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Gathered ‘round the hearth

Maydan takes broad international culinary inspiration to epic delight

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Maydan, gay news, Washington Blade

Cocktails at Maydan from left, the Za’atar Martini made with Irish Gunpowder Gin, Capitoline Blanc Vermouth, olive-sesame oil, and winter savory; the Hanging Garden made with London Dry Gin, cucumber, fennel, dill, lemon and arak; and the Sangueinello Soda made with Ilegal Joven Mezcal, blood orange, ginger, serrano honey and club soda. (Washington Blade photo by Michael Key)

Walk past the beer hall and hipster coffee shop, turn into a Blagden-esque alley, steer past the hipster shared work space and stop at a mighty, though slightly unassuming blue door (then take a selfie).

Enter Maydan (1346 Florida Ave., N.W.), the new and celebrated restaurant, and prepare to get lit (maydandc.com).

Before being led to your table, you’ll be led by a roaring fire. It starts the day at 950 degrees Fahrenheit, and then slowly cools to 650. At this balmy temperature, it takes about 45 seconds for raw dough to become a pita-style bread, tender and puffy, with the occasional pizza-crust blister, which will guide diners through their meals.

This is not your conventional (or convection) oven. This is Maydan’s famed hearth, a hearth that sits center in a gorgeously appointed two-story former warehouse space, over which everything is cooked, from cabbage to dripping slabs of lamb shoulder. It’s daring and hot.

To sit down at Maydan is to be lifted into a caravan traveling along ancient trade routes across the ancient Roman and Ottoman empires, encountering new lands, deep flavors and welcoming faces. Each visit here is a new journey, each bite marries far-flung locales, each sip brings together old and new.

Yet Maydan is also anti-fusion, a rallying cry against over-complicated, pretentious small plates. Dishes are simply, beautifully prepared, with liberal use of olive oil, plus touches of salt and pepper and not much more. Using this bread as a centerpiece means that diners themselves can take a similar journey across the world, just as owner Rose Previte and chefs Chris Morgan and Gerald Addison took themselves in order to open the restaurant.

“Maydan’s entire menu is influenced by our travels,” says Previte, her sleeves rolled up as she stands next to the roaring flame, a tattoo of a compass peeking out. “We cooked alongside people in their homes while we were crossing five different countries last summer. All of those people were strangers before they welcomed us in.”

While on the road, they realized what they were cooking and eating.

“This is the food of grandmothers,” Morgan says. “There was so much hospitality. It was mind-blowing.”

The intrepid culinary travelers went to Morocco, Lebanon, Georgia and beyond, with plans to travel again this summer. To understand it all, Morgan says he read every morning. “I’m a big nerd when it comes to history and culture.”

And at every turn, in every country, they saw this grand fire over which meals were prepared. Much like a Maydan, translated as “town square,” a central fire for cooking brings people together. It’s used all over the Asian continent (perhaps the one Americans are most familiar with is the Indian tandoor).

Previte, however, wanted to take it a step farther. She was passionate about the live-fire concept, right in the very center of the restaurant. It would need to be a bespoke fire, constructed just for the space itself.

They landed on the Georgian version of the open, wood-fired oven, called a tone. Every meal in Georgia was eaten beside one, with bread and meats cooked over this flame (though some today use gas instead).

Using this oven as a centerpiece, Previte says, “seemed the best style of oven to go with to represent the countries of inspiration.”

This hearth, though, is unique. Previte says it’s unlike anything else in the U.S. The bread ovens, mentioned earlier, are made of clay, built right on the spot. The open-flame hearth sits on Virginia stone, cut and placed specifically for this grill.

The steelwork was also fabricated in Virginia. This includes the roasting box for meat, as well as the fire box to hold the fuel, which is pure American oak to provide a subtle but classic flavor. Finally, the hood is enormous, to make sure that all smoke leaves the cooking area, since, after all, it’s mere feet from diners. Masons, engineers, architechts, designers — it really did take a village to make the idea come to fruition (and to pass food safety codes). So while the hearth concept might be ancient in nature, the parts were sourced locally.

On the menu, every hot item is cooked on the grill. Cold items are prepared in the back kitchen.

And then there’s the bar, though alcohol is not especially big in the part of the world where the restaurant draws inspiration.

Instead, Previte says, “the most interesting things about the cocktails are that the flavors and ingredients we use correlate exactly to the food.” Items like mint, fennel, rosewater, stonefruit, and dill, and other herbs and spices.

In a nod to the culture of the countries of origin, most cocktails can also be ordered without alcohol. And given the popularity of tea in the region, this beverage features strongly at the bar, and the restaurant is looking to start a separate tea program.

