Arts & Entertainment
Philly Eagles fans mistake gay bar for Eagles fan bar
one patron live-tweeted the experience


(Photo via Bigstock.)
On Super Bowl Sunday, a group of Philadelphia Eagles fans wandered into the Eagle Bolt Bar, a bar in downtown Minneapolis, thinking it was the perfect place to catch the game. However, instead of a Philadelphia Eagles fan bar the group found themselves in a gay bar.
Regular patrons found it amusing that the fans didn’t seem to realize where they were.
Per sources (@javimorillo) Phildelphia @Eagles fans are mistaking our downtown haunt @eagleBoltbar as a fan bar and I am DYING. It’s more of a Bears kinda place ya’ll. #TheMoreYouKnow
— janashortal (@janashortal) February 5, 2018
I can confirm a number of Eagles fans here at @eagleBoltbar were drawn by the name. Including a guy from Hamburg, Germany pic.twitter.com/RQvGRfO9Yz
— Eric Roper (@StribRoper) February 5, 2018
It looks my feed about him didn’t make our final story. He was from Hamburg & had an internship in Omaha. “I saw a bunch of Eagle [fans] walking in here, and I had a look at the sign. Saw ‘Eagles.’ And I was like, ‘Yea, that has to be a place where I can find some Eagles fans.”
— Eric Roper (@StribRoper) February 5, 2018
One bar patron decided to live tweet the experience of watching straight Eagles fans watch the Super Bowl in a gay bar.
A good number of #Eagles fans seem to have mistaken the @eagleBoltbar for a fan watering hole. Who will tell them? Not this guy.
— Javier Morillo (@javimorillo) February 5, 2018
Jesus Christ this must be what regular bars are like during a sportsball thing. These @eagleBoltbar @Eagles fans are very excited.
— Javier Morillo (@javimorillo) February 5, 2018
Oh shit what just happened. These people are very upset.
— Javier Morillo (@javimorillo) February 5, 2018
I’m torn about who to root for. I kind of want to see how mad they can get but i also want to live. ?
— Javier Morillo (@javimorillo) February 5, 2018
Shit they’re really happy again. Slightly scarier.
— Javier Morillo (@javimorillo) February 5, 2018
Now pretty certain we will die regardless of outcome. The way these guys are carrying on, you’d think Cher just walked in the room.
— Javier Morillo (@javimorillo) February 5, 2018
My phone is dying. These #Eagles fans are going to need some ambulances. Someone help them. I’m saving myself.
— Javier Morillo (@javimorillo) February 5, 2018
Oh fuck
— Javier Morillo (@javimorillo) February 5, 2018
Bar owner Ed Hopkins told GOMN he didn’t understand why people were so shocked.
“It assumes there is something wrong with realizing you are in a gay bar,” Hopkins says.”The people in tonight enjoyed being in our place.”
He added, “The Eagles fans were very rowdy and fun. We enjoyed having them in our establishment.”

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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