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Cheyenne Jackson opens up

Out actor/singer on family life, ‘Horror Story,’ ‘Drag Race’ and more

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Cheyenne Jackson says being on ‘American Horror Story’ and ‘RuPaul’s Drag Race’ have been career highlights. (Photo courtesy Management 360)

Cheyenne Jackson
 
Sunday, Oct. 15
 
8 p.m.
 
The Barns at Wolf Trap
 
1635 Trap Rd.
 
Vienna, Va.
 
$45-55

Cheyenne Jackson likes to portray himself as a normal guy. He’s sitting in his car outside his dry cleaner in Los Angeles on Monday when we talk.

It’s just mid-morning but one of his 1-year-old twins had him up at 3:30 a.m. “He’s teething and needed a little TLC,” Jackson says.

After feeding the babies, a jaunt to Barry’s Bootcamp and a trip to the cleaners, the 42-year-old Broadway vet and actor/singer has time to chat in advance of his weekend show at the Barns at Wolf Trap. His comments have been slightly edited for length.

WASHINGTON BLADE: How is family life? How are (husband) Jason (Landau) and the twins?

CHEYENNE JACKSON: They’re amazing. Family life is awesome. It’s busy, it’s loud, the days are long but the weeks and months are short. Just two days ago they turned 1. I can’t even believe it’s been a year already but it’s great.

BLADE: Do they usually sleep through the night?

JACKSON: We’ve been really adamant and committed to a sleep schedule and we knew going into this we were going to be the ones doing the care. We don’t have help at night or on weekends. I don’t want a nanny sleeping in my house at night. I think it’s just weird. So we knew we needed a schedule. … I would say about 98 percent of the time they sleep about 11 hours. It’s awesome.

BLADE: Tell us a little about your Wolf Trap engagement.

JACKSON: I’m very excited because I haven’t done a show in quite a while. It’s been a crazy year. Being a dad and just things in my life. Some personal things. I lost my father a few months back. So doing shows and doing concerts hasn’t really been in the forefront of my mind but when this gig came to me, I thought this would be a good opportunity to get back into it and find some of my favorite songs from different shows I’ve done. I’m gonna do a couple new tunes, things I’ve always wanted to do, so it’s really a mix. I’ll take some songs, a couple songs from each of the albums I’ve done, mix it in with some covers and things I’ve been working on, then a couple of originals. It’s going to be a totally special new night.

BLADE: So this isn’t really a show you do here and there, it’s more its own thing?

JACKSON: It’s its own thing for sure. Some of the songs I’ve done here and there in one way or another but … it’s gonna be very intimate, very personal and fun.

BLADE: What kind of instrumental backing will you have?

JACKSON: Just me and my musical director, just me and piano. He’s such a savant. He plays piano like five people are playing the piano. But yeah, it’s just us.

BLADE: What’s the set feel like on “American Horror Story”? Does the creepiness of the show affect the set or is it just like other sets?

JACKSON: It’s definitely its own thing. I’ve never been on a set like “American Horror Story.” I think it’s because of the nature of the show and what the show’s about, it lends itself to be a special kind of unique experience. First and foremost, it’s shrouded in secrecy and everybody really respects that. Not everybody knows exactly what’s happening from episode to episode and some people are just on a need-to-know basis. So it’s exciting and fun as an actor to not know who knows what and just stay in the moment trying to bring everything to life. … Because it’s such heavy subject matter and such dark fantasy, we find ways to keep it light when it needs to be. We don’t just sit in the heaviness of it unless you have a super, super crazy, emotional thing you need to go sit in the corner to prep for, we try to keep it light.

BLADE: How long did it take to film that sex scene with Lady Gaga and how was it for you?

JACKSON: (laughs) Well scenes take way longer than you’d think. That whole sequence, I would say, I don’t know — maybe six hours? It’s a lot. Every different angle and every possible setup. And you know, it’s awkward and it’s funny and it’s silly. I always try to look at things like that instead of trying to take it super seriously like, “Oh my God, I can’t believe I’m sitting here naked with Lady Gaga.” I just kind of flip it on its ear. … She’s so great and a friend and she made it very comfortable. But sometimes you do kind of snap and think, “What’s happening here,” and you look around and there are, you know, 30 people standing around with microphones and booms and filters and lights and it’s nuts. It’s a crazy thing but it’s what we do.

BLADE: “Hotel” had a lot more sex than other season. Do you think it ever got gratuitous?

