Arts & Entertainment
Katy, Gaga, Janet, Kesha, Bruno for starters
Be ready to cough up hundreds for good seats at A-lister shows
Gay broadway heartthrob Cheyenne Jackson plays the Barns at Wolf Trap on Sunday, Oct. 15. (Photo by Karl Simone; courtesy Wolf Trap)
This fall brings a massive wealth of talent to the Washington area. There are many shows to choose from with every imaginable genre represented. Here is but a small sampling.
The fall season begins with a bang as pop/R&B superstar the Weeknd brings his “Starboy Legend of the Fall 2017 World Tour” to Capital One Arena, formerly the Verizon Center (601 F Street, N.W.), on Friday, Sept. 15 at 7:30 p.m. Tickets range from $39-276 and up. For more information, visit capitalonearena.
MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) has an impressive lineup of talent slated including famed Bollywood vocalist Shreya Ghoshal. She performs on Friday, Sept. 15 at 8:30 p.m. Tickets range from $80-281 and up, and details are available mgmnationalharbor.com.
Acclaimed Canadian alternative collective Arcade Fire and their “Infinite Content 2017 Tour” will play Capital One Arena on Saturday, Sept. 16 at 7:30 p.m. Tickets range from $26-230 and up.
Popular up and coming alternative popsters Young the Giant appears with Cold War Kids at Merriweather Post Pavilion (10475 Little Patuxent Parkway, Columbia, Md.) on Saturday, Sept. 16 at 6:30 p.m. Tickets range from $35-100. Details at merriweathermusic.com.
On Sept. 19-20, English pop heartthrob Ed Sheeran stops by the Capital One Arena for two sold-out shows.
R&B singer Brandy will appear at the Fillmore Silver Spring (8656 Colesville Rd., Silver Spring, Md.) on Wednesday, Sept. 20 at 8 p.m. The general admission tickets are priced at $45 with more information available at fillmoresilverspring.com.
Celebrating their 25th anniversary with their “Middle of Everywhere Tour,” pop trio Hanson will play at the Fillmore Silver Spring on Sunday, Sept. 24 at 8 p.m. for a sold-out show.
Pop diva Katy Perry brings “WITNESS: the Tour” to Capital One Arena on Monday, Sept. 25 at 7 p.m. Tickets range from $50-427 and up.
Veteran British popsters Saint Etienne perform at U Street Music Hall (1115 U St., N.W.) on Wednesday, Sept. 27 at 7 p.m. Tickets are $30. Details at ustreetmusichall.com.
As expected, the 9:30 Club (815 V Street, N.W.) has an impressive array of talent lined up for its hallowed stage this fall. The versatile electronic hip-hop visionary Thundercat plays a highly anticipated show on Friday, Sept. 29 at 9:30 p.m., with tickets at $25. More information is available at 930.com.
R&B/pop superstar Bruno Mars brings his electrifying “24K Magic World Tour” to Capital One Arena for two shows Sept. 29-30 at 8 p.m. Tickets range from $188 to as much as $1,180 and higher to see one of the biggest names in music.
One of the most acclaimed electronic groups around Crystal Castles return to the 9:30 Club for a Saturday, Sept. 30 show that begins at 9:30 p.m.Tickets are $30.
DAR Constitution Hall (18th and C streets N.W.) welcomes former One Direction star Harry Styles for a show on Sunday, Oct. 1 at 7 p.m. Tickets range from $57.70-97.50. For more details, visit dar.org/constitution-hall.
At the Kennedy Center (2700 F Street, N.W.) on Sunday, Oct. 1 is an intriguing show called “Orion’s Rise: A Special Performance” with Solange and the Sun Ra Arkestra. The show begins at 7 p.m. and tickets range from $49-169. More information is available at kennedy-center.org.
Mashrou’ Leila, a gay-led rock band from Lebanon, plays the Flex Stage room at the Birchmere on Sunday, Oct. 1 at 7:30 p.m. Tickets are $35. Details at birchmere.com.
Latino stars Enrique Iglesias and Pitbull team up for a show at Capital One Arena on Tuesday, Oct. 3 at 7:30 p.m. Tickets range from $39-309 and up.
Hot off a stellar new album, Kesha is back and better than ever with her “Rainbow Tour 2017.” She performs at the Fillmore Silver Spring on Friday, Oct. 6 at 8 p.m. It’s sold out.
