Arts & Entertainment
Coachella owner calls history of funding anti-LGBT groups ‘fake news’
reports found the CEO’s company has donated thousands to anti-gay organizations
(Screenshot via YouTube.)
The Coachella Valley Music and Arts Festival is known for bringing in droves of concert-goers to see big-name acts like the 2017 lineup of Beyoncé, Kendrick Lamar and Radiohead. While tickets are considered music gold by many, the Washington Post reports that Coachella’s owner, Phil Anschutz, is a high-profile donor to a number of right-wing, anti-LGBT groups.
Anschutz is CEO of the Anschutz Corporation, the parent company of the Anschutz Entertainment Group (AEG). Goldenvoice, the organizer of Coachella, the Los Angeles Lakers and the Clippers, is a subsidiary of AEG.
According to an infographic by the Washington Post, the Anschutz Foundation has donated thousands of dollars to Alliance Defending Freedom, National Christian Foundation and Family Research Council.
Anschutz sent a statement to Rolling Stone calling the reports “fake news” and that he no longer funds anti-LGBT groups.
“Recent claims published in the media that I am anti-LGBTQ are nothing more than fake news – it is all garbage. I unequivocally support the rights of all people without regard to sexual orientation. We are fortunate to employ a wealth of diverse individuals throughout our family of companies, all of whom are important to us – the only criteria on which they are judged is the quality of their job performance; we do not tolerate discrimination in any form,” the statement reads.
“Both The Anschutz Foundation and I contribute to numerous organizations that pursue a wide range of causes. Neither I nor the Foundation fund any organization with the purpose or expectation that it would finance anti-LGBTQ initiatives, and when it has come to my attention or the attention of The Anschutz Foundation that certain organizations either the Foundation or I have funded have been supporting such causes, we have immediately ceased all contributions to such groups,” the statement continues.
Coachella takes place over two weekends on April 14-16 and April 21-23.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)
PHOTOS: Freddie’s Follies
Imperial Court of Washington drag group has ‘dissolved’
What to watch for in 2026: midterms, Supreme Court, and more
A reminder that Jan. 6 was ‘textbook terrorism’
Claudia López criticizes Trump over threats against Colombian president
D.C.’s 10 best theater productions of 2025
A look back at the best books of 2025
The year in photos
Safer Ways to Pay for Online Performances and Queer Events