JACKSON: No. I feel like every season is its own animal and there’s a reason for everything. I never really question what (creator/producer) Ryan (Murphy) wants or envisions. I trust him implicitly. He’s hired me four times so it’s one of those things where … sometimes you wonder if you can do what he’s asking but then you think, “Well, if he thinks I can do it, that means I can probably do it.” Is the show really violent sometimes? Yeah. Is it really super, hyper sexual? Yeah. Is it dark and creepy and confrontational? Yeah, but that’s why it’s called “American Horror Story” and, you know, that’s why my mom has to watch it through her fingers.

BLADE: You also had a pretty intense sex scene with Audra McDonald in “Hello Again.” Who was better screen sex — Audra or Gaga?

JACKSON: (chuckles) Oh, I would never compare. But it’s the same kind of thing. Audra and I have been friends for a long time and we just really had to laugh through that because it was also very graphic and it was kind of the first time either of us had done anything like that to that extent. But the first thing is to get really comfortable with each other first so then you buy it as an audience member. You can’t get too in your head about it, you just have to go for it and trust each other. She was actually pregnant at the time and we had just gotten pregnant so we look at it now and laugh about what we were both going through at the time.

BLADE: Is being on “RuPaul’s Drag Race” as much fun as it looks? It seemed like you were having fun when you were a guest judge last season.

JACKSON: I have zero shame in saying it’s my very favorite show. I’ve seen every episode of every season. It’s so much more than a reality show. I think it’s a very important show right now in this world and I love that it shows young gay men and what they go through. … I think it’s amazing. I love Ru Paul and he’s been so wonderful to me over the years and he’s a friend so yeah, I always tell them anytime they need me, I’m there. I tried to make it work the last couple seasons but just filming-wise, it’s difficult to work out with “Horror Story” or whatever I’m doing but yeah, it’s so much fun.

BLADE: What seems the most different actually being there versus how it seems on TV?

JACKSON: Lots of things. For one thing, I think people don’t always realize all the judges see is what’s on the main stage. They don’t see all the work room stuff the audience sees, all the bickering and fighting and backstory. The judges, all they have to go by is what they see on the main stage and with the challenges. So if it seems like Michelle Visage and Carson and everybody, if they seem especially harsh and honest, it’s because that’s their only time to see it and make it fair. So that’s what I found interesting.

BLADE: Are the acoustics at Carnegie Hall as legendary as everybody says they are or is it pretty much like other good halls?

JACKSON: I don’t really remember if I noticed such a vast difference because I think I was just having such an out-of-body experience and trying to wrap my brain around the fact that I was performing at Carnegie hall. I just remember that it feels really warm, really good, you don’t have to push. You feel supported. It’s a combination of the acoustics and also the sound system. Everything is perfectly integrated. It’s really special. It definitely spoils you because then you’ll sing in some other shitty little performance arts center in the middle of somewhere and you’re like, “Ugh.” It definitely makes a huge difference.

BLADE: Does “A Case of You” have any subtext for you being a former drinker or is it just a good Joni Mitchell song? Is it on the set list for this weekend?

JACKSON: I will be singing that song and it’s funny, I don’t think of it in terms of wine or alcohol at all. It’s about relationships and connection. I have my own personal things I pull from it, but booze isn’t one of them for sure.

BLADE: “American Horror Story: Cult” is all about phobias. Do you have any?

JACKSON: Not really. I don’t like flying but I wouldn’t say it’s a phobia.

BLADE: You’ve talked before about what a pivotal wake-up call 9-11 was for you. Do you think it’s more than coincidence that you did the “United 93” movie years later?

JACKSON: I have thought of that before and I definitely think it was meant to be my first feature film. It was definitely kismet because the subject matter had been the impetus for me to really move to New York and … start to make things happen at age 27.

BLADE: I don’t mean to sound obsequious but you must get hit on constantly, even if people don’t know who you are. That has to get old, right?

JACKSON: Uhhh, I don’t know that it happens all the time. I’m not trying to be fake modest. … I mean, I definitely know when someone is hitting on me and it feels great. Who doesn’t like to be thought of as attractive or appealing? … More now, I’m out with the kiddos and people want to see them, but does it get old? No. I hope it happens for a long time.

BLADE: Are you allowed to say if you’ll be on more “Horror Story” or do you know yet? Or are you focusing on (2018 series) “American Woman” now? 

JACKSON: I’m just kind of focusing on what is right now. I’ve had three great seasons on the show. “American Woman” will be in January I think.

