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Amazon Studio exec placed on leave for harassing lesbian producer

Isa Hackett recounts being sexually harassed while promoting her series

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(Screenshot via YouTube.)

Amazon’s programming chief Roy Price has been placed on leave following allegations of sexual harassment against producer, Isa Hackett.

While promoting “The Man in the High Castle,” a series based on the book by Hackett’s father Philip K. Dick, Hackett says she went to a party with Price and Amazon executive Michael Paull. In the taxi, she claims that Price made repeated sexual advances on her.

“You will love my dick,” Price allegedly told Hackett. She declined his propositions and told him she was a lesbian and was married with children.

At the party, he persisted and yelled “Anal sex” in her ear.

According to the Hollywood Reporter, Hackett reported Price to Amazon executives and an outside investigator. She says she has not had contact with Price since then.

Since Hackett came forward with the allegations, Amazon sent a statement to the Hollywood Reporter saying, “Roy Price is on leave of absence effective immediately.”

As more victims share allegations of sexual harassment and assault in Hollywood, Hackett says that the culture of the industry has to change.

“It is said over and over and sounds like a cliché, but we desperately need more women in leadership positions in Hollywood. There’s a culture of harassment [in Hollywood] and we need an infusion of new and diverse leadership, not just including women but gay people, people of color, people with disabilities — people with the full spectrum of life experience,” Hackett told the Hollywood Reporter.

 

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Theater

‘Rose: You Are Who You Eat’ an irreverent romp at Woolly Mammoth

Solo performance by John Jarboe offers much to consume

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John Jarboe in ‘Rose: You Are Who You Eat’ at Woolly Mammoth Theatre Company. (Photo by Teresa Castracane)

‘Rose: You Are Who You Eat’
Though June 23
Woolly Mammoth Theatre Company
641 D St., N.W.
$60-$82
Woollymammoth.net

With “Rose: You Are Who You Eat,” a solo performance by John Jarboe (she/her), now at Woolly Mammoth Theatre Company, there’s a lot to uncover and consume.  

For much of the show, the appealing Jarboe comes across as a cute cis gay guy playing dress up in a pair of tighty-whities and sparkly go-go boots, but it’s something else and she’s ready to go there. 

Jarboe is a cannibal. Not in the usual sense. She learned from a well-meaning aunt that while still in the womb, she ate her twin, and that’s what made Jarboe the way she is (a reference to gender queerness).

Despite the aunt’s awkward delivery of family dish, the prenatal news struck a chord with Jarboe: the vanishing twin who would have been named Rose, became increasingly connected to her own identity. Along with the inevitable jokes about eating her sister’s spaghetti thin hair and tasty eyeballs, there’s meaty matter unfolding onstage. 

Not entirely unexpected, Jarboe also harbors mommy issues. Mom, here referred to as “Mother” for the sake of anonymity, is a buttoned-down tax accountant who the more perturbed she becomes the wider her forced smile grows. And while Jarboe needs to have that long overdue talk with Mother, something always seems to get in the way; invariably it’s tax season.

Assisted by some primary source props (a baby book, notes, a string of pearls filched from Mother’s jewelry box), Jarboe further digs into gender expression and identity. Her performance career began in her child bedroom closet with a flashlight and makeshift costume, an obsession to which her parents initially subscribed, later not as much. 

Among the 75-minute-long show’s highlights are five or so songs, rock numbers and redolent ballads composed by Jarboe, Emily Bate, Daniel de Jesús, Pax Ressler and Be Steadwell. 

It’s definitely a solo show conceived and delightfully performed by Jarboe; however, she’s supported by a terrific four-person band (costumed in what appeared from Row D to be rosebush inspired jumpsuits) including Mel Regn, Yifan Huang, Daniel de Jesús, and music director Emily Bate. Bate is a singer, composer and performer who runs a queer and trans community chorus in Philadelphia called Trust Your Moves, an experiment in collective singing designed around liberation and co-creation.

As Jarboe moves into her 30s, she celebrates and incorporates her lost twin as part of herself with a new intensity. She writes letters, yearning for even the most tepid reply. Her obsession with Mother remains a thing too.

Dressed in a sylphlike rosy red gown (by costume designer Rebecca Kanach) Jarboe uses call-and-response (with the audience standing in for Mother) in search of some resolution. It’s beautifully done. 

With various kinds of backing coming from CulturalDC, the Washington Blade, Capital Pride, the Bearded Ladies Cabaret and other New York-based groups, there’s nothing itinerant cabaret looking about “Rose.” Directed by MK Tuomanen, it’s an elevated, visually engaging production. 

For instance, set and video designer Christopher Ash’s projections shown on both a serviceable scrim and later a wondrously huge toile curtain, beautifully feature photos from an ostensibly idyllic Midwestern childhood. We see a young Jarboe not only enjoying hockey, fishing, and hunting, but also pulling off a strikingly girly, cheesecake pose.  

At the top of the show, there’s live video of Jarboe’s outsized mouth devouring wings fished from a bucket of fried chicken. Hints of cannibalism? 

“Rose: You Are Who You Eat” is an irreverent romp, deeply personal yet relatable. It’s an evening of poignantly performed moments, off the cuff laughs, and some awkward/sexy audience interaction. 

As a performer, Jarboe lays herself bare, exposing strengths (rich melodious voice, presence, ingenuity) and weaknesses (garrulity and more than a few un-landed jokes) in equal turns. 

Hers is a world that invites audiences to just let go and go with it. Jarboe’s intrepid journey melds the familiar and the startling. In short, it’s a trip worth taking. 

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Photos

PHOTOS: Capital Pride Festival and Concert

Keke Palmer, Billy Porter among entertainers

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Billy Porter performs at the 2024 Capital Pride Festival on Sunday. (Washington Blade photo by Michael Key)

The 2024 Capital Pride Festival and Concert was held along Pennsylvania Avenue in Northwest D.C. on Sunday, June 9. Performers included Sapphira Cristál, Keke Palmer, Ava Max, Billy Porter and Exposé.

(Washington Blade photos by Michael Key)

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Out & About

Get ready for Baltimore Pride

Events scheduled throughout weekend

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Baltimore Pride Parade (Washington Blade file photo by Michael Key)

Baltimore Pride begins this weekend on Friday, June 14 in the heart of the city.

There will be a variety of events, the main ones being Mt. Vernon Pride on June 14 at 2 p.m. on the 200 Block of W. Read St., the Parade and Block Party on Saturday, June 15 at 3 p.m. on N. Charles St., and Pride in the Park on Sunday, June 15 at 3 p.m. at Druid Hill Park.

For more event details, visit Baltimore Pride’s website

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