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Christmas with Kylie
Diva dishes on her new album and who’ll she be kissing under the mistletoe
Kylie Minogue says Christmases were hot growing up in Australia. (Photo by Will Baker)
How does Kylie Minogue make the yuletide gay? “By singing about it,” she says, giggling the cutest Kylie giggle. And then she does just that — she sings.
The song? “It’s the Most Wonderful Time of the Year,” which the Aussie icon spontaneously launches into via phone, putting special emphasis on those “gay happy meetings.” Opening her first holiday album, “Kylie Christmas,” the frosty favorite is one of 13 songs bound to bring a little extra joy to the world.
“Christmas is a fun time to be over the top, that’s for sure,” Minogue says, before stating what every gay man from here to the North Pole already knew: “I deal in glitter.”
Q SYNDICATE: First things first: Have you been naughty or nice this year?
MINOGUE: Good question! I’d like to think I’ve been – how can I say this? (laughs) … the right percentage of both.
Q SYNDICATE: How about that time you writhed on a medicine ball during your video for “Sexercise”?
MINOGUE: (Laughs) That was a little bit naughty. But a lot of nice. We want nice.
Q SYNDICATE: What were your Christmases like as a kid?
MINOGUE: Hot! Over the years, my family has embraced Christmas more so in Australian fashion – we haven’t totally let go of European or British tradition, which most people have a link to in that there is still a roast – even if it’s roasting outside, there’s still a roast in the oven. But I would say, same as the rest of the world. Get up, open your presents, run around. Eat too much. The only difference is, we end up in our swimming suit, jumping in the pool, standing around a barbecue.
Q SYNDICATE: Do you like a hot or cool Christmas?
MINOGUE: I like them both. They’re so different. I don’t remember when my first cold Christmas was, but that I found it very weird. People who’ve never had a hot Christmas – because most of the world associates Christmas with the cold – just cannot get their head around it. Even when we were recording, all the Brits are going, “Don’t you think it’s weird recording in June, July, August? It’s summer.” I’m like, “Not really – makes sense to me.” I love it.
Q SYNDICATE: How did you make it feel like Christmas in the studio?
MINOGUE: Basically we just decorated the studio. The studio was full of fairy lights and Santa hats and Christmas candles. We did not hold back.
Q SYNDICATE: Did you get dressed up for the occasion?
MINOGUE: I went Christmas vibes — I didn’t go for full “sexy snow sleigh” album cover. We did have a sleigh in the studio. We had about five huge Christmas trees, giant crackers, toy soldiers and tinsel. Every day we were in there, it was more and more. It was really festive. It felt like Christmas. And I’m glad the world’s catching up — it’s been Christmas since June!
Q SYNDICATE: When it comes to presents: giving or getting?
MINOGUE: Giving. I know it sounds cliché, but I love when you’ve got something for someone and they’re gonna understand your humor or get it, or it’s something they wouldn’t get for themselves. I especially like the wrapping.
Q SYNDICATE: Who are some of the gays in your life that you spend the holidays with?
MINOGUE: There’s normally a few around. I mean, my Christmas is different every year. Last year I was in Los Angeles. I feel really odd answering this question … like numbering them! (Laughs) Let’s just say there’s a smattering. More sparkle!
Q SYNDICATE: What is the craziest Christmas gift you’ve ever received from a fan?
MINOGUE: Oh, I don’t know. I can’t think of one. Nothing that alarmed me. Maybe this year will be different now that I’m Miss Christmas.
Q SYNDICATE: If you could kiss anyone under the mistletoe, who would it be?
MINOGUE: Awww – that would be my boyfriend (actor Joshua Sasse), for sure. It will be our first Christmas together, so Christmas is even more special for me this year. I better order the mistletoe.
Q SYNDICATE: Get on that, Kylie.
MINOGUE: Note to self: mistletoe.
Q SYNDICATE: What do you make of headlines that draw attention to the fact that he’s 20 years younger than you?
