a&e features

Kelly Osbourne discusses life and passions in new memoir

Reality vet is all grown up in ‘There is No F*cking Secret’

Published

9 years ago

April 19, 2017

Kelly Osbourne, gay news, Washington Blade

Kelly Osbourne says growing up in one-of-a-kind circumstances with hard-working parents gave her a distinct outlook on life. (Photo by Darren Tieste)

Kelly Osbourne

In Conversation with Kelly Cutrone

Wednesday, April 26

7:30 p.m.

Sixth & I Historic Synagogue

600 I St., N.W.

$17-42

The daughter of business mogul and talk show host Sharon Osbourne and heavy metal music legend Ozzy Osbourne, Kelly Osbourne was not only born into a family of success but into the spotlight. Osbourne appeared with the rest of her family on MTV’s “The Osbournes,” from 2002-2005, arguably kicking off the modern reality show genre that is popular today.

Known as the mouthy teenage girl on the show, Osbourne is now a 32-year-old who has evolved into former “The View” talk show host and has appeared on “Fashion Police” alongside Joan Rivers. Osbourne prides herself on being an LGBT ally and has contributed to numerous LGBT organizations including the Trevor Project. She has now written a book, “There is No F*cking Secret,” a series of letters that focus on personal topics such as her mother’s cancer diagnosis, her father’s battle with addiction and her own struggle with body image.

Osbourne spoke with the Washington Blade on everything from growing up with Joan Rivers to being the child of famous parents and more.

WASHINGTON BLADE: What made you decide now was the time to write a book about your life?

KELLY OSBOURNE: I’ve wasted so much time of my life. Whenever anyone asks me, “What do you regret most?,” I always said, “I regret nothing.” Until I started writing this book and I realized there was one thing I truly fucking regret. And it’s that I wasted so much time in my life trying to be anyone but who I really am. It’s such a miserable fucking journey. It’s so deflating and you get lost. I let the media and public perception tell me who I really was and I fed into it. That is my responsibility and my fault because I did do that. But I was so young, I didn’t know any better. It’s my chance now to be like, “Fuck that, cut the crap, this is who I am. I am telling you who I am.” And hopefully by me telling you who I am and sharing my stories with you, you will know even though I’m famous, I was born famous. I didn’t really get a choice in the matter. I have problems too and any of the problems I’ve had I’ll share with you that way you won’t feel alone. And that way you’ll know someone else out there has been through it too. And I hope that people get something out of the mistakes I’ve made. And the fact that love in our family is what kept us together and kept us going. People stop caring about other people and people stop remembering that love is what’s most important.

BLADE: Did you write the book in the format of letters because you wanted it to be more personal?

OSBOURNE: No. We live in a world of millennials now. People like instant gratification. They’ll read a headline and a few sentences and you’re an instant genius. When it comes to reading a book I even realized, I don’t want to read it from start to finish. I like to pick it up, put it down and you can start from all different places. Like a book of short stories. I like books like that because you don’t have to commit to finishing it all at the same time. You can look at the chapters and see if there’s anything that relates to you and go to that chapter. I’m praying my parents don’t read the vagina one.

BLADE: Was there anything else you were worried about your family reading?

OSBOURNE: Yes. Every member of my family has written a book. What I realized is we can all be in the same room and see the same thing, but we all have a different perception of what happened. We see it differently because we’re different people. I made sure that I sent the book to everybody in my family with a note saying, “Guys this is the book. Anything you want taken out let me know, no questions asked.” Because they are my family, I do talk about them so I had to give them that respect. Especially with my brother (Jack Osbourne) who has two children. I would never want to say anything that could affect them because you never know what the media is going to pick up on.

I’m noticing right now from the press they’re really focusing on the drug aspect of everything. I haven’t done drugs, weed excluded because I don’t consider that a drug, since I was 24 years old. I’m 33 this year. I got so much more shit being fat than I ever did being a druggie. And I think because I pointed it out so much now they’re focusing back on the fact that I was a druggie. But now I’m looking at what’s going on in the media right now and I’m seeing how many deaths from opioid abuse, and so it is a prevalent topic, but I don’t want that message to get lost. Because it’s not just what the book is about. It’s about my experience looking after my mom when she had cancer, my Lyme’s disease, relationships, body image, fitting in, having no inner filter, discovering who you are.

