Arts & Entertainment
FanCon’s sudden postponement baffles attendees, vendors
the community has joined together to organize alternative events
Universal FanCon, described as the “first multi-fandom Con dedicated to inclusion, highlighting women, LGBTQ, the disabled and persons of color,” left ticketholders, panelists and vendors baffled after the event was postponed just days before kick off.
The three-day event, which was scheduled for April 27-29 at the Baltimore Convention Center and raised more than $50,000 through a Kickstarter campaign, promised exhibitors, panels, a screening of “Avengers: Infinity War,” among other scheduled events.
On Friday, April 20 Universal FanCon put everyone’s plans to a halt with a statement announcing the event was “postponed” in an email.
Well, thereās the bomb. #UniversalFanCon pic.twitter.com/Az2h9Txjcz
ā Sarah (@seh) April 20, 2018
A statement, including a FAQ, was eventually posted to the Universal FanCon website.
“Based on an evaluation of all the information available, it was decided that it would be irresponsible to move forward with our plans. Although we worked diligently to preserve the vision of an event that fosters true inclusion, diversity, and safety for all of our guests, exhibitors, and attendees; despite working tirelessly for close to two years, we fell short in delivering the event we envisioned,” the statement reads.
A lack of funding is cited as the main issue for the con’s postponement as the statement admits, “costs started to grow exponentially. Unfortunately, the support we were anticipating in terms of ticket sales and sponsorships did not materialize.”
The statement appeared to be altered a few times since its release with one version of the statement inviting traveling guests to join the Universal FanCon team to watch “Avengers: Infinity War.”
Participants who had invested time and money into the event, including flights and hotels, shared their frustrations on Twitter which brought together a community of hurt con lovers.
So I was going to leave this Universal Fan Con mess alone. But if you had cash flow problems as an event why were you giving so much away? Groupon has pulled the event but they sold tickets there. They gave hotel rooms & flights away like candy. None of this makes any sense.
ā Mikki Kendall (@Karnythia) April 24, 2018
This was another red flag.
I kept up with everything through social media and the website, and I wondered how they planned to make or keep any money if they were so hellbent on giving so much away for free or at a discount. But then the sponsorship pleas came… pic.twitter.com/uQuFWSUZlUā DeLaDoll (@TheDeLaDoll) April 24, 2018
This statement is bewildering. I cannot believe you would put this up. To tell people who have bought non refundable tickets that the organizers did too… is flippant, at best. And to offer no refunds… wow.
ā roxane gay (@rgay) April 21, 2018
#UniversalFancon is editing this document in real time. I…I can’t believe this is happening. Don’t they have PR? pic.twitter.com/HvGEnl9uye
ā V. Vza Complex (@ValerieComplex) April 21, 2018
They really invited everyone to still come see Infinity War tho. Like…really put that out there. “Yeah. Fancon is canceled. You aren’t getting a dime back. But drive for 8 hours to come see a movie with us. Lol.”
??People have cause to slap the taste out your mouth for this.
ā Ed @ WICOMICON (@itsedwilliams) April 21, 2018
I am sorry for being so frank but this explanation is absolutely unacceptable. You can’t do this. You can’t decide to just not run a con because it might not be up to your standards. A bad first year con can grow and improve.
ā Tans @ Challenge Day (@Tansuru) April 21, 2018
In a tweet apology, Jamie Broadnax, editor-in-chief of Black Girl Nerds, denied her involvement as a co-founder of the con and insisted she was an “unpaid volunteer.”
Hey everyone. Poking my head out here to tell you that I deeply apologize for what transpired to everyone that has been impacted by Universal Fan Con. This includes Kickstarter backers, exhibitors, guests, registered ticket holders and the affiliates associated with the event
ā Jamie Broadnax (@JamieBroadnax) April 23, 2018
My responsibilities within the organization did not include financial matters. I have learned the hard way that if my name is associated with something, I need to ask hard questions about financials even if it isnāt my job…
ā Jamie Broadnax (@JamieBroadnax) April 24, 2018
However, I am responsible for so many of you in the Blerd community and other marginalized communities being participants of this event. It is because of me and the brand of BGN that you had faith and trust in this convention and shared the vision of being in a safe space…
ā Jamie Broadnax (@JamieBroadnax) April 24, 2018
with people of color, LGBTQ, women and people with disabilities. Because of what has happened, so many of you are now displaced, out of funds, and mistrust not only me but the ideas of communities such as this offering crowdfunding ideas like fan conventions…
ā Jamie Broadnax (@JamieBroadnax) April 24, 2018
I, just like you am frustrated about what has taken place and the fact that I did not consider how much of an impact and damage this would bring the writers and women affiliated with BGN as well as the affiliates of FanCon and their respective communities…
ā Jamie Broadnax (@JamieBroadnax) April 24, 2018
I was an unpaid volunteer, not an officer of the company that organized Universal Fan Con. Iāve decided to step down until further notice as EIC of Black Girl Nerds. There will be over the next few days a new managing editor running the publication in my place….
