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Cheyenne Jackson opens up

Out actor/singer on family life, ‘Horror Story,’ ‘Drag Race’ and more

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Cheyenne Jackson says being on ‘American Horror Story’ and ‘RuPaul’s Drag Race’ have been career highlights. (Photo courtesy Management 360)

Cheyenne Jackson
 
Sunday, Oct. 15
 
8 p.m.
 
The Barns at Wolf Trap
 
1635 Trap Rd.
 
Vienna, Va.
 
$45-55

Cheyenne Jackson likes to portray himself as a normal guy. He’s sitting in his car outside his dry cleaner in Los Angeles on Monday when we talk.

It’s just mid-morning but one of his 1-year-old twins had him up at 3:30 a.m. “He’s teething and needed a little TLC,” Jackson says.

After feeding the babies, a jaunt to Barry’s Bootcamp and a trip to the cleaners, the 42-year-old Broadway vet and actor/singer has time to chat in advance of his weekend show at the Barns at Wolf Trap. His comments have been slightly edited for length.

WASHINGTON BLADE: How is family life? How are (husband) Jason (Landau) and the twins?

CHEYENNE JACKSON: They’re amazing. Family life is awesome. It’s busy, it’s loud, the days are long but the weeks and months are short. Just two days ago they turned 1. I can’t even believe it’s been a year already but it’s great.

BLADE: Do they usually sleep through the night?

JACKSON: We’ve been really adamant and committed to a sleep schedule and we knew going into this we were going to be the ones doing the care. We don’t have help at night or on weekends. I don’t want a nanny sleeping in my house at night. I think it’s just weird. So we knew we needed a schedule. … I would say about 98 percent of the time they sleep about 11 hours. It’s awesome.

BLADE: Tell us a little about your Wolf Trap engagement.

JACKSON: I’m very excited because I haven’t done a show in quite a while. It’s been a crazy year. Being a dad and just things in my life. Some personal things. I lost my father a few months back. So doing shows and doing concerts hasn’t really been in the forefront of my mind but when this gig came to me, I thought this would be a good opportunity to get back into it and find some of my favorite songs from different shows I’ve done. I’m gonna do a couple new tunes, things I’ve always wanted to do, so it’s really a mix. I’ll take some songs, a couple songs from each of the albums I’ve done, mix it in with some covers and things I’ve been working on, then a couple of originals. It’s going to be a totally special new night.

BLADE: So this isn’t really a show you do here and there, it’s more its own thing?

JACKSON: It’s its own thing for sure. Some of the songs I’ve done here and there in one way or another but … it’s gonna be very intimate, very personal and fun.

BLADE: What kind of instrumental backing will you have?

JACKSON: Just me and my musical director, just me and piano. He’s such a savant. He plays piano like five people are playing the piano. But yeah, it’s just us.

BLADE: What’s the set feel like on “American Horror Story”? Does the creepiness of the show affect the set or is it just like other sets?

JACKSON: It’s definitely its own thing. I’ve never been on a set like “American Horror Story.” I think it’s because of the nature of the show and what the show’s about, it lends itself to be a special kind of unique experience. First and foremost, it’s shrouded in secrecy and everybody really respects that. Not everybody knows exactly what’s happening from episode to episode and some people are just on a need-to-know basis. So it’s exciting and fun as an actor to not know who knows what and just stay in the moment trying to bring everything to life. … Because it’s such heavy subject matter and such dark fantasy, we find ways to keep it light when it needs to be. We don’t just sit in the heaviness of it unless you have a super, super crazy, emotional thing you need to go sit in the corner to prep for, we try to keep it light.

BLADE: How long did it take to film that sex scene with Lady Gaga and how was it for you?

