRAMER: I first started dating David in the mid-‘60s. We dated for many years but he didn’t want to be pinned down. We finally got together permanently in 1995 or so and got married just a year or so ago. I promptly got very sick and spent almost a year in and out of hospitals. He saved my life several times when doctors were not helping; he found the right ones. It is certainly not the marriage one wanted to have, lover and caregiver. His own career as an architect has suffered as he worries for me. We have both certainly been put to the test and it has brought us even closer together.
BLADE: Has he read “The American People”? If so, what did he say?
KRAMER: He was one of the first people who read the earliest draft. He has a great memory of what and who I’ve written about, which is invaluable. He has always been a big fan, even of ‘Faggots,’ which is about our earlier go-round. He’s the dinky character who breaks Fred’s heart.
BLADE: Plans for your 80th birthday?
KRAMER: To carry on writing and staying alive!
BLADE: Barney Frank said this in his recent memoir: “If you care deeply about an issue and are engaged in group activity on its behalf that is fun and inspiring and heightens your sense of solidarity with others, you are almost certainly not doing your cause any good.” Do you agree?
KRAMER: Joseph Papp, who produced the original “Normal Heart” at the Public Theater said much the same thing to me, to wit: “If you haven’t offended someone, then you haven’t done something right.”
a&e features
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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