Half of the Indigo Girls, lesbian folk-pop icon Emily Saliers brings her solo “Murmuration Nation Tour” to The Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 11 at 7:30 p.m. Tickets are $29.50. Details at birchmere.com.
Foster the People, Young Thug and Galantis headline the 2017 All Things Go Fall Classic music and food festival at Union Market Oct. 6-8. Details at allthingsgofallclassic.com.
Local favorite Dave Grohl and his powerhouse rockers Foo Fighters have the honor of opening the new venue on the Waterfront, The Anthem (901 Wharf St., S.W.), for a historic show on Thursday, Oct. 12 at 8 p.m. Tickets begin at $100 although it may take some good fortune to find one for this sold-out show. More information is available at theanthemdc.com.
The inspirational transgender vocalist Laura Jane Grace and her cohorts in Against Me! perform Friday, Oct. 13 at the 9:30 Club for a 9:30 p.m.show, with tickets at $25.
The always hilarious and thought-provoking Margaret Cho is back for a performance at Warner Theatre (513 13th Street, N.W.) on Saturday, Oct. 14 for her “Fresh Off The Bloat Tour.” Tickets are $27-58. Details at warnertheatredc.com.
Openly gay singer/actor Cheyenne Jackson will be at the Barns at Wolf Trap (1635 Trap Road, Vienna, Va.) on Sunday, Oct. 15 at 8 p.m. Tickets are $45-55. Details at wolftrap.org.
The return of LCD Soundsystem is one of the big musical stories of 2017, and they perform two nights at the Anthem Oct. 17-18 at 8 p.m. Tickets range from $61.75-81.75.
Queens of the Stone Age and British rockers Royal Blood team up for an exciting show at the Anthem on Friday, Oct. 20 at 8 p.m. Tickets range from $49.50-75.
The popular DJ and electronic producer Zedd is slated for a show at the Anthem on Saturday, Oct. 21 at 8 p.m. Tickets range from $41-76.
One of the most important bands currently recording is undoubtedly the War on Drugs, and they return to D.C. for a show at the Anthem on Monday, Oct. 23 at 7:30 p.m. Tickets range from $75-125.
Out comedian Suzanne Westenhoeffer plays the Birchmere on Friday, Oct. 27 at 7:30 p.m. Tickets are $45.
Shawn Colvin is celebrating her classic album “A Few Small Repairs” with a 20th Anniversary Tour that will stop at the Birchmere for two highly anticipated shows Oct. 30-31 at 7:30 p.m. Tickets are $62.50.
Maynard James Keenan and A Perfect Circle bring their dark and heavy rock to EagleBank Arena (4500 Patriot Cir., Fairfax, Va.) on Wednesday, Nov. 1 at 8 p.m. Tickets range from $40-276 and up with more information available at eaglebankarena.com.
The following night Fall Out Boy will also rock out EagleBank Arena. The emo rockers bring their “MANIA Tour” for Thursday, Nov. 2 show that begins at 7 p.m. Tickets range from $30-245 and up.
A cappella wonders Straight No Chaser bring their dynamic harmonies to DAR Constitution Hall for a Thursday, Nov. 2 show that begins at 7:30 p.m. Tickets are $62 and up.
Legendary singer/songwriter/pianist Tori Amos is always spectacular live and her latest tour in support of new album “Native Invader” should be no different. She’s playing at MGM National Harbor on Friday, Nov. 3 at 8 p.m., with tickets ranging from $54-216 and up.
Popular ‘90s-era alternative rockers the Breeders are back, and will play Lincoln Theatre (1215 U Street, N.W.) on Sunday, Nov. 4 at 8 p.m. Tickets are $35. Details at thelincolndc.com.
One of the more intriguing shows of the season promises to be the eclectic and uber-talented Flying Lotus in 3D at Echostage (2135 Queens Chapel Rd., N.E.) on Sunday, Nov. 5 at 7 p.m. Tickets are $45 and more information is available at echostage.com.
Seattle-based rapper Macklemore, known for his smash “Thrift Shop” and his touching “Same Love” with Ryan Lewis and Mary Lambert is appearing solo on “The Gemini Tour” at the Fillmore Silver Spring. The Saturday, Nov. 11 show begins at 8 p.m. and is sold out.
