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‘Messiah,’ ‘Nutcracker’ and gay fare among D.C.-area’s 2019 holiday shows

Gay Men’s Chorus, John Waters, Signature’s ‘A Chorus Line’ for starters

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holiday shows, gay news, Washington Blade
Paul Morella in the one-man show ‘A Christmas Carol: A Ghost Story of Christmas.’ (Photo courtesy Olney) 

From a giant Christmas maze at Nationals Park to appearances from the Nutcracker and Ebenezer Scrooge, from klezmer concerts to lively Kwanzaa celebrations, it’s going to be a spectacular holiday season in the D.C. region.

It kicks off at the Warner Theatre with “A Magical Cirque Christmas” (Nov. 22) and “A Drag Queen Christmas: The Naughty Tour” (Nov. 23).

From Nov. 30-Dec. 29, the Warner Theatre will again host the Washington Ballet’s beloved production of “The Nutcracker.” Featuring a cast of over 100 and classic choreography by Septime Webre, this historic production is set in Georgetown and stars George Washington as the heroic nutcracker and includes appearances by King George III, Harriet Tubman, Frederick Douglass, John Paul Jones and other historical figures. Tickets and information on special events like performances at THEARC and the Nutcracker Tea Party are at washingtonballet.org.

Through Jan. 5, Arlington’s Signature Theatre is offering a special seasonal treat for musical theater fans: a fresh look at the ground-breaking Broadway musical “A Chorus Line.” The theatre will also present “A Motown Christmas” Dec. 3-21.

The cast of ‘A Chorus Line at Signature Theatre.’ (Photo by Christopher Mueller)

On Dec. 7, Wolf Trap hosts the Annual Holiday Sing-A-Long. Attendees are invited to bring a new, unwrapped toy for “Toys for Tots” and a candle to participate in the traditional candlelit recessional. Admission is free and details can be found at wolftrap.org/tickets.

Other holiday programming at Wolf Trap includes Ronnie Spector and the Ronettes with “The Best Christmas Party Ever” (Dec. 5-6) and virtuoso fiddler Eileen Ivers with “A Joyful Christmas” (Dec. 7).

The championship magic continues at National Park as “Enchant D.C.” transforms the baseball field into a world of Christmas wonder. The attractions include the World’s Largest Christmas Light Maze, a Holiday Market with about 60 local and international vendors, an Ice Skating Trail and the Enchant Cinema. Children of all ages can visit with Santa Claus at Santa’s Landing and Ms. Claus will host a story time in her special reading nook. 

Nationals Park is transformed into a Winter Wonderland. (Photo courtesy Enchanted 2019)

Enchant D.C. will also include live entertainment as well as venues for casual treats and fine dining. The magic runs Nov. 22-Dec. 29. Tickets and more information are available at enchantchristmas.com.

D.C. Different Drummers (dcdd.org) will hold their annual holiday concert on Sunday, Dec. 15 at the Church ohf the Reformation near Union Station.

From free shows on the Millennium Stage to a diverse array of concerts and shows in several theaters, every corner of the Kennedy Center will be filled with holiday cheer this season. This year’s schedule includes “Love, Factually,” the Second City’s farcical take on the beloved holiday film Dec. 3-29 and the NSO’s “A Holiday Pops!” with special guest Leslie Odom