ā Jamie Broadnax (@JamieBroadnax) April 24, 2018
Her statement confused FanCon followers who posted screenshots of Broadnax’s Twitter bio that included “co-founder of FanCon.”
Joi is correct about that poor statement. It dodges culpability.https://t.co/WDAQaMTDv2#FanCon pic.twitter.com/443KmAO65x
ā Clarkisha Kent: Dragger of Scammers @ WICOMICON āļø (@IWriteAllDay_) April 21, 2018
Universal FanCon executive director Robert ButlerĀ also released a series of tweets blaming hotel management for the cancellation.
In the interest of clarity and transparency (and suspecting that tweets would be deleted) I saved the tweets from the #UniversalFanCon co-founder from yesterday. I’m not trying to sling mud at people, but I do think it’s important if they’re just catching up. #FanCon pic.twitter.com/B3NOO2n4W8
ā therese ??āāļø (@bamfpire) April 21, 2018
FanCon stated that an effort to refund ticketholders would be made although details were not clarified. According to some Twitter users, refunds have slowly trickled in.
So it looks like refunds for regular ticket holders are going out, one of my friends used my email when she bought her ticket and I just got this. Iām hearing refunds for the Infinity War screening are going out too. #FanCon #UniversalFanCon pic.twitter.com/Ehqv3kslno
ā Danyi (@SinEater_Danyi) April 24, 2018
In response to the many disappointed participants, the community banned together to recover time, money and potential exposure.
WICOMICON 2018, a pop-up convention atĀ 1100 Wicomico St., Baltimore, Md. is on Saturday, April 28 from 10 a.m.-7 p.m.
Tickets are $10 and $5 for FanCon ticketholders. Kids 12 and under are free. The event will feature exhibitors, panels, cosplay contests and appearances from members of the cast of ‘The Magicians” and “Killjoys.”
The pop-up con was a last minute group effort by Nerds of Color, Black Heroes Matter, The New Release Wednesday Show’s Patrick Michael Strange, theblerdgurl, Syfy Wire’s contributing editor Karama Horne, Carbon-Fibre Media’sĀ AndrĆ© Robinson and Be A Boss app CEO Elijah Kelley.
Amazing what we can do as a community when faced with a challenge. ? Honored to be affiliated with a group of partners who pulled this event together in record time. BigUps @MSHINDOKUUMBA who blessed us with the epic art!!! INFO: https://t.co/0MA22r7V4Z pic.twitter.com/T1PHbHYmBs
ā Black Heroes MatterĀ® (@BHMatter) April 23, 2018
DJ Meagan āDucky Dynamoā Buster has also organized Universal FanCon Redemption Function, a dance party where artists, vendors and guests are invited to dance and sell their merchandise at The Depot (1728 N Charles St., Baltimore, Md.) on Monday, April from 7-11 p.m.
Theater
Two queer artists ready to debut new operas at Kennedy Center
Works by JL Marlor, Omar Namji part of American Opera Initiative
American Opera Initiative
Kennedy Center Terrace Theater
Jan. 18, 7 p.m. and 9 p.m.
$25.00 ā $39.00
Kennedy-center.org
For those who find traditional opera off-putting or mired in the past, thereās the American Opera Initiative (AOI). Now in its 12th season, the Washington National Operaās well-known program pairs composers and librettists who under mentorship spend months collaborating on new work, culminating with the premiere of three 20-minute operas.
Included in this yearās exciting group are queer artists JL Marlor and Omar Namji. While these multi-taskers lend their composition talents to AOI, they are also performers and arts administrators. Marlorās bio includes electric guitarist, and performer (she fronts the celebrated indie rock band Tenderheart Bitches), and Namji divides most of his time writing music and performing as an operatic tenor.
Marlor and librettist Claire Fuyuko Biermanās āCry, Wolfā is a short yet probing opera about three males (a late teen and two college age) who are navigating some dark internet ideologies. The work explores how the red-pilled manosphere pipeline serves as spaces of community for some people.
āTo me itās a very timely piece inspired by an outlook that has consequences in the real world.ā She adds, āWeāve heard a lot about how angry incels [involuntary celibates] think about women. I want to hear what incels think about themselves.ā
While Marlor tends to gravitate toward more serious opera pieces, Fuyuko Bierman, whose background includes standup, tends toward humor.