The always entertaining duo of openly gay sisters Tegan and Sara bring their “10th Anniversary Acoustic Tour” celebrating their album “The Con” to the Anthem on Saturday, Nov. 11 at 8 p.m. Tickets are in the $50.50-76 range.
Legendary dance/pop/R&B icon Janet Jackson is back after delaying her previously scheduled show to have her baby. The new mother brings her “State of the World Tour” to Capital One Arena on Thursday, Nov. 16 at 8 p.m., with tickets ranging from $37-337 and higher. She plays Baltimore on Saturday, Nov. 18.
The musically gifted St. Vincent is a must-see when she appears at the Anthem on Monday, Nov. 17 at 7:30 p.m. Tickets are $44-60.
R&B songstress Erykah Badu brings her chill groove to the Anthem on Saturday, Sept. 18 at 8 p.m. Tickets are $76-126.
One of the most anticipated shows of the fall is undoubtedly the one and only Lady Gaga, who brings her “Joanne World Tour” to Capital One Arena on Sunday, Nov. 19 at 7:30 p.m. Tickets range from $74-587 or more.
Diva extraordinaire Chaka Khan graces the stage of Warner Theatre on Friday, Nov. 24 at 8 p.m. Tickets range from $69-130.
Electro-wizard Diplo is at Echostage for a Saturday, Nov. 25 for a 9 p.m. show. Tickets are in the $40-50 range for what is certain to be an electrifying performance.
St. Vincent, who eschews labels but believes in gender and sexual “fluidity,” plays Anthem on Monday, Nov. 27. Tickets are $44-149.
Rap mogul JAY-Z is set to rock the Capital One Arena on Wednesday, Nov. 29 at 8 p.m. on his “4:44 Tour.” Tickets range from $50-356 and higher.
The influential duo of Amanda Palmer and Brian Viglione, the Dresden Dolls, are back for a show at the 9:30 Club on Tuesday, Nov. 31 at 9:30 p.m. Tickets are $35.
Longtime favorite pop-folk troubadour Dar Williams is back at the Birchmere Dec. 8-9 at 7:30 p.m. Tickets are $25 for a concert that will also include readings and discussions from her new book, “What I Found in a Thousand Towns.”
As fall winds to an end, there are worse ways to get into the holiday mood than by seeing the A Pentatonix Christmas Tour at the Anthem on Sunday, Dec. 17 at 7 p.m. Tickets range from $59.50-149.50 for a chance to see the a cappella supergroup.
And as has become an annual event, gay shock- and schlockmeister John Waters returns to the Birchmere for his Christmas show on Thursday, Dec. 21 at 7:30 p.m. Tickets are $55.
Books
Love or fear flying you’ll devour ‘Why Fly’
New book chronicles a lifetime obsession with aircraft
‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages
Tray table folded up.
Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.
When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.
Time passed; Paul grew up to create a life of adventure all her own.
Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.
Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.
She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.
The mere idea that she can fly any time is like a gift to Paul.
She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.
If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.
It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.
If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.
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Theater
Out actor Kevin Cahoon on starring role in ‘Chez Joey’
Arena production adapted from Broadway classic ‘Pal Joey’
‘Chez Joey’
Through March 15
Arena Stage
1101 Sixth St., S.W.
Tickets start at $93
Arenastage.org
As Melvin Snyder in the new musical “Chez Joey,” out actor Kevin Cahoon plays a showbiz society columnist who goes by the name Mrs. Knickerbocker. He functions as a sort of liaison between café society and Chicago’s Black jazz scene circa 1940s. It’s a fun part replete with varied insights, music, and dance.
“Chez Joey” is adapted from the Broadway classic “Pal Joey” by Richard Rodgers and Lorenz Hart. It’s inspired by John O’Hara’s stories based on the exploits of a small-time nightclub singer published in The New Yorker.
A warm and humorous man, Cahoon loves his work. At just six, he began his career as a rodeo clown in Houston. He won the Star Search teen division at 13 singing songs like “Some People” from “Gypsy.” He studied theater at New York University and soon after graduating set to work playing sidekicks and comedic roles.
