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‘Mommie Dearest’ actress shares diary

Carol Ann on Joan, Faye, Hollywood and the shoot from hell

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Mommie Dearest, gay news, Washington Blade
Mommie Dearest, gay news, Washington Blade

Faye Dunaway, left, as Joan Crawford, and Rutanya Alda as Carol Ann on the set of ‘Mommie Dearest.’ (Photo courtesy Alda)

Editor’s note: This is part one of a two-part interview. Part two is here.

Actress Rutanya Alda was having a difficult time in early 1981. She was in the throes of the recurring drug habit her husband, Richard Bright, was battling and in Los Angeles spending many long hours filming “Mommie Dearest,” the Joan Crawford biopic that’s perhaps the biggest gay cult film of all time (one might make a credible case for “Valley of the Dolls” but that’s another discussion).

Though she’d made many films by that point (most notably 1978’s “The Deer Hunter” in which she played Angela), she says “Mommie” was an especially arduous shoot. To maintain her sanity, she kept a diary which she self-published this fall as “The Mommie Dearest Diary: Carol Ann Tells All.”

An hour-long phone interview from Alda’s New York City home was so far-ranging and candid, we’re publishing this in two parts. Look in next week’s edition for the conclusion. Her comments have been slightly edited for length. The book is available on Amazon.

Mommie Dearest, gay news, Washington Blade

Rutanya Alda, left, with Faye Dunaway, Mara Hobel and Jeremy Scott Reinholt in ‘Mommie Dearest.’ (Photo courtesy Alda)

WASHINGTON BLADE: You don’t mention any premiere for “Mommie Dearest” in the book. Was there one? When did you first see it?

RUTANYA ALDA: You’re right, there was no premiere which is really weird when I think back on it. It just opened in theaters in New York and I went and paid to see it just like everybody else.

BLADE: And what was your initial reaction?

ALDA: When the audience laughed, I was like, “Oh my gosh,” I was kind of taken aback because I knew (producer) Frank Yablans and (director) Frank Perry’s intention was to make this really serious drama and of course it turned into this kind of camp happening right from the get go. Even Paramount was caught off guard and they didn’t know how to promote it because it became such an audience experience right away. … I was actually quite pleased because the audience really got into it. It was just amazing to me.

BLADE: Had you always kept a diary?

ALDA: No, I’d never kept a diary before or since. This is my one and only diary.

BLADE: Why did you happen to keep one then?

ALDA: My personal life was in chaos because of Richard’s addiction problem and the set life was in chaos too because Faye Dunaway was causing a lot of stress, so between those two worlds, I just sort of had to survive it and my way of doing that was to journal it. That sort of gave me some balance. It made me feel better.

BLADE: You write that you were surprised at the camp angle when it came out but didn’t it seem like Faye Dunaway (Joan Crawford) was chewing the scenery during shooting? Or did it feel like she was just giving a really intense, bold performance?

ALDA: That’s a good question and I don’t know how to answer it. I know that Frank Perry lost control of the movie within the first week because as I also write in my book, when I did my first scene with little Christina and say that we should be more understanding that her mother has to do a screen test and this is very disgraceful for a star, when I finished that scene, Frank Perry had tears in his eyes. I was perplexed. He said, “No, this is the first honest piece of film we’ve had all week.” That sort of stunned me and I didn’t know what to say. They’d been shooting Faye for a week so that kind of gave me an inkling that he wasn’t getting what he wanted but there was nothing he could do about it. He was just overwhelmed and I think he was afraid of getting fired too. The stress level for him was very high as well as other people. You were dealing with a very unpredictable person and at the time, I think Faye was a huge star. … Frank Yablans had invested so much money on pre-production, the beautiful, just luscious sets and the great costumes by Irene Sharif that were custom made for Faye, they were just sumptuous and wonderful and I think they felt like they couldn’t replace Faye and it proved to be true. Early on, as I write, she held up production for a few days because she wanted Terry O’Neill, her boyfriend at the time, to get producer credit and I know (Yablans) was very upset about that. He was being squeezed. Frank Yablans was the former president of Paramount and not a small-time guy. I’m sure he wasn’t used to feeling sabotaged and he was upset about it. …. Faye’s performance was Faye’s performance. I know she’s going to probably say in her book that it’s going to be everybody’s else’s fault and we’re all the bad ones but I journaled it as it happened and she’s trying to remember it. Back in February, March, she asked me to come help her writer her book which was kind of a jaw-dropping moment for me because I hadn’t heard from this woman in 30 years and here she’s asking me to come help her write with her ghost writer because she can’t remember. And honestly, if I hadn’t journaled it, I wouldn’t have remembered the little details either. I would have kind of generally remembered it, but you know, I think it’s a fair book. It just sort of tells it as it happened observing the interactions with people on the set, their comments, what they said, working with these great people like the hairdresser, who had worked with Joan on many movies, and Charlie Schram, the makeup person who went back to Judy Garland and “The Wizard of Oz.” These people were all big people in their league in the industry so their reaction I thought was very interesting too.

Mommie Dearest, gay news, Washington Blade

Rutanya Alda today. (Photo courtesy Alda)

BLADE: As you write, several of them came out of retirement to do “Mommie Dearest.” If they admired Joan, as you say they had, why would they have come back for this character assassination?

ALDA: Yes, they all loved working with Joan so when somebody said, “Oh, Faye really channeled Joan,” I said, “No, no — if she had channeled Joan, she would have been polite to the crew.” Joan knew all their names, greeted them every morning, she was really gracious and kind, remembered their birthdays, gave thank-you notes, sent presents. This was her ball field so to speak. Often people who are that way at work, the tension and pressure sort of build up and they take it out on their wives, their kids, you know, the loved ones around them, because they have to relieve the pressure somewhere and I think in my mind, I suspect that’s what happened to Joan. She was under a lot of pressure, she was a huge star, she was losing her contract at MGM and I think she was under a lot of pressure and I think a lot of it is perspective. I read several books about her before we started the movie and you know, she grew up extremely poor, no clothes and the really pretty girls at her school made fun of her. I really identified with that because when I came to America wearing my one dress and having their girls dish me because I was always wearing the same dress … kids can be very hurtful at that age. … I’m sure in Joan’s eyes, she grew up with that poverty and struggle and she sees these kids in their Beverly Hills home and beautiful clothes being taken care of and, you know, she’s a disciplinarian. She was going to give them a good life, but they weren’t going to become spoiled brats. But it’s all relative. I’m sure from the kids’ point of view, maybe she was too strict and too punishing. … I look at my mother and I remember all the beatings, the belts, and I think, “Gosh, I would have loved to have lived in a beautiful house with beautiful clothes and just had a strict mother, that would have been great,” but again, it’s all relative and it’s such a personal experience growing up. No parents are perfect.

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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