JACKSON: (laughs) Well scenes take way longer than you’d think. That whole sequence, I would say, I don’t know — maybe six hours? It’s a lot. Every different angle and every possible setup. And you know, it’s awkward and it’s funny and it’s silly. I always try to look at things like that instead of trying to take it super seriously like, “Oh my God, I can’t believe I’m sitting here naked with Lady Gaga.” I just kind of flip it on its ear. … She’s so great and a friend and she made it very comfortable. But sometimes you do kind of snap and think, “What’s happening here,” and you look around and there are, you know, 30 people standing around with microphones and booms and filters and lights and it’s nuts. It’s a crazy thing but it’s what we do.

BLADE: “Hotel” had a lot more sex than other season. Do you think it ever got gratuitous?

JACKSON: No. I feel like every season is its own animal and there’s a reason for everything. I never really question what (creator/producer) Ryan (Murphy) wants or envisions. I trust him implicitly. He’s hired me four times so it’s one of those things where … sometimes you wonder if you can do what he’s asking but then you think, “Well, if he thinks I can do it, that means I can probably do it.” Is the show really violent sometimes? Yeah. Is it really super, hyper sexual? Yeah. Is it dark and creepy and confrontational? Yeah, but that’s why it’s called “American Horror Story” and, you know, that’s why my mom has to watch it through her fingers.

BLADE: You also had a pretty intense sex scene with Audra McDonald in “Hello Again.” Who was better screen sex — Audra or Gaga?

JACKSON: (chuckles) Oh, I would never compare. But it’s the same kind of thing. Audra and I have been friends for a long time and we just really had to laugh through that because it was also very graphic and it was kind of the first time either of us had done anything like that to that extent. But the first thing is to get really comfortable with each other first so then you buy it as an audience member. You can’t get too in your head about it, you just have to go for it and trust each other. She was actually pregnant at the time and we had just gotten pregnant so we look at it now and laugh about what we were both going through at the time.

BLADE: Is being on “RuPaul’s Drag Race” as much fun as it looks? It seemed like you were having fun when you were a guest judge last season.

JACKSON: I have zero shame in saying it’s my very favorite show. I’ve seen every episode of every season. It’s so much more than a reality show. I think it’s a very important show right now in this world and I love that it shows young gay men and what they go through. … I think it’s amazing. I love Ru Paul and he’s been so wonderful to me over the years and he’s a friend so yeah, I always tell them anytime they need me, I’m there. I tried to make it work the last couple seasons but just filming-wise, it’s difficult to work out with “Horror Story” or whatever I’m doing but yeah, it’s so much fun.

BLADE: What seems the most different actually being there versus how it seems on TV?

JACKSON: Lots of things. For one thing, I think people don’t always realize all the judges see is what’s on the main stage. They don’t see all the work room stuff the audience sees, all the bickering and fighting and backstory. The judges, all they have to go by is what they see on the main stage and with the challenges. So if it seems like Michelle Visage and Carson and everybody, if they seem especially harsh and honest, it’s because that’s their only time to see it and make it fair. So that’s what I found interesting.

BLADE: Are the acoustics at Carnegie Hall as legendary as everybody says they are or is it pretty much like other good halls?

JACKSON: I don’t really remember if I noticed such a vast difference because I think I was just having such an out-of-body experience and trying to wrap my brain around the fact that I was performing at Carnegie hall. I just remember that it feels really warm, really good, you don’t have to push. You feel supported. It’s a combination of the acoustics and also the sound system. Everything is perfectly integrated. It’s really special. It definitely spoils you because then you’ll sing in some other shitty little performance arts center in the middle of somewhere and you’re like, “Ugh.” It definitely makes a huge difference.

BLADE: Does “A Case of You” have any subtext for you being a former drinker or is it just a good Joni Mitchell song? Is it on the set list for this weekend?

JACKSON: I will be singing that song and it’s funny, I don’t think of it in terms of wine or alcohol at all. It’s about relationships and connection. I have my own personal things I pull from it, but booze isn’t one of them for sure.

BLADE: “American Horror Story: Cult” is all about phobias. Do you have any?