āI think this work brought out the best in both of us. The libretto feels like a comedy until suddenly it doesnāt.ā
Marlor was introduced to opera through osmosis. At her gay unclesā house there was always music ā usually Maria Callas or Beverly Sills. She appreciated grand opera but not with the same ardor of true buffs. But her relationship with opera changed dramatically while attending Smith College.
āI was lucky enough to have Kate Soper as my first composition teacher and saw her opera āHere Be Sirensā as my first piece of modern opera. I was totally hooked.ā
Originally from picturesque Beverly, Mass., Marlor now lives in Brooklyn with her partner and their very senior dog. For Marlor, coming out at 25 in 2017 wasnāt entirely smooth, but finding support among the many queer women in the world of classical music helped. And more recently, AOI has bolstered her confidence in continuing a career in the arts, she says.
Namji and librettist Christine Evansā opera is titled āMud Girl.ā Set against a post-apocalyptic, climate-affected world, itās the story of a mother, daughter, and the daughterās child Poly, created from toxic detritus, trying to navigate relationships.
āMost people go into opera without having had a ton of exposure. Often through musical theater or choir,ā says Najmi, 37. In his case, he was pursuing a BFA in musical theater at Ithica College. After an unanticipated internal transfer to the School of Music, where he transitioned from baritone to young gifted tenor, his interest veered toward opera.
While enjoying a performance career, he wrote his first opera on a whim. āAnd now,ā he says ācomposition is my creative passion. Singing is more like a trade or sport. I love the action of doing it and practicing.ā
In one of his recent operas, āJo Dooba So Paar,ā Namji, who is half Pakistani American, draws specifically from personal experience, exploring how queer and Muslim donāt necessarily need to be conflicting identities. And while he grew up in liberal Boston in a secular environment, he still had insights into what it means to exist in two worlds. Itās a story he wanted to tell.
On a broader level, he says coming of age in the 1990s and aughts, on the cusp of homosexuality becoming normalized and accepted, created certain angsts. Today, his artistās voice is drawn to the sentimentality that comes with unrequited longing.
Whatās more, Namji collaborates with his husband Brendon Shapiro. In 2022, the Boston-based couple co-founded Catalyst New Music, an organization dedicated to fostering, developing, and producing new works.
AOIās three 20-minute operas will be led by conductor George Manahan and performed by Cafritz Young Artists on Jan. 18, at 7 p.m. and 9 p.m. in the Kennedy Center Terrace Theater.
Following their world premiere at the Kennedy Center, the three operas will travel to New York City in a co-presentation with the Kaufman Music Center. The Jan. 23 performance will mark AOIās first appearance in New York City.
Music & Concerts
Gay Menās Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
The Gay Menās Chorus of Washington will perform āPostcards,ā a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.Ā
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures theyāve had and hope to have. Songs include āMidnight Train to Georgia,ā āStreets of Dublin,ā āMagic To Do,ā āHome,ā and āI Left My Heart in San Francisco.ā Tickets cost $35 and can be purchased on Camp Rehobothās website.
Friday, January 10
āCenter Aging Friday Tea Timeā will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā
Women in their Twenties and Thirties will be at 7 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, join their closed Facebook Group.Ā
Go Gay DC will host āFirst Friday LGBTQ+ Community Happy Hourā at 7 p.m. at Puro Gusto. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, January 11
Go Gay DC will host āLGBTQ+ Community Brunchā at 11 a.m. at Freddieās Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Ms. Capital Pride will host āMAL Weekend Drag Brunchā at 12 p.m. at Baby Shank. Guests will enjoy a lively gathering full of joy, laughter, and connection. They will also indulge in food and drinks while enjoying dazzling performances and entertainment. Tickets are $27 and can be purchased on Eventbrite.Ā
LGBTQ People of Color Support Group will be at 1 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.
Sunday, January 12
Go Gay DC will host āLGBTQ+ Community Dinnerā at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
DC9 Nightclub will host āDance Clubā at 8 p.m. at 1940 9th St., N.W. At this event, Jacq Jill and Flotussin will join Dance Club for the Sunday night closing party of MAL Weekend at DC9. The Baltimore staples will be joined by Dance Club resident DJs Baronhawk Poitier, Joyce Lim & Tommy C, plus Artemis on lights, to close out a jam-packed MAL 2025. Tickets start at $10 and can be purchased on Eventbrite.Ā
Monday, January 13
Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].Ā
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether youāre bigender, agender, genderfluid, or just know that youāre not 100% cis. For more details, visit genderqueerdc.org or Facebook.Ā
Tuesday, January 14
Trans Support Group will be at 7 p.m. on Zoom. This groupĀ is intended to provide emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected]. Ā
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the groupās Facebook page.Ā
Wednesday, January 15
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking ā allowing participants to move away from being merely āapplicantsā toward being ācandidates.ā For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, January 16
The DC Centerās Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.Ā
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Communityās website.
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