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Bianca Del Rio brings show to D.C.
‘Drag Race’ diva thumbing her ‘Rolodex of Hate’
Bianca Del Rio says winning ‘Drag Race’ opened many doors. (Photo by Magnus Hastings)
Bianca Del Rio
‘Rolodex of Hate’
Saturday, Nov. 14
9 p.m.
Lincoln Theatre
1215 U St. N.W.
$20-75
Though she’s performed at Capital Pride, had a monthly show at Town and brought her show to the Fillmore in Silver Spring in February, this weekend is the first time Bianca Del Rio (aka Roy Haylock), the “RuPaul’s Drag Race” season six winner, will perform her “Rolodex of Hate” show in Washington proper.
During a rare break from the road, we caught up with the famously insulting insult comic. Her comments have been slightly edited for length.
WASHINGTON BLADE: What did you have on your face during the season seven finale? That was quite a look.
BIANCA DEL RIO: Just glitter. I just covered myself in it and thought it was a brilliant idea until that night when I tried to get it all off. It was like that scene in “Silkwood.” … But that’s television, so it’s all good.
BLADE: Tapings can take forever. Did you have to sit around all day in that getup?
BIANCA: It starts out pretty early, like 5 or 6 and I did the pre-show as myself that aired on World of Wonder’s YouTube channel … that I hosted with a live audience. And then we went to the actual taping so I had a couple of hours because they film all of them talking, all the confessionals, you know how TV is. Stop, wait, stop, wait, stop, wait. So I had a couple of hours, but it wasn’t bad. I was backstage schmoozing.
BLADE: Who were you rooting for on season seven?
BIANCA: Well with my schedule and not necessarily being in the U.S. all the time, it was very difficult to watch the show so I just caught up whenever I could.
BLADE: What do you think of Violet Chachki? Is she a worthy successor?
BIANCA: Violet’s a lovely girl. I think before the show, my immediate attraction was to Ginger (Minj) because of her sense of humor, but since then I’ve gotten to meet all three of them and Violet’s quite lovely and, you know, she’s got it together. She’s 23, 24, she’s gorgeous and that’s really the great thing about the show, all of us have a different path so it’s great to see the good things that have come her way.
BLADE: You’re a noticeable absence on the new “Christmas Queens” album. Surely you were approached.
BIANCA: I was asked but I didn’t really want to sing. It’s not my forte. But I hear it’s quite lovely. I bought it but I haven’t listened to it yet.
BLADE: On your season, I got so tired of hearing Adore whine about not being able to sew and, to a lesser degree, Ginger on this last season. Why would anybody go on “Drag Race” and not learn to sew first? Or at least take a crash course after you turned your tape in?
BIANCA: Well, it’s difficult to try to explain other people. It’s like going to the Olympics. You know what you’re going to be doing to get to the medal and so you need to have some level of skill when it comes to singing, dancing, acting, sewing and comedy. Basically, that’s the format of the show. You don’t have to master all of them, but you have to have some proficiency because you know that’s going to be asked of you. … We’ve had people who’ve won or gotten to the finals at least without necessarily having those skills but for me, I tried to be as prepared as possible. But then I’m older than everyone else so I’ve kind of done all those things at different points in my life. … I hated the lip syncing but others couldn’t wait to do that.
BLADE: If you’re good, like you, you might not have to lip sync but you know you’re going to have to sew.
BIANCA: Well that’s true. But not everyone who goes on that show is that smart. You’ve seen that. No names, but yeah.
BLADE: You’re returning to some markets. The tour must be going well, no?
BIANCA: We didn’t expect the show to be as successful as it’s been. I’ve been traveling with it since last November. Because I was new, quote-unquote, the producer would give me dates and if they sold out, we would get more dates. So it’s been over a year almost now and we’ve been all over the world. … We’ll end the show with D.C., El Paso and Oklahoma City, all cities I had not visited. … There are so many cities. I’m like, “Oh shit, have I been there?” I only know by the airports. I’m just there a day or a night and then out the next day so it gets blurred.
BLADE: What’s next?
BIANCA: We’ll leave “Rolodex” on a high note and then there are other projects I’m working on as well. I’ll free up some time and re-focus on what’s coming up next. Then I’m writing my new show, which will premiere next summer in Australia.
