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‘Night Vale’ goes live

Minimalist stage version of hit podcast comes to Lincoln

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Welcome to Night Vale, gay news, Washington Blade
Welcome to Night Vale, gay news, Washington Blade

Cecil Baldwin in the stage version of ‘Welcome to Night Vale.’ (Photo by Whitney Browne; courtesy Blake Zidell & Associates)

‘Welcome to Night Vale’
 
The Lincoln Theatre
 
1215 U St., N.W.
 
$32.50
 
Monday, April 18 at 7 p.m.
 
Tuesday, April 19 at 7 p.m.
 

A floating cat in the men’s room of a radio station, a glow cloud joining an elementary school’s PTA and radio interns dying or disappearing in mysterious ways all happen in just a typical day in desert town Night Vale.

The famed podcast “Welcome to Night Vale,” co-created by Jeffrey Cranor and Joseph Fink, has been compared to the likes of NPR meets “Twin Peaks.” Mind control, the Faceless Old Woman Who Secretly Lives in Your Home and other surreal events made this the most downloaded podcast on iTunes in 2013. It consists of radio host Cecil giving strange announcements that occur in the town and his ongoing love for Carlos the Scientist who is investigating Night Vale.

The live show comes to the Lincoln Theatre on Monday, April 18 and Tuesday, April 19. It includes a live performance of the script with no prompts or sets. Musicians Danny Schmidt and Carrie Elkin will open the show. The live show will bring about all the shenanigans fans have come to know and love from the podcast. Actor Cecil Baldwin, who voices Night Vale Community Radio announcer Cecil, says even people who have only heard an episode or two will be able to follow along.

“It’s an Orson Welles’ “War of the Worlds”-kind of mentality that this is what radio theater is,” Baldwin says.

Baldwin, a former D.C. resident who now lives in New York City, believes the simplicity of the show is what makes it so popular.

“No matter how young you are, how adept at technology and how quickly you Snapchat, there’s a part of us that really wants to be told stories that are well written around the camp fire,” Baldwin says.

“It’s a very simple format of, ‘I just want to sit down and have this person tell me a story every two weeks and it’s filled with people that I’ve come to know and love or hate,’” Baldwin says. “There’s nothing new about it except the form of the podcast. And we are so grateful because if this was on the radio it would be played once and then it would be out of the airwaves and that would be it. But because it is a podcast people can listen to it all over the world, as many times as they want.”

Baldwin came on board with “Night Vale” when he performed a monologue about having a radio announcer voice in his New York City theater company. Fink, who helped with workshops for the company, heard the monologue and told Baldwin he had an idea for a podcast about “a radio host in a town where every conspiracy theory you ever heard is true.”  Fink lent Baldwin a microphone who recorded a part in his apartment and then returned it to Fink who gave Baldwin the part.

The podcast popularity has since grown and even spurned a novel “Welcome to Night Vale,” written by Cranor and Fink, that follows owner of Night Vale pawn shop Jackie Fiero and treasurer of Night Vale’s PTA Diane Crayton. The novel earned a spot on the Washington Post’s top science fiction and fantasy list in 2015.

A novel isn’t the only spin-off the podcast has created. Perhaps the greatest result has been an eager and imaginative fandom that has created everything from elaborate character fan art to detailed fan fiction stories. The social blogging website Tumblr has thousands of blogs dedicated to the podcast featuring people’s own interpretations of “Night Vale.” Baldwin says he’s amazed by the minds of the fans to create their own works, but says the nature of the show makes it easy to create their own “Night Vale” worlds.

“If it was a TV show, the actors playing the characters, that is what those characters would look like. People would have come up with many fan drawings, but because it’s a radio show and because the style of Joseph and Jeffrey’s writing is very broad, it does leave a lot to the imagination. It really does free people up because you can totally take ownership over what they think these characters look like,” Baldwin says.

“Because it allows people to do the heavy lifting with the imagination, people become more invested. We don’t give any easy answers but these people have really sat down and thought about it and daydreamed about  what these characters look like and how they interact. They become that much invested.”

A fan favorite to draw and write about is the romantic relationship between Cecil and Carlos the Scientist. Carlos comes to “Night Vale” to examine the strange happenings of the town. Along the way Cecil and Carlos fall in love.

Having a same-sex relationship on the show was never planned, but Baldwin says it was a natural progression because he is a gay actor and that’s how he read Cecil’s affection for Carlos in the script.

“Early on Carlos the Scientist, his role on the show was to be the outsider. He was the guy from the outside world who said, ‘Oh my god your town is messed up.’ But it was through my interpretation of the script, I read a couple scenes and I thought, ‘Oh Cecil sounds really interested in this guy, I wonder why. Oh well obviously he has a crush on him,’” Baldwin says.

“So without saying that out loud, that’s just how I played the scene and Joseph and Jeffrey kind of picked up on that. And a year later we got to the First Date episode which was kind of the beginning of two characters in the middle of all this craziness and the least weird thing about them is the fact that they’re gay,” Baldwin says.

The town of Night Vale also has a diverse group of of queer and trans characters. The Sheriff’s Secret Police, the mysterious and creepy local law enforcement, also have an official spokesbeing that uses gender-neutral pronouns and delivers announcements to the town.

Although not the primary goal, the inclusion of queer and trans characters has earned “Welcome to Night Vale” a substantial LGBT fanbase. Queer Daily Xtra writer Michael Lyons says he never anticipated the show to go as far as it has with including LGBT characters.

“I started listening pretty early on, so even though I heard plenty about ‘perfect Carlos’ from the beginning and I — as I’m sure many others — wished Cecil and Carlos would end up together, I never dreamed the show would go so completely in that direction,” Lyons says. “I think that’s why the show resonates with so many queer and trans people. Cecil and Carlos’ relationship came about so organically, but also so unexpectedly, it felt really authentic and wonderful to those of us who don’t see ourselves represented in most entertainment.”

Gay “Night Vale” fan Aram Vartian also thinks Cecil and Carlos’ relationship is normal despite the strange world they live in.

“I think the relationship between Cecil and Carlos helps to ground the utter insanity of the town around them. It is nice that in 2016 a same-sex relationship is the one thing about a story that can be considered normal,” Vartian says.

Baldwin says there hasn’t been much backlash.

“We just received a couple of emails from people saying, ‘I can’t believe you did this’ and we just said, ‘Well believe it and if you don’t like it, don’t listen to the show;” Baldwin says.

Including so many diverse characters lets people relate to the show and is something Baldwin thinks people use to help them with their everyday lives, despite how wacky Night Vale can get.

“I know in a lot of ways it helps people relate to the world they live in by thinking, ‘Oh my gosh, well if I lived in Night Vale then there’d be dragons everywhere and giant sand chasms that lead to other places in times. That sounds so horrible but everyone in Night Vale handles it so well I can surely handle 2016 elections,’” Baldwin says.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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