In Georgia, though, alcohol is consumed, and the country is famous for its wines. The bar features a list of Georgian vintages, as well as from other neighbors like Turkey and Armenia. It also serves a feisty Georgian grape brandy called chacha, as well as Arak, one of the few widely consumed spirits in the Middle East. Finally, there’s a plan on tap on to serve large-format drinks. Diners will be able to order not just bottles of wine for the table, but carafes of cocktails.

In the end, Previte echoes the un-fusion sentiment. The recipes, from fire-roasted seafood and vegetables to tender kebabs to creamy dips and spreads, come directly from simple dishes they encountered on their travels.

These dishes are based on centuries-old recipes, recipes that cross time and space, carry culture and history, and have landed right on Florida Avenue.

Maydan, gay news, Washington Blade

Maydan (Photo courtesy Maydan)

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Dining

Jane Jane brings throwback joy to busy 14th Street

Cocktail bar characterized by warm Southern hospitality

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(Photo courtesy of Deney Lam)

There is no standing at Jane Jane, the new classic cocktail bar in the heart of 14th Street. Its 850 square feet is for sitting and savoring, drinking in the relaxed retro vibe and the thoughtful craft cocktails. 

At the foot of the mixed-use Liz development where Whitman-Walker is the major tenant, Jane Jane’s creative use of a shoebox-sized space brings throwback joy to a busy thoroughfare. 

In the pre-COVID days of 2019, Whitman-Walker approached the Jane Jane owners, hospitality veterans Jean Paul (JP) Sabatier, Ralph Brabham and Drew Porterfield, all gay men, to make good use of the vacant parcel, and ensure it would be run by LGBTQ entrepreneurs. “It required some gymnastics because of the layout,” says Brabham, “but we came up with this cozy classic cocktail concept.” 

The hangout spot is an effort by the trio to “celebrate hospitality. We want everyone who walks into the space to feel like friends of ours we are having over for drinks or a bite. Its a cocktail party in our home,” he says. They felt connected to the idea of a tiny bar—a space where they would want to have a drink.

Named for Brabham’s mother, Jane Jane is as alluring and lively as it is intimate, each detail in the experience characterized by warm Southern hospitality—right from the bowl of spiced nuts that swiftly appear at each table at the beginning of service.

Sabatier, who has held stints at D.C. institutions like Rappahannock Oyster Bar, Maydan, and Compass Rose, oversees the bar and cocktail program, organized by spirit. (For their part, Brabham and Porterfield, romantic partners, also act as co-owners of Beau Thai and BKK Cookshop; Porterfield is also the current Curator and Director of Long View Gallery in Shaw.)

Sabatier has presented classic cocktails with a few noteworthy nods to current zeitgeist, as imagined by his lengthy experience behind the bar. The booklet-like menu includes a broad selection of familiar favorites like a Negroni, Manhattan, martini, but also features Sabatier’s handpicked favorite classics like the Boulevardier (a whiskey Negroni), Last Word (gin married to herbaceous green chartreuse) and Air Mail (rum, honey and cava). Drinks fall in the $13-$16 range; a “Golden Hour” runs daily until 7 p.m. featuring beer and wine specials and a punch of the day. 

Sabatier’s creative juices flow on the first page through cocktails like the vividly named Tears at an Orgy, with brandy, orange and maraschino, as well as the best-selling, highly Instagrammable Crop Top, a gin cocktail with a red-wine floater—and a name that matches the look of the bi-color drink. “It’s fun, delicious, and speaks to the space,” says Sabatier. He notes that their vodka of choice comes from Civic, a local, women- and LGBTQ-owned distillery.

Sabatier, a classically trained chef and Culinary Institute of America graduate, also oversees the small selection of bar bites (the space has no kitchen, part of the required “gymnastics” to make it functional.)

Beyond the complimentary vessel of rosemary-flecked mixed nuts, other bar snacks run from pickled vegetables to a Southern-style Pimento cheese dip and an onion dip creamy enough to make your grandmother blush. The “Jane’s Caviar” dish is a spread of trout roe and crème fraiche and comes with a towering mound of shatteringly crisp chips. A weekend brunch is in the works, which will serve goodies from local bakeries.

The retro-style interior recalls both California and the South, with only 32 seats inside and a 14-seat patio. Cozy booths done up in a hunter green as warm and inviting as a cool aunt are slung below walnut-wood walls and bar. Bright patterned tiles run the length of the floor; the back wall has playful cocktail wallpaper. A charming needlepoint by the restrooms kindly requests of guests, “please don’t do coke in the bathroom.”

The owners note that while Jane Jane is not explicitly a gay bar, its location in a traditionally gay-welcoming institution means that it has LGBTQ in its bones.

