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Sean Doolittle: The all-around All-Star

Nats pitcher, wife on life in D.C., their LGBT advocacy — and whether the team is ready for a gay player

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Sean Doolittle, gay news, Washington Blade

Sean Doolittle (Photo courtesy of MLB)

Ace relief pitcher Sean Doolittle was traded from the Oakland Athletics to the Washington Nationals in July of 2017. He eloped with his then-girlfriend, Eireann Dolan one day after the regular baseball season ended last year. Doolittle was named a 2018 All-Star this week; he was a member of the 2014 MLB All-Star team and this season is rounding out to be one of the best of his career.

Doolittle and Dolan received national attention in 2015 when they purchased hundreds of tickets to the Oakland Athletics Pride Night after the event received backlash from fans. The tickets were donated to local LGBTQ groups and an additional $40,000 was raised.

Sean Doolittle on the field with members of SMYAL at Night Out at the Nationals. (Washington Blade photo by Kevin Majoros)

Local LGBTQ youth leadership and housing program, SMYAL, has caught the attention of Doolittle and Dolan and they donated 52 tickets to the organization for Night OUT at the Nationals last month. Going a step further, they stopped in personally to deliver the tickets at the SMYAL youth program’s headquarters and the SMYAL transitional housing program.

The Washington Blade sat down with the couple inside Nationals Park for a conversation about the LGBTQ community, life in D.C., baseball and music.

Eireann Dolan and Sean Doolittle (Washington Blade photo by Michael Key)

Washington Blade: You’re both active with charitable causes including work with Syrian refugees and military veterans’ mental health and housing. How did you become interested in the LBGTQ community?

Eireann Dolan: I have two moms. But even if I didn’t, I think this is something that’s really important. It’s always been really important, at least in my family. And something that we’ve always valued is the idea of having an accepting place. Having a sense of home. It factors into all the charity work that we do, all of the community work. We work with the UN Refugee Agency, UNHCR. We’re going to have about 30 refugees coming to the game tomorrow night.

Blade: That’s incredible.

Dolan: Yeah, so we’re going to have them on the field and they are veterans who are injured or widowed. We deal with housing for them. Our theme seems to be a sense of home. Making sure people feel welcome. Whether they’re a refugee, whether they’re a veteran returning or transitioning back into civilian life, or whether they’re somebody in the LGBTQ community who maybe hasn’t considered that sports would be a space for them. We want to make sure that they know it is a space for them. They do have a home here and we accept them as they are. It’s always been really important to us.

Blade: And then you stumbled upon SMYAL here in D.C.

Dolan: We did. Well, it kept getting name dropped to us so many times by so many people.

Doolittle: In advance of the Nationals Pride night, we wanted to get involved. We wanted to do something more than catch the first pitch or meet some people on the field before the game. And we love this community, we love being here, and we wanted to give back. And like she said, in some of the meetings we had with the folks here, with the Nats, SMYAL had been referenced several times. We were able to make a couple visits over there before Pride night.

Dolan: That was incredible.

Doolittle: It’s an incredible organization and the holistic approach that they take, helping with everything from housing to leadership to education to helping people become voices in their communities.

Dolan: That was the biggest thing, I think.

Doolittle: And then coming back. They go through the program and then they come back to SMYAL to give back and pay it forward. That was something that we found to be incredibly inspiring. And if, through this process, we can lift their voices up and help tell their stories, that’s what we’re trying to do.

Blade: Do either of you have any thoughts as to why Major League Baseball has never had an openly gay player? There seems to be upper management support, team player support and fan support.

Dolan: There’s a lot of hesitation for any athlete, and baseball particularly, to share a lot of their private life, just full stop. Baseball is a bit more buttoned-up. The players themselves are not marketed in such a way, or they don’t maybe market themselves in such a way that talks about their personal life. You look at basketball, you look at football, you look even at hockey. You know the spouses. You know the families. You know what they do. You know where they’re from. But in baseball, it’s a little bit different. I think that may contribute to it, but that, I don’t think is the answer entirely.

