a&e features
‘Queer Eye’s’ Karamo Brown on wedding, new memoir and life advice
Fab Five favorite in Washington for March 6 event at Sixth and I Synagogue

Karamo Brown in Conversation with Sam Sanders
Wednesday, March 6
7 p.m.
Sixth and I Synagogue
$40-55
Karamo Brown has become known as a gay, male version of Oprah as the resident culture expert of the Netflix reboot “Queer Eye.”
Over the show’s past two seasons, Brown, who has a background in psychotherapy and social work, has offered life advice and shared a different perspective in a way that seems to profoundly change the “heroes” of each episode. Before he landed “Queer Eye,” he also unexpectedly made history as the first out gay black man on reality television during his stint on “The Real World: Philadelphia.”
However, Brown’s life view wasn’t always so grounded. In his memoir, “My Story of Embracing Purpose, Healing and Hope” (out March 5), the 38-year-old chronicles how he came from a broken place of drug addiction and other traumas and was able to build himself into the advice guru he is today. He also brings light to rarely talked about topics such as how he discovered he was a father when his son was 10 years old. Now, Brown has full custody of his son and his son’s brother and is engaged to his fiancé, director Ian Jordan.
Brown spoke with the Blade from another speaking engagement in Raleigh, N.C., about his memoir, new episodes of “Queer Eye” and an update on the stress of wedding planning.
WASHINGTON BLADE: Let’s take it back to when you were on “The Real World: Philadelphia.” You were the first out gay black man on reality TV in the U.S. When that happened were you trying to be a pioneer? Did you find out before the show?
KARAMO BROWN: I found out after the fact. I was not even that strategic to say, at that age, “You know what I’m going to go on here and do something that’s never been done.” It wasn’t even that. I was like, “How can I go in this house and have a good time and party and have fun.” There was no thought in my mind about “Am I the first?” Once I came off the show and that was immediately told to me by MTV and that narrative started getting pushed, I immediately started to feel the pressure as people wrote to me and said, “Oh my god I haven’t seen anyone that looked like me. Thank you,” and I was like, “Wow, there’s a whole lot of eyes on me right now and if I don’t do what’s right I’m not screwing up myself I’m screwing up others.” And that was difficult but also pretty amazing because I opened up a door, just a little bit enough, so that other people could run through and do what they do.
BLADE: How did the audition come about to be a “culture expert” on “Queer Eye”?
BROWN: Being in bed I hear Carson Kressley and Andy Cohen talking about the reboot. I got on the phone with my agent and said, “I have to be a part of this,” and he told me it was done. Luckily, he pushed for me to get in because the casting was already finished and they took a chance on me. But once I got in there I realized that culture couldn’t be what everyone else had seen it be the first go around where it was about Broadway tickets and art museums. Having training as a psychotherapist and a social worker, I was like, “Someone has to fix the hearts and minds.” Change is great, it is phenomenal, but if you only have outward change and no inward change then what happened?” You just go back to what you did before because you haven’t acknowledged the behavior. So when I think about culture, I think about the shared attitude and values that make people do the things they do. That’s how I approach culture.
BLADE: How is the fame circuit now different than it was when you did “Real World”?
BROWN: Oh my gosh, it’s great now. The first time around people were thinking, “Come here and come fight” and now people come to me and they’re like, “Please help me remove the drama from my life.” That is a major shift. Before, they wanted to be in the drama and now they’re like, “Please remove the drama from my life. I want to be happy with myself and with my boyfriend and my girlfriend and my family.” They’re like, “Help me understand how I can be drama free” and I think that’s what the biggest shift is.
BLADE: You come off as though you have such a wealth of knowledge and life advice. Were you always this way?
BROWN: No. I wish that could say that I came out of the womb knowing the answer to every question but it’s not true. I went through a lot of hard times dealing with abuse, domestic violence, drugs, colorism, religion. I think what makes me so happy about my book is that I’m showing people that even in my darkest moments, I try to find what the lesson was in it so I can use that as a springboard to get toward my greater self. I think that’s hard to do for most people because we don’t have the language or the tools. In my book, I try to show people that you can find the tools, here’s the language, here’s how you do it. So who I am today is not who I was even on “The Real World.” And I’m glad because I was able to grow through and heal from all the traumatic things that have happened to me and still be able to do that work. That’s what I show people that they can do as well in my book.
BLADE: The third season of “Queer Eye” returns in March. The show has become known for the memorable stories of people like Tom and Skyler. Can you give me a preview of any memorable stories coming up in the next season?
