a&e features
Sean Doolittle: The all-around All-Star
Nats pitcher, wife on life in D.C., their LGBT advocacy — and whether the team is ready for a gay player
Ace relief pitcher Sean Doolittle was traded from the Oakland Athletics to the Washington Nationals in July of 2017. He eloped with his then-girlfriend, Eireann Dolan one day after the regular baseball season ended last year. Doolittle was named a 2018 All-Star this week; he was a member of the 2014 MLB All-Star team and this season is rounding out to be one of the best of his career.
Doolittle and Dolan received national attention in 2015 when they purchased hundreds of tickets to the Oakland Athletics Pride Night after the event received backlash from fans. The tickets were donated to local LGBTQ groups and an additional $40,000 was raised.

Sean Doolittle on the field with members of SMYAL at Night Out at the Nationals. (Washington Blade photo by Kevin Majoros)
Local LGBTQ youth leadership and housing program, SMYAL, has caught the attention of Doolittle and Dolan and they donated 52 tickets to the organization for Night OUT at the Nationals last month. Going a step further, they stopped in personally to deliver the tickets at the SMYAL youth program’s headquarters and the SMYAL transitional housing program.
The Washington Blade sat down with the couple inside Nationals Park for a conversation about the LGBTQ community, life in D.C., baseball and music.

Eireann Dolan and Sean Doolittle (Washington Blade photo by Michael Key)
Washington Blade: You’re both active with charitable causes including work with Syrian refugees and military veterans’ mental health and housing. How did you become interested in the LBGTQ community?
Eireann Dolan: I have two moms. But even if I didn’t, I think this is something that’s really important. It’s always been really important, at least in my family. And something that we’ve always valued is the idea of having an accepting place. Having a sense of home. It factors into all the charity work that we do, all of the community work. We work with the UN Refugee Agency, UNHCR. We’re going to have about 30 refugees coming to the game tomorrow night.
Blade: That’s incredible.
Dolan: Yeah, so we’re going to have them on the field and they are veterans who are injured or widowed. We deal with housing for them. Our theme seems to be a sense of home. Making sure people feel welcome. Whether they’re a refugee, whether they’re a veteran returning or transitioning back into civilian life, or whether they’re somebody in the LGBTQ community who maybe hasn’t considered that sports would be a space for them. We want to make sure that they know it is a space for them. They do have a home here and we accept them as they are. It’s always been really important to us.
Blade: And then you stumbled upon SMYAL here in D.C.
Dolan: We did. Well, it kept getting name dropped to us so many times by so many people.
Doolittle: In advance of the Nationals Pride night, we wanted to get involved. We wanted to do something more than catch the first pitch or meet some people on the field before the game. And we love this community, we love being here, and we wanted to give back. And like she said, in some of the meetings we had with the folks here, with the Nats, SMYAL had been referenced several times. We were able to make a couple visits over there before Pride night.
Dolan: That was incredible.
Doolittle: It’s an incredible organization and the holistic approach that they take, helping with everything from housing to leadership to education to helping people become voices in their communities.
Dolan: That was the biggest thing, I think.
Doolittle: And then coming back. They go through the program and then they come back to SMYAL to give back and pay it forward. That was something that we found to be incredibly inspiring. And if, through this process, we can lift their voices up and help tell their stories, that’s what we’re trying to do.
Blade: Do either of you have any thoughts as to why Major League Baseball has never had an openly gay player? There seems to be upper management support, team player support and fan support.
Dolan: There’s a lot of hesitation for any athlete, and baseball particularly, to share a lot of their private life, just full stop. Baseball is a bit more buttoned-up. The players themselves are not marketed in such a way, or they don’t maybe market themselves in such a way that talks about their personal life. You look at basketball, you look at football, you look even at hockey. You know the spouses. You know the families. You know what they do. You know where they’re from. But in baseball, it’s a little bit different. I think that may contribute to it, but that, I don’t think is the answer entirely.
Doolittle: I do think there is growing support, like you talked about. I think Major League Baseball’s taken steps towards it. I still think there are steps that need to be made in educating more people. I think as we continue to make it a better space, a more accepting space, we can continue to get rid of all this toxic masculinity bullshit that happens in a locker room.