BLADE: Did you find the writing process difficult?

OSBOURNE: This is the second time, but (the first time) I honestly feel like sabotaged it halfway through. When I first started writing (the first book) I was in a really good place, but by the end of it I wasn’t and everything I was advising in the book I wasn’t even listening to. I wasn’t doing it myself so I felt like I was a hypocrite. This book is not just redemption on that book, me finally not only writing this but I’m doing what I’m writing. Everybody feels like they have to be perfect and they have to look a certain way. It’s not even about being famous anymore, which is called being an “influencer.” The pressure that young people are under just over the simplest things. The selfie that goes on Instagram, that isn’t a part of my level of understanding. I have such a love/hate relationship with social media but it makes me really happy that it wasn’t around when I was younger because I would have probably been arrested. And that I didn’t have to deal with that added pressure as well. It’s unbelievable.

BLADE: Being the child of famous parents, what’s the biggest misconception people have?

OSBOURNE: My parents were very smart with how they raised me. Back in the days before cell phones, we had beepers. I wanted one and my mom said, “You want one, you go get a job and you pay for it yourself.” So I’ve had a job and been self-sufficient outside of my parents. I’ve had a job since I was 13. I’ve been self sufficient outside of my parents since I was 15. My parents taught us, “You want something, you work for it.” When you’re a celebrity’s kid you have to prove yourself 10 times over. Because you have to prove it’s not just handed to you and you have to gain the respect to prove that you are hardworking and don’t think you’re better than everyone else. But then you do have to be better. It’s a very weird contradiction. People think, “Oh you’re someone’s kid you don’t do anything.” I’m like, “I’ve been working since I was 15. I don’t know how I’m going to pay my mortgage this month.” People think they get to do all of these fabulous things and yes, we do, but anywhere there is fabulousness, it attracts shit. And there’s a lot more shit in this industry than there is fabulousness.

BLADE: Your mother is a co-host on “The Talk.” Do you ever hear her say anything on the show and think “Mom, I didn’t need to know that”?

OSBOURNE: Oh my god. If I ever have to hear about my mom and dad’s sex life I’m like, “Mom!” I guess everybody gets that in their own home, I just get it on national TV. But it’s my mom. She’s earned the right to say whatever the fuck she wants. She has worked her ass off. There are very few women in this industry who can get to that level. Joan Rivers is one of them and so is my mom. They paid their dues. My mom would never say anything to hurt me. Even though sometimes I want to crawl into a hole and die that she told people things about me on national TV. That’s just what it is. I probably would have told everyone anyway. She birthed me so she has the right. And of course, I was the only kid out of my siblings that my mom didn’t have an epidural for. I’m the, “Do you know the pain and suffering?” That’s what I get.

BLADE: You’ve also been a big supporter of the LGBT community. Why has that type of advocacy been important to you?

OSBOURNE: The LGBT community is a community that never gave up on me and that has supported me through thick and thin. (The community) taught me to believe in myself and taught me how to do my makeup and to love yourself no matter what anyone else thinks. Be who makes you happy. Stand against the odds and dare to be different and unique. Everybody has a unique individual inside of them. It’s whether they’re brave enough or not to show it to the world. They can find it within themselves to be brave and show the world who they really are which is a scary thing to do. It’s easier said than done. And within the gay community there is so much creativity and love and acceptance because they’ve been the outcasts of society or at home their whole life. They know what that feels like. I was the outcast too growing up with a satanic, as they said, father in this country village.

