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Milo Yiannopoulos banned from Patreon after one day

The former Breitbart editor is reportedly millions of dollars in debt

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Milo Yiannopoulos, gay news, Washington Blade
Milo Yiannopoulos, gay news, Washington Blade

Milo Yiannopoulos (Washington Blade photo by Michael Key)

Milo Yiannopoulos attempted to make a “magnificent 2019 comeback,” funded by the public, but his efforts were shut down in one day.

The former Breitbart editor has faced challenges continuing to be relevant in the public eye after a string of scandals. Yiannopoulos was booted from Twitter for harassing comedian Leslie Jones and was forced to step down from his position at Breitbart after old comments which appeared to support pedophilia resurfaced. Things seemed to be turning around for Yiannopolous as he got married in Hawaii and got a job as a columnist for the Daily Caller. However, after one day the column was canceled because Yiannopolous made claims without evidence such as citing that straight people are more likely to be fired for their sexuality than LGBT people.

The Guardian is now reporting that Yiannopoulos is $2 million in debt, which Yiannopoulos rebuked in an Instagram post is actually $4 million in debt. He attempted to give himself a fresh start on the crowdfunding website, Patreon.

“I’ve had a miserable year or two, banned and de-platformed and censored and blacklisted … and now I need your help. I want to get back on my feet and come roaring back in 2019 with the fabulous comedy and insightful, serious commentary that made me famous in the first place,” Yiannopoulos wrote on the since-deleted page.”The past two years hasn’t been easy. I am one of the most censored and most lied-about people in the world. Even my fans sometimes believe things about me that aren’t true, because journalists lie more about me than perhaps anyone else in America. They can’t stand the idea of gay man who thinks for himself and says what he thinks.”

For $750 or more per month, donors’ perks would include 20 percent off all Yiannopoulos merchandise for life, a personal voicemail greeting from Yiannopoulos and a handwritten letter. Other perks were having Yiannopoulos fly out to your city to take you and a friend out to dinner once a year and an invitation to get drinks with Yiannopoulos (but the tab was on you).

No one had a chance to experience these perks because Patreon shut down the page “as we don’t allow association with or supporting hate groups on Patreon.”

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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