Blade: Does it happen here with the Nationals?
Doolittle: Of course it happens. It’s performative. Sometimes that’s a guy’s way of psyching themselves up to go play. But I think we’re seeing less and less of it, and it’s fallen by the wayside. We just need to be continuously focused on creating a space that’s accepting. When you’re with these guys in such close proximity over six, eight months over the course of the season, guys should be OK with being themselves. Whether it’s you’re gay or whether it’s a different religion, or you’re from a different country. We have guys in here from how many different countries? How many different religious backgrounds? So I think just continuing that evolution in the clubhouse.
Dolan: That sports era of the ’90s, early 2000s of hyper-masculine, almost borderline toxic masculine, alpha, humiliate your opponent, keep your head down, don’t look like you’re having fun. That’s waning because fans want fun. They like the back flips. They like the personality. And you’ve got guys out there, you’ve got little pockets of people showing their personality.
Blade: Do you think this team is ready for a gay player?
Doolittle: I don’t know. And that’s the thing, I don’t think we’re going to know until that happens. I wish I had a better answer.
Dolan: I think baseball is ready and I think clubhouses know if a guy can help your team, period, the end. Doesn’t matter.
Blade: What’s your take on the NFL’s anthem protest?
Dolan: It’s not an anthem protest, that’s my first thing. They’re not protesting the anthem, they’re protesting the violence against young African-American men, particularly.
Doolittle: I think the NFL’s response was incredibly dangerous and disgusting. You’re punishing guys by policing peaceful protesting. I think it sends a really bad message across the United States.
Dolan: And if you say no politics in sports, then how do you explain flyovers that you do before games? How do you explain all the active recruiting that they do for the military during games? Why are we picking and choosing? When you’re telling young African-American men, “We want to watch you, we want to watch you do this particular thing, but don’t talk,” that just smacks of something that I thought this country had moved past.
Doolittle: I think it could have been a relatively short-lived story with a much better ending if, initially, they had focused their energies on listening and trying to figure out a way to get guys to stand. So when Kaepernick starts kneeling, they start listening to his message. They help him get involved to focus that message into action in the community. And soon enough, we have guys that are proud to stand up for the anthem because they’re helping their communities and bettering people and remedying the situation. And I think, unfortunately, it’s been used as something in this culture war that we’ve seen. These guys have done a lot of incredible work in their communities. They’ve met with government officials, they’ve done a lot of outreach with law enforcement in their communities. They are backing it up with significant action. So I wish everybody felt good enough and proud enough to stand for the anthem without being told that they had to do so.
Blade: Would you go to the White House if the Nats win the World Series?
Doolittle: People have asked me that before, and you don’t get to answer that question unless you win the World Series
Dolan: We’ll talk to you in October.
Blade: As a relief pitcher, you’re either the hero or the goat. How do you deal with that on a daily basis? Do you have stress techniques?
Doolittle: I’ve gotten a lot better at it over the last couple years. Early in my career, I pitched with a lot of emotion and I put a lot into, like you said, whether you’re the hero or the goat in that scenario. There’s no gray area in that line of work. There’s no, well I thought I executed my pitches really well, I just didn’t get the results I wanted. That’s not a great consolation prize for you or the other 24 guys on your team.
Dolan: And the fans don’t want to hear it.
Doolittle: Yeah, and it’s tough to explain that away. I was very attached to how I was pitching, and if I was getting the job done. If I didn’t get the job done, that was a blow to my self-esteem. Over the last few years, I worked a lot at processing the outings, mentally preparing for the outings, changing the way that I use that energy. I used to pitch with a ton of emotion. Now, I use the energy to hyper focus. I want to calm things down. I want things to be slow and smooth.
Dolan: You’re very Zen.
Doolittle: I think it’s helped me manage a lot of that stress. It’s not always easy, but it’s an occupational hazard.
Blade: Your stats this year are amazing and…..
Dolan: Don’t say them, don’t say them, don’t say them.
Blade: All right. Don’t say them out loud?