BROWN: They won’t let me tell you about the heroes but I will tell you this. For my category, I am most proud. Season one I was embarrassed for the fact that I didn’t fight for what the culture category was, being more about fixing the inside. I was doing that work but I didn’t have a clear conversation with executives. Even though they weren’t fighting against me, it was my own internal battle. Season two you saw me be more, “Oh he’s fixing the inside. Oh, he’s the mental health expert.” But season three, it comes full forward. If you loved the laughing and the crying, we do it so much. We have real conversations, really deep, real growth for these individuals. It’s more diverse. I think it’s almost half and half men and women, which is great. So more diverse in race. I think it’s great when people are able to say, ‘Wow, great I see myself” and a large part of that is what I’m doing and I’m really proud of that. My brothers and I when we first came into this a year ago, the Fab Five, we didn’t know each other. We were so worried. Someone said to us, “OK, we’re going to put you on a treadmill and you can’t crawl you have to run full speed.” And at first we were like, “Oh can we do it?” and we locked hands and we have done it. I’m so proud of us.
BLADE: You guys recently went to Japan to film “Queer Eye.” How was filming there different than filming in the U.S.?
BROWN: Us being in Tokyo was something the network wanted us to do because they wanted what we do to really translate internationally. Us going into a country with people who don’t speak the same language. It’s funny because in my book you see I talk about how emotions are universal and we all have them. Somehow we feel disconnected yet every single person whether you’re in Tokyo or Texas experiences the same thing. That experience lets me know, especially in my category, that you don’t really need words to understand what someone is going through. You can help them to realize that their emotions are the words. I can’t wait for people to see those. The Tokyo episodes aren’t a full season it’s just a special season that will be coming out who knows when. But we’re all excited about it.
BLADE: Why did you decide that now was the time in your life to come out with a memoir?
BROWN: Because I’ve grown a lot. I’ve had a lot of life experience. I’ve also been trained as a psychotherapist and social worker, I know how to articulate what I’m feeling in a way that’s digestible and in a way the people can relate to it and apply to their own lives. This is just me telling infinite stories of how I’ve grown so that people can do the same with clear insights. I’m not saying my journey of growth is done but I’ve had enough life experience that I’m like, “Let’s share this with someone else.” I’m very transparent in the book.
BLADE: You’re very open about fatherhood and how you found out you were a father. Why was that such an important story to share for you?
BROWN: You don’t really hear stories about single, black fathers stepping up, taking full custody of their children and still having a supportive relationship with the child’s mother. The narrative we get told in the media is that black fathers and black mothers don’t have a good relationship and everybody is fighting and, “You’re my baby mama” and whatever BS that gets put out there. That’s not the case for me. I am a black man raising two black boys on my own. Secondly, you never hear the story of gay, black men who are saying, “I can raise my children and there’s not any issues because of my sexuality, and yes, me and my child’s mother are going to be able to co-parent.” I have a very untraditional trajectory toward fatherhood. Though it’s not traditional it’s still the same in so many ways. I’ve worked with fathers and mothers across the country and we always are like, “We’re experiencing the same thing.” So although I got my son when he was a little bit older I still experience what it’s like to be a parent. I talk about that in the book because first of all look at the narrative that you’re hearing about people who look like you but secondly, stories are universal and here are some tips for you to understand how to talk to your kids, how to have better conversations with them and how to manage what you’re feeling as a parent.
BLADE: You give out so much advice to other people but what’s the best piece of advice you’ve ever gotten?
BROWN: Don’t be afraid of going slowly only of standing still. Because sometimes we get stuck in our lives doing something and we’re like, “I’m not going to be happy but I’m going to stay here.” But if you take one small step every day toward what you truly want you’ll make it.
BLADE: You recently got engaged. How is wedding planning going?
BROWN: Wedding planning is going great for me. My fiancé not so much because he has full anxiety of it. This is a special day. I was the little boy who dreamed of my wedding and I’m not ashamed to say that. I want little boys to know around the world they can dream of their wedding day too. I don’t think it’s fair that we say girls should dream about their weddings but men can’t. Especially in heterosexual relationships. We tell girls, “Oh you should want a wedding” but you don’t tell the boys the same? What kind of screwed-up mixed narrative is that you’re sending? Marriage is not for everyone but it is for me. I have been planning an extravaganza. When I was at a Vanity Fair party, Nick Jonas and Priyanka Chopra were there and I so badly wanted to go up them and be like, “I’m rivaling your wedding.” Of course, they have more money than me so theirs is always going to be more fabulous. But in my mind I’m coming close to what they created. It’s giving my partner anxiety but luckily, it’s going well for me.

