Music & Concerts
Janet Jackson announces new album, tour
A look back at Blade’s 2006 interview with music icon
Janet Jackson announced plans for a new album and world tour on Saturday. (Washington Blade photo by Michael Key)
In a video message posted Saturday — her 49th birthday — Janet Jackson announced plans for a new album and world tour.
“I promised you’d hear it from my lips, and now you will,” she says in the video. “This year: new music; new world tour; a new movement. I’ve been listening. Let’s keep the conversation going.”
She added the hashtag #ConversationsInACafe, which some have speculated is the title of the upcoming album.
Jackson has long been an LGBT favorite, winning GLAAD awards and other accolades for her pro-LGBT themes and extensive work in HIV/AIDS philanthropy.
Back in 2006, Jackson sat down with the Blade for an exclusive interview in which she talked about her support for marriage equality and much more. While the world awaits new material, let’s revisit that 2006 interview.
Sept. 29, 2006:
We’re ‘So Excited’
Gay icon Janet Jackson talks about new album, same-sex marriage — and Madonna
By KEVIN NAFF
Without Janet Jackson, no one would be one-two stepping to Ciara or celebrating Beyonce’s B’Day. And Mouseketeer Justin Timberlake — who has shamelessly appropriated the Jackson family’s moves for years — would be dancing in theme park musical productions instead of bringing sexy back.
After inspiring a league of imitators during 20 years in the music business, Jackson releases her ninth studio album this week, “20 Y.O.,” a wonderfully self-referential return to the top of her game and a nod to the 20th anniversary of her groundbreaking 1986 album “Control.”
In the midst of a whirlwind media tour to promote the album, which has included a stop on Oprah’s couch and a “Today” show appearance, Jackson granted the Blade an exclusive interview this week in which she talked about the album, the MTV boycott of her videos, her gay fans and even Madonna.
Although Jackson has always said she writes songs about what’s happening in her life, there is no mention on “20 Y.O.” of the Super Bowl controversy or her brother Michael’s acquittal on child molestation charges.
“I got all of that out of my system,” she says in explaining the decision not to reflect on those events. “That’s not what I’m feeling right now. I wrote about [those controversies] but I didn’t choose to put it out there on the album.”
In 2004, for the first time since the 1980s, a Janet Jackson album failed to hit No. 1 on the Billboard charts. The commercially disappointing “Damita Jo” opened at No. 2 and went on to sell about one million copies. Despite the lackluster response to that album, Jackson says she’s not feeling pressure to hit No. 1 with “20 Y.O.”
“It’s more important for the record company than for me,” she says. “I just want to bring happiness to people. Of course you want it to be successful, but I really just want to bring a smile to people’s faces.”
One factor that will impact sales of the new album is video exposure. Although BET and VH1 have been playing the first two singles, “Call on Me” and “So Excited,” MTV appears to be boycotting all things Janet.
MTV, which named Jackson its inaugural “Icon” award winner in 2001, produced the infamous half-time show in which Jackson’s breast was exposed. But MTV’s anger over the incident apparently doesn’t extend to Timberlake, whose new single is in heavy rotation. Jackson says she’s heard that MTV has disrespected her fans, but she brushes off the snub.
“The fans get upset and talk about boycotting [MTV],” she says. “It is what it is, but I’m not losing sleep over it. I appreciate the love and support the fans have shown me.”
To reach those fans in the absence of MTV support, Jackson and her promotions team have waged an aggressive web promotion campaign that includes a revamped official website, janet-jackson.com, and a new MySpace site that includes an exclusive video diary. She teased fans earlier this year with the online-only release of a cover of Debbie Deb’s 1980s song “Lookout Weekend.”
Janet clearly recognizes that many of those fans she’s reaching out to are gay. She clarified that she has never been involved in a gay relationship herself, but that she has many gay friends, several of whom are dancers in her upcoming tour.
She says she doesn’t understand why so many people oppose same-sex marriage, “We’re all human and we all fall in love, so why should our sexual preference matter?”
There are no wild innovations or dramatic departures on “20 Y.O.,” but the album is chock full of hits. There is no dead weight on this record, as on “Damita Jo.”
