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Kelly Osbourne discusses life and passions in new memoir

Reality vet is all grown up in ‘There is No F*cking Secret’

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Kelly Osbourne, gay news, Washington Blade

Kelly Osbourne says growing up in one-of-a-kind circumstances with hard-working parents gave her a distinct outlook on life. (Photo by Darren Tieste)

Kelly Osbourne
 
In Conversation with Kelly Cutrone
 
Wednesday, April 26
 
7:30 p.m.
 
Sixth & I Historic Synagogue 
 
600 I St., N.W.
 
$17-42

The daughter of business mogul and talk show host Sharon Osbourne and heavy metal music legend Ozzy Osbourne, Kelly Osbourne was not only born into a family of success but into the spotlight. Osbourne appeared with the rest of her family on MTV’s “The Osbournes,” from 2002-2005, arguably kicking off the modern reality show genre that is popular today.

Known as the mouthy teenage girl on the show, Osbourne is now a 32-year-old who has evolved into former “The View” talk show host and has appeared on “Fashion Police” alongside Joan Rivers. Osbourne prides herself on being an LGBT ally and has contributed to numerous LGBT organizations including the Trevor Project. She has now written a book, “There is No F*cking Secret,” a series of letters that focus on personal topics such as her mother’s cancer diagnosis, her father’s battle with addiction and her own struggle with body image.

Osbourne spoke with the Washington Blade on everything from growing up with Joan Rivers to being the child of famous parents and more.

WASHINGTON BLADE: What made you decide now was the time to write a book about your life?

KELLY OSBOURNE: I’ve wasted so much time of my life. Whenever anyone asks me, “What do you regret most?,” I always said, “I regret nothing.” Until I started writing this book and I realized there was one thing I truly fucking regret. And it’s that I wasted so much time in my life trying to be anyone but who I really am. It’s such a miserable fucking journey. It’s so deflating and you get lost. I let the media and public perception tell me who I really was and I fed into it. That is my responsibility and my fault because I did do that. But I was so young, I didn’t know any better. It’s my chance now to be like, “Fuck that, cut the crap, this is who I am. I am telling you who I am.” And hopefully by me telling you who I am and sharing my stories with you, you will know even though I’m famous, I was born famous. I didn’t really get a choice in the matter. I have problems too and any of the problems I’ve had I’ll share with you that way you won’t feel alone. And that way you’ll know someone else out there has been through it too. And I hope that people get something out of the mistakes I’ve made. And the fact that love in our family is what kept us together and kept us going. People stop caring about other people and people stop remembering that love is what’s most important.

BLADE: Did you write the book in the format of letters because you wanted it to be more personal?

OSBOURNE: No. We live in a world of millennials now. People like instant gratification. They’ll read a headline and a few sentences and you’re an instant genius. When it comes to reading a book I even realized, I don’t want to read it from start to finish. I like to pick it up, put it down and you can start from all different places. Like a book of short stories. I like books like that because you don’t have to commit to finishing it all at the same time. You can look at the chapters and see if there’s anything that relates to you and go to that chapter. I’m praying my parents don’t read the vagina one.

BLADE: Was there anything else you were worried about your family reading?

OSBOURNE: Yes. Every member of my family has written a book. What I realized is we can all be in the same room and see the same thing, but we all have a different perception of what happened. We see it differently because we’re different people. I made sure that I sent the book to everybody in my family with a note saying, “Guys this is the book. Anything you want taken out let me know, no questions asked.” Because they are my family, I do talk about them so I had to give them that respect. Especially with my brother (Jack Osbourne) who has two children. I would never want to say anything that could affect them because you never know what the media is going to pick up on.

