a&e features
Out singer/songwriter Eli Conley relishes roots music, trans themes
California-based folkie plans D.C. tour stop April 10 at Gypsy Sally’s
Eli Conley
Wednesday, April 10
7:30 p.m.
Vinyl Lounge at Gypsy Sally’s
3401 K St., N.W.
free
Contemporary folk singer Eli Conley found critical acclaim with the release of his debut album, “At The Seams” in 2013, and the central, Va.-born musician and storyteller has become a big success within the LGBT and music scenes in his current home in the Bay Area.
“I describe my music as country-tinged folk,” Conley says. “I do a lot of storytelling and I do a lot of talking about folks like me who were queer kids from small towns, and there’s a lot of harmony in my music.
An openly gay transgender man, Conley’s music address important themes such as gender, aging and death. For instance, on his newest record, “Strong and Tender,” he has a song about his grandmother’s death called “I Miss You.”
“She recently passed and the songs is about what it’s like at the end of a life when someone is ready to die and we’re not ready to let them go yet,” Conley says.
On April 10, Conley will perform at D.C.’s Gypsy Sally’s Vinyl Lounge, accompanied by Joel Price on mandolin, violin and harmonies.
“I love coming back to the Mid-Atlantic and the D.C./Virginia area. It’s so special to come back home and the place my whole life I would go on field trips and take family trips,” he says. “I have a lot of friends in the area and it’s just a place I have a lot of connections to.”
As a singer who references where he’s from a great deal in his tunes, a gig like this is important to Conley and feels the audience gets more out of the show than people may in the West Coast.
“Even though I love California, it is kind of a different place,” Conley says. “What’s really cool about Gypsy Sally’s, it features local and touring acts in their smaller room and I’ll be playing two sets of songs on the night, one at 7:30 and the other at 9.”
Plus, as a queer transperson, Conley says he doesn’t often feel like he has a lot of community and doesn’t know how people will feel about him and his music when he’s in a smaller space and that’s a very multilayered thing for him.
“I think there are people who live in D.C., who are maybe from a smaller place, a more rural time, and my music resonates a little differently,” he says. “When I’m writing, I don’t consciously think, ‘This is the message that I want to have,’ but I do find that the characters that show up in my songs do have experiences relate to feeling a little like a misfit or as an outsider, and trying to find out how to fit in to the bigger picture of the world.”
For Conley, 33, the path to coming out as trans was a long one. “I have come out as so many different things over the years,” he says.
He first came out as a bi woman at age 15. He and some friends started the first gay/straight alliance at Maggie Walker High School in Richmond. Facing opposition from both the Virginia General Assembly, which was trying to pass a ban on “sexually related clubs” on school campuses, as well as their own high school administrators, they persevered.
“They’d banned a burrito club a year earlier and tried to argue that they couldn’t go approving everything students wanted,” Conley says. “But in the end, we were allowed to do it and I remember we did the Day of Silence … and a big percentage of the school participated. It was a powerful moment.”
A high school friend came out as a trans man freshman year but Conley still wasn’t sure how he identified.
“He had a much more traditional transgender narrative where he knew that he was a boy from a very young age,” he says. “My childhood was a lot more genderfluid and I liked it that way. My favorite colors were pink and purple and I love dresses for a while. I also loved climbing trees and going around the neighborhood without my shirt off with the boys. By the time I graduated from high school in 2004 I’d come to identify as genderqueer, what many people these days call non-binary.”
It was in college that Conley started going by the name Eli and asking people to refer to him with gender-neutral pronouns and became a trans activist working on health care issues on campus working on issues such all-gender restrooms, non-gender-restricted dorm rooms, etc.
Over the course of college, Conley began to identify as male and decided to medically transition.
“That was 13 years ago now and it never felt for me like a linear process or a switch flipping,” he says. “I was a genderfluid kid and then an androgynous teenager and eventually a young man. My gender identity has stayed consistent since then, but I’m not so young anymore.”
Conley has a deep background as a community organizer and working on racial and economic justice at events, and feels those themes often show up in his music as well.
“For me, the politics of living in the world as someone who stands opposed to capitalism and stands opposed to white supremacy in this country, particularly in this moment when we see really clearly how those things have never gone away, it shows up organically in my music,” he says. “But I’ll also write songs that have nothing to do with being queer or trans.”
Conley’s father is from the southern part of West Virginia and introduced him to roots music and bluegrass at an early age. When he first started writing music, he had a background in musical theater and classical voice, and married those musical influences to create his sound.
“I listened to a lot of different kinds of music but always felt the songs I wrote came from more of a folk, country place,” he says. “I often found my accent came out when I sang, and though I didn’t grow up in the mountains, my songs seemed to be influenced by what my dad had me listen to.”
Conley has known all his life he was attracted to men, recalling crushes on boys in kindergarten.
“By adolescence, I knew that I wasn’t a straight woman but all the language around gender and sexuality was super binary and I didn’t have many people in my life or in the media who reflected what I felt. … I’m still attracted to people of many genders, but I mainly fall in love with men.”
Conley isn’t particularly worried his trans identity might usurp his musical abilities.
“I want queer and transgender people to be able to find me and see themselves in my music. I think we are hungry for that and it’s an honor to be a link in the long chain of songwriters who lay our souls bare so that others may see themselves reflected. Straight, white, cisgender men see themselves reflected back everywhere all the time in our culture, the music industry in particular. I think it’s time everyone else was given the space and resources to create art that speaks to our experiences.”
How up front Conley is about being a gay/trans artist depends on the arena, he says.
“I love LGBTQ media and I’m happy to talk about my identity in a paper like this because I know your readers get that,” he says. “I feel conflicted about marketing myself as a gay transgender artist in the mainstream media, putting the identity pieces upfront. Straight artists aren’t asked when they first knew they were straight, you know? They get to talk about their music. I find that sometimes being transgender becomes sensationalized and that becomes the whole focus. I have identified as trans since I was 17. It’s not novel to me, it’s just a part of my experience in the world. Of course, it is a huge privilege to be able to say that.”
He knows many trans folks don’t have that luxury.
“I am a white middle class man who isn’t perceived as transgender by strangers. It’s been many years since I’ve had to think about how every piece of clothing I put on will affect how people will read me on street. I make my choices based on what feels good, not how they will affect my safety. Most trans women and trans feminine people and other gender non-conforming people don’t have that experience.”
When not performing live or writing music, Conley is a certified teacher of Somatic Voicework. He and his partner of seven years (they recently married) live together in Berkeley. His husband, whom he declines to name, is an artist and vegan cook who works in research at U.C. Berkeley.
Teaching, he says, is a joy.
“I teach private singing lessons and also group classes for LGBTQ folks and allies in the Bay Area and I feel both teaching and performing are very meaningful to me,” he says. “I do think I would like to spend more time on the road touring as things go forward, but I’ll probably always also be teaching because it’s really important to me.”
The music he will be sharing at the show he calls “music from his heart” and feels the songs are great to bring people together.
“I find more and more as I get older, I’m less interested in being this perfect person and more interested in being honest and real,” Conley says. “The more that I do that, the more folks tell me they are crying in my songs and there are places where they really feel connections and have an emotional experience they didn’t expect coming in. That’s what I strive to do as a songwriter.”
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
State Department implements anti-trans bathroom policy
I’m telling the scared little girl I once was it’s okay to feel free
Memorial for groundbreaking bisexual activist set for May 2
ROSENSTEIN: Chavous for Democratic D.C. Council-at-Large