“Supporting LGBTQ people, businesses, and causes has been in Jane Jane’s ownership’s DNA at every establishment at which they have been involved,” they say, having supported local LGBTQ+ organizations like Casa Ruby, Victory Fund, SMYAL and the Human Rights Campaign, among others. 

Porterfield says that they were surprised that, given the locale, people assumed Jane Jane was a gay bar. “It’s not a gay or straight bar, just a fantastic cocktail bar that welcomes anyone to hang out with us,” he says. 

Nevertheless, the owners have taken into consideration the significance of being in the Liz development, as both gay men and as part of the hospitality industry. “It highlights the lack of representation as gay owners in this bar and restaurant world,” says Porterfield. They note the lack of women, LGBTQ and BIPOC representation. 

“It’s very special to us that we opened in this space,” says Porterfield, “so we want to show that we have opened a place that is all about inclusivity.”

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Dining

Seven new restaurants to try this fall

D.C. restaurant scene thriving again after rough year

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Le Diplomate, dining, food, French cuisine, gay news, Washington Blade
If you like Le Diplomate, you’ll love new concept Bread Alley in Union Market offering, you guessed it, Le Dip’s famous breads. (Blade file photo by Michael Key)

The fall dining scene is as hot as ever. Here are some of the top tickets to look out for:

RAMMYs: Sept. 19 marks the annual D.C.-area restaurant industry awards, the RAMMYs. Many of the categories this year are unique to the challenges restaurants faced in 2020. Held at the Walter E. Washington Convention Center, the awards “created timely categories that speak to all the ways the region’s uniquely met those challenges,” according to the RAMMYs. Such categories include “most innovative to-go packaging”, “outstanding COVID-safe redesign,” and “most impressive pivot to provision or market.” 

Jane Jane (1705 14th St. NW): 

Highly anticipated retro-chic cocktail bar Jane Jane quietly opened after more than two years in the making. Co-owned by gay men Drew Porterfield, his partner Ralph Brabham, and friend JP Sabatier, Jane Jane’s mid-century-style throwback offers classic cocktails and upgraded bar snacks. It’s located in the new Liz development on 14th Street.

Thirsty Crow (3400 11th St. NW):

Part sports bar, part cocktail bar, Thirsty Crow opened just last week in Columbia Heights. It sits in the subterranean level of Michelin Bib Gourmand-winning Makan, serving cocktails and bites inspired by Malaysian flavors, like its sister restaurant on the ground level. Chef James Wozniuk of Makan is overseeing the menu of snacks like shrimp chips and larger plates like spicy fried chicken with sambal.

No Goodbyes (1770 Euclid St. NW):

The Line Hotel previously played host to a suite of restaurants: A Rake’s Progress, Brothers and Sisters, and Spoke English. When these restaurants left this Adams Morgan hotel, the spaces sat mostly vacant until No Goodbyes slid into the ground floor. An all-day dining place that “taps the farmers, fishers, and small-time ranchers in DC’s own backyard,” according to its website, the menu sits squarely on a Chesapeake Bay foundation. Mid-Atlantic dishes, from fish to fowl, play large on the menu.

Bread Alley (1250 5th St NE):

The intoxicating tower of carbs that greets diners when they walk into buzzy Le Diplomate is getting its very own dedicated space, aptly named Bread Alley. A tiny location in the Union Market area, the shop just launched selling only the three types of bread that arrive complimentary at the start of any Le Dip meal: thick-crusted classic baguette, multigrain boules, and cranberry-walnut boules. It will eventually also sell pastries, jams, butter, honey, and other accouterments. Bakers begin their craft at 3:30 a.m. and offer their wares starting at 9 a.m. until 5 p.m. or sold out, whichever arrives earlier.

Bistro Du Jour (99 District Square SW) 

Bistro Du Jour will be gay-owned KNEAD Hospitality + Design’s third waterfront venue at the Wharf. A café in the Parisian style, it will lean heavily on croissants and cappuccinos during the day, moving to Champagne and larger savory dishes by night. The bistro will sell current partner Mah-Ze-Dahr Bakery’s fresh baked goods and pastries, and will showcase traditional fare like coq au vin, French onion soup, steak frites, and foie gras for lunch and dinner. The bistro will display an extensive bubbly section, as well as a chic espresso bar and an outdoor patio. Brunch is in the works.

SUCCOTASH Prime (915 F St., NW)

After a yearlong hiatus, SUCCOTASH Prime recently reopened at the end of August. SUCCOTASH Prime, also run by gay-owned KNEAD Hospitality + Design, is an updated version of the restaurant, still with Chef Edward Lee at the helm. The refreshed SUCCOTASH opened as a southern steakhouse with an Asian twist, featuring smoked steaks, fried oysters, collard greens, ham, and kimchi side dish. Live music is also planned.

