Books
Fertility doc shares 20 years of experience helping gay couples conceive
Issues, challenges vary for gay, lesbian, poz and trans folks hoping to parent


Dr. Guy Ringler says fertility issues for same-sex couples have changed dramatically over the last 20 years. (Photo courtesy Ringler)
Guy Ringler, a gay fertility doctor, started writing a few years ago as a way to explore a personal hobby but also to share the wealth of information heās amassed in 20-plus years of helping couples conceive.
āI felt it was very important to give back and by sharing these stories and this information, it was a way to give back not only to the LGBT community, but also so other people could learn about gay family building and how normal it is,ā the 61-year-old Ringler, in practice in Los Angeles for 27 years at California Fertility Partners, says. āWhatās really fascinating is the surrogates, who basically give a year of their lives, they often come from small towns and they tell me theyāll be in the grocery store and people are shocked to hear theyāre a surrogate and even more shocked theyāre doing it for a gay couple so theyāre really helping to educate others that itās OK and right and everyone deserves the right to have a family. Weāre seeing lots of change in positive ways.ā
About four years ago, Ringler ā gay himself but not a parent ā started having his columns published in outlets such as The Advocate, Huffington Post, LGBTQ Nation, for GLAAD and more. Titles ranged from āGay Fertility Doctor on Twenty Years of Helping to Build LGBT Familiesā (GLAAD, June 2015) to āWhat I really Want for Christmas: How to Tell Your Family Youāre Having Kidsā (Huffington Post, Dec. 2014), āWhy Trans People Should take a Pregnant Pause Before Transitioningā (LGBTQ Nation, Nov. 2016), āPoz People Can Still Have the Family They Have Always Dreamed Ofā (The Advocate, Nov. 2014) and several more.
Earlier this year, Ringler self-published the columns in a booklet called āTwo Decades of Reflections by a Gay Fertility Doctor.ā Heās selling copies for $9.99 on eBay.
Ringler says family planning for LGBT couples has made ā as one would expect ā enormous strides in the last 20 years. He writes of the first same-sex male couple who consulted with him on starting their family about 20 years ago wanting their child to be a āmix of their genetics.ā They were able to do so, Ringler writes, by harvesting eggs from one partnerās sister and fertilizing them with sperm of his partner. āEverything worked out wonderfully,ā he writes.
Ringler says he now sees greater diversity of ages in his clients and people from different parts of the world. One whole section of the book is devoted to āLGBT Family Building Around the World,ā where he writes of his work in China, Japan, Spain and more.
āFortunately with growing societal acceptance, there are many more options and more clinics are opening their doors,ā Ringler says.

A new booklet by Dr. Guy Ringler collects essays heās written on IVF, gay parenting and more. (Photo courtesy Ringler)
Books
Reading āBlue Hungerā is like watching a Stanley Kubrick film
Lush, dreamlike, andĀ you won’t be able to stop thinking about it

āBlue Hungerā
By Viola Di Grado, translated by Jamie Richards
c.2023, Bloomsbury
$27/ 216 pages
You can’t stop thinking about it.
It’s been rolling around in your mind since it happened and you can’t stop. You replay it over and over, how it started, how it progressed, why it ended. You wonder if it’ll happen again and in the new novel “Blue Hunger” by Viola Di Grado, you wonder if you truly want it to.

