Arts & Entertainment
Karen Ocamb fired for being too old? LGBT activists fire back
Lesbian journalist ‘laid off’ in favor of Millennial content

Frontiers news editor Karen Ocamb was “laid off”Ā back in February, after serving the LGBT journalism community since 1988, because she was considered too old, a new report suggests.
Bobby Blair, CEO of Multimedia Platforms International which owns Frontiers Magazine, a biweekly print and online magazine, intimatedĀ to PressPassQ the decision to fire Ocamb was based on age.
“Unfortunately, Karen fell where we realized we were moving toward a digital and Millennial audience, and we wanted to give the generation of Millennials a real shot at creating our content,” Blair told PressPassQ. Ā “Karen did an incredible job and is very much missed. We would like to use her services in the future from time to time, if she would like to.”
Ocamb, 66, says the shift from print media to online changedĀ the type of reporting she is known for.
āIām an old-school journalist so itās odd to have become a story,ā Ocamb told PressPassQ. āHowever, I do recognize that my longevity and my institutional memory suggest that I might bring something unique and valuable to LGBT journalism. Nonetheless, no one is indispensable. I see my being laid off as a purely financial business decision, no matter what direction the new owners may choose.
“I think the kind of in-depth reporting I do changed fundamentally with confessional blogging, citizen journalism and short-attention-span tweeting of the news,” Ocamb continued. “In that glutted context, media outlets ā LGBT and straight ā are trying to get eyeballs, clicks, buzz in any way they can. I have been encouraged to see some trending back toward long form journalism ā but who knows. Itās a rapidly changing media environment.ā
LGBTQ Nation spoke to LGBT media figures about the impact of Ocamb’s dismissal who consider the decision ageist.
āIt is astonishing to me that a publisher would say they basically fired someone so they could hire a younger person. How can we expect new generations to learn about our past if we do not have seasoned reporters producing content and educating younger LGBTQ people?” Mike Rogers, owner of Raw Story, told LGBTQ Nation.
āItās very clear that Frontiers will not be the trusted publication we have known for years, and never benefit from Karenās smarts and archival knowledge. Itās all about trust and expertise ā which Karen Ocamb owns in giant measure,” Bob Witeck, president of Witeck Communications told LGBTQ Nation.
Movies
A cat and its comrades ride to adventure in breathtaking ‘Flow’
Latvian filmmaker Gints Zilbalodis directs animated fantasy adventure

