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Bianca Del Rio brings show to D.C.

‘Drag Race’ diva thumbing her ‘Rolodex of Hate’

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Bianca Del Rio, gay news, Washington Blade
Bianca Del Rio, gay news, Washington Blade

Bianca Del Rio says winning ‘Drag Race’ opened many doors. (Photo by Magnus Hastings)

Bianca Del Rio

 

‘Rolodex of Hate’

 

Saturday, Nov. 14

 

9 p.m.

 

Lincoln Theatre

 

1215 U St. N.W.

 

$20-75

 

ticketfly.com

 

Though she’s performed at Capital Pride, had a monthly show at Town and brought her show to the Fillmore in Silver Spring in February, this weekend is the first time Bianca Del Rio (aka Roy Haylock), the “RuPaul’s Drag Race” season six winner, will perform her “Rolodex of Hate” show in Washington proper.

During a rare break from the road, we caught up with the famously insulting insult comic. Her comments have been slightly edited for length.

 

WASHINGTON BLADE: What did you have on your face during the season seven finale? That was quite a look.

BIANCA DEL RIO: Just glitter. I just covered myself in it and thought it was a brilliant idea until that night when I tried to get it all off. It was like that scene in “Silkwood.” … But that’s television, so it’s all good.

 

BLADE: Tapings can take forever. Did you have to sit around all day in that getup?

BIANCA: It starts out pretty early, like 5 or 6 and I did the pre-show as myself that aired on World of Wonder’s YouTube channel … that I hosted with a live audience. And then we went to the actual taping so I had a couple of hours because they film all of them talking, all the confessionals, you know how TV is. Stop, wait, stop, wait, stop, wait. So I had a couple of hours, but it wasn’t bad. I was backstage schmoozing.

 

BLADE: Who were you rooting for on season seven?

BIANCA: Well with my schedule and not necessarily being in the U.S. all the time, it was very difficult to watch the show so I just caught up whenever I could.

 

BLADE: What do you think of Violet Chachki? Is she a worthy successor?

BIANCA: Violet’s a lovely girl. I think before the show, my immediate attraction was to Ginger (Minj) because of her sense of humor, but since then I’ve gotten to meet all three of them and Violet’s quite lovely and, you know, she’s got it together. She’s 23, 24, she’s gorgeous and that’s really the great thing about the show, all of us have a different path so it’s great to see the good things that have come her way.

 

BLADE: You’re a noticeable absence on the new “Christmas Queens” album. Surely you were approached.

BIANCA: I was asked but I didn’t really want to sing. It’s not my forte. But I hear it’s quite lovely. I bought it but I haven’t listened to it yet.

 

BLADE: On your season, I got so tired of hearing Adore whine about not being able to sew and, to a lesser degree, Ginger on this last season. Why would anybody go on “Drag Race” and not learn to sew first? Or at least take a crash course after you turned your tape in?

BIANCA: Well, it’s difficult to try to explain other people. It’s like going to the Olympics. You know what you’re going to be doing to get to the medal and so you need to have some level of skill when it comes to singing, dancing, acting, sewing and comedy. Basically, that’s the format of the show. You don’t have to master all of them, but you have to have some proficiency because you know that’s going to be asked of you. … We’ve had people who’ve won or gotten to the finals at least without necessarily having those skills but for me, I tried to be as prepared as possible. But then I’m older than everyone else so I’ve kind of done all those things at different points in my life. … I hated the lip syncing but others couldn’t wait to do that.

 

BLADE: If you’re good, like you, you might not have to lip sync but you know you’re going to have to sew.

BIANCA: Well that’s true. But not everyone who goes on that show is that smart. You’ve seen that. No names, but yeah.

 

BLADE: You’re returning to some markets. The tour must be going well, no?

BIANCA: We didn’t expect the show to be as successful as it’s been. I’ve been traveling with it since last November. Because I was new, quote-unquote, the producer would give me dates and if they sold out, we would get more dates. So it’s been over a year almost now and we’ve been all over the world. … We’ll end the show with D.C., El Paso and Oklahoma City, all cities I had not visited. … There are so many cities. I’m like, “Oh shit, have I been there?” I only know by the airports. I’m just there a day or a night and then out the next day so it gets blurred.