Doolittle: I do think there is growing support, like you talked about. I think Major League Baseball’s taken steps towards it. I still think there are steps that need to be made in educating more people. I think as we continue to make it a better space, a more accepting space, we can continue to get rid of all this toxic masculinity bullshit that happens in a locker room.

Blade: Does it happen here with the Nationals?

Doolittle: Of course it happens. It’s performative. Sometimes that’s a guy’s way of psyching themselves up to go play. But I think we’re seeing less and less of it, and it’s fallen by the wayside. We just need to be continuously focused on creating a space that’s accepting. When you’re with these guys in such close proximity over six, eight months over the course of the season, guys should be OK with being themselves. Whether it’s you’re gay or whether it’s a different religion, or you’re from a different country. We have guys in here from how many different countries? How many different religious backgrounds? So I think just continuing that evolution in the clubhouse.

Dolan: That sports era of the ’90s, early 2000s of hyper-masculine, almost borderline toxic masculine, alpha, humiliate your opponent, keep your head down, don’t look like you’re having fun. That’s waning because fans want fun. They like the back flips. They like the personality. And you’ve got guys out there, you’ve got little pockets of people showing their personality.

Blade: Do you think this team is ready for a gay player?

Doolittle: I don’t know. And that’s the thing, I don’t think we’re going to know until that happens. I wish I had a better answer.

Dolan: I think baseball is ready and I think clubhouses know if a guy can help your team, period, the end. Doesn’t matter.

Blade: What’s your take on the NFL’s anthem protest?

Dolan: It’s not an anthem protest, that’s my first thing. They’re not protesting the anthem, they’re protesting the violence against young African-American men, particularly.

Doolittle: I think the NFL’s response was incredibly dangerous and disgusting. You’re punishing guys by policing peaceful protesting. I think it sends a really bad message across the United States.

Dolan: And if you say no politics in sports, then how do you explain flyovers that you do before games? How do you explain all the active recruiting that they do for the military during games? Why are we picking and choosing? When you’re telling young African-American men, “We want to watch you, we want to watch you do this particular thing, but don’t talk,” that just smacks of something that I thought this country had moved past.

Doolittle: I think it could have been a relatively short-lived story with a much better ending if, initially, they had focused their energies on listening and trying to figure out a way to get guys to stand. So when Kaepernick starts kneeling, they start listening to his message. They help him get involved to focus that message into action in the community. And soon enough, we have guys that are proud to stand up for the anthem because they’re helping their communities and bettering people and remedying the situation. And I think, unfortunately, it’s been used as something in this culture war that we’ve seen. These guys have done a lot of incredible work in their communities. They’ve met with government officials, they’ve done a lot of outreach with law enforcement in their communities. They are backing it up with significant action. So I wish everybody felt good enough and proud enough to stand for the anthem without being told that they had to do so.

Blade: Would you go to the White House if the Nats win the World Series?

Doolittle: People have asked me that before, and you don’t get to answer that question unless you win the World Series

Dolan: We’ll talk to you in October.

Blade: As a relief pitcher, you’re either the hero or the goat. How do you deal with that on a daily basis?  Do you have stress techniques?

Doolittle: I’ve gotten a lot better at it over the last couple years. Early in my career, I pitched with a lot of emotion and I put a lot into, like you said, whether you’re the hero or the goat in that scenario. There’s no gray area in that line of work. There’s no, well I thought I executed my pitches really well, I just didn’t get the results I wanted. That’s not a great consolation prize for you or the other 24 guys on your team.

Dolan: And the fans don’t want to hear it.

Doolittle: Yeah, and it’s tough to explain that away. I was very attached to how I was pitching, and if I was getting the job done. If I didn’t get the job done, that was a blow to my self-esteem. Over the last few years, I worked a lot at processing the outings, mentally preparing for the outings, changing the way that I use that energy. I used to pitch with a ton of emotion. Now, I use the energy to hyper focus. I want to calm things down. I want things to be slow and smooth.

Dolan: You’re very Zen.

Doolittle: I think it’s helped me manage a lot of that stress. It’s not always easy, but it’s an occupational hazard.

Blade: Your stats this year are amazing and…..

Dolan: Don’t say them, don’t say them, don’t say them.