Everybody thought that we were satanists. I didn’t really fit in with everybody because we were different. My mom was dressed differently to pick us up from school so the parents didn’t judge us. I’ve been locked in bathrooms at school with the lights off and made to pray for my sins because my father is a satanist. And I’m like, ‘What is this?” It’s not like my parents were the equivalent of the Beckhams. My mom is known as the most badass business woman to ever be in the music industry, in fact the world. And my father is the creator of heavy metal music. It’s a lot to live up to being their kids. They’re icons in their own right. They came from a time where things weren’t instantaneous and you had to work hard. I get that from my mom. If I don’t wake up and start working, my day is shit.

BLADE: You seem like an open person and the title of your book is “There is No F*cking Secret.” But is there anything people might not know about you?

OSBOURNE: I am so empathic and loyal to my own detriment. When I feel like somebody is sad I can feel it when they hug me. I want to do everything I can to make them not feel sad. Because feeling sad, lonely and not good enough are the worst feelings in the world. I know what that feels like to feel like that every day. And I wish I could take that from people. I’m surprisingly really shy at times when someone puts a camera in front of me. I did a quick photo shoot for someone recently and I like shut down. My body language, my shoulders went in. I will never be used to being in front of a camera and my face shows it because I always look like I’m holding in a fart. When I see the red carpets in the magazines I see the girls doing the poses over the shoulder and I’m like I would look like I have jaundice if I tried that. It just isn’t in me.

BLADE: Being on “Fashion Police” with Joan Rivers, what was the best advice she gave you?

OSBOURNE: It’s in the book. You’ve got to find the humor in absolutely everything because laughter is not only the best medicine, but it’s the best survival skill too. Outside of my family and “Dancing with the Stars,” Joan was one of the only people who truly just believed in me for me. Nothing to do with my past or my present or my future. Nothing to do with my family. She just wanted to work with me. And being bestowed with that honor with somebody … I knew Joan for 25 years. I was 6 years old the first time she interviewed me. It’s the most embarrassing interview ever. I’m scratching my vagina, yawned and stuck my tongue out on the entire Father’s Day (on “The Joan Rivers Show”) special. I’m like, “Oh God.” But to have that honor to be an apprentice to Joan Rivers for as many years. We worked 52 weeks a year for over five-and-a-half years together. We did everything together. It’s still and I think it always will be a huge loss in my life that threw me in a way I didn’t think possible. Three and a half years ago I promised Joan the very first copy of my book that I got. I got it so I called Melissa (Rivers) I was like, “I got the first copy and I promised it to her.” So I’d written a little message to Joan and given it to Melissa.

BLADE: You and Melissa still keep in contact?

OSBOURNE: Fifty-two weeks a year, every year, five and a half years? She’s family. We’re family. All the crew, I miss them so much. Whenever I go into a meeting at Universal, I pop in and go in and say hi. We’re all still really close.

BLADE: You’re coming to D.C. to promote your book.

OSBOURNE: I’m so excited because I’m going to Joan’s favorite place, the Sixth & I Synagogue.

BLADE: What’s your favorite thing about D.C.?

OSBOURNE: I spent at least two to three days a year in D.C. my whole life because of being on tour with my father. You know the Jolly Green Giant on television where’s he’s like walking through fields of grass? You’re on the tour bus and all of sudden there are the monuments and so much green and the White House. You’re walking through history which is rare for me in America to feel that way because everything is so new. The house I grew up in is over a 100-and-something years old. I can’t tell you one building near me in L.A. that’s over a 100 years old. So to walk through and see this is where all the stuff I learned in school happened, I love the history of it. But it’s also very interesting that you go one mile in the other direction and it’s a completely different world. People are left and forgotten. I was a little bit shocked about that.

BLADE: They don’t show you that on TV.

OSBOURNE: At all, you don’t even know that’s there. They always say that charity starts at home, why don’t they clean up Washington and look after the people who live there and then you’ll be in a more powerful situation? It’s very confusing. But I don’t know why but I always pretend like I’m Jackie O when I’m there. Totally going to do a bouffant with my hair at my book signing for a Jackie O look. That would be so sick.

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Published

13 hours ago

July 29, 2026

Kyle Rood

Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

a&e features

Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

Published

3 days ago

July 26, 2026

Emma LaPointe

Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

7 days ago

July 23, 2026

Evan Caplan

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.