This time out, with help from longtime beau and hit maker Jermaine Dupri and producers and co-writers Jimmy Jam and Terry Lewis, Jackson delivers a string of well-crafted tunes. “There’s something to be said for not saying anything,” she says in the introduction to the album. “I want to keep it light. I want to have fun.”
And fun is what she delivers, especially for dance music fans. The album opens with a series of five sure-fire club-banging hits, starting with the current single, “So Excited.” Despite lyrics like, “I’ll open my spot for you, anytime you want me to,” Jackson has ratcheted down the vulgarity this time out. She’s still freaky, but the 40-year-old Janet sounds more mature and confident than she has in the recent past.
Dirty Southern rapper Khia (of “My Neck, My Back” infamy) guests on “So Excited,” which is followed by four more fast-paced songs: “Show Me,” “Get It Out Me,” “Do It 2 Me” and “This Body,” featuring a rollicking guitar riff that recalls “Rhythm Nation” hit “Black Cat.”
In fact, the album is full of sly samples from Jackson’s extensive back catalogue. Listen carefully, and you’ll hear snippets from “Rhythm Nation,” “I Get Lonely” and other previous Jackson hits as she looks back on 20 years in music.
After the opening barrage of infectious beats, Jackson slows things to a mid-tempo groove with songs like “With U” and “Call on Me,” a duet with Nelly that hit No. 1on Billboard’s R&B/hip-hop chart.
The interludes that Jackson is known for interspersing on her albums are spare this time, with just three short breaks plus an intro and outro. The interludes succeed in preparing the listener for what’s to come and transitioning between the faster, mid-tempo and slower ballad tracks.
Jackson’s persona has always included the over-the-top diva as well as the vulnerable and shy side, which she successfully mines on “Take Care,” a whispering, smooth ballad.
Among the standouts — and there are many — “Do It 2 Me” and “Daybreak” really shine.
“Enjoy” is classic, upbeat Janet, reminiscent of “Runaway” and “Escapade.” She coos, “Livin’ every day like it’s my last/ I refuse to be stuck in the past/People acting like machines/cause they’re scared to live their dreams, no not me.”
Jackson says her gay fans have another treat yet to come. She promises a song called “Clap Your Hands” will be a big hit with the gay club crowd. The song isn’t on the version of “20 Y.O.” released this week, but is coming on a future re-release of the album, along with a possible duet with Mariah Carey, which Jackson says is still in the works.
Asked if she would ever consider a duet with longtime chart rival and fellow gay-favorite Madonna, Jackson says she hasn’t thought about it.
“No one’s ever asked me that,” she says, adding that she and Madonna have never actually met. “Isn’t that surprising?”
She declined to speculate about how many singles to expect from the album, saying, “it’s up to the market,” but did confirm that she will launch a world tour in March.
“I’m sure we’ll stop in Washington,” she says, adding that the show will include a mixture of new and old hits. “I don’t like going to a show where all they perform is the new album.”
After the tour, Jackson says she has no idea what’s next for her professionally, but she would like to pursue film roles.
“I’d like to have a family and I’m getting older,” she says. “I don’t know what’s next, I’m as much in the dark as you are.”
Music & Concerts
Queer mega stars (and allies) ready to take D.C. stages this fall
Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.
One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.
Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.
RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.
Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.
All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.
BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.
Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.
Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.
The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.
Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.
Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.
Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.
Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.
Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.
Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.
Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.
Opera Lafayette
Featuring Mary Elizabeth Williams as Dido
+ Elijah McCormack, Chelsea Helm
Oct. 16, 7:30 p.m.
Sixth & I
PostClassical Ensemble
The Pale Blue Do: A Musical Voyage Inspired By Nature
Featuring National Geographic’s Enric Sala, Guest Curator
Wednesday, November 19, 7:30 p.m.
Terrace Theater
Washington Concert Opera
Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica
Nov. 23, 6 p.m.
Lisner Auditorium
Washington Master Chorale
An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.
Oct. 18, 7:30 p.m.
October 19, 5 p.m.
St. David’s Episcopal Church
Music & Concerts
Cyndi Lauper ready to have fun in Virginia
Superstar to bring final leg of farewell tour to Jiffy Lube Live
Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live.
Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.
Tickets are available on Live Nation’s website.
Music & Concerts
Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July
The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.
Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.
The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.
Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.
The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:
“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”
Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.
The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.
One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.
A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.
It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.
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