Via Roma (4531 Telfair Blvd #110, Camp Springs, Md.)

Via Roma is a restaurant where you can enjoy the pies, you just can’t call it “pizza.” Just opened a few weeks ago, the restaurant serves pinsas, a pizza-like dish using dough made from a heady mixture of wheat, soy, and rice flours, and then proofed for more than a day. The spot calls itself the first Pinsa-certified restaurant in Maryland, and aims to reflect the laid-back, Mediterranean atmosphere of Naples (the owner also runs an Associazione Verace Pizza Napoletana-certified restaurant in Maryland). Beyond Pinsa, it also serves Maryland crab tater tots, panini, pasta, salad, and Aperol spritzes.

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Dining

D.C. Restaurant Week returns

Celebrating a revitalized dining scene after COVID closures

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A sample of what’s available from The DC Restaurant Group, which owns spots like Shaw’s Tavern and 801 Restaurant. Entrees include lobster and grits and salmon over succotash. (Photo courtesy DC Restaurant Group)

After being confined to a to-go program for the last two iterations, Washington, D.C.’s Restaurant Week is back this summer to celebrate the revitalized dining scene in the city. Summer Restaurant Week 2021, run by Restaurant Association Metropolitan Washington (RAMW), is scheduled to kick off Monday, Aug. 9, and last through Sunday, Aug. 15. 

The signature summer dining event returns to a one-week promotion this year, though restaurants have the option of extending their promotions. Diners can enjoy three-course menus at a range of indoor/outdoor comfort levels at more than 200 restaurants, ranging from fast-casual eateries to fine-dining destinations. In addition, the to-go family-style options that were introduced last year are not gone, however, as many restaurants will also offer this off-premise option. Of course, many spots plan to include a cocktail pairing as well.

Dinner is the main event for participating restaurants, with the classic three-course dinner priced at $35 per person. Several restaurants with higher overall price points are also offering an elevated $55 dinner with exclusive items. Three-course lunches run $22, and weekend brunch is also $22. 

Finally, many restaurants will also offer “RW-To-Go” dinner meals, available at two price points: $60 or $120 for two people and $100 or $200 for four people.

These RW-To-Go dinner meal packages are available for takeout or delivery, and diners can order RW-To-Go either directly from the participating restaurant or check their delivery app for the offer.

D.C. restaurants remain open at 100 percent capacity, but Mayor Bowser last week reinstated mask mandates for indoor spaces.  

New restaurants participating in Summer Restaurant Week include Angolo, ANXO, Flower Child, Le Sel, GATSBY, Glover Park Grill, Gypsy Kitchen, and Truluck’s in D.C.; and Spice Kraft Indian Bistro in Virginia.

“This year’s Summer Restaurant Week is not only providing diners with great options at great prices for dining out, but is also the first time all restaurants across our region are able to accommodate diners at full capacity both indoors and outdoors,” says Kathy Hollinger, president and CEO of the Restaurant Association Metropolitan Washington. “Being fully open is a step toward recovery for the industry and also toward a return to our dynamic local restaurants in their spaces which help to elevate the dining experience.”

RAMW is the regional association representing restaurants and the foodservice industry in the D.C. Metropolitan Area. RAWM also runs the RAMMYs, the awards for the food and beverage industry. 

Restaurant operators themselves reinforced how important the promotion is to them. “Restaurant Week is an opportunity for us to showcase our resilience and commitment to serving our staff and community,” says Salwa Laaraichi of Station 4

For Eric Heidenberger, a partner at The DC Restaurant Group, which owns spots like Shaw’s Tavern and 801 Restaurant, the past year has been a challenge. But RAMW, he says, “has been very supportive to the D.C. restaurant community and a key a resource in helping us navigate the challenges of the pandemic. We’re excited to participate in the first “normal” restaurant week in almost a year and a half. Restaurant week is a great opportunity for us reach new diners and showcase new dishes to our regular/repeat customers.”

All of gay-owned KNEAD Hospitality + Design’s locations are participating in Restaurant Week. Co-owners Jason Berry said that he hopes that Restaurant Week “offers a way for diners to begin dipping their toe by taking advantage of these well-priced promotions. Restaurant Week brings a much-needed lift to August revenue and is especially meaningful this year as so many restaurants have been hurting these last 16 months.” 

As for what’s going to be offered at his restaurants, which include Gatsby, The Grill, Mi Casa, Mi Vida, and Succotash, most of which debuted just this year, “each of our restaurants takes a unique approach to offering seasonal additions, fun new items and crowd pleasers so that all guests have something for them during Restaurant Week.”

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