I’m noticing right now from the press they’re really focusing on the drug aspect of everything. I haven’t done drugs, weed excluded because I don’t consider that a drug, since I was 24 years old. I’m 33 this year. I got so much more shit being fat than I ever did being a druggie. And I think because I pointed it out so much now they’re focusing back on the fact that I was a druggie. But now I’m looking at what’s going on in the media right now and I’m seeing how many deaths from opioid abuse, and so it is a prevalent topic, but I don’t want that message to get lost. Because it’s not just what the book is about. It’s about my experience looking after my mom when she had cancer, my Lyme’s disease, relationships, body image, fitting in, having no inner filter, discovering who you are.

BLADE: Did you find the writing process difficult?

OSBOURNE: This is the second time, but (the first time) I honestly feel like sabotaged it halfway through. When I first started writing (the first book) I was in a really good place, but by the end of it I wasn’t and everything I was advising in the book I wasn’t even listening to. I wasn’t doing it myself so I felt like I was a hypocrite. This book is not just redemption on that book, me finally not only writing this but I’m doing what I’m writing. Everybody feels like they have to be perfect and they have to look a certain way. It’s not even about being famous anymore, which is called being an “influencer.” The pressure that young people are under just over the simplest things. The selfie that goes on Instagram, that isn’t a part of my level of understanding. I have such a love/hate relationship with social media but it makes me really happy that it wasn’t around when I was younger because I would have probably been arrested. And that I didn’t have to deal with that added pressure as well. It’s unbelievable.

BLADE: Being the child of famous parents, what’s the biggest misconception people have?

OSBOURNE: My parents were very smart with how they raised me. Back in the days before cell phones, we had beepers. I wanted one and my mom said, “You want one, you go get a job and you pay for it yourself.” So I’ve had a job and been self-sufficient outside of my parents. I’ve had a job since I was 13. I’ve been self sufficient outside of my parents since I was 15. My parents taught us, “You want something, you work for it.” When you’re a celebrity’s kid you have to prove yourself 10 times over. Because you have to prove it’s not just handed to you and you have to gain the respect to prove that you are hardworking and don’t think you’re better than everyone else. But then you do have to be better. It’s a very weird contradiction. People think, “Oh you’re someone’s kid you don’t do anything.” I’m like, “I’ve been working since I was 15. I don’t know how I’m going to pay my mortgage this month.” People think they get to do all of these fabulous things and yes, we do, but anywhere there is fabulousness, it attracts shit. And there’s a lot more shit in this industry than there is fabulousness.

BLADE: Your mother is a co-host on “The Talk.” Do you ever hear her say anything on the show and think “Mom, I didn’t need to know that”?

OSBOURNE: Oh my god. If I ever have to hear about my mom and dad’s sex life I’m like, “Mom!” I guess everybody gets that in their own home, I just get it on national TV. But it’s my mom. She’s earned the right to say whatever the fuck she wants. She has worked her ass off. There are very few women in this industry who can get to that level. Joan Rivers is one of them and so is my mom. They paid their dues. My mom would never say anything to hurt me. Even though sometimes I want to crawl into a hole and die that she told people things about me on national TV. That’s just what it is. I probably would have told everyone anyway. She birthed me so she has the right. And of course, I was the only kid out of my siblings that my mom didn’t have an epidural for. I’m the, “Do you know the pain and suffering?” That’s what I get.

BLADE: You’ve also been a big supporter of the LGBT community. Why has that type of advocacy been important to you?

OSBOURNE: The LGBT community is a community that never gave up on me and that has supported me through thick and thin. (The community) taught me to believe in myself and taught me how to do my makeup and to love yourself no matter what anyone else thinks. Be who makes you happy. Stand against the odds and dare to be different and unique. Everybody has a unique individual inside of them. It’s whether they’re brave enough or not to show it to the world. They can find it within themselves to be brave and show the world who they really are which is a scary thing to do. It’s easier said than done. And within the gay community there is so much creativity and love and acceptance because they’ve been the outcasts of society or at home their whole life. They know what that feels like. I was the outcast too growing up with a satanic, as they said, father in this country village.