Shanghai was not her first choice for a place to live. Sometimes, she wasn’t really even sure why she came there, except that it was Ruben’s dream.
For months and months, he spoke of Shanghai, showed her maps, talked of a life as a chef living in a high-rise apartment, and he taught her a little bit of the language. She never fully understood why Ruben loved China and she never thought to ask before her other half, her twin brother, her only sibling died.
She was brushing her teeth when it happened. Now, weeks later, she was in his favorite city, a teacher of Italian languages in a Chinese culture, alone, friendless. Then she met Xu.
It happened at the nightclub called Poxx and she later wondered, with a thrill, if Xu had been stalking her. Xu claimed that she was a student in the Italian class, but though she was usually good with faces, she didn’t remember the slender, “glorious” woman with milk-white skin and luminous eyes.
She did remember the first place she and Xu had sex.
It was a hotel, but Xu liked it outside, too; in public, on sidewalks, in abandoned buildings, and in crowded nightclubs. They took yellow pills together, slept together in Xu’s squalid apartment; she told Xu she loved her but never got a reply except that Xu starting biting.
Xu had used her teeth all along but she started biting harder.
Soon, she was bleeding, bruising from Xu’s bites, and seeing people in the shadows, and she began to understand that Ruben wouldn’t have liked Xu at all.
You know what you want. You’re someone with determination. And you may want this book, but there are a few things you’ll need to know first.
Reading “Blue Hunger” is like watching a Stanley Kubrick movie. It’s surreal, kind of gauzy, and loaded with meanings that are somewhat fuzzy until you’ve read a paragraph several times ā and even then, you’re not quite sure about it. Author Viola Di Grado writes of sharp, unfinished mourning with a grief-distracting obsession layered thickly on top, of control and submission, and while the chapters are each brief, they feel too long but not long enough. There are so many questions left dangling within the plot of this story, so many small bits unsaid, but also too much information of the mundane sort. You’ll feel somewhat voyeuristic with this book in your hands, until you notice that the sex scenes here are humidly uber-fiery but not very detailed.
Overall, then, “Blue Hunger” is different but compelling, short enough to read twice, quickly. It’s lush, dreamlike, and once started, you won’t be able to stop thinking about it.
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Books
Washington Blade editor tells all in new book
Kevin Naff revisits 20 years in the battle for LGBTQ equality in tome that is part history lesson, part celebrity dish

Washington Blade Editor Kevin Naff this week published his first book, āHow We Won the War for LGBTQ Equality ā And How Our Enemies Could Take It All Away.ā
The book commemorates Naffās 20 years editing the Blade and features two decades of his work updated with new insights and commentary, touching on everything from the fight for marriage equality and repeal of āDonāt Ask, Donāt Tellā to celebrity encounters and the outing of public figures.
Itās part history lesson and part celebrity dish, available now at Amazon.com and kevinnaff.com.
The following is adapted from an interview between Rob Watson of Rated LGBT Radio and Naff. To listen to the full interview, visit blogtalkradio.com/ratedlgbtradio.
The two-decades long war in Afghanistan was the longest in U.S. history. Wars for civil rights have been much longer, and for many, nowhere near over. Ours for LGBTQ rights is a prime example.
While gains in our particular war have been many, and by historical standards, have come incredibly fast, they have now been fought by several generations.
Author and Washington Blade editor Kevin Naff highlights this perspective in his new book āHow We Won the War for LGBTQ Equality.ā
āTwo decades represents a mere blip in the arc of a civil rights struggle, yet in that span, the LGBTQ community in the United States went from legally second-class status to enjoying near full protection of federal law along with widespread societal acceptance and even full marriage rights,ā Naff writes.
He is aware that this look into our collective history represents a glimpse into a broader, and more painful fight, where many LGBTQ families lost their fights. āNot a week has gone by in my 20 years at the Blade that I didnāt think of the generation of gay men before me who didnāt live to see all of this progress,ā he writes. āThey inspire me. I do this work for them. They did not die in vain. Not just the men who died, but the lesbians who cared for them when no one else would. They are not forgotten.ā
āThis is not a dry history lesson type of book, but if you want to learn, the book does tell the marriage equality battle, āDonāt Ask Donāt Tell,ā and how a lot of our wins unfolded,ā Naff declared when he sat down with me on the Rated LGBT Radio podcast.
Heās right. āHow to Winā shares many of Naffās articles written as events were unfolding. Absorbing these as a modern reader, I found my deep desire to fight against anything less than full equality, and repression against our abilities to self-actualize, getting hungrier and hungrier.
For those wanting āshade and the truth,ā this book delivers, as itās filled with page-turning anecdotes to keep you glued and voracious right to the very end.
Like many of us, Naff was persecuted for being perceived as gay when he was a kid. āThe walk home from school was particularly terrifying ā I walked alone and my tormentors would often follow, hurling rocks and anti-gay slurs. Sometimes the fear was so intense that I would feign sick just to avoid a day of the torture,ā he writes. His youth was not a time when there was much sympathy, or help, for LGBTQ children. It was the time of do-it-yourself. āThere was the day I finally snapped, in seventh grade, while being taunted by a kid in gym class. The insults and threats became too much and all the anger rushed out of meā¦I defended myself. And it felt good,ā Naff reveals. He acknowledges that his bullies āforced me to cultivate an inner strength.ā

