a&e features
Bianca Del Rio brings show to D.C.
‘Drag Race’ diva thumbing her ‘Rolodex of Hate’
Bianca Del Rio
‘Rolodex of Hate’
Saturday, Nov. 14
9 p.m.
Lincoln Theatre
1215 U St. N.W.
$20-75
Though she’s performed at Capital Pride, had a monthly show at Town and brought her show to the Fillmore in Silver Spring in February, this weekend is the first time Bianca Del Rio (aka Roy Haylock), the “RuPaul’s Drag Race” season six winner, will perform her “Rolodex of Hate” show in Washington proper.
During a rare break from the road, we caught up with the famously insulting insult comic. Her comments have been slightly edited for length.
WASHINGTON BLADE: What did you have on your face during the season seven finale? That was quite a look.
BIANCA DEL RIO: Just glitter. I just covered myself in it and thought it was a brilliant idea until that night when I tried to get it all off. It was like that scene in “Silkwood.” … But that’s television, so it’s all good.
BLADE: Tapings can take forever. Did you have to sit around all day in that getup?
BIANCA: It starts out pretty early, like 5 or 6 and I did the pre-show as myself that aired on World of Wonder’s YouTube channel … that I hosted with a live audience. And then we went to the actual taping so I had a couple of hours because they film all of them talking, all the confessionals, you know how TV is. Stop, wait, stop, wait, stop, wait. So I had a couple of hours, but it wasn’t bad. I was backstage schmoozing.
BLADE: Who were you rooting for on season seven?
BIANCA: Well with my schedule and not necessarily being in the U.S. all the time, it was very difficult to watch the show so I just caught up whenever I could.
BLADE: What do you think of Violet Chachki? Is she a worthy successor?
BIANCA: Violet’s a lovely girl. I think before the show, my immediate attraction was to Ginger (Minj) because of her sense of humor, but since then I’ve gotten to meet all three of them and Violet’s quite lovely and, you know, she’s got it together. She’s 23, 24, she’s gorgeous and that’s really the great thing about the show, all of us have a different path so it’s great to see the good things that have come her way.
BLADE: You’re a noticeable absence on the new “Christmas Queens” album. Surely you were approached.
BIANCA: I was asked but I didn’t really want to sing. It’s not my forte. But I hear it’s quite lovely. I bought it but I haven’t listened to it yet.
BLADE: On your season, I got so tired of hearing Adore whine about not being able to sew and, to a lesser degree, Ginger on this last season. Why would anybody go on “Drag Race” and not learn to sew first? Or at least take a crash course after you turned your tape in?
BIANCA: Well, it’s difficult to try to explain other people. It’s like going to the Olympics. You know what you’re going to be doing to get to the medal and so you need to have some level of skill when it comes to singing, dancing, acting, sewing and comedy. Basically, that’s the format of the show. You don’t have to master all of them, but you have to have some proficiency because you know that’s going to be asked of you. … We’ve had people who’ve won or gotten to the finals at least without necessarily having those skills but for me, I tried to be as prepared as possible. But then I’m older than everyone else so I’ve kind of done all those things at different points in my life. … I hated the lip syncing but others couldn’t wait to do that.
BLADE: If you’re good, like you, you might not have to lip sync but you know you’re going to have to sew.
BIANCA: Well that’s true. But not everyone who goes on that show is that smart. You’ve seen that. No names, but yeah.
BLADE: You’re returning to some markets. The tour must be going well, no?
BIANCA: We didn’t expect the show to be as successful as it’s been. I’ve been traveling with it since last November. Because I was new, quote-unquote, the producer would give me dates and if they sold out, we would get more dates. So it’s been over a year almost now and we’ve been all over the world. … We’ll end the show with D.C., El Paso and Oklahoma City, all cities I had not visited. … There are so many cities. I’m like, “Oh shit, have I been there?” I only know by the airports. I’m just there a day or a night and then out the next day so it gets blurred.
