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NFL free agent Ryan Russell comes out as bisexual

The former Cowboys player wants to ‘live openly’

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Ryan Russell (Screenshot via YouTube)

NFL veteran Ryan Russell has come out as bisexual in a feature for ESPN.

The 27-year-old defensive end was drafted by the Dallas Cowboys in 2015 but was cut after one season. He went on to play two seasons with the Tampa Bay Buccaneers. Russell missed all of last season due to a shoulder injury. He attempted to tryout in the offseason but didn’t land a position.

Russell told ESPN that after trying out he regretted not coming out as bisexual to the team.

“Have I lied to teammates, coaches, trainers, front-office executives and fans about who I am?” Russell told ESPN. “Not exactly. But withholding information is a form of deceit. And I want the next part of my career – and life – steeped in trust and honesty. During the season you spend more time with your team than with your own family; truth and honesty are the cornerstones of a winning culture. My truth is that I’m a talented football player, a damn good writer, a loving son, an overbearing brother, a caring friend, a loyal lover, and a bisexual man.”

He explained that growing up he struggled with identity issues and stereotypes surrounding being gay and straight.

“I always felt as though my existence slipped between the cracks of two worlds. I wasn’t flamboyant, tidy, or any other stereotypes kids are forced to construct their world around. I wasn’t straight, hyper-masculine or aggressive; I cried quite a bit, and, as a young black man, I didn’t fit the bill. I played football — so I put that in the straight column. I wrote poetry and romance stories — so I put that in the gay column,” he says.“Those two objectives shouldn’t be in conflict. But judging from the fact that there isn’t a single openly LGBTQ player in the NFL, NBA, Major League Baseball or the NHL, brings me pause. I want to change that – for me, for other athletes who share these common goals, and for the generations of LGBTQ athletes who will come next.”

Russell revealed he has dated men and women but was more careful about dating men, especially while in the NFL.

He recalled a time during his first season in the NFL when an unidentified blogger recognized Russell in the Instagram story of a man he was dating at the time. The blogger messaged Russell saying that he had figured out the pair were a couple.

“If the blogger outed me, I was sure that would kill my career, one that was supporting not just me, but my mother and grandfather,” Russell says. “He’d eradicate a childhood dream that was the product of years of work and sacrifice.”

Russell messaged the blogger back “reminding him that there were implications about his actions he didn’t fully understand.”

The blogger said he would do Russell a “favor” by not outing him.

“Let that sink into your brain: Even though openly LGBTQ people are thriving in every area of public life — politics, entertainment, the top corporations in America — they are so invisible in pro sports that a gossip blogger is doing a favor for a bisexual football player by not disclosing that he happens to date men,” Russell said.

Now, Russel just wants to live his life openly.

“Today, I have two goals: returning to the NFL, and living my life openly. I want to live my dream of playing the game I’ve worked my whole life to play, and being open about the person I’ve always been,’ Russell says.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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