Dolan: No. We’re very superstitious.
Blade: Are the stats that shall not be named a result of your comfort level in D.C. or are you doing something different in training?
Doolittle: I feel very comfortable in D.C. We love it here. I changed some things. But a lot of it was behind the scenes. We changed a lot with the arm care program that I have. I dealt with some shoulder injuries in the past, when I was with Oakland, and I missed some time on the disabled list, and I think sometimes, just getting a fresh set of eyes or a new way of explaining things, really helps. And we added some things to that program, to the daily routine. I feel strong. I feel, at this point in the season, even with the work load I’ve had, I feel really good about where my body’s at, and I think when you don’t have to worry every day about, how’s my arm going to feel when you come to the field, you can throw yourself into focusing on your outing and who you might face rather than focusing on trying to get your body ready to pitch. So that’s been a load off my shoulders, pardon the pun.
Dolan: Did you catch the eye roll on the recording? Was it loud enough?
Blade: You had an unusual path to becoming an MLB relief pitcher. You pitched growing up and also played first base at University of Virginia. And then, you were drafted by the Oakland Athletics as an outfielder and a first baseman. Is this where you were supposed to be the whole time? There was a little side path.
Doolittle: I feel like it is. It’s a lot easier for me to say this now, but I’m glad I went through that transition process. There were some really dark times. I missed three full seasons on the disabled list in the minor leagues.
Dolan: So close to getting a call up, too. He was right on the cusp.
Doolittle: And before I got hurt the first time in 2009….
Blade: As a first baseman?
Doolittle: As a first baseman, yeah. It’s totally shifted my perspective on everything. This almost didn’t happen at all. In 2011, I had contacted my agent to go back and try and figure out the process of re-enrolling in college, because I was that far at the end of my rope. And the A’s came to me and said, “Hey, would you like to think about pitching?” I joke that I took the scenic route to the big leagues. It makes me appreciate every day that I get to wear that little logo on the back of my hat that says I’m in the big leagues. It came really close to never happening.
Dolan: There’s something to be said about having experienced adversity and failed. I don’t think I would be with him if he was this super successful player. I don’t think I would have been drawn to him.
Doolittle: Right, you learn a lot of humility, you learn a lot about yourself.
Dolan: Yeah. If you’d been that first round pick that you were, superstar first baseman….
Doolittle: I was the man.
Dolan: You were the man.
Blade: You prefer him damaged?
Dolan: That’s right up my alley. Who else is going to humble him, honestly?
Blade: What are you liking about living in D.C.?
Doolittle: It’s an awesome city. There’s a good energy, there’s a creative energy, it’s very diverse, it’s very accepting. The sense of community, the pride of being from D.C., that’s a thing that we found that I think was really cool. There’s a lot that we like about it.
Dolan: It’s amazing. We love the local bookstores and local record shops. We love just discovering new, cool spots that we can hit up every time we have a spare hour or so.
Blade: What about the excitement of MLB All-Star Week being in the town where you’re now pitching?
Doolittle: I think it’s awesome. I think us players, we’re starting to feel that buzz and that energy surrounding it. I’m excited for the Nationals fans and the organization, because they’ve done everything so first class. There’s a good energy surrounding D.C. sports now, and I think to bring the best players from around baseball here to D.C., that’s going to be really cool.
Blade: Has the Stanley Cup win by the Washington Capitals affected the team in any way?
Doolittle: We definitely followed it as a team. Before or after our games, whenever the Caps were playing, the TVs in the clubhouse were on. We were following it on our phones, or any chance we could, we were watching the game. We were all in, and I think it was great for us because they gave us the blueprint. They showed us how it’s done. They’ve had a similar storyline. They’ve had to answer a lot of the same questions we’ve had to answer after having really successful, regular seasons, but not making the deep run into the playoffs. They’ve had to answer the questions, is this the year you get over the hump? How are you guys going to break through?
So to see them do it, and to see them break through and not stop, and keep going. It was really fun. And when they came here, that was the biggest thing that they said. It was really cool to share that experience, just for a little bit, with the Cup, in the locker room and on the field.