Over the years, Cahoon has played numerous queer parts in stage productions including “Hedwig and the Angry Inch,” “La Cage aux Folles,” “Rocky Horror” as well as Peanut in “Shucked,” and George the keyboardist in “The Wedding Singer,” “a sort of unicorn of its time,” says Cahoon.
Co-directed by Tony Goldwyn and the great Savion Glover, “Chez Joey” is a terrific and fun show filled with loads of talent. Its relevant new book is by Richard Lagravenese.
On a recent Monday off from work, Cahoon shared some thoughts on past and current happenings.
WASHINGTON BLADE: Is there a through line from Kevin, the six-year-old rodeo clown, to who we see now at Arena Stage?
KEVIN CAHOON: Anytime I want to land a joke in a theater piece it goes back to that rodeo clown. It doesn’t matter if it’s Arena’s intimate Kreeger Theatre or the big rodeo at the huge Houston Astrodome.
I was in the middle stadium and there was an announcer — a scene partner really. And we were doing a back and forth in hopes of getting laughs. At that young age I was trying to understand what it takes to get laughs. It’s all about timing. Every line.
BLADE: Originally, your part in “Chez Joey” Melvin was Melba who sings “Zip,” a clever woman reporter’s song. It was sort of a star feature, where they could just pop in a star in the run of “Pal Joey.”
CAHOON: That’s right. And in former versions it was played by Martha Plimpton and before her Elaine Stritch. For “Chez Joey,” we switched gender and storyline.
We attempted to do “Zip” up until two days before we had an audience at Arena. Unexpectedly they cut “Zip” and replaced it with a fun number called “I Like to Recognize the Tune,” a song more connected to the story.
BLADE: Wow. You must be a quick study.
CAHOON: Well, we’re working with a great band.
BLADE: You’ve played a lot of queer parts. Any thoughts on queer representation?
CAHOON: Oh yes, definitely. And I’ve been very lucky that I’ve had the chance to portray these characters and introduce them to the rest of the world. I feel honored.
After originating Edna, the hyena on Broadway in “The Lion King,” I left that to do “Hedwig and the Angry Inch” as standby for John Cameron Mitchell, doing one show a week for him.
Everyone thought I was crazy to leave the biggest musical of our time with a personal contract and getting paid more money that I’d ever made to get $400 a week at the downtown Jane Street Theatre in a dicey neighborhood.
At the time, I really felt like I was with cool kids. I guess I was. And I never regretted it.
BLADE: When you play new parts, do you create new backstories for the role?
CAHOON: Every single time! For Melvin, I suggested a line about chorus boys on Lakeshore Drive.
BLADE: What’s up next for Kevin Cahoon?
CAHOON: I’m about to do the New York Theatre Workshop Gala; I’ve been doing it for nine years in a row. It’s a huge job. I’ll also be producing the “Cats: The Jellicle Ball” opening on Broadway this spring; it’s a queer-centric uptown vogue ball with gay actor André de Shields reprising his role as “Old Deuteronomy.”
BLADE: There’s a huge amount of talent onstage in “Chez Joey.”
CAHOON: There is. I’m sharing a dressing room with Myles Frost who plays Joey. He won accolades for playing Michael Jackson on Broadway. We’ve become great friends. He’s a miracle to watch on stage. And Awa [Sal Secka], a D.C. local, is great. Every night the audience falls head over heels for her. When this show goes to New York, Awa will, no doubt, be a giant star.
BLADE: Do you think “Chez Joey” might be Broadway bound?
CAHOON: I have a good feeling it is. I’ve done shows out of town that have high hopes and pedigree, but don’t necessarily make it. “Chez Joey” is a small production, it’s funny, and audiences seem to love it.
The Capital Pride Alliance held the annual Pride Reveal event at The Schuyler at The Hamilton Hotel on Thursday, Feb. 26. The theme for this year’s Capital Pride was announced: “Exist. Resist. Have the audacity!”
(Washington Blade photos by Michael Key)
Md. Commission on LGBTQIA+ Affairs released updated student recommendations
Va. lawmakers consider partial restoration of Ryan White funds
Finding community through tragedy
Peter Thiel’s expanding power — and his overlap with Jeffrey Epstein
Why innovation matters for Black health
After layoffs at Advocate, parent company acquires ‘Them’ from Conde Nast
ACLU sues Kansas over law invalidating trans residents’ IDs
Calendar: February 27-March 5
Spring into sold