Blade: All right. Don’t say them out loud?

Dolan: No. We’re very superstitious.

Blade: Are the stats that shall not be named a result of your comfort level in D.C. or are you doing something different in training?

Doolittle: I feel very comfortable in D.C. We love it here. I changed some things. But a lot of it was behind the scenes. We changed a lot with the arm care program that I have. I dealt with some shoulder injuries in the past, when I was with Oakland, and I missed some time on the disabled list, and I think sometimes, just getting a fresh set of eyes or a new way of explaining things, really helps. And we added some things to that program, to the daily routine. I feel strong. I feel, at this point in the season, even with the work load I’ve had, I feel really good about where my body’s at, and I think when you don’t have to worry every day about, how’s my arm going to feel when you come to the field, you can throw yourself into focusing on your outing and who you might face rather than focusing on trying to get your body ready to pitch. So that’s been a load off my shoulders, pardon the pun.

Dolan: Did you catch the eye roll on the recording? Was it loud enough?

Blade: You had an unusual path to becoming an MLB relief pitcher. You pitched growing up and also played first base at University of Virginia. And then, you were drafted by the Oakland Athletics as an outfielder and a first baseman. Is this where you were supposed to be the whole time? There was a little side path.

Doolittle: I feel like it is. It’s a lot easier for me to say this now, but I’m glad I went through that transition process. There were some really dark times. I missed three full seasons on the disabled list in the minor leagues.

Dolan: So close to getting a call up, too. He was right on the cusp.

Doolittle: And before I got hurt the first time in 2009….

Blade: As a first baseman?

Doolittle: As a first baseman, yeah. It’s totally shifted my perspective on everything. This almost didn’t happen at all. In 2011, I had contacted my agent to go back and try and figure out the process of re-enrolling in college, because I was that far at the end of my rope. And the A’s came to me and said, “Hey, would you like to think about pitching?” I joke that I took the scenic route to the big leagues. It makes me appreciate every day that I get to wear that little logo on the back of my hat that says I’m in the big leagues. It came really close to never happening.

Dolan: There’s something to be said about having experienced adversity and failed. I don’t think I would be with him if he was this super successful player. I don’t think I would have been drawn to him.

Doolittle: Right, you learn a lot of humility, you learn a lot about yourself.

Dolan: Yeah. If you’d been that first round pick that you were, superstar first baseman….

Doolittle: I was the man.

Dolan: You were the man.

Blade: You prefer him damaged?

Dolan: That’s right up my alley. Who else is going to humble him, honestly?

Blade: What are you liking about living in D.C.?

Doolittle: It’s an awesome city. There’s a good energy, there’s a creative energy, it’s very diverse, it’s very accepting. The sense of community, the pride of being from D.C., that’s a thing that we found that I think was really cool. There’s a lot that we like about it.

Dolan: It’s amazing. We love the local bookstores and local record shops. We love just discovering new, cool spots that we can hit up every time we have a spare hour or so.

Blade: What about the excitement of MLB All-Star Week being in the town where you’re now pitching?

Doolittle: I think it’s awesome. I think us players, we’re starting to feel that buzz and that energy surrounding it. I’m excited for the Nationals fans and the organization, because they’ve done everything so first class. There’s a good energy surrounding D.C. sports now, and I think to bring the best players from around baseball here to D.C., that’s going to be really cool.

Blade: Has the Stanley Cup win by the Washington Capitals affected the team in any way?

Doolittle: We definitely followed it as a team. Before or after our games, whenever the Caps were playing, the TVs in the clubhouse were on. We were following it on our phones, or any chance we could, we were watching the game. We were all in, and I think it was great for us because they gave us the blueprint. They showed us how it’s done. They’ve had a similar storyline. They’ve had to answer a lot of the same questions we’ve had to answer after having really successful, regular seasons, but not making the deep run into the playoffs. They’ve had to answer the questions, is this the year you get over the hump? How are you guys going to break through?

So to see them do it, and to see them break through and not stop, and keep going. It was really fun. And when they came here, that was the biggest thing that they said. It was really cool to share that experience, just for a little bit, with the Cup, in the locker room and on the field.