Even though it’s a different sport, that energy, you can feel it. We’ve had Champagne celebrations before, and once you get a taste of that, you want more. And that’s really motivating, to have another team in your city bring in a trophy like that.
Dolan: And to see the parade and the reaction from the fan base. This is a sports city. And I don’t think people give it enough credit for being the sports city that it is. It was a nice taste.
Blade: Sean, you are a Star Wars fan and your Twitter handle is Obi-Sean Kenobi. Was the Solo movie a win or lose for you? Did you go in costume?
Doolittle: I loved it and we didn’t go in costume this time. We were in Miami, so we were on the road. But we did see it opening night.
Dolan: It was really hot there; a Chewbacca costume would have been difficult.
Doolittle: Yeah. And I don’t know if I can pull off a Princess Leia bikini.
Dolan: Not to say we haven’t tried. There’s your cover picture.
Blade: What’s on your music playlist right now?
Doolittle: I’m a metalhead. I was raised on the sounds of Black Sabbath and Ozzy, AC/DC and Metallica, and my love for it grew from there. When we were kids, we would be going to a Little League game. I’d be nine years old and we were rolling up in the minivan, blasting Black Sabbath.
Dolan: Oh, bad, bad. Love it.
Doolittle: There’s a band from Texas called Power Trip. They’re new but their sound is very ’80s thrash, which I really dig. There’s another band call Chemist. It’s called doom metal. It’s a lot slower and they have some good stuff. I really only listen to it when I’m at the field. When we’re at home, it’s a lot more mellow.
Dolan: We’re pretty eclectic at home. It’s not all metal for us. We like a lot of the new Nashville sound. I’m not a huge country fan, but Sturgill Simpson and….
Doolittle: Jason Isbell.
Dolan: And Colter Wall, yeah. A lot of that is really good. And I love hardcore gangster rap, honestly. I’m not going to lie, it’s my weakness. When he’s pitching, I put on noise canceling headphones and blast gangster rap. Tupac or Biggie, and it works. It calms my nerves because there’s something about it.
Blade: There are nerves for you while he’s pitching?
Dolan: I don’t watch, no. I haven’t watched him pitch live in years. I’m too superstitious.
Blade: Give me a quirk about the other person that makes you laugh.
Doolittle: Oh my god.
Dolan: He has a tactile thing about mesh.
Doolittle: It’s very soft.
Dolan: He likes to touch mesh.
Doolittle: Quirks that make me laugh….
Dolan: Careful, careful.
Doolittle: Well the aforementioned noise canceling headphones, she likes them so much that she’s taken to wearing them in the shower.
Dolan: They’re large speakers and I have three separate shower caps.
Doolittle: She took 45 minutes in the bathroom recently and I was like, what is going on? I was knocking on the door. She didn’t hear me.
Dolan: I bought a deep conditioner mask. Listen, this hair doesn’t get like this on its own.
Blade: Sean, we need to get you to practice. Let’s grab a photo first.
Dolan: Cool.
Doolittle: Oh, cool.
Dolan: All right. Don’t forget your dry cleaning, Sean. We want that front and center in frame.

Sean Doolittle and Eireann Dolan (Washington Blade photo by Michael Key)
a&e features
Mr. Henry’s celebrates 60 years of proud inclusivity
Capitol Hill staple remains ‘a caring community’
America’s 250th isn’t the only milestone birthday D.C. is celebrating this year.
Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.
Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.

“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”
Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.
Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.
Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”
Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”
From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.
Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”
Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.
For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.
In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.
Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”
a&e features
Television loses a legend, longtime ‘Will & Grace’ director James Burrows
Iconic hitmaker leaves behind a legacy of telling LGBTQ stories
You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history.
He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”
He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet.
Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.”
He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.”
He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”
This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.”
What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.”
He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.
The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”
This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction.
In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”
He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy.
a&e features
D.C. prepares to party as Pride celebrations kick off Saturday
Bars, clubs have busy lineups; Pride on the Pier returns
Capital Pride’s date change isn’t slowing down the festivities. Back in December, the Capital Pride Alliance shifted the calendar for Pride celebrations in the nation’s capital from the second weekend of June to two weeks later to the weekend of June 20-21 to not conflict with President Trump’s birthday and 250th anniversary of America celebrations, with the aim that “our community can gather safely and without unnecessary barriers… We are protecting our space and preserving Pride as a powerful act of visibility, solidarity, and resistance.”