BLADE: Tell us about “Hurricane Bianca.”
BIANCA: That was in the works before I did “Drag Race.” A friend of mine, Matt Kugelman, had written a feature film that he wanted to do with me. I didn’t write it. It’s not my movie, quote unquote, but he involved me. We were crowd funding with Go Fund Me and in the middle of that, I got “Drag Race.” So I had to go into seclusion and do the show and I couldn’t talk about it for some time but then once the show started airing, we continued the crowd funding and through the generous support of many people who watched the show and donated, we were able to film this summer, which was a wonderful experience. It was 18 days for me, off and on, to film. There are lots of great people in it. The amazingly talented Rachel Dratch, Alan Cumming, Shangela Laquifa Wadley, RuPaul and Margaret Cho.
BLADE: Are you friends with RuPaul? Do you have his cell number?
BIANCA: No. I don’t think any of us have that kind of relationship with Ru. It’s not like that. I speak with Michelle (Visage) and since the show, we travel a lot and we did “Battle of the Seasons” together, the show with all of us. We’ve become chummy, so we’re closer. Ru’s schedule is pretty intense. He’s on like 45 different TV shows right now. When we see each other, it’s always very cordial and nice. I got to do the podcast and the (season seven) finale and participate in all of that, but chummy? No. That’s not necessarily the way it worked.
BLADE: I sort of picture the winners being in this very exclusive club where you all hang out and have dinner parties at Ru’s house and stuff like that, but I guess that’s not realistic.
BIANCA: I wouldn’t turn it down but what most people fail to realize is when you get on “Drag Race,” your life is set and it’s really taxing. And I’m one of those people who says yes to every gig, every benefit, every bingo, every bar mitzvah, every funeral, whatever. It’s been great for me … but you still have to work. I haven’t stopped. I took one week of vacation for my 40th birthday in June but since then it’s just been a whirlwind, which I’m grateful for, it’s opened many doors and it’s there for the taking if you want it.
BLADE: Obviously you wanted to win, but was there any elimination on season six you hated to see or someone you thought got eliminated too early?
BIANCA: I felt the proper choices were made for what it was. … Now when you watched the show and you say, “Oh, I didn’t know that,” or “I didn’t know she was saying that or that was her problem,” you don’t really get all that information while you’re taping. But I felt everything was justified at the time.
BLADE: You kind of took Trinity K. Bonet under your wing and she bristled somewhat. Have you seen her since the show?
BIANCA: Oh yeah, we all chat. Of course I’m closest with Courtney, Adore and Darienne because we traveled a lot together and get to see each other quite often but with Trinity, every time I’ve been in Atlanta, she comes to see me. I don’t really get to hang out or see any of the shows she’s been in … but every now and then, we check in and find out where everyone is and what’s going on. It’s kind of this odd little misfit group of people that have experiences you can only share with so many people because no one else can really relate to that. Like last summer we did “Battle of the Seasons” with me, Sharon, Jinkx, Alaska. We don’t get to do many of those, but when we do, it’s a wild ride.
BLADE: Has drag been a dating impediment?
BIANCA: I’ve had two very long relationships while doing drag. Not “Drag Race,” but before. It’s not really anything I want in my life at this point. I’m focusing on what I have going on. It’s interesting to see how people treat you. I’m doing exactly what I’ve always done, just on a grander scale. … Maybe if I were 20, I’d be more obsessed with that. I’ve had lovely boyfriends and things didn’t work out for a reason and I’m OK with where I am now. Sometimes you don’t know if they really like you or just want to borrow your dress.
Bianca says her ‘Drag Race’ strategy was to be ‘as prepared as possible.’ (Photo by Magnus Hastings)
a&e features
Mr. Henry’s celebrates 60 years of proud inclusivity
Capitol Hill staple remains ‘a caring community’
America’s 250th isn’t the only milestone birthday D.C. is celebrating this year.
Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.
Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.
“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”
Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.
Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.
Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”
Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”
From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.
Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”
Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.
For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.
In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.
Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
a&e features
D.C. prepares to party as Pride celebrations kick off Saturday
Bars, clubs have busy lineups; Pride on the Pier returns
Capital Pride’s date change isn’t slowing down the festivities. Back in December, the Capital Pride Alliance shifted the calendar for Pride celebrations in the nation’s capital from the second weekend of June to two weeks later to the weekend of June 20-21 to not conflict with President Trump’s birthday and 250th anniversary of America celebrations, with the aim that “our community can gather safely and without unnecessary barriers… We are protecting our space and preserving Pride as a powerful act of visibility, solidarity, and resistance.”
On the heels of WorldPride last year, the city shows no sign of slowing down. Instead, restaurants, bars, clubs, and neighborhoods are taking the opportunity to be even more visible. The Blade has put together a (non-comprehensive) list of parties, activations, and activities across town:
Pride on the Pier returns on Saturday, June 13 to the Wharf on the Southwest waterfront. The event, sponsored and hosted by the Washington Blade, is free and runs from 4-9 p.m. There will be vendors, DJs, and drag performances all day. VIP tickets are $25 and come with air conditioned party room, private bathrooms, and free cocktail. More details at prideonthepierdc.com.
Capital Pride Official Opening Party: RIOT! is the official opening dance party of Capital Pride, taking place Friday June 19, 9 PM-3AM. The 2026 edition headlining performer is Myki Meeks, a finalist of “RuPaul’s Drag Race” season 18; Bob The Drag Queen will perform a special set. DMV-area DJs and performers include: Bambi, Baphomette, Bumper, Cake Pop!, Connor, DJ Ed Bailey, DJ Diyanna Monet, Evry Pleasure, Jakknife Complex, Mari Con Carne, Pussy Noir, WessTheDJ. Trade owner Ed Bailey is producing the event.
Kinetic Presents brings the heat across the entirety of Pride weekend as well. It again is partnering with Capital Pride Alliance to produce four events over four days this Pride, including the Official Main Event on Saturday (the Friday official event is at Echostage). Kinetic’s parties are splayed across various D.C. venues, with special performances, massive productions, shirtless dancers, play zones, dance-forward audio and visuals, and international DJ talent. Thursday, June 18 at 10 PM at District Eagle is Lust, with music by Dan Slater and TOMI. Friday, June 19 at 10 PM is UNCUT XXL Heavy Load, at A.i. Warehouse in Union Market District, with music by Alex Acosta, Felipe Lira & Mitch Ferrino; the party is a “high-octane night of muscular house and tribal rhythms.” Saturday, June 20 at 10 PM brings that official main event, Kinetic Toy Land, at Echostage, with music by GSP & Matt Suave. Alaska Thunderfuck headlines. Sunday evening June 21 at 10 PM closes with discoVERS at SAX. A portion of tickets supports the DC LGBTQ+ community through Capital Pride Alliance.
9:30 Club always comes in clutch for the LGBTQ community. Already in June, it produced Kitty Kat Ball on June 7, and Kiesza performed on June 8. On June 20 at 10 PM, the famed Mixtape party hits the stage, care of gay DJs Shea van Horn and Matt Bailer, who have spun together for coming up on two decades. Mixtape has been held at several venues across the city over those years, and now settled on 9:30 Club for Pride. On June 25 at 7 PM, Big Freedia – the bounce artist from New Orleans – hits the 9:30 Club scene for the eighth time, as part of the Big Freedom Tour.
Crush: New this year from the 14th Street bar is the Pride Pop-Up, sitting pretty in the parking lot at 1820 14th St., N.W., at the corner of Swann Street by the start of the Pride Parade route. Hours are Friday from 2-10 PM and Saturday from 12-10 PM. Friday evening features Grizzly Bear Happy Hour, a DJ will set up shop on Saturday, and for those needing another layer, there’s a Crush merch store. Co-owner Mark Rutstein “has always wanted to throw a party in that parking lot, so he did,” said co-owner Stephen Rutgers. Note that Crush (the bar) will have a cover on Friday and Saturday.