Sometimes, life changes overnight, and thereās nothing to do but be swept away by it, trying to navigate its currents with nothing to help you but sheer instinct and the will to survive.
Sound familiar? It should; most lives are at some point met with the challenge of facing a new personal reality when the old one unexpectedly ceases to exist. Losing a job, a home, a relationship: any of these experiences require us to adapt, often on the fly; well-laid plans fall by the wayside and the only thing that matters is surviving to meet a new challenge tomorrow.
When such catastrophes are communal, national, or even global, the stability of existence can be erased so completely that adaptation feels nearly impossible; the āhitsā just keep on coming, and weāre left reeling in a constant state of panicked uncertainty. That might sound familiar, too.
If so, you likely realize that thereās little comfort to be found in most of the entertainments we seek for distraction, outside of the temporary respite provided by thinking about something else for a while ā but there are some entertainments that can work on us in a deeper way, too, and perhaps provide us with something that feels like hope, even when we know there is no chance of returning to the world we once knew.
āFlowā is just such an entertainment.
Directed by Latvian filmmaker Gints Zilbalodis from a screenplay co-written with MatÄ«ss Kaža, this independently-produced, five-and-a-half-year-in-the-making animated fantasy adventure has become one of the most acclaimed films of 2024; debuting at Cannes in the non-competitive “Un Certain Regard” section, it won raves from international reviewers and went on to claim yearly ābest ofā honors from numerous criticsā organizations and film award bodies, including the Golden Globes and the National Board of Review. Now nominated not only for the Academyās Best Animated Feature award but as Best International Feature (only the third animated movie to accomplish that feat) as well, it stands as the odds-on favorite to take home at least one of those Oscars, and possibly even both ā and once seen, itās hard to dissent from that assessment.
Set in an unspecified time and an unknown, richly forested place, it centers its narrative ā which begins with breathtaking quickness, almost from the opening frames of the film ā on a small-ish charcoal grey cat, who wakes from its slumber to find its home rapidly disappearing under a rising tide of water. Trying to stay ahead of the flood, it finds a lifeline when it discovers an abandoned sailboat, adrift on the waves, and seeks safety on board; but the cat is not the only refugee here, and with an unlikely group of other animals ā a dog, a capybara, a lemur, and a secretary bird ā sharing the ride, the plucky feline must forge alliances with (and between) each of its shipmates if any of them are to avoid a seemingly apocalyptic fate. Faced with setbacks and challenges at every turn, the crew of unlikely comrades learns to cooperate out of shared necessity ā but will it be enough to keep the uncontrollable waters that surround them from becoming their final oblivion?
With no human presence in the movie ā though the implication that it once existed, accompanied by the inevitable suspicion that climate change is behind the mysterious flood, is ominously delivered through the monumental ruined structures and broken relics it has seemingly left behind ā the story unfolds without a word of dialogue, a narrative chain of events that keeps us ever-focused on the ānow.ā The non-verbal vocalizations of its characters (each provided by authentic animal sounds rather than human impersonation) help to convey their relationships with clarity, but itās the visual evocation of their sensory experiences ā of being trapped and at the mercy of the elements, of making an unexpected connection with another being, of enjoying a simple pleasure like a soft place to sleep ā that fuels this remarkable exploration of physical existence at its most raw and vulnerable. We have no way of knowing what has happened, no way of imagining what is yet to come, but such questions fade quickly into irrelevance as the story carries our attention from the immediacy of one moment into the next.
Accentuating this in-the-moment flow of āFlowāā for if ever a film title could be said to summarize its style, it is surely this one ā is its eye-absorbing visual beauty, rendered via the open-sourced software Blender to provide an aesthetic which matches the material. These realistically-drawn animals come vividly to life against a backdrop that captures a deep connection to nature, accented with the surreal intrusions of human influence and a certain appreciation for the colorful beauty of the world around us, even at its most untamed, which hints at an indefinable mysticism; and when the story begins to transcend the expected borders of its meticulously-crafted realism, the animation takes us there so easily that we scarcely notice it has happened.
Yet transcend it does, and in so doing becomes something greater than a humble adventure tale. As the animal companions progress in their journey toward hoped-for safety, the remnants of human existence become more weathered, more ancient, and less recognizable; the natural landscape through which they are carried begins to be transformed, rendered in a more mythic light by the clash of elemental forces swirling around them and the strange encounters with other creatures that occur along their way. Whatever world this may have been, it seems rapidly to be dissolving into a cosmos where the forms of the past are being reconfigured into something new ā and the band of travelers, both witness to and participants in this process, cannot help but be reconfigured, too.
We canāt explain that further without spoilers, but we can tell you that it includes the catās ability to ignore its solitary instincts and natural mistrust of its comrades in order to form a diverse (yes, we said it) and cooperative team. It also involves learning to let go of things that can no longer help, to be open to new possibilities that might, and perhaps most importantly, to surrender without fear to the āflowā and trust that it will eventually take you where you need to go, as long as you can manage to stay afloat until you get there.
Zilbalodisās film is an immersive ride, full of visceral and frequently harrowing moments that may produce some anxiety (especially for those who hate seeing animals in peril) and conceptual shifts that may challenge your expectations ā but it is a ride well worth taking. More than merely a fantastical āNoahās Arkā fable reimagined for an environmentally conscious age, it just might offer the timely catharsis many of us need to confront our unknowable future with a renewed sense of possibility.
āFlowā begins streaming on Max on Feb. 14.

SADBrunch will host āDrag Brunchā on Sunday, Feb. 16 at 12 p.m. at Throw Social.
Grab your friends & family, your mimosa, a plate full of food, and join us for Drag Brunch. Five flocking fabulous queens take to the stage to perform in this sassy, extravagant, fantabulous event. Tickets start at $25 and are available on Eventbrite.Ā
Out & About
Being single doesnāt mean you have to be alone this Valentineās Day!
Casa De LGBT hosts speed dating event

Casa De LGBT will host āGay, DL, Transgender Speed Datingā on Friday, Feb. 14 at 8:00p.m. at 1406 N. Capitol St. NW.
This will be a night of speed dating, deep connections, and good vibes! Whether you’re gay, lesbian, transgender, or queer, this event is designed to bring people together in a safe, respectful, and welcoming environment Come ready to connect, have fun, and maybe even meet someone special. Tickets cost $30 and can be purchased on Eventbrite.
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