On the heels of WorldPride last year, the city shows no sign of slowing down. Instead, restaurants, bars, clubs, and neighborhoods are taking the opportunity to be even more visible. The Blade has put together a (non-comprehensive) list of parties, activations, and activities across town:
Pride on the Pier returns on Saturday, June 13 to the Wharf on the Southwest waterfront. The event, sponsored and hosted by the Washington Blade, is free and runs from 4-9 p.m. There will be vendors, DJs, and drag performances all day. VIP tickets are $25 and come with air conditioned party room, private bathrooms, and free cocktail. More details at prideonthepierdc.com.
Capital Pride Official Opening Party: RIOT! is the official opening dance party of Capital Pride, taking place Friday June 19, 9 PM-3AM. The 2026 edition headlining performer is Myki Meeks, a finalist of “RuPaul’s Drag Race” season 18; Bob The Drag Queen will perform a special set. DMV-area DJs and performers include: Bambi, Baphomette, Bumper, Cake Pop!, Connor, DJ Ed Bailey, DJ Diyanna Monet, Evry Pleasure, Jakknife Complex, Mari Con Carne, Pussy Noir, WessTheDJ. Trade owner Ed Bailey is producing the event.
Kinetic Presents brings the heat across the entirety of Pride weekend as well. It again is partnering with Capital Pride Alliance to produce four events over four days this Pride, including the Official Main Event on Saturday (the Friday official event is at Echostage). Kinetic’s parties are splayed across various D.C. venues, with special performances, massive productions, shirtless dancers, play zones, dance-forward audio and visuals, and international DJ talent. Thursday, June 18 at 10 PM at District Eagle is Lust, with music by Dan Slater and TOMI. Friday, June 19 at 10 PM is UNCUT XXL Heavy Load, at A.i. Warehouse in Union Market District, with music by Alex Acosta, Felipe Lira & Mitch Ferrino; the party is a “high-octane night of muscular house and tribal rhythms.” Saturday, June 20 at 10 PM brings that official main event, Kinetic Toy Land, at Echostage, with music by GSP & Matt Suave. Alaska Thunderfuck headlines. Sunday evening June 21 at 10 PM closes with discoVERS at SAX. A portion of tickets supports the DC LGBTQ+ community through Capital Pride Alliance.
9:30 Club always comes in clutch for the LGBTQ community. Already in June, it produced Kitty Kat Ball on June 7, and Kiesza performed on June 8. On June 20 at 10 PM, the famed Mixtape party hits the stage, care of gay DJs Shea van Horn and Matt Bailer, who have spun together for coming up on two decades. Mixtape has been held at several venues across the city over those years, and now settled on 9:30 Club for Pride. On June 25 at 7 PM, Big Freedia – the bounce artist from New Orleans – hits the 9:30 Club scene for the eighth time, as part of the Big Freedom Tour.
Crush: New this year from the 14th Street bar is the Pride Pop-Up, sitting pretty in the parking lot at 1820 14th St., N.W., at the corner of Swann Street by the start of the Pride Parade route. Hours are Friday from 2-10 PM and Saturday from 12-10 PM. Friday evening features Grizzly Bear Happy Hour, a DJ will set up shop on Saturday, and for those needing another layer, there’s a Crush merch store. Co-owner Mark Rutstein “has always wanted to throw a party in that parking lot, so he did,” said co-owner Stephen Rutgers. Note that Crush (the bar) will have a cover on Friday and Saturday.
Kiki: Over at Kiki, there’s a full slate of Pride-themed programming all week. Tuesday, June 16 at 9 PM brings karaoke; Wednesday, June 17 at 7:30 PM is trivia; Thursday June 18 at 9PM is “Night of 1000 Tatianna’s Drag Show”, and Friday June 19 at 9 PM brings the Juneteenth Serve Drag Show. Saturday, June 20 at 10 PM, post-parade, is a Pride Dance Party with DJ Lemz. Sunday daytime at 5 PM is the Father Figures Daddy Issues Special Drag Show; and after the festival at 8 PM, DJ Tezrah hits the tapes.
