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Cheyenne Jackson opens up

Out actor/singer on family life, ‘Horror Story,’ ‘Drag Race’ and more

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Cheyenne Jackson, gay news, washington blade

Cheyenne Jackson says being on ‘American Horror Story’ and ‘RuPaul’s Drag Race’ have been career highlights. (Photo courtesy Management 360)

Cheyenne Jackson
 
Sunday, Oct. 15
 
8 p.m.
 
The Barns at Wolf Trap
 
1635 Trap Rd.
 
Vienna, Va.
 
$45-55

Cheyenne Jackson likes to portray himself as a normal guy. He’s sitting in his car outside his dry cleaner in Los Angeles on Monday when we talk.

It’s just mid-morning but one of his 1-year-old twins had him up at 3:30 a.m. “He’s teething and needed a little TLC,” Jackson says.

After feeding the babies, a jaunt to Barry’s Bootcamp and a trip to the cleaners, the 42-year-old Broadway vet and actor/singer has time to chat in advance of his weekend show at the Barns at Wolf Trap. His comments have been slightly edited for length.

WASHINGTON BLADE: How is family life? How are (husband) Jason (Landau) and the twins?

CHEYENNE JACKSON: They’re amazing. Family life is awesome. It’s busy, it’s loud, the days are long but the weeks and months are short. Just two days ago they turned 1. I can’t even believe it’s been a year already but it’s great.

BLADE: Do they usually sleep through the night?

JACKSON: We’ve been really adamant and committed to a sleep schedule and we knew going into this we were going to be the ones doing the care. We don’t have help at night or on weekends. I don’t want a nanny sleeping in my house at night. I think it’s just weird. So we knew we needed a schedule. … I would say about 98 percent of the time they sleep about 11 hours. It’s awesome.

BLADE: Tell us a little about your Wolf Trap engagement.

JACKSON: I’m very excited because I haven’t done a show in quite a while. It’s been a crazy year. Being a dad and just things in my life. Some personal things. I lost my father a few months back. So doing shows and doing concerts hasn’t really been in the forefront of my mind but when this gig came to me, I thought this would be a good opportunity to get back into it and find some of my favorite songs from different shows I’ve done. I’m gonna do a couple new tunes, things I’ve always wanted to do, so it’s really a mix. I’ll take some songs, a couple songs from each of the albums I’ve done, mix it in with some covers and things I’ve been working on, then a couple of originals. It’s going to be a totally special new night.

BLADE: So this isn’t really a show you do here and there, it’s more its own thing?

JACKSON: It’s its own thing for sure. Some of the songs I’ve done here and there in one way or another but … it’s gonna be very intimate, very personal and fun.

BLADE: What kind of instrumental backing will you have?

JACKSON: Just me and my musical director, just me and piano. He’s such a savant. He plays piano like five people are playing the piano. But yeah, it’s just us.

BLADE: What’s the set feel like on “American Horror Story”? Does the creepiness of the show affect the set or is it just like other sets?

JACKSON: It’s definitely its own thing. I’ve never been on a set like “American Horror Story.” I think it’s because of the nature of the show and what the show’s about, it lends itself to be a special kind of unique experience. First and foremost, it’s shrouded in secrecy and everybody really respects that. Not everybody knows exactly what’s happening from episode to episode and some people are just on a need-to-know basis. So it’s exciting and fun as an actor to not know who knows what and just stay in the moment trying to bring everything to life. … Because it’s such heavy subject matter and such dark fantasy, we find ways to keep it light when it needs to be. We don’t just sit in the heaviness of it unless you have a super, super crazy, emotional thing you need to go sit in the corner to prep for, we try to keep it light.

BLADE: How long did it take to film that sex scene with Lady Gaga and how was it for you?

JACKSON: (laughs) Well scenes take way longer than you’d think. That whole sequence, I would say, I don’t know — maybe six hours? It’s a lot. Every different angle and every possible setup. And you know, it’s awkward and it’s funny and it’s silly. I always try to look at things like that instead of trying to take it super seriously like, “Oh my God, I can’t believe I’m sitting here naked with Lady Gaga.” I just kind of flip it on its ear. … She’s so great and a friend and she made it very comfortable. But sometimes you do kind of snap and think, “What’s happening here,” and you look around and there are, you know, 30 people standing around with microphones and booms and filters and lights and it’s nuts. It’s a crazy thing but it’s what we do.

BLADE: “Hotel” had a lot more sex than other season. Do you think it ever got gratuitous?

JACKSON: No. I feel like every season is its own animal and there’s a reason for everything. I never really question what (creator/producer) Ryan (Murphy) wants or envisions. I trust him implicitly. He’s hired me four times so it’s one of those things where … sometimes you wonder if you can do what he’s asking but then you think, “Well, if he thinks I can do it, that means I can probably do it.” Is the show really violent sometimes? Yeah. Is it really super, hyper sexual? Yeah. Is it dark and creepy and confrontational? Yeah, but that’s why it’s called “American Horror Story” and, you know, that’s why my mom has to watch it through her fingers.