 

BLADE: What’s next?

BIANCA: We’ll leave “Rolodex” on a high note and then there are other projects I’m working on as well. I’ll free up some time and re-focus on what’s coming up next. Then I’m writing my new show, which will premiere next summer in Australia.

 

BLADE: Tell us about “Hurricane Bianca.”

BIANCA: That was in the works before I did “Drag Race.” A friend of mine, Matt Kugelman, had written a feature film that he wanted to do with me. I didn’t write it. It’s not my movie, quote unquote, but he involved me. We were crowd funding with Go Fund Me and in the middle of that, I got “Drag Race.” So I had to go into seclusion and do the show and I couldn’t talk about it for some time but then once the show started airing, we continued the crowd funding and through the generous support of many people who watched the show and donated, we were able to film this summer, which was a wonderful experience. It was 18 days for me, off and on, to film. There are lots of great people in it. The amazingly talented Rachel Dratch, Alan Cumming, Shangela Laquifa Wadley, RuPaul and Margaret Cho.

 

BLADE: Are you friends with RuPaul? Do you have his cell number?

BIANCA: No. I don’t think any of us have that kind of relationship with Ru. It’s not like that. I speak with Michelle (Visage) and since the show, we travel a lot and we did “Battle of the Seasons” together, the show with all of us. We’ve become chummy, so we’re closer. Ru’s schedule is pretty intense. He’s on like 45 different TV shows right now. When we see each other, it’s always very cordial and nice. I got to do the podcast and the (season seven) finale and participate in all of that, but chummy? No. That’s not necessarily the way it worked.

 

BLADE: I sort of picture the winners being in this very exclusive club where you all hang out and have dinner parties at Ru’s house and stuff like that, but I guess that’s not realistic.

BIANCA: I wouldn’t turn it down but what most people fail to realize is when you get on “Drag Race,” your life is set and it’s really taxing. And I’m one of those people who says yes to every gig, every benefit, every bingo, every bar mitzvah, every funeral, whatever. It’s been great for me … but you still have to work. I haven’t stopped. I took one week of vacation for my 40th birthday in June but since then it’s just been a whirlwind, which I’m grateful for, it’s opened many doors and it’s there for the taking if you want it.

 

BLADE: Obviously you wanted to win, but was there any elimination on season six you hated to see or someone you thought got eliminated too early?

BIANCA: I felt the proper choices were made for what it was. … Now when you watched the show and you say, “Oh, I didn’t know that,” or “I didn’t know she was saying that or that was her problem,” you don’t really get all that information while you’re taping. But I felt everything was justified at the time.

 

BLADE: You kind of took Trinity K. Bonet under your wing and she bristled somewhat. Have you seen her since the show?

BIANCA: Oh yeah, we all chat. Of course I’m closest with Courtney, Adore and Darienne because we traveled a lot together and get to see each other quite often but with Trinity, every time I’ve been in Atlanta, she comes to see me. I don’t really get to hang out or see any of the shows she’s been in … but every now and then, we check in and find out where everyone is and what’s going on. It’s kind of this odd little misfit group of people that have experiences you can only share with so many people because no one else can really relate to that. Like last summer we did “Battle of the Seasons” with me, Sharon, Jinkx, Alaska. We don’t get to do many of those, but when we do, it’s a wild ride.

 

BLADE: Has drag been a dating impediment?

BIANCA: I’ve had two very long relationships while doing drag. Not “Drag Race,” but before. It’s not really anything I want in my life at this point. I’m focusing on what I have going on. It’s interesting to see how people treat you. I’m doing exactly what I’ve always done, just on a grander scale. … Maybe if I were 20, I’d be more obsessed with that. I’ve had lovely boyfriends and things didn’t work out for a reason and I’m OK with where I am now. Sometimes you don’t know if they really like you or just want to borrow your dress.

 

Bianca Del Rio, gay news, Washington Blade

Bianca says her ‘Drag Race’ strategy was to be ‘as prepared as possible.’ (Photo by Magnus Hastings)

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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