a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” and “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
a&e features
Visible and unapologetic: MAL brings the kink this weekend
Busy lineup includes dances, pups, super heroes, and more
MLK Weekend in D.C. brings the annual Mid-Atlantic Leather (MAL) Weekend. Just a short walk from where Congress has been attacking queer Americans this year, MAL takes place at the Hyatt Regency Washington for several days of intrigue, excitement, leather, and kink.
The Centaur Motorcycle Club — one of several similar groups dedicated to leather in the country — has been hosting MAL in its current form for more than 40 years. Originally a small gathering of like-minded people interested in the leather lifestyle, MAL has grown to include a full four days of events, taking place onsite at the Hyatt Regency Washington (400 New Jersey Ave., N.W.). Select partner happenings take place each night, and many more non-affiliated events are scattered across the DMV in honor of and inspired by MAL.
MAL Weekend has become an internationally renowned event that celebrates fetish culture, yet it also raises funds for LGBTQ organizations, “reinforcing its legacy as both a cultural and philanthropic cornerstone of the global leather community,” according to MAL organizers.
During the day, MAL events at the Hyatt include workshops, social gatherings, shopping, and other in-person engagements for the community.
“The Hyatt underwent an extensive top to bottom renovation after last year’s event,” says Jeffrey LeGrand-Douglass, the event chair. The lobby, meeting spaces, guest rooms, and other areas have been updated, he notes, “so I am very excited for our guests to experience the new design and layout for the first time. And of course as with every year, we look forward to the contest on Sunday afternoon and seeing who will become our new Mr. MAL.”
In the evening, MAL hands the reins to partner KINETIC Presents, the D.C.-based nightlife production company. KINETIC will host four consecutive nights of high-production events that fuse cutting-edge music, immersive environments, and performance. This year, KINETIC is popping open doors to new-to-MAL venues, international collabs, play zones, and a diverse lineup.
According to KINETIC managing partner Zach Renovátes, 2026 is the most extensive MAL production to date. “The talent lineup is unreal: an all-star roster of international DJs, plus drag superstar performances at the Saturday main event,” he says.
Renovátes added that he’s “most excited about the collaborations happening all weekend — from bringing in MACHO from WE Party Madrid, to teaming up with local leather groups, to nonprofit partners, and Masc Diva [a queer nightlife collective].”
Official MAL events begin on Thursday with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. at the Hyatt.
Thursday night is also the KINETIC kickoff party, called LUST. Running 10 p.m. – 3 a.m., it’s being held at District Eagle. DJ Jay Garcia holds it down on the first floor, while DJ Mitch Ferrino spins in the expansive upstairs. LUST features special performances from the performers including Serg Shepard, Arrow, Chase, and Masterpiece.
Renovátes notes that the LUST opening party at District Eagle coincides with the bar’s grand re-opening weekend. The bar will unveil its new permanent home on the renovated second floor. “it felt like the perfect place to start Mid-Atlantic Leather weekend — right in D.C.’s only dedicated home for kink communities,” he says.
After Thursday night, Friday is when daytime events begin at the Hyatt. The Exhibit Hall, on the ballroom level below the lobby, hosts upwards of 30 vendors, exhibitors, and booths with leather goods, fetish wear, clothes, toys, other accessories, providing hours of time to shop and connect with attendees and business owners. The Exhibit Hall will be open on Friday from 4-10 p.m., as well as on Saturday and Sunday afternoons.
DC Health is once again back at MAL, to provide preventative health services. In the past, DC Health has provided MPox vaccines, Doxy PEP, HIV testing, Narcan kits, and fentanyl test strips. This booth will be open on Friday 4-10 p.m.
Later, at 6 p.m., the Centaur MC is holding its welcome reception on the ballroom floor. After the Centaur’s Welcome Reception, the MIR Rubber Social is 8-11 p.m. A Recovery Meeting is scheduled at 10 p.m.
Many attendees enjoy visiting the guest room levels of the hotel. Note that to get in an elevator up to a hotel room, a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
Friday night, for the first time, KINETIC Presents is joining forces with WE Party to bring MACHO to Washington, D.C. This official MAL Friday event delivers two stages and two genres. On the UNCUT XXL stage, international Brazilian circuit superstars Erik Vilar and Anne Louise bring their signature high-energy sound. On the MACHO stage, Madrid’s Charly is joined by Chicago’s tech-house force, Karsten Sollors, for a blend of techno and tech house. UNCUT also features the XL Play Zone, a massive, immersive space exclusive to this event. The party takes place at the Berhta space from 10 p.m.-4 a.m..