Years later, as a journalist and conscience for public progressives, Naffās unwillingness to back down, and passion to stand and fight, emerge time and time again in the book.
While he writes of contempt for George W. Bushās opportunistic use of same-sex marriage as a campaign wedge issue, Naff stepped up his fight to the next level when facing Maryland Gov. Martin OāMalley. OāMalley was a progressive who used LGBTQ goodwill and campaign muscle to get elected. When an appeals court rejected same-sex marriage, OāMalley went from champion to cad at light speed. He issued an offensive statement about Catholic sacraments and asserted his opposition to marriage equality.
So, Naff outed the governorās brother, Patrick. (That the brother was gay was a fact commonly known in social circles, but had not reached the media level previously).
The governor was mad, but Naff landed a one-on-one interview with OāMalley, and eventually a path to the governor flipping support on the issue.
Naffās unwillingness to allow LGBTQ people to be pushed around is not just with public figures who use us and then abandon us, people he calls āduplicitous allies,ā but he feels no hesitancy in confronting Hollywood icons and their cults, as John Travolta found out.
Naff went viral with a piece in 2007 when he wrote a blog post criticizing the casting of a potentially closeted and indoctrinated Scientologist John Travolta, as the Divine-inspired drag role in John Watersā musical version of āHairspray.ā
That post āgenerated the most attention and traffic of anything Iāve written,ā Naff says. āMy blog post encouraged gay fans to boycott the new film because its star, John Travolta, was Scientologyās No. 2 spokesperson and his cult was known to engage in reparative therapy, the debunked practice of changing oneās sexual orientation.ā
Mainstream gossip media declared that āthe gays were boycotting Hairspray.ā Soon Naff found himself inundated with death threats, and being summoned by both Fox News and the Church of Scientology itself.
Naff agreed to a face off with Foxās Bill OāReilly whose friendly off-air persona turned rabid in front of the cameras. When Naff pointed out that he was comparing gay people to drug addicts, OāReilly snarled, āDonāt be a wise guy, Mr. Naff.ā
Naffās biggest sin, according to the Church of Scientology, was referring to it as a ācult.ā To prove that they werenāt, the president of the D.C. church invited Naff for a meeting. Upon arrival at the Scientology mansion in Dupont Circle, the church president gave Naff a tour, which included an āimmaculate first-floor formal office.ā After inquiring whose office it was, Naff was told that it was āMr. Hubbardās officeā and that every church location had one. Scientology founder L. Ron Hubbard had been dead for 21 years at that point.
āCult!ā Naff and I exclaimed in unison as he told me the story.
As editor of the Washington Blade, Naff is an established invitee to the journalistic event of each season: The White House Correspondentsā Association Dinner. He writes about his dates he has taken each year from the heavenly (Judith Light) to the disastrous (Kathy Griffin). The latter made a point to scream expletives at Trump administration officials in attendance.
While Naff could appreciate the sentiment, Griffin left D.C. the next day, while he, the in-town professional, had to face all of her targets.
Laverne Cox was also a standout date. She accompanied Naff the night after Caitlyn Jennerās televised coming out interview aired. āIf one more reporter asks me about fucking Caitlyn Jenner, Iām going to lose it,ā Naff reports Cox confiding. His story about Laverne Cox was not so much about Jenner, however, but reads like something out of āOceans 8.ā
Unlike the movie, Naffās evening did not feature a planned jewel heist, nor were Sandra Bullock and Cate Blanchett anywhere in sight, but it did feature a pricey borrowed diamond bracelet that went missing off of Coxās wrist. She feared the jeweler would accuse her of theft. The dilemma ultimately had one of the most famous transgender actresses of all time, and the editor of the nationās oldest LGBTQ publication frantically crawling under banquet tables surrounded by the Washington elite and press corps.
Cox finally found the bauble at 4 a.m., deep at the bottom of her purse.