BLADE: What can you tell us about it? Are you filming it now? 

JACKSON: No, it’s all done. I was doing it while I was doing “Horror Story” so that was tricky going back and forth, but it was great. It’s set in 1975 and it’s basically a show about feminists with Alicia Silverstone, Mena Suvari and Jennifer Bartels. … I just saw the first four episodes and I’m happy to say it’s very good and very sweet. … I play Mena Suvari’s boyfriend and I got some great cool stuff to work with. I got some secrets in my life and, you know, it’s a fun departure for me. It was fun to look like my dad in the ‘70s.

BLADE: What was it like filming “Cult” since it’s been based so closely on recent events?

JACKSON: I think it was fascinating how Ryan harnessed that into the show. I think it’s really savvy and cool.

BLADE: Which season has been your favorite to film? “Hotel,” “Roanoke” or “Cult”?

JACKSON: “Cult’s” my favorite. I really loved my character last year but I only had a couple really great scenes to do and “Hotel” has such a soft place in my heart because it was my first one and, you know, I loved who I worked with. But this season is my favorite as far as the work I’ve been able to do.

Cheyenne Jackson, gay news, washington blade

Cheyenne Jackson says it felt right that ‘United 93’ was his first feature film role. (Photo courtesy Management 360)

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Jussie Smollett asserts innocence while promoting new film

‘I know what happened and soon you all will too’

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Jussie Smollett’s case remains on appeal. His new film is out later this month. (Photo by Starfrenzy/Bigstock)

Jussie Smollett, the actor and musician who was convicted of lying to the police about being the victim of a homophobic and racist hate crime that he staged in 2019, attended a screening of his latest film “The Lost Holliday” in a packed auditorium of the Martin Luther King Jr. Memorial Library on Aug. 28. 

In an interview with the Washington Blade that took place before the screening, he continued to assert his innocence and responded to concerns within the LGBTQ community that his case has discouraged real victims from reporting hate crimes. 

The former “Empire” star wrote, produced, and directed “The Lost Holliday,” his second feature film to direct following 2021’s “B-Boy Blues.” Produced through Smollett’s company, SuperMassive Movies, he stars in the film alongside Vivica A. Fox, who also served as a producer and attended the library screening with other cast members.

In the film, Smollett plays Jason Holliday, a man grappling with the sudden death of his husband Damien (Jabari Redd). Things are complicated when Damien’s estranged mother, Cassandra Marshall (Fox), arrives in Los Angeles from Detroit for the funeral, unaware of Damien’s marriage to Jason or of their adopted daughter. Initially, Jason and Cassandra clash — Cassandra’s subtle homophobia and Jason’s lingering resentment over her treatment of Damien fuel their tension –– but they begin to bond as they navigate their grief together. 

Smollett, Fox, Redd, and Brittany S. Hall, who plays Jason’s sister Cheyenne, discussed the film in an interview with the Washington Blade. Highlighting the wide representation of queer identities in the film and among the cast, they stressed that the story is fundamentally about family and love.

“What we really want people to get from this movie is love,” Smollett said. “It’s beneficial for people to see other people that are not like themselves, living the life that they can identify with. Because somehow, what it does is that it opens up the world a little bit.”

Smollett drew from personal experiences with familial estrangement and grief during the making of the film, which delves into themes of parenthood, reconciliation, and the complexities of family relationships.

“I grew up with a father who was not necessarily the most accepting of gay people, and I grew up with a mother who was rather the opposite. I had a safe space in my home to go to, but I also had a not-so-safe space in my home, which was my father,” he said.

“The moment that he actually heard the words that his son was gay, as disconnected and estranged as we were, he instantly changed. He called me, after not speaking to him for years, and apologized for how difficult it must have been all of those years of me growing up. And then a couple years later, he passed away.”

Smollett began working on “The Lost Holliday” eight years ago, with Fox in mind for the role of Cassandra from the outset. He said that he had started collaborating on the project with one of the biggest producers in Hollywood when “‘2019’ happened.”

In January 2019, Smollett told Chicago police that he had been physically attacked in a homophobic and racist hate crime. He initially received an outpouring of support, in particular from the LGBTQ and Black communities. However, police soon charged him with filing a false police report, alleging that he had staged the attack. 

After prosecutors controversially dismissed the initial charges in exchange for community service and the forfeiture of his $10,000 bond, Smollett was recharged with the same offenses in 2020. Meanwhile, his character in “Empire” was written out of the show. 