BLADE: What’s next?
BIANCA: We’ll leave “Rolodex” on a high note and then there are other projects I’m working on as well. I’ll free up some time and re-focus on what’s coming up next. Then I’m writing my new show, which will premiere next summer in Australia.
BLADE: Tell us about “Hurricane Bianca.”
BIANCA: That was in the works before I did “Drag Race.” A friend of mine, Matt Kugelman, had written a feature film that he wanted to do with me. I didn’t write it. It’s not my movie, quote unquote, but he involved me. We were crowd funding with Go Fund Me and in the middle of that, I got “Drag Race.” So I had to go into seclusion and do the show and I couldn’t talk about it for some time but then once the show started airing, we continued the crowd funding and through the generous support of many people who watched the show and donated, we were able to film this summer, which was a wonderful experience. It was 18 days for me, off and on, to film. There are lots of great people in it. The amazingly talented Rachel Dratch, Alan Cumming, Shangela Laquifa Wadley, RuPaul and Margaret Cho.
BLADE: Are you friends with RuPaul? Do you have his cell number?
BIANCA: No. I don’t think any of us have that kind of relationship with Ru. It’s not like that. I speak with Michelle (Visage) and since the show, we travel a lot and we did “Battle of the Seasons” together, the show with all of us. We’ve become chummy, so we’re closer. Ru’s schedule is pretty intense. He’s on like 45 different TV shows right now. When we see each other, it’s always very cordial and nice. I got to do the podcast and the (season seven) finale and participate in all of that, but chummy? No. That’s not necessarily the way it worked.
BLADE: I sort of picture the winners being in this very exclusive club where you all hang out and have dinner parties at Ru’s house and stuff like that, but I guess that’s not realistic.
BIANCA: I wouldn’t turn it down but what most people fail to realize is when you get on “Drag Race,” your life is set and it’s really taxing. And I’m one of those people who says yes to every gig, every benefit, every bingo, every bar mitzvah, every funeral, whatever. It’s been great for me … but you still have to work. I haven’t stopped. I took one week of vacation for my 40th birthday in June but since then it’s just been a whirlwind, which I’m grateful for, it’s opened many doors and it’s there for the taking if you want it.
BLADE: Obviously you wanted to win, but was there any elimination on season six you hated to see or someone you thought got eliminated too early?
BIANCA: I felt the proper choices were made for what it was. … Now when you watched the show and you say, “Oh, I didn’t know that,” or “I didn’t know she was saying that or that was her problem,” you don’t really get all that information while you’re taping. But I felt everything was justified at the time.
BLADE: You kind of took Trinity K. Bonet under your wing and she bristled somewhat. Have you seen her since the show?
BIANCA: Oh yeah, we all chat. Of course I’m closest with Courtney, Adore and Darienne because we traveled a lot together and get to see each other quite often but with Trinity, every time I’ve been in Atlanta, she comes to see me. I don’t really get to hang out or see any of the shows she’s been in … but every now and then, we check in and find out where everyone is and what’s going on. It’s kind of this odd little misfit group of people that have experiences you can only share with so many people because no one else can really relate to that. Like last summer we did “Battle of the Seasons” with me, Sharon, Jinkx, Alaska. We don’t get to do many of those, but when we do, it’s a wild ride.
BLADE: Has drag been a dating impediment?
BIANCA: I’ve had two very long relationships while doing drag. Not “Drag Race,” but before. It’s not really anything I want in my life at this point. I’m focusing on what I have going on. It’s interesting to see how people treat you. I’m doing exactly what I’ve always done, just on a grander scale. … Maybe if I were 20, I’d be more obsessed with that. I’ve had lovely boyfriends and things didn’t work out for a reason and I’m OK with where I am now. Sometimes you don’t know if they really like you or just want to borrow your dress.

Bianca says her ‘Drag Race’ strategy was to be ‘as prepared as possible.’ (Photo by Magnus Hastings)
a&e features
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.

