a&e features
Christmas with Kylie
Diva dishes on her new album and who’ll she be kissing under the mistletoe
How does Kylie Minogue make the yuletide gay? “By singing about it,” she says, giggling the cutest Kylie giggle. And then she does just that — she sings.
The song? “It’s the Most Wonderful Time of the Year,” which the Aussie icon spontaneously launches into via phone, putting special emphasis on those “gay happy meetings.” Opening her first holiday album, “Kylie Christmas,” the frosty favorite is one of 13 songs bound to bring a little extra joy to the world.
“Christmas is a fun time to be over the top, that’s for sure,” Minogue says, before stating what every gay man from here to the North Pole already knew: “I deal in glitter.”
Q SYNDICATE: First things first: Have you been naughty or nice this year?
MINOGUE: Good question! I’d like to think I’ve been – how can I say this? (laughs) … the right percentage of both.
Q SYNDICATE: How about that time you writhed on a medicine ball during your video for “Sexercise”?
MINOGUE: (Laughs) That was a little bit naughty. But a lot of nice. We want nice.
Q SYNDICATE: What were your Christmases like as a kid?
MINOGUE: Hot! Over the years, my family has embraced Christmas more so in Australian fashion – we haven’t totally let go of European or British tradition, which most people have a link to in that there is still a roast – even if it’s roasting outside, there’s still a roast in the oven. But I would say, same as the rest of the world. Get up, open your presents, run around. Eat too much. The only difference is, we end up in our swimming suit, jumping in the pool, standing around a barbecue.
Q SYNDICATE: Do you like a hot or cool Christmas?
MINOGUE: I like them both. They’re so different. I don’t remember when my first cold Christmas was, but that I found it very weird. People who’ve never had a hot Christmas – because most of the world associates Christmas with the cold – just cannot get their head around it. Even when we were recording, all the Brits are going, “Don’t you think it’s weird recording in June, July, August? It’s summer.” I’m like, “Not really – makes sense to me.” I love it.
Q SYNDICATE: How did you make it feel like Christmas in the studio?
MINOGUE: Basically we just decorated the studio. The studio was full of fairy lights and Santa hats and Christmas candles. We did not hold back.
Q SYNDICATE: Did you get dressed up for the occasion?
MINOGUE: I went Christmas vibes — I didn’t go for full “sexy snow sleigh” album cover. We did have a sleigh in the studio. We had about five huge Christmas trees, giant crackers, toy soldiers and tinsel. Every day we were in there, it was more and more. It was really festive. It felt like Christmas. And I’m glad the world’s catching up — it’s been Christmas since June!
Q SYNDICATE: When it comes to presents: giving or getting?
MINOGUE: Giving. I know it sounds cliché, but I love when you’ve got something for someone and they’re gonna understand your humor or get it, or it’s something they wouldn’t get for themselves. I especially like the wrapping.
Q SYNDICATE: Who are some of the gays in your life that you spend the holidays with?
MINOGUE: There’s normally a few around. I mean, my Christmas is different every year. Last year I was in Los Angeles. I feel really odd answering this question … like numbering them! (Laughs) Let’s just say there’s a smattering. More sparkle!
Q SYNDICATE: What is the craziest Christmas gift you’ve ever received from a fan?
MINOGUE: Oh, I don’t know. I can’t think of one. Nothing that alarmed me. Maybe this year will be different now that I’m Miss Christmas.
Q SYNDICATE: If you could kiss anyone under the mistletoe, who would it be?
MINOGUE: Awww – that would be my boyfriend (actor Joshua Sasse), for sure. It will be our first Christmas together, so Christmas is even more special for me this year. I better order the mistletoe.
Q SYNDICATE: Get on that, Kylie.
MINOGUE: Note to self: mistletoe.
Q SYNDICATE: What do you make of headlines that draw attention to the fact that he’s 20 years younger than you?