Jane Jane: Right along the parade route, gay-owned Jane Jane has transformed its space into a “No Kings, Yas Queens” activation in a direct response to the America 250th commemorations happening downtown, from the colorful window installation, to merch (including a custom bandana and tank) to disco wig installations. Events include industry night on Mondays, donations to LGBTQ charities, and to-go cocktails during the Pride Parade.
Shaw’s Tavern: Gay-owned Shaw’s Tavern on Florida Avenue celebrates Pride week with a full lineup of themed events, entertainment, and specials, including Pride trivia on Monday, June 15 at 7:30 PM, bingo on Tuesday, June 16 at 8 PM, a cabaret on Thursday, June 18 at 9 PM, Juneteenth Drag Brunch on Friday, June 19 at 12:30 PM, and both a pre-parade brunch (10 AM-4 PM) and post-parade party (5-9 PM) on Saturday, June 20. Sunday, June 21 at 7 PM brings Mama’s Sunday Supper & Drag Pride Show in the evening for anyone who is still awake.
Trade: This classic has a weekend of events, starting on Thursday, with Tiburon Pride Edition, a Latin Dance party in the Shark Tank. On Friday, the bar opens early (at 2 PM), with all-day happy hour and the Jx&Evry Show. On Saturday, the bar opens at noon, offering a prime parade viewing spot from its windows. There will be the CLASH drag show hosted by Tatianna and Crimsyn, and Sweet Spot party that night. On Sunday, the bar opens for normal hours at 2 PM, with DJs Adam K, Alex Love, and WESSTHEDJ.
Pitchers: The multi-level bar in Adams Morgan is hosting a Pride-themed show on Thursday, June 18 at 10 PM, with drawstring bag giveaways – the only kind of bag that will be allowed into the bar during Pride weekend. The show features drag queen Kyle Sonique Love.
Barrel House Cafe and Bar: Also by the parade route on 14th Street, Barrel House Cafe takes advantage of its large patio to have a slate of events during Pride week, including Schism, a drag and burlesque show on June 18 at 10 PM, as well as an all-day Pride party coinciding on parade day.
Bunker: Bunker again plays host to a series of afters. Friday night (Saturday 3:30 AM) is Unhinged, and Saturday night (Sunday 3:30AM) is Unholy. The regular Saturday night party (10 PM) brings in Venetian and Tiara Missou. All parties have cover charges.
District Eagle: Beyond the Kinetic party on Friday, June 19 brings Gear Night at 10 PM; Saturday, June 20 at 10 PM is LOBO presents PRISM, and Sunday, June 21 is Sundaze wit Papi at 6 PM.
African Art Museum: On Thursday, June 18 at 5 PM, this Smithsonian museum is hosting a free event with artists and curators celebrating its exhibit, “Here: Pride and Belonging in African Art,” “based on years of close collaboration and dialogue with African visual art practitioners who claim belonging in the LGBTQ+ community, however they define those terms,” according to the museum.
KNEAD Hospitality & Design: The gay-owned KNEAD restaurant group (including spots like Gatsby, Mi Vida, Succotash The Grill) is featuring the GLITTERATI cocktail, made with Tito’s, St-Germain Elderflower, Butterfly Flower, ginger, and yes, glitter. A portion of proceeds from every Glitterati cocktail sold will benefit The Trevor Project. The cocktail will be sold throughout June.
The Fountain Inn is partnering with Rhodium spirits (Rhode Island’s first LGBTQ+ owned distillery) all month, making cocktails like gimlets and espresso martinis featuring Rhodium’s liquors. Proceeds benefit SMYAL, an organization dedicated to empowering LGBTQ+ youth.
Hard Rock Cafe: Hard Rock DC is taking part in the chain’s annual “LOVE OUT LOUD” campaign, with Pride merch, specials on June 20, and a donation to The Trevor Project.