In 2021, a Cook County jury found him guilty on five of the six charges of disorderly conduct for lying to police, and he was sentenced to 150 days in jail and 30 months of probation, along with a $120,000 restitution payment to the city of Chicago for the overtime costs incurred by police investigating his initial hate crime claim.

LGBTQ people are nine times more likely than non-LGBTQ people to be victims of violent hate crimes, according to a study by the Williams Institute at UCLA School of Law. Upon Smollett’s conviction, some in the LGBTQ community felt that the case would discredit victims of hate crimes and make it more difficult to report future such crimes. 

Smollett seemed to acknowledge these concerns, but denied that he staged the attack. 

“I know what happened and soon you all will too,” he told the Blade. “If someone reported a crime and it wasn’t the truth, that would actually make it more difficult [to report future crimes], but I didn’t. Any belief that they have about the person that I’ve been played out to be, sure, but that person is not me, never has been,” he said. “So I stand with my community. I love my community and I protect and defend my community until I’m bloody in my fist.” 

“And for all the people who, in fact, have been assaulted or attacked and then have been lied upon and made it to seem like they made it up, I’m sorry that you have to constantly prove your trauma, and I wish that it wasn’t that way, and I completely identify with you,” he added.

An Illinois Appellate Court upheld his guilty verdict last year, but Smollett has since appealed to the Illinois Supreme Court, which in March agreed to hear the case. He has served six days in jail so far, as his sentence has been put on hold pending the results of his appeals. 

The screening at the MLK Jr. Library concluded with a conversation between Smollett, Fox, and David J. Johns, CEO and executive director of the National Black Justice Coalition. Smollett discussed his current mindset and his plans for the future, revealing he is working on a third movie and will be releasing new music soon. 

“I’m in a space where life is being kind,” he said. 

“The Lost Holliday” recently secured a distribution deal for a limited release with AMC Theatres and will be out in theaters on Sept. 27. 

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DIK Bar cements its status as LGBTQ institution, prepares to expand

Dupont Cantina coming soon to the former Malbec space

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Michael Askarinam and his brother Tony opened Dupont Italian Kitchen nearly 40 years ago. (Washington Blade photo by Michael Key)

Two immigrant brothers who could not return home, Michael and Tony Askarinam, turned instead to making a community space of their own. Nearly 40 years after debuting their casual, gay-friendly restaurant, the (straight) owners of Dupont Italian Kitchen are expanding, reinforcing their status as a center of gay life on 17th Street. By early fall, they plan to debut a casual Mexican restaurant, complete with a spacious patio, tons of tacos, and big margarita energy that will please outdoor diners and karaoke singers upstairs alike.

DIK Bar, as it is affectionately known, still serves fan-favorite lasagna and eggplant parmesan, though no longer for a cool $4.25 from its opening menu. Michael, who moved to the U.S. from Iran to study in 1974, graduated in 1980 – less than a year after the Iranian revolution. Part of a Jewish family, he felt unsafe going back to his homeland with the new regime, and has never returned. Instead, he and his brother, who also fled, opened a restaurant that still sits on the same corner as the day it opened. Though he is not Italian, Michael had plenty of relevant experience: He had worked in Italian restaurants during summers while studying, and another brother owned the now-closed restaurant Spaghetti Garden (where Pitchers stands today). The menu, he admits, pulled heavily from his family influence.

Dupont Italian Kitchen (Washington Blade photo by Michael Key)

Opening on 17th Street in the mid-‘80s, the brothers knew the community vibe. Annie’s, just a block away, was already well known as an LGBTQ-friendly institution. At the time, he says, the street was a bit grittier — not the well-manicured lane it is today. Still, they decided to open a restaurant and Italian Kitchen was born. His brother at Spaghetti Garden suggested adding “Dupont” in front to help ground the location, and DIK came into being. “At the beginning I admit I was a little uncomfortable with the name, having young kids. But it grew on me,” he says. Leaning in, he’s embraced the name.

A few years later, the restaurant expanded vertically: taking over the apartments upstairs to turn it into a bar; a new chef came in who introduced DIK Bar’s popular brunch. But he and his brother never really relinquished the cozy space that he had envisioned. Each pushing 80 years old, they come in nearly daily: cooking, bartending, even washing dishes.

DIK has evolved, but only slightly. Eggplant and chicken parm, lasagna, pizza, pasta, and a $1 garden salad: the opening menu from the ‘80s reads like a genuine old-school Italian joint. Today, you will still find classic gems, though now they are nestled alongside Brussels sprouts and arugula salads.

