Arts & Entertainment
Actor Garrett Clayton says Hollywood forced him to stay closeted
The ‘King Cobra’ star also opened up about coming out to his family
Garrett Clayton (Photo courtesy of Gay Times Magazine)
Actor Garrett Clayton got candid about his experience being gay in Hollywood in a new interview with Gay Times Magazine.
Clayton, 27, started his career appearing in Disney programs such as “Teen Beach Movie” and ‘Shake it Up.” He also portrayed Link Larkin in NBC’s “Hairspray Live!” In 2016, he starred as Brent Corrigan in the gay porn drama “King Cobra” but Clayton didn’t publicly come out as gay until August.
Speaking with Gay Times Magazine, Clayton says he was encouraged to keep his sexuality a secret for the sake of his career.
“One of the first things somebody who was instrumental in starting my career did, they sat me down and they said, ‘Are you gay?’ And I could feel the pressure of the question, so I was like, ‘Yeah, I’m gay, or bi, or whatever’, because suddenly I could feel that there was something wrong with that in this person’s eyes. They looked at me and said, ‘No one wants to fuck the gay guy, they want to go shopping with him, so we’re going to have to figure this out.’ It turned into this situation where I’d get calls and they’d say, ‘You still need to butch it up,'” Clayton says.
Clayton was told to change the way he acted, dressed, talked and even answered questions to appear straight.
“It got as petty as them saying, ‘People need to see that you’re into sports because they’ll think that’s more masculine, so why don’t you go buy a sports hat, take some pictures in it, and make sure people see you in it,’” he recalls.
“I convinced myself that I was the problem, and I got into a really dark place for a couple of years. Then I went to therapy for about a year and a half to really sort through all the things I went through growing up and the situations I found myself in while in Hollywood. I got to work through all those conflicting things,” Clayton continued.
Clayton also had a tough time coming out to his family.
“Before my dad moved to Florida I kind of had a meltdown and told him, and he just hated it. A month or two after that, when I was leaving my last day on the set of my first movie – which was a huge step for me, I was so excited – he freaked out because I was late. I came out to the car and he just started screaming at me, and it boiled up to him screaming at me about how he hated that I was gay, and he didn’t know what to do with me. It was this horrible gut-wrenching fight right after one of my first big accomplishments,” he says about coming out to his dad.
His brother had a similar negative reaction. Clayton says that after a fight over same-sex marriage on social media the two haven’t reconnected.
“My brother reacted badly when I told him, too. I don’t want to put him on blast, because he’s still my family, but I do feel that honesty in this situation is important. A few years ago, when same-sex marriage was legalised, my brother was furious, and he went online posting about how the American flag was gonna be a rainbow soon, like, ‘What’s happening to America?’ And I remember seeing that and thinking, ‘You have a gay brother, you idiot!’ So I went on his Facebook like, ‘So wait a minute, you’re telling me that there can be someone you care about in your life, who wants to impede nothing on yours, and just wants the same rights as you, and you would take that away from them?’ And then he blocked me. If my brother wants to reconnect with me, I welcome it wholeheartedly. I’m a big believer in people learning from their mistakes. But not every story gets a happy ending,” Clayton says.
Read Clayton’s full interview here.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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