MINOGUE: I understand it’s bound to happen because that’s a fact, but I just cannot express to you enough that it just doesn’t factor, it really doesn’t. I mean, I was surprised myself, but who you’re attracted to or who you fall in love with is beyond any kind of boxes that society puts you in. And you know what, I hate boxes. I hate feeling that I’m restricted in any way, and definitely when it comes to love. You should love who you love. Of course there’s been those headlines, but people seem to also think that we look like we should be together, so it’s not been as bad as it could’ve been … let’s put it that way.
Q SYNDICATE: As a public figure, do you feel people are more prone to put you in a box?
MINOGUE: Oh, definitely. I remember it happening from quite a young age, and it would drive me crazy. I started in TV as an actress and began singing, and they’re so sort of close-minded: You’re an actress, not a singer, and then I was known for singing and finally I am a singer and they don’t understand that I still act. That was definitely the first time that that kind of notion hit me, and it just made no sense to me whatsoever. In a broader sense, I hate being stuck in clothes, I hate being stuck in ideas. Maybe it’s being a Gemini – I need freedom! It’s like with the pony in the yard: If you close the gate, I will go wild; if you leave the gate wide open, I’m probably not going to leave. I just need to know that you’re not closing me in with anything physical or mental. It’s a very deep issue for me.
Q SYNDICATE: Christmastime evokes different emotions for different people. For you, what kind of emotions do the holidays trigger?
MINOGUE: Excitement, then sheer panic because you think you’re ready but you’re not ready and then it all kind of creeps up on you. I think part of that panic is part of tradition, I guess. I would like to think this year I am officially ahead of the game. Also, wanting to be with family, if possible. And holiday — having a break. I would have to say one of the big pluses about a Christmas album is. At least I know when I’ll be finishing with promotion. December 25 I’m done. My work here is done.
Q SYNDICATE: How are some of these emotions presented on the album?
MINOGUE: On the album, there’s the kind of toasty just-wanna-cuddle-and-wear-cashmere-sweaters vibe, which I didn’t have the last couple of years because I didn’t have a boyfriend, so that’s exciting. Then there’s the more emotional, bittersweet ones where you’re thinking about someone you love and you’re not with them, and I have that pretty much every year because I haven’t had a family Christmas in Australia for about six years and I’m not having one this year either. Then there’s the ones where everyone’s had a few drinks — Nana’s had a couple sherries — and everyone’s feeling very merry. Then it’s nap time, and you start again.
Q SYNDICATE: Earlier this year, and after releasing “Kiss Me Once,” you left your former management firm, Jay Z’s Roc Nation.
MINOGUE: I was getting used to a new situation, and I loved it for all of those reasons. If I compare (“Kiss Me Once”) to making this album, it’s an unfair comparison. Within the confines of Christmas, you can’t do whatever you want — it’s a Christmas album — but I did learn some extremely valuable lessons through that, and my time there was well spent.
Q SYNDICATE: How will what you learned from that experience influence your approach to the next mainstream pop album you do? Assuming it’s pop…
MINOGUE: Oh, it will be. I think when Christmas is done, the pop drug will come back … gosh, I mean, this album is pop-y anyway. But with “Impossible Princess,” I got that out of my system and then I did “Light Years” which had “Spinning Around,” and then to “Fever,” which was not quite as camp – it was more icy-pop. What I’m trying to say is that, after “Kiss Me Once” with Roc Nation, yes, I’ll do things differently, but I kind of do that after every album anyway. But I wouldn’t go around and work with so many people. I would try to be a little more streamlined. And I can say that because I did it and I learned a lot. Six of one, half dozen of the other.
Q SYNDICATE: When it comes to your career, your gay audience has been there every step of the way. It’s clear we have a special relationship. After all this time, how would you describe that relationship?
MINOGUE: Strong. Genuine. Definitely funny at times. (Laughs) We get the same jokes, put it that way. And I never take it for granted. But you, for a long time, have been very loyal, and I feel like we’ve had a relationship for such a long time – and it’s a true relationship.
Chris Azzopardi is the editor of Q Syndicate, the international LGBT wire service. Reach him via his website at www.chris-azzopardi.com and on Twitter (@chrisazzopardi).
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.