As longtime patrons know, the restaurant is more than the sum of its pasta parts. “It’s an atmosphere where everybody is welcome. I got that from my mother,” he added, noting that she had experienced discrimination as part of the Jewish minority in Iran. Given this background, it was logical for them to build a space where “you have a place to be who you are and feel comfortable.”

In 2020, as the restaurant’s lease was expiring, he had the opportunity to buy the building, which included adjacent Argentine restaurant Malbec. “The landlord let us know that they felt we deserve to own the building after being here for so long,” says Michael.

It was a blessing; to him, it meant the sustainability of Dupont Italian Kitchen. Earlier this year, when Malbec’s lease expired, they decided against finding another tenant and instead they would make it their own. The two eateries already shared one storage basement, where the Malbec kitchen was located. Saving costs by sharing procurement, staff, and utilities (as well as liquor), they took the leap. “Plus, we can be our own great tenant,” he said with a smile.

The new Dupont Cantina is coming soon. (Washington Blade photo by Michael Key)

The refurbishment thus far has included a new HVAC system and a new bar. The new restaurant allows them access to a more spacious kitchen that can cook up sizzling Mexican favorites with speed and in volume. Customers at upstairs DIK Bar have always requested more bar-style finger food, he says, and tacos are better suited to a drinking atmosphere than fettuccine alfredo or creamy Cajun sausage pasta. Mexican food is also well suited to the patio. He also has a family tie to Mexico: relatives own Johnny Pistolas in Adams Morgan. The rest of the menu is being developed, including shareable small plates and “Mexican pizza.” Drinks will feature tequila, mezcal, and margaritas; and there is a happy hour in the works. “I’m hoping this expansion can help cement our future,” he says.

The opening timeline is early fall.

Looking back on almost 40 years and looking forward with the expansion, he mused that the restaurant still maintains its authenticity and its central role in LGBTQ life in D.C. “I’m really proud of the fact that it caters to this community. We are an institution, we want to continue to be part of this place.”

Michael Askarinam at DIK Bar. (Washington Blade photo by Michael Key)
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Corcoran Street Group: LGBTQ lobbyists fighting for our rights

‘The most pro-LGBTQ+ thing you can do this election is to vote Democrat’

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Brad Howard is founder and president of the Corcoran Street Group

We often hear the term lobbyist associated with negative connotations. Think oil and gas initiatives that often seek to curtail environmental protections to further their industries. Consider “big pharma,” which is often vilified for keeping healthcare costs high. However, there are lobbyists fighting for our rights – not just LGBTQ rights, but human rights as well. Brad Howard, founder and president of the Corcoran Street Group (CSG) is one such out, gay lobbyist advocating for equality and equity. 

To start, Howard shares his definition of a lobbyist, which transcends the stereotype that the term originates with politicos literally waiting in D.C. hotel lobbies hoping to hobnob with politicians to foster their interests, often with cash in hand.

“Understanding how government works can be incredibly difficult, even to those on the inside,” he shared. “Lobbying is a constitutionally protected right explicitly guaranteed in the First Amendment – the right to petition our government. At its most basic level, lobbying is essentially contacting a public official to express your opinion or ask them to take a certain action. So, if you have ever emailed or called your city council rep or Member of Congress – or even tagged them on social media – you lobbied.”

Howard, who came to Washington from a conservative background in Arkansas, had a journey from working with Republican leaders and causes to being more libertarian before eventually joining with the Blue Dog Democrats. This is quite a change for a young man who founded a teenage GOP group in high school, chaired the college Republicans group at Hendrix University, and became vice chair of Arkansas College Republicans. 

So, how did a nice conservative Christian Republican whose parents voted for Ross Perot instead of Bill Clinton from the Bible Belt end up as a gay lobbyist? 

“I was subconsciously rejecting any attempt to live my life the way someone told me to … a Libertarian streak if you will,” Howard said. “I was always pro-choice and pro-marriage equality as I didn’t want the government anywhere near me. Throughout all of this, I was starting to understand that I was gay and what that meant for my future in politics, it was bleak. Then the Bush-Cheney campaign in 2004 started pushing constitutional amendments banning gay marriage in states across the country to drive evangelical turnout. That ran counter to my politics – to the basic principle of promoting individual liberty. So I left the party then and graduated college as an independent in 2006 with the goal of moving to Washington as quickly as possible.”