JACKSON: Not really. I don’t like flying but I wouldn’t say it’s a phobia.

BLADE: You’ve talked before about what a pivotal wake-up call 9-11 was for you. Do you think it’s more than coincidence that you did the “United 93” movie years later?

JACKSON: I have thought of that before and I definitely think it was meant to be my first feature film. It was definitely kismet because the subject matter had been the impetus for me to really move to New York and … start to make things happen at age 27.

BLADE: I don’t mean to sound obsequious but you must get hit on constantly, even if people don’t know who you are. That has to get old, right?

JACKSON: Uhhh, I don’t know that it happens all the time. I’m not trying to be fake modest. … I mean, I definitely know when someone is hitting on me and it feels great. Who doesn’t like to be thought of as attractive or appealing? … More now, I’m out with the kiddos and people want to see them, but does it get old? No. I hope it happens for a long time.

BLADE: Are you allowed to say if you’ll be on more “Horror Story” or do you know yet? Or are you focusing on (2018 series) “American Woman” now? 

JACKSON: I’m just kind of focusing on what is right now. I’ve had three great seasons on the show. “American Woman” will be in January I think.

BLADE: What can you tell us about it? Are you filming it now? 

JACKSON: No, it’s all done. I was doing it while I was doing “Horror Story” so that was tricky going back and forth, but it was great. It’s set in 1975 and it’s basically a show about feminists with Alicia Silverstone, Mena Suvari and Jennifer Bartels. … I just saw the first four episodes and I’m happy to say it’s very good and very sweet. … I play Mena Suvari’s boyfriend and I got some great cool stuff to work with. I got some secrets in my life and, you know, it’s a fun departure for me. It was fun to look like my dad in the ‘70s.

BLADE: What was it like filming “Cult” since it’s been based so closely on recent events?

JACKSON: I think it was fascinating how Ryan harnessed that into the show. I think it’s really savvy and cool.

BLADE: Which season has been your favorite to film? “Hotel,” “Roanoke” or “Cult”?

JACKSON: “Cult’s” my favorite. I really loved my character last year but I only had a couple really great scenes to do and “Hotel” has such a soft place in my heart because it was my first one and, you know, I loved who I worked with. But this season is my favorite as far as the work I’ve been able to do.

Cheyenne Jackson, gay news, washington blade

Cheyenne Jackson says it felt right that ‘United 93’ was his first feature film role. (Photo courtesy Management 360)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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Looking back at the 10 biggest A&E stories of 2025

‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more

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Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.

With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:

10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes 

A scene from ‘The Mysterious Gaze of the Flamingo.’ (Image courtesy AFI Fest)

The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.

Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”

9. ‘The Last of Us’ returns for an even gayer season 2

While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.

8. ‘Emilia Pérez’ sparks controversy 

Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.

7. ‘Sorry, Baby’ establishes Eva Victor as major talent  

Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.

Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.

6. Paul Reubens comes out in posthumous doc

Paul Reubens came out posthumously in 2025. (Image courtesy of HBO)

While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.

The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.

5. Lady Gaga releases ‘Mayhem’ 

Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”

4. Cynthia Erivo, Ariana Grande perform at the Oscars 

Cynthia Erivo performs in the 97th Academy Awards. (Screen capture via ABC)

While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.

3. Indya Moore speaks out against Ryan Murphy 

Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.

2. Cole Escola wins Tony for Best Leading Actor 

Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.

The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!

1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’ 

Jonathan Bailey made some sexy history in 2025.

The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.

“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.

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Your guide to D.C.’s queer New Year’s Eve parties

Ring in 2026 with drag, leather, Champagne, and more

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Trade leans into a shark motif with its NYE plans. (Washington Blade photo by Michael Key)

With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.

Pitchers

This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.”  There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.

Trade

D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.

Number Nine

While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.

Crush

Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.

Bunker

This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.

District Eagle

This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.

Kiki, Shakiki

Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.

Spark

This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks). 

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