āHow We Wonā covers the arc of LGBTQ history over two crucial decades and hits on topics from bullying of youth, the āex-gayā movement, the military, religion, police, and, of course, marriage equality. Besides his adventures with cults chasing him down, A-lister dates and angry governors, Naff also shares poignant emotional moments of his own.
One came in shocking fashion when he arrived to the Washington Blade offices one morning to find two men from the Bladeās then-parent company. They were there to shut the place down after a Chapter 7 bankruptcy filing.
Naff retreated to his office, scrambling to think out the next move. The Blade staff resolved to not give up and successfully put out a slim newssheet for a few months until they could recover the Bladeās assets from the bankruptcy court and keep the legacy alive.
One of the great ironies of the LGBTQ movement is that many people who have fought for progress are not the ones who live to enjoy all the gains. They win the battles but leave the new world for others to fully enjoy.
Naff is one of those pioneers. After an adult life fighting for LGBTQ people to exercise the right to marry our loves in a fully public, accepting way, challenging all who might deny a same-sex couple service, Naff had a life-changing revelation that made him choose to walk away from a huge wedding event for himself.
Months before his own wedding, he was in a serious automobile accident. He called his fiancĆ© and pitched the idea of a small ceremony on the beach, followed by a gay cruise together around Asia. āSomething happens when you are faced with a life-or-death kind of moment. It changes whatās important. It changes your perspective,ā he tells me.
Naff started out his writing career as a 10-year-old writing to the Washington Post as a pissed-off Baltimore Orioles fan protesting the Major League Baseball strike of 1981. āI am STILL a pissed off Baltimore Orioles fan,ā he says. From day one, he found his knack for observation and his gift for pointed communication. Those are the same qualities he brings to his participation in, and presentation of, our LGBTQ historic trek to equality victory.
In āHow We Won,ā he tells an unvarnished story, as he saw it, as he wrote about it, and continues to tell it, at the helm of the Washington Blade. He tells of the right-wing figures he confronted and continues to confront. He thinks of the term āoutingā as an archaic term. Today, it is simply ātruth-tellingā of those in the public eye. As much as the title of his book implies a āwinā and completion, I am confident that the 10-year-old pissed-off Baltimore Orioles fan within is not done.
Naffās subtitle, after all, is āAnd How Our Enemies Could Take it All Away.ā
A post-war recap for Kevin Naff might have been best expressed by the fictional Mr. Incredible when he said, āNo matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved!ā
As homophobic, transphobic Republican legislation sweeps the country, it is clear, we are not done and a new chapter in the war has begun. At the end of āThe Incredibles,ā continuing the allegory, after a family of progressives have saved the world, a huge noisy crew disrupts it (symbolic of the MAGA wave). Out pops the Under-Miner who declares, āBehold, The Under-Miner! I am always beneath you, but NOTHING is beneath me! (As it seems so for the GOP.) I hereby declare war on peace and happiness! Soon all will tremble before me!ā
The music swells, and the family of authentic-selves look at each other with a smirk, opening their shirts to reveal that they are Incredibles. They know that this time, like last time, they will not be defeated.
So stands Kevin Naff, looking back and looking forward, with his band of Incredibles, LGBTQ journalists worldwide, and the rest of us, ready to fight the fight again.
As we prepare for the new battles ahead, the principles of āHow We Wonā will be our tools for ultimate victory: be visible, be assertive, confront lies and injustice, reinvent, rebirth and in the end, hold our personal loves sacred.
Kevin Naff and Mr. Incredible would stand for nothing less. Neither should you.
Books
A timely biography of drag queen Doris Fish
An eye-opener to queer life in Sydney and San Francisco