MINOGUE: I understand it’s bound to happen because that’s a fact, but I just cannot express to you enough that it just doesn’t factor, it really doesn’t. I mean, I was surprised myself, but who you’re attracted to or who you fall in love with is beyond any kind of boxes that society puts you in. And you know what, I hate boxes. I hate feeling that I’m restricted in any way, and definitely when it comes to love. You should love who you love. Of course there’s been those headlines, but people seem to also think that we look like we should be together, so it’s not been as bad as it could’ve been … let’s put it that way.
Q SYNDICATE: As a public figure, do you feel people are more prone to put you in a box?
MINOGUE: Oh, definitely. I remember it happening from quite a young age, and it would drive me crazy. I started in TV as an actress and began singing, and they’re so sort of close-minded: You’re an actress, not a singer, and then I was known for singing and finally I am a singer and they don’t understand that I still act. That was definitely the first time that that kind of notion hit me, and it just made no sense to me whatsoever. In a broader sense, I hate being stuck in clothes, I hate being stuck in ideas. Maybe it’s being a Gemini – I need freedom! It’s like with the pony in the yard: If you close the gate, I will go wild; if you leave the gate wide open, I’m probably not going to leave. I just need to know that you’re not closing me in with anything physical or mental. It’s a very deep issue for me.
Q SYNDICATE: Christmastime evokes different emotions for different people. For you, what kind of emotions do the holidays trigger?
MINOGUE: Excitement, then sheer panic because you think you’re ready but you’re not ready and then it all kind of creeps up on you. I think part of that panic is part of tradition, I guess. I would like to think this year I am officially ahead of the game. Also, wanting to be with family, if possible. And holiday — having a break. I would have to say one of the big pluses about a Christmas album is. At least I know when I’ll be finishing with promotion. December 25 I’m done. My work here is done.
Q SYNDICATE: How are some of these emotions presented on the album?
MINOGUE: On the album, there’s the kind of toasty just-wanna-cuddle-and-wear-cashmere-sweaters vibe, which I didn’t have the last couple of years because I didn’t have a boyfriend, so that’s exciting. Then there’s the more emotional, bittersweet ones where you’re thinking about someone you love and you’re not with them, and I have that pretty much every year because I haven’t had a family Christmas in Australia for about six years and I’m not having one this year either. Then there’s the ones where everyone’s had a few drinks — Nana’s had a couple sherries — and everyone’s feeling very merry. Then it’s nap time, and you start again.
Q SYNDICATE: Earlier this year, and after releasing “Kiss Me Once,” you left your former management firm, Jay Z’s Roc Nation.
MINOGUE: I was getting used to a new situation, and I loved it for all of those reasons. If I compare (“Kiss Me Once”) to making this album, it’s an unfair comparison. Within the confines of Christmas, you can’t do whatever you want — it’s a Christmas album — but I did learn some extremely valuable lessons through that, and my time there was well spent.
Q SYNDICATE: How will what you learned from that experience influence your approach to the next mainstream pop album you do? Assuming it’s pop…
MINOGUE: Oh, it will be. I think when Christmas is done, the pop drug will come back … gosh, I mean, this album is pop-y anyway. But with “Impossible Princess,” I got that out of my system and then I did “Light Years” which had “Spinning Around,” and then to “Fever,” which was not quite as camp – it was more icy-pop. What I’m trying to say is that, after “Kiss Me Once” with Roc Nation, yes, I’ll do things differently, but I kind of do that after every album anyway. But I wouldn’t go around and work with so many people. I would try to be a little more streamlined. And I can say that because I did it and I learned a lot. Six of one, half dozen of the other.
Q SYNDICATE: When it comes to your career, your gay audience has been there every step of the way. It’s clear we have a special relationship. After all this time, how would you describe that relationship?
MINOGUE: Strong. Genuine. Definitely funny at times. (Laughs) We get the same jokes, put it that way. And I never take it for granted. But you, for a long time, have been very loyal, and I feel like we’ve had a relationship for such a long time – and it’s a true relationship.
Chris Azzopardi is the editor of Q Syndicate, the international LGBT wire service. Reach him via his website at www.chris-azzopardi.com and on Twitter (@chrisazzopardi).
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
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D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
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