Even though it’s a different sport, that energy, you can feel it. We’ve had Champagne celebrations before, and once you get a taste of that, you want more. And that’s really motivating, to have another team in your city bring in a trophy like that.

Dolan: And to see the parade and the reaction from the fan base. This is a sports city. And I don’t think people give it enough credit for being the sports city that it is. It was a nice taste.

Blade: Sean, you are a Star Wars fan and your Twitter handle is Obi-Sean Kenobi. Was the Solo movie a win or lose for you? Did you go in costume?

Doolittle: I loved it and we didn’t go in costume this time. We were in Miami, so we were on the road. But we did see it opening night.

Dolan: It was really hot there; a Chewbacca costume would have been difficult.

Doolittle: Yeah. And I don’t know if I can pull off a Princess Leia bikini.

Dolan: Not to say we haven’t tried. There’s your cover picture.

Blade: What’s on your music playlist right now?

Doolittle: I’m a metalhead. I was raised on the sounds of Black Sabbath and Ozzy, AC/DC and Metallica, and my love for it grew from there. When we were kids, we would be going to a Little League game. I’d be nine years old and we were rolling up in the minivan, blasting Black Sabbath.

Dolan: Oh, bad, bad. Love it.

Doolittle: There’s a band from Texas called Power Trip. They’re new but their sound is very ’80s thrash, which I really dig. There’s another band call Chemist. It’s called doom metal. It’s a lot slower and they have some good stuff. I really only listen to it when I’m at the field. When we’re at home, it’s a lot more mellow.

Dolan: We’re pretty eclectic at home. It’s not all metal for us. We like a lot of the new Nashville sound. I’m not a huge country fan, but Sturgill Simpson and….

Doolittle: Jason Isbell.

Dolan: And Colter Wall, yeah. A lot of that is really good. And I love hardcore gangster rap, honestly. I’m not going to lie, it’s my weakness. When he’s pitching, I put on noise canceling headphones and blast gangster rap. Tupac or Biggie, and it works. It calms my nerves because there’s something about it.

Blade: There are nerves for you while he’s pitching?

Dolan: I don’t watch, no. I haven’t watched him pitch live in years. I’m too superstitious.

Blade: Give me a quirk about the other person that makes you laugh.

Doolittle: Oh my god.

Dolan: He has a tactile thing about mesh.

Doolittle: It’s very soft.

Dolan: He likes to touch mesh.

Doolittle: Quirks that make me laugh….

Dolan: Careful, careful.

Doolittle: Well the aforementioned noise canceling headphones, she likes them so much that she’s taken to wearing them in the shower.

Dolan: They’re large speakers and I have three separate shower caps.

Doolittle: She took 45 minutes in the bathroom recently and I was like, what is going on? I was knocking on the door. She didn’t hear me.

Dolan: I bought a deep conditioner mask. Listen, this hair doesn’t get like this on its own.

Blade: Sean, we need to get you to practice. Let’s grab a photo first.

Dolan: Cool.

Doolittle: Oh, cool.

Dolan: All right. Don’t forget your dry cleaning, Sean. We want that front and center in frame.

Sean Doolittle and Eireann Dolan (Washington Blade photo by Michael Key)

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What ‘Queer Eye for the Straight Guy’ can still teach us

Producer David Collins on lasting impact of hit series

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David Collins (Photo courtesy of Collins)

It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003. 

Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins. 

Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”

“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.” 

“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”

With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”

Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot. 

When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.

Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale. 

“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”

A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next. 

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Jason DePuy on coping with homophobia in ‘Big Brother’ house

First drag queen contestant on CBS show fought to stay positive

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Jason DePuy on Big Brother (Photo courtesy of CBS Broadcasting,Inc.)

One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.

During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.

In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”

Former “Big Brother” contestant Frankie Grande called his words  ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.

Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.

“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”

He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”

Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself. 

“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”

DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.” 

While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling. 

“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”

He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”

Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.

“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”

One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.

“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”

DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”

DePuy was thrilled to be the very first drag queen to ever be cast on the show. 

“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”

Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.

“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”

If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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