By 2007 he was living in Washington, D.C., interning for Simon Rosenberg’s New Democrat Network, and pursuing a master’s from American University. Coming out for Howard happened on the first day he entered college, quite a “daunting and scary” task summed up by him as: “I have blue eyes. I love playing cards. I’m a terrible, but very confident karaoke singer. Oh, by the way, I’m gay.”

The “it’s part of me, but not my whole identity,” is often expressed by those on the – shall we say – cusp of coming out. He cites a Foundry United Methodist pastor’s message as impetus for coming out as a defining part of his identity. 

“That seed of shame you feel for being gay – that was not planted there by God; it was planted there by the church, and I’m sorry,” here he’s referring to a sermon by Pastor Ginger Gaines-Cerelli. “I can’t describe what it [felt] like to be 33 years old and have your world completely upended like that. It wasn’t just the statement, which answered a question that had long haunted me; it was also the apology. I didn’t even know that I needed an apology, but I did, and it worked.” 

Before starting CSG, he worked at a bipartisan lobbyist group and was mentored by former Chief of Senate Staff Bob Van Heuvelen. Howard describes his mentor’s approach to lobbying as guided by a strong moral compass, and seeing people as people, not transactions. 

The way it should be: Since corporations are not people.

Howard also sits on the board of directors for Q Street, as treasurer. Q Street is an LGBTQ lobbyist organization. Yesenia Henninger, the out queer president of Q Street since January of this year – and board member for five years – explains in further detail what her group does to foster queer rights. 

“Q Street is the nonprofit, nonpartisan, professional association of LGBTQ lobbyists and public policy advocates. Q Street was formed to be the bridge between LGBTQ advocacy organizations, LGBTQ+ lobbyists on K Street,” District lingo for queer lobbyists, “and our colleagues and allies on Capitol Hill. Q Street has more than 3,000 recipients of our monthly newsletter, hundreds of attendees at our receptions, and our monthly luncheons have featured speakers such as Members of Congress, campaign managers, activists, plaintiffs in the most important LGBTQ+ Supreme Court cases of our time, and the Secretary of the Army. Q Street hosts nearly 25 receptions, lunches, and professional development events every year. Our goal is to provide the best networking opportunities and professional development trainings so our members continue to grow within the ranks of their field.”

According to Henninger there has been a growing population of queer lobbyists since the Obama years. Marriage equality, an impetus for Howard to perhaps “come out politically” equally spurred their growth. After Obama, this presence fought to maintain rights gained. This is amazing growth considering at one time people working for our equity did so in an almost secretive fashion. 

An aside here, Sean Strub the founder of POZ Magazine, wrote a powerful book in 2014 called “Body Counts: A Memoir of Politics, Sex, AIDS and Survival,” which chronicles advocacy in D.C. in the years after Stonewall.

The majority of these K Street lobbyists are in their 30s and 40s. Although Henninger shares there are more junior and more senior-ranking lobbyists in terms of age or career. 

What do they do? Is it office-to-event, sleep, repeat? Henninger explained that a queer lobbyist’s lifestyle varies depending on the issue area they focus on. Her organization has lobbyists working in policy as well as members who focus on energy and transportation issues, and topics all across the spectrum.

“The lobbyists and advocates whose roles require them to engage in political activity may also have different lifestyles than those that do not. They likely have fundraisers (sometimes one, sometimes multiple) that they attend after work with Members of Congress or other politicians. However, we also have many public policy advocate members who spend their day talking to Members of Congress, or administration officials, trying to achieve their policy goals that do not have any fundraiser-related obligations. Q Street hopes to provide a great space for our members to network with one another and unite their social and professional experiences in the district.”

We are all aware what is at stake in the upcoming presidential election in what can only sadly be described as a deeply divided nation. What role will LGBTQ lobbyists play, I asked Brad Howard.  

“If you vote third party, if you leave the race blank, or if you stay home, you are helping to elect Donald Trump,” he said. “You are not punishing Joe Biden, you are punishing the millions of Americans, the millions of aspiring Americans who face deportation, millions of women who depend on access to reproductive health, and so many transgender young people who need protection – all of these people will be punished in a Trump presidency. And, Joe Biden is going to need a Democratic Congress – or we’ll need a Democratic Congress to stop Donald Trump. So to me, the most pro-LGBTQ+ thing you can do this election is to vote Democrat…because the choices have never been clearer.”

Visit Corcoran Street Group and Q Street to learn more about their work.

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