Music & Concerts
Three decades of Erasure
Pop duo plans deluxe reissues of entire catalog
Erasure — Andy Bell, left and Vince Clarke — is one of the most consistently great pop acts of all time. (Photo by Phil Sharpe)
Synth-wizard Vince Clarke, a founding member of Depeche Mode, was an integral part of the band’s hit 1981 debut album “Speak and Spell.” He wrote hits like “Just Can’t Get Enough” and “Dreaming of Me” for the band, which had an upbeat and peppy synth-pop sound very different than the darker and more melancholy vibe Depeche Mode would develop after Clarke’s departure.
He left after one album and formed a short-lived but successful collaboration with dynamic vocalist Alison Moyet. Yazoo (or Yaz in the U.S.) scored with hits like “Only You,” “Don’t Go” and “Situation” in the brief two-year period they were together. Moyet left to pursue a long and fruitful solo career, while Clarke was left to figure out his next move.
Seems like third time was the charm. Clarke, who’s straight, put out an ad in Melody Maker magazine for a new singer, and he was understandably impressed with the audition of a powerhouse vocalist named Andy Bell, who’s gay. The two soon formed Erasure and in 1986 emerged with their debut album “Wonderland.”
Three decades later, Erasure is still going strong, having amassed one of the most impressive and consistently entertaining catalogs in pop music history. They’re celebrating the 30-year mark with deluxe reissues of all their albums. Several are out now. Two more will arrive Aug. 19 and the final batch arrives Aug. 26. Details at erasure30.com. A three-disc box set called “Always,” featuring a bevy of rareties, is also out.
They’ve scored dozens of hits in the U.K. and elsewhere, while in America they were able to breakthrough briefly with a taste of mainstream success in the ‘80s while mostly finding success in the dance clubs thanks in large part to their ever-enthusiastic gay fanbase. Bell has never been coy about his sexuality, which certainly made breaking Erasure on American airwaves a challenge at a time when almost nobody openly gay was hitting the U.S. Top 40.
It’s not easy to write a great pop song, yet Erasure has written dozens of them. Erasure’s music is so irresistibly catchy and memorable, it’s almost impossible not to be swept away by their infectious charm and kinetic electro-pop dynamism. Their debut “Wonderland” yielded a trio of early hits, including “Who Needs Love Like That,” which features a wonderfully campy video with the duo in drag. Their sound developed in maturity with their second album, 1987’s “The Circus” and singles like “Sometimes” and “Victim of Love.” It was their third album, the 1988 pop masterpiece “The Innocents,” that brought the duo the apex of their success. Two classic singles, “Chains of Love” and “A Little Respect,” became Top 20 hits in America and around the world. They remain popular — one way to get a roomful of gay men to sing along at the top of their lungs, trying (mostly in vain) to hit Bell’s high notes, is to blast “A Little Respect” at full volume. It’s arguably their finest moment.
More albums followed in rapid succession, every single one of them worthwhile. “Wild!” (1989) featured the ebullient “Blue Savannah,” and 1991’s “Chorus” scored international hits with the high-energy title track and the flamboyant disco-flavored “Love to Hate You.” In 1994 they returned to the American charts with the sublime ballad “Always” from “I Say, I Say, I Say,” which was followed by their more experimental and ambient 1995 self-titled album. Perhaps the most underrated album of their career, 1997’s “Cowboy” includes gems like “In My Arms,” “Rain” and “Reach Out.” The duo toured successfully in support of “Cowboy,” including a memorable show at American University in D.C.
Over the last 20 years, Erasure has continued to tour and release one solid album after another, the most recent being 2014’s “The Violet Flame.” The duo performed two electrifying nights at the 9:30 Club in support of the album, and it was very clear to the exuberant crowd that Erasure has lost none of their considerable firepower. Andy Bell remains one of the most charismatic and compelling vocalists in pop music and Clarke seems armed with a never ending supply of sonic invention.
With the reissues — all out on 180-gram vinyl — there’s never been a better time for long-time fans and those interested in delving deeper into their catalog. The quality and quantity of the duo’s work is staggering and sadly does not seem to receive the respect it deserves outside of the duo’s die-hard fan base. It’s time for that to change. Erasure’s enduring legacy and impressive body of work over three decades is the equal of anybody in the vast pop music universe, and indeed it is time for a little more respect to be thrown their way.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
Music & Concerts
Queer mega stars (and allies) ready to take D.C. stages this fall
Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.
One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.
Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.
RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.
Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.
All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.
BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.
Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.
Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.
The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.
Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.
Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.
Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.
Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.
Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.
Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.
Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.
Opera Lafayette
Featuring Mary Elizabeth Williams as Dido
+ Elijah McCormack, Chelsea Helm
Oct. 16, 7:30 p.m.
Sixth & I
PostClassical Ensemble
The Pale Blue Do: A Musical Voyage Inspired By Nature
Featuring National Geographic’s Enric Sala, Guest Curator
Wednesday, November 19, 7:30 p.m.
Terrace Theater
Washington Concert Opera
Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica
Nov. 23, 6 p.m.
Lisner Auditorium
Washington Master Chorale
An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.
Oct. 18, 7:30 p.m.
October 19, 5 p.m.
St. David’s Episcopal Church
Music & Concerts
Cyndi Lauper ready to have fun in Virginia
Superstar to bring final leg of farewell tour to Jiffy Lube Live
Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live.
Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.
Tickets are available on Live Nation’s website.
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