Kiki: Over at Kiki, there’s a full slate of Pride-themed programming all week. Tuesday, June 16 at 9 PM brings karaoke; Wednesday, June 17 at 7:30 PM is trivia; Thursday June 18 at 9PM is “Night of 1000 Tatianna’s Drag Show”, and Friday June 19 at 9 PM brings the Juneteenth Serve Drag Show. Saturday, June 20 at 10 PM, post-parade, is a Pride Dance Party with DJ Lemz. Sunday daytime at 5 PM is the Father Figures Daddy Issues Special Drag Show; and after the festival at 8 PM, DJ Tezrah hits the tapes.
Jane Jane: Right along the parade route, gay-owned Jane Jane has transformed its space into a “No Kings, Yas Queens” activation in a direct response to the America 250th commemorations happening downtown, from the colorful window installation, to merch (including a custom bandana and tank) to disco wig installations. Events include industry night on Mondays, donations to LGBTQ charities, and to-go cocktails during the Pride Parade.
Shaw’s Tavern: Gay-owned Shaw’s Tavern on Florida Avenue celebrates Pride week with a full lineup of themed events, entertainment, and specials, including Pride trivia on Monday, June 15 at 7:30 PM, bingo on Tuesday, June 16 at 8 PM, a cabaret on Thursday, June 18 at 9 PM, Juneteenth Drag Brunch on Friday, June 19 at 12:30 PM, and both a pre-parade brunch (10 AM-4 PM) and post-parade party (5-9 PM) on Saturday, June 20. Sunday, June 21 at 7 PM brings Mama’s Sunday Supper & Drag Pride Show in the evening for anyone who is still awake.
Trade: This classic has a weekend of events, starting on Thursday, with Tiburon Pride Edition, a Latin Dance party in the Shark Tank. On Friday, the bar opens early (at 2 PM), with all-day happy hour and the Jx&Evry Show. On Saturday, the bar opens at noon, offering a prime parade viewing spot from its windows. There will be the CLASH drag show hosted by Tatianna and Crimsyn, and Sweet Spot party that night. On Sunday, the bar opens for normal hours at 2 PM, with DJs Adam K, Alex Love, and WESSTHEDJ.
Pitchers: The multi-level bar in Adams Morgan is hosting a Pride-themed show on Thursday, June 18 at 10 PM, with drawstring bag giveaways – the only kind of bag that will be allowed into the bar during Pride weekend. The show features drag queen Kyle Sonique Love.
Barrel House Cafe and Bar: Also by the parade route on 14th Street, Barrel House Cafe takes advantage of its large patio to have a slate of events during Pride week, including Schism, a drag and burlesque show on June 18 at 10 PM, as well as an all-day Pride party coinciding on parade day.
Bunker: Bunker again plays host to a series of afters. Friday night (Saturday 3:30 AM) is Unhinged, and Saturday night (Sunday 3:30AM) is Unholy. The regular Saturday night party (10 PM) brings in Venetian and Tiara Missou. All parties have cover charges.
District Eagle: Beyond the Kinetic party on Friday, June 19 brings Gear Night at 10 PM; Saturday, June 20 at 10 PM is LOBO presents PRISM, and Sunday, June 21 is Sundaze wit Papi at 6 PM.
African Art Museum: On Thursday, June 18 at 5 PM, this Smithsonian museum is hosting a free event with artists and curators celebrating its exhibit, “Here: Pride and Belonging in African Art,” “based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms,” according to the museum.
KNEAD Hospitality & Design: The gay-owned KNEAD restaurant group (including spots like Gatsby, Mi Vida, Succotash The Grill) is featuring the GLITTERATI cocktail, made with Tito’s, St-Germain Elderflower, Butterfly Flower, ginger, and yes, glitter. A portion of proceeds from every Glitterati cocktail sold will benefit The Trevor Project. The cocktail will be sold throughout June.
The Fountain Inn is partnering with Rhodium spirits (Rhode Island’s first LGBTQ+ owned distillery) all month, making cocktails like gimlets and espresso martinis featuring Rhodium’s liquors. Proceeds benefit SMYAL, an organization dedicated to empowering LGBTQ+ youth.
Hard Rock Cafe: Hard Rock DC is taking part in the chain’s annual “LOVE OUT LOUD” campaign, with Pride merch, specials on June 20, and a donation to The Trevor Project.
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