“This year we’re bringing back the two-room format we debuted at WorldPride for both Friday and Saturday, so attendees can really tailor their experience — whether they’re in the mood for circuit or tech house.” says Renovátes.
Directly after Friday’s UNCUT XXL, UNDERWORLD Afters takes over District Eagle, from 3:30-8 a.m. International DJ Eliad Cohen commands the music.
Saturday, the Exhibit Hall opens earlier, at 11 a.m.. DC Health will also be back from 11 a.m. to 6 p.m.
Saturday is also time for one of the most anticipated events, the Puppy Mosh, running from 11 a.m. to 1 p.m. During the event, pup culture comes to life, when pups, handlers, and friends can enjoy an inclusive, safe pup zone. There is also a Recovery Meeting at 11 a.m., and the IML Judges Announcement takes place at noon.
The popular Super Hero Meet Up will be held 1:30 p.m. – 3 p.m., sponsored by One Magical Weekend, for cosplayers, comic enthusiasts, and their friends.
From 2-6 p.m., the Onyx Fashion Show will take place to showcase and highlight people of color in leather.
Finally, the Leather Cocktail Party – the original event of MAL – will be held 7-9 p.m. in the Ballroom. While this requires special tickets to attend, at 9 p.m. is the MAL cocktail party, which is open to wider attendees.
The last event of Saturday leaves the hotel, again a partnership with KINETIC. Kicking off at 10 p.m. and running until 4 a.m., it’s just the second time that KINETIC’s Saturday night party is an official MAL event and serves as the main weekend engagement.
Saturday night’s centerpiece is called KINK: Double Trouble. The night will feature a first-ever back-to-back set from international electronic music icons Nina Flowers and Alex Acosta on the Circuit/Tribal Stage. The other room – the Tech House Stage – curated by The Carry Nation and Rose, provides a darker, underground counterpoint, reinforcing the event’s musical depth and edge.
Beyond the DJs, KINETIC has called in the big shots for this party: “RuPaul’s Drag Race” legends Nymphia Wind and Plastique Tiara are set to headline. The party also takes place at Berhta.
Sunday, back at the hotel, there will be another Recovery Meeting at 10 a.m., and the Exhibit Hall opens again from 11 a.m.-5 p.m.
At 1 p.m., the anticipated and prestigious Mr. MAL Contest that celebrates the achievements of the leather community will be held in the Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. Sash and title winners must be (1) male, (2), a resident of North America, (3) At least 21 years of age; and (4) self-identify as gay. The first Mr. MAL was crowned in 1985. The Winner of Mr. MAL has the privilege of later competing in International Mr. Leather (IML) in Chicago on Memorial Day Weekend 2025.
From 4 p.m. to 12 a.m., MAL will hold its Game Night for the gaymers in attendance. There will also be a special screening of A24’s new film, “Pillion,” about a man who is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Sunday closes with a community partner event produced by Masc Diva, featuring Horse Meat Disco with support from Coach Chris, at A.I. Warehouse in the Union Market district. It’s the same team that produced HMD during WorldPride at A.I. Warehouse.
Note that there are several types of passes for attendance to the hotel and parties. KINK VIP Weekend Passes include express entry, VIP areas, and enhanced amenities throughout the weekend, while MAL Full Weekend Package holders receive access to the official Sunday closing event.
At last year’s MAL events, KINETIC Presents raised more $150,000 for LGBTQ charities, and expects to match or exceed that impact in 2026.
Renovátes stated that “now more than ever, it’s important to create safe, affirming spaces for our community — but it’s just as important to be visible and unapologetic. We want to make it clear that the LGBTQ+ and leather communities aren’t going anywhere. We’ve fought too long and too hard to ever feel like we have to shrink ourselves again, no matter what the political climate looks like.”
In addition to the KINETIC events, various LGBTQ bars will hold parties celebrating the theme of the weekend. For example, Kiki, located on U Street NW, is hosting a party called KINKI, hosted by DJ Dez, on Saturday night. Sister bar Shakiki, on 9th Street NW, is hosting a party called Railed Out, a fetish-inspired party that features a play zone, on Thursday night. Flash, on U Street NW, will hold its infamous Flashy Sunday party to close out the weekend.
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