Arts & Entertainment
Listen: Bob Dylan, Kesha, more remake classic love songs for LGBT couples
St. Vincent, Valerie June and more also perform wedding hits

Bob Dylan, Kele Okereke, St. Vincent, Valerie June, Kesha and Benjamin Gibbard (Photo courtesy of MGM International Resorts)
Bob Dylan, Kesha, St. Vincent, Death Cab for Cutie lead singer Benjamin Gibbard, Bloc Party’s Kele Okereke and Valerie June reimagine classic love songs for LGBT couples in MGM International Resorts’ EP, “Universal Love.”
MGM Resorts International released the EP in response to 20-30 percent of gay wedding ceremonies taking place in their 15 hotels in Las Vegas.
Dylan, 76, turns the 1929 song “She’s Funny That Way,” into “He’s Funny That Way.” Producer Rob Kaplan told the New York Times that when Dylan was asked to contribute to the EP he already had the song in mind.
“And it wasn’t just ‘yes, I’ll do this,’” Kaplan says.“It was ‘hey, I have an idea for a song.’”
Kesha, who has been a big LGBT rights advocate, covers “I Need a Man to Love Me” by Janis Joplin turning it into “I Need a Woman to Love Me.”
“I’ve always been an advocate for equal rights. It’s an issue that is so close to my heart. It is something that is part of my family, part of my friends and is a part of me,” Kesha said in a video interview released with the album. “When I was approached for this project, I instantly said yes. It was a no brainer, and I fought my entire life and my whole career for equality, and I will continue to do so forever.”
St. Vincent, who identifies as sexually fluid, sings “Then She Kissed Me,” a gender-swapped version of The Crystals’ “Then He Kissed Me.”
“I think if you look at the history of music, it’s always been about changing the culture. If you are a musician, if you are a writer or a storyteller, you get to tell the stories that people see themselves in,” St. Vincent explained. “The great thing about music is that transcends all the barriers, and it goes right to people’s heart, and everyone has a heart.”
Okereke covers “My Girl” by The Temptations turning it into “My Guy,” Gibbard performs The Beatles’ song “And I Love Her,” switched to “And I Love Him,” and June swaps the 1930 classic song “Mad About the Boy” to “Mad About the Girl.”
“We believe projects like this will help all of us reach a point where seeing the world through the lens of people who happen to be different from us becomes natural and commonplace. It is an immense honor for MGM Resorts to spearhead this inspirational project which celebrates LGBTQ dimensions of the universal emotion of love,” Phyllis James, MGM Resorts’ chief diversity and corporate social responsibility officer, said in a statement.
Listen below.
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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