āWho Does That Bitch Think She Is? Doris Fish and the Rise of Dragā
By Craig Seligman
c.2023, PublicAffairs
$29/352 pages
Tennessee, home of Dollywood, just passed legislation banning āadult-oriented performances that are harmful to minors.ā
āIf I hadnāt been a girl, Iād have been a drag queen,ā Dolly Parton has said. (Make of that what you will, Tennessee Gov. Bill Lee.)
Nothing is more timely than cultural critic and writer Craig Seligmanās new work of queer history āWho Does That Bitch Think She Is? Doris Fish and the Rise of Drag.ā

One day in the 1980s, Doris Fish, a San Francisco drag queen, sat for a shoot in a beauty salon. Sitting under a dryer, ācurlers in his yellow fright wig, wearing a fuchsia top, turquoise pedal pushers, white peep-toe pumps and (too much) matching makeup, wide-eyed in what looks like despair,ā Fish modeled for West Graphics, a local greeting card company, Seligman writes.
These greeting cards featured queer humor. āBOTH YOUR DOCTOR & HAIRDRESSER AGREE! THIS TIME ITāS GOING TO TAKE MORE THAN A COMB-OUT,ā the caption to the card with Fishās stunning beauty parlor photo, read.
Then, most gay people werenāt proud or irritated by these greeting cards, reports Seligman in his captivating history of drag told through the life of Fish, who was legendary in San Francisco from the 1970s until he died from AIDS in 1991.
The greeting cards were just funny to queer people at that moment, Seligman writes, āwhich was how the rest of the country saw them, too.ā
āYet itās hard to envision their taking off the way they did a decade earlier,ā he adds, āThe very people who might once have been appalled to learn they had a queer family member were snapping up these artifacts of gay humor.ā
This is one of the many insights into cultural changes in attitudes toward queer people and drag to be found in Seligmanās illuminating bio of Fish.
Fish was born into a middle-class, Catholic family in 1952 as Philip Clargo Mills in Manly Vale, a suburb of Sydney, Australia. (Even the most ironic novelist wouldnāt have come up with that name!)
Doris considered himself to be what we, today, would call cisgender, Seligman reports.
Fishās Australian friends and family referred to Fish as āheā and āhim,ā Seligman writes. When Fishās queer male friends called him āshe,ā it was āMary camp banter,ā not āgender confusion,ā he adds. For these reasons, Seligman refers to Fish with masculine pronouns.
After a childhood spent quietly drawing, Fish became a star of the Sydney drag queen scene. He performed with, what Seligman calls a āpsyche troupeā of drag queens, Sylvia and the Synthetics.
After moving to San Francisco in the 1970s, Fish performed in the beloved drag shows āSluts a Go-Goā and āNightclub of the Living Deadā as well as the outrageous sci-fi drag film āVegas in Space.ā
Fish, Seligman makes clear, was complex, talented, and creative. Along with being a drag queen, he was a sex worker and artist. Fish was disciplined in all these areas of his life, Seligman writes.
āAll three of those personas centered on his gayness,ā Seligman adds, āat a time when homosexuality was just beginning to make its way toward the center of the conversation in both of the countries [Australia and the U.S.] he called home.ā
Fishās life and work were entwined with queer history ā from Club 181 to Anita Bryantās vicious anti-queer āSave Our Children Campaignā to the heroic role that Dianne Feinstein (as mayor of San Francisco) played during the AIDS crisis. Many queer histories, especially of the AIDS crisis, focus on New York. Seligmanās work is an eye-opener to queer life in Sydney and San Francisco.
Seligmanās husband, Silvana Nova, was part of āVegas in Space.ā A hat tip to Seligman for working his spouse seamlessly into this thoughtful history.
Drag shows arenāt just entertainment. They accomplish āsatireās deepest dream: not just to rail against society, but to change it,ā Seligman writes.
If only Gov. Bill Lee and his ilk could be changed by āWho Does That Bitch Think She Is? Doris Fish and the Rise of Drag.ā
The Blade may receive commissions from qualifying purchases made via this post.
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