Arts & Entertainment
‘Danish Girl’ masterfully realized
Trans-themed biopic is A-lister Oscar bait
Eddie Redmayne in ‘The Danish Girl.’ (photo courtesy Focus Features)
It all starts out in one seemingly ordinary moment.
Prima ballerina Ulla is once again late for a sitting with portraitist Gerda Wegener (Alicia Vikander). Frustrated, Gerda asks her husband, famous landscape artist Einar (Eddie Redmayne), to sit in for their friend since she’s only working on the delicately extended foot. It opens today (Friday, Dec. 11) in the D.C. area.
Einar puts on the stockings, crams his feet into the slippers and holds the dress against himself as Gerda picks up her brushes and starts to paint. Einar slowly begins to caress the fabric as long-suppressed thoughts and emotions begin to emerge. Thus begins a remarkable journey for a devoted couple and a remarkable collaboration for a talented cinematic team.
Based on the largely forgotten true story of transgender pioneer Lili Elbe, one of the first people to undergo gender-reassignment surgery, “The Danish Girl” is an exceptional film. Director Tom Hooper (“The King’s Speech” and “Les Misérables”) coaxes powerful performances out of his top-notch cast and collaborates smoothly with his entire creative team.
The movie, set mainly in Copenhagen and Paris in the 1920 and 1930s, looks splendid. Working seamlessly with cinematographer Danny Cohen and production designer Eve Stewart, Hooper makes the most of place and period, contrasting the rigid lines of Copenhagen (and Einar’s harsh airless landscape paintings), with the color and light of Art Nouveau Paris which supports Gerda’s emergence as an artist and Lili’s emergence as a women.
The script by Lucinda Coxon, based on the novel by David Ebershoff, is supple and sensitive, as eloquent when the actors are silent as when they are speaking. Several key sequences unfold wordlessly. Coxon does a marvelous job balancing contemporary sensitivities about gender with the realities of the time period. With incredible subtlety, she makes it clear that Lili is not gay man in drag or a straight man donning a costume, but a woman becoming her true self.
Redmayne’s performance is even more powerful than his Academy Award-winning portrayal of wheelchair-bound scientist Stephen Hawking, due in part to a stronger script and cast. With the support of movement choreographer Alexandra Reynolds, who also worked with him on “The Theory of Everything,” Redmayne has developed an amazingly detailed physical vocabulary that guides him from the rigid mask of masculinity that constricts Einar to the freer expression of femininity that allows Lili to flourish. Redmayne also displays an emotional vulnerability and transparency that makes Lili’s journey incredibly compelling.
Vikander’s performance as Gerda is equally stunning and multi-faceted. As the movie opens, Gerda is deeply in love with Einar, but is also somewhat jealous of his success. He has found artistic satisfaction and popular acclaim with his detailed landscapes; she is frustrated with her attempts at conventional portraiture. When she convinces Einar to pose for her dressed as a woman, it starts as a game, but it quickly turns more serious. She finds a life-long muse, but ultimately loses a husband. With her cigarette holder clenched tight, sometimes in concentration, sometimes in frustration, sometimes in flirtation, Vikander (“Ex Machina”) brings a fascinating character to incandescent light.
The supporting cast is also excellent. Amber Heard (“Magic Mike XXL”) is a delightful find in the surprisingly pivotal of Ulla. The hard-working but fun-loving ballerina serves as a godmother of sorts to the emergent Lili. Her character helps to establish the strong bond between Einar and Gerda, but she is also the first to recognize Lili in public and recommends the clinic where Lili can finally find supportive care. Heard’s light-hearted performance brings a welcome humor and humanity to the proceedings.
Matthias Schoenaerts (“Far From the Madding Crowd”) is sleek and dapper as Parisian art dealer Hans Axgil, a childhood friend of Einar’s who helps Lili and Gerda through their transitions. Out actor Ben Whishaw (“Spectre,” “Suffragette,” “In the Heart of the Sea”) is engaging as a gay bohemian who initially misunderstands Lili’s intentions, but then becomes a supportive friend and guide. Adrian Schiller is charming as the windy but well-connected art dealer Rasmussen and Sebastian Koch is warm and wise as the doctor who finally comes to Lili’s rescue.
“The Danish Girl” may well be the finest LGBT release of 2015, although the year it is not over yet. It is definitely already in contention for well-deserved recognition in the 2016 awards races. Director Tom Hooper and a talented cast and crew have cast a powerful light on a little-known piece of LGBT history, and their moving and beautiful movie makes us reflect on how we are still learning about the mysteries of the human spirit.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
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