Arts & Entertainment
Simon & Schuster defends $250K book deal with Milo Yiannopoulos
the book company says they ‘have never condoned discrimination or hate speech’

Milo Yiannopoulos. (Washington Blade photo by Michael Key)
Simon & Schuster is defending its $250,000 book deal with controversial Breitbart News editor Milo Yiannopoulos.
In an interview with The Hollywood Reporter, Yiannopoulos celebrated that Threshold Editions, an imprint of Simon & Schuster, has struck up a deal for his memoir “Dangerous.”
“They said banning me from Twitter would finish me off. Just as I predicted, the opposite has happened,” Yiannopoulos told The Hollywood Reporter. “Every line of attack the forces of political correctness try on me fails pathetically. I’m more powerful, more influential and more fabulous than ever before, and this book is the moment Milo goes mainstream.”
“Social justice warriors should be scared – very scared,” Yiannopoulos continued.
Simon & Schuster says that the books it publishes reflect the opinions of the authors and not the company.
“We do not and never have condoned discrimination or hate speech in any form,” the company said in a statement. “At Simon & Schuster we have always published books by a wide range of authors with greatly varying, and frequently controversial opinions, and appealing to many different audiences of readers. While we are cognizant that many may disagree vehemently with the books we publish we note that the opinions expressed therein belong to our authors, and do not reflect either a corporate viewpoint or the views of our employees.”
Backlash against the publishing company has been great with the Chicago Review of Books refusing to cover books from the company in 2017. Others have also spoken out on the decision including comedian and actress Leslie Jones.
Yiannopoulos was banned from Twitter last year for making racist remarks towards Jones.
@SimonBooks @threshold_books @simonschuster yea but you still help them spread their hate to even more people.
— Leslie Jones (@Lesdoggg) January 2, 2017
In response to this disgusting validation of hate, we will not cover a single @simonschuster book in 2017. https://t.co/NAJhTgdeyX
— Chicago Rev of Books (@bookschicago) December 29, 2016
If you approved a $250K book deal for the troll promoting racist, sexist views so extreme he got thrown off this platform – we need to talk.
— Carolyn Kellogg (@paperhaus) December 29, 2016
The guy has freedom of speech but to fund him & give him a platform tells me a LOT about @simonschuster YUCK AND BOO AND GROSS https://t.co/CNDUDOHzke
— Sarah Silverman (@SarahKSilverman) December 29, 2016
Sometimes it’s a tough call for bookshops between respecting free speech and not promoting hate speech. Sometimes not. Byebye @simonschuster https://t.co/nxTFS34Y1b
— Raven Books (@ravenbooks) December 29, 2016
I hope authors published by Simon and Schuster loudly condemn the decision to give hate-monger Milo Yiannopoulos a $250K book deal. Amazing.
— Wajahat Ali (@WajahatAli) December 29, 2016
“Dangerous” hits stores on March 14, 2017 and is already an Amazon Best Seller on the preorder list.
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(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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