BLADE: You also had a pretty intense sex scene with Audra McDonald in “Hello Again.” Who was better screen sex — Audra or Gaga?

JACKSON: (chuckles) Oh, I would never compare. But it’s the same kind of thing. Audra and I have been friends for a long time and we just really had to laugh through that because it was also very graphic and it was kind of the first time either of us had done anything like that to that extent. But the first thing is to get really comfortable with each other first so then you buy it as an audience member. You can’t get too in your head about it, you just have to go for it and trust each other. She was actually pregnant at the time and we had just gotten pregnant so we look at it now and laugh about what we were both going through at the time.

BLADE: Is being on “RuPaul’s Drag Race” as much fun as it looks? It seemed like you were having fun when you were a guest judge last season.

JACKSON: I have zero shame in saying it’s my very favorite show. I’ve seen every episode of every season. It’s so much more than a reality show. I think it’s a very important show right now in this world and I love that it shows young gay men and what they go through. … I think it’s amazing. I love Ru Paul and he’s been so wonderful to me over the years and he’s a friend so yeah, I always tell them anytime they need me, I’m there. I tried to make it work the last couple seasons but just filming-wise, it’s difficult to work out with “Horror Story” or whatever I’m doing but yeah, it’s so much fun.

BLADE: What seems the most different actually being there versus how it seems on TV?

JACKSON: Lots of things. For one thing, I think people don’t always realize all the judges see is what’s on the main stage. They don’t see all the work room stuff the audience sees, all the bickering and fighting and backstory. The judges, all they have to go by is what they see on the main stage and with the challenges. So if it seems like Michelle Visage and Carson and everybody, if they seem especially harsh and honest, it’s because that’s their only time to see it and make it fair. So that’s what I found interesting.

BLADE: Are the acoustics at Carnegie Hall as legendary as everybody says they are or is it pretty much like other good halls?

JACKSON: I don’t really remember if I noticed such a vast difference because I think I was just having such an out-of-body experience and trying to wrap my brain around the fact that I was performing at Carnegie hall. I just remember that it feels really warm, really good, you don’t have to push. You feel supported. It’s a combination of the acoustics and also the sound system. Everything is perfectly integrated. It’s really special. It definitely spoils you because then you’ll sing in some other shitty little performance arts center in the middle of somewhere and you’re like, “Ugh.” It definitely makes a huge difference.

BLADE: Does “A Case of You” have any subtext for you being a former drinker or is it just a good Joni Mitchell song? Is it on the set list for this weekend?

JACKSON: I will be singing that song and it’s funny, I don’t think of it in terms of wine or alcohol at all. It’s about relationships and connection. I have my own personal things I pull from it, but booze isn’t one of them for sure.

BLADE: “American Horror Story: Cult” is all about phobias. Do you have any?

JACKSON: Not really. I don’t like flying but I wouldn’t say it’s a phobia.

BLADE: You’ve talked before about what a pivotal wake-up call 9-11 was for you. Do you think it’s more than coincidence that you did the “United 93” movie years later?

JACKSON: I have thought of that before and I definitely think it was meant to be my first feature film. It was definitely kismet because the subject matter had been the impetus for me to really move to New York and … start to make things happen at age 27.

BLADE: I don’t mean to sound obsequious but you must get hit on constantly, even if people don’t know who you are. That has to get old, right?

JACKSON: Uhhh, I don’t know that it happens all the time. I’m not trying to be fake modest. … I mean, I definitely know when someone is hitting on me and it feels great. Who doesn’t like to be thought of as attractive or appealing? … More now, I’m out with the kiddos and people want to see them, but does it get old? No. I hope it happens for a long time.

BLADE: Are you allowed to say if you’ll be on more “Horror Story” or do you know yet? Or are you focusing on (2018 series) “American Woman” now? 

JACKSON: I’m just kind of focusing on what is right now. I’ve had three great seasons on the show. “American Woman” will be in January I think.

BLADE: What can you tell us about it? Are you filming it now? 

JACKSON: No, it’s all done. I was doing it while I was doing “Horror Story” so that was tricky going back and forth, but it was great. It’s set in 1975 and it’s basically a show about feminists with Alicia Silverstone, Mena Suvari and Jennifer Bartels. … I just saw the first four episodes and I’m happy to say it’s very good and very sweet. … I play Mena Suvari’s boyfriend and I got some great cool stuff to work with. I got some secrets in my life and, you know, it’s a fun departure for me. It was fun to look like my dad in the ‘70s.

BLADE: What was it like filming “Cult” since it’s been based so closely on recent events?

JACKSON: I think it was fascinating how Ryan harnessed that into the show. I think it’s really savvy and cool.

BLADE: Which season has been your favorite to film? “Hotel,” “Roanoke” or “Cult”?

JACKSON: “Cult’s” my favorite. I really loved my character last year but I only had a couple really great scenes to do and “Hotel” has such a soft place in my heart because it was my first one and, you know, I loved who I worked with. But this season is my favorite as far as the work I’ve been able to do.

Cheyenne Jackson, gay news, washington blade

Cheyenne Jackson says it felt right that ‘United 93’ was his first feature film role. (Photo courtesy Management 360)

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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