Everybody thought that we were satanists. I didn’t really fit in with everybody because we were different. My mom was dressed differently to pick us up from school so the parents didn’t judge us. I’ve been locked in bathrooms at school with the lights off and made to pray for my sins because my father is a satanist. And I’m like, ‘What is this?” It’s not like my parents were the equivalent of the Beckhams. My mom is known as the most badass business woman to ever be in the music industry, in fact the world. And my father is the creator of heavy metal music. It’s a lot to live up to being their kids. They’re icons in their own right. They came from a time where things weren’t instantaneous and you had to work hard. I get that from my mom. If I don’t wake up and start working, my day is shit.

BLADE: You seem like an open person and the title of your book is “There is No F*cking Secret.” But is there anything people might not know about you?

OSBOURNE: I am so empathic and loyal to my own detriment. When I feel like somebody is sad I can feel it when they hug me. I want to do everything I can to make them not feel sad. Because feeling sad, lonely and not good enough are the worst feelings in the world. I know what that feels like to feel like that every day. And I wish I could take that from people. I’m surprisingly really shy at times when someone puts a camera in front of me. I did a quick photo shoot for someone recently and I like shut down. My body language, my shoulders went in. I will never be used to being in front of a camera and my face shows it because I always look like I’m holding in a fart. When I see the red carpets in the magazines I see the girls doing the poses over the shoulder and I’m like I would look like I have jaundice if I tried that. It just isn’t in me.

BLADE: Being on “Fashion Police” with Joan Rivers, what was the best advice she gave you?

OSBOURNE: It’s in the book. You’ve got to find the humor in absolutely everything because laughter is not only the best medicine, but it’s the best survival skill too. Outside of my family and “Dancing with the Stars,” Joan was one of the only people who truly just believed in me for me. Nothing to do with my past or my present or my future. Nothing to do with my family. She just wanted to work with me. And being bestowed with that honor with somebody … I knew Joan for 25 years. I was 6 years old the first time she interviewed me. It’s the most embarrassing interview ever. I’m scratching my vagina, yawned and stuck my tongue out on the entire Father’s Day (on “The Joan Rivers Show”) special. I’m like, “Oh God.” But to have that honor to be an apprentice to Joan Rivers for as many years. We worked 52 weeks a year for over five-and-a-half years together. We did everything together. It’s still and I think it always will be a huge loss in my life that threw me in a way I didn’t think possible. Three and a half years ago I promised Joan the very first copy of my book that I got. I got it so I called Melissa (Rivers) I was like, “I got the first copy and I promised it to her.” So I’d written a little message to Joan and given it to Melissa.

BLADE: You and Melissa still keep in contact?

OSBOURNE: Fifty-two weeks a year, every year, five and a half years? She’s family. We’re family. All the crew, I miss them so much. Whenever I go into a meeting at Universal, I pop in and go in and say hi. We’re all still really close.

BLADE: You’re coming to D.C. to promote your book.

OSBOURNE: I’m so excited because I’m going to Joan’s favorite place, the Sixth & I Synagogue.

BLADE: What’s your favorite thing about D.C.?

OSBOURNE: I spent at least two to three days a year in D.C. my whole life because of being on tour with my father. You know the Jolly Green Giant on television where’s he’s like walking through fields of grass? You’re on the tour bus and all of sudden there are the monuments and so much green and the White House. You’re walking through history which is rare for me in America to feel that way because everything is so new. The house I grew up in is over a 100-and-something years old. I can’t tell you one building near me in L.A. that’s over a 100 years old. So to walk through and see this is where all the stuff I learned in school happened, I love the history of it. But it’s also very interesting that you go one mile in the other direction and it’s a completely different world. People are left and forgotten. I was a little bit shocked about that.

BLADE: They don’t show you that on TV.

OSBOURNE: At all, you don’t even know that’s there. They always say that charity starts at home, why don’t they clean up Washington and look after the people who live there and then you’ll be in a more powerful situation? It’s very confusing. But I don’t know why but I always pretend like I’m Jackie O when I’m there. Totally going to do a bouffant with my hair at my book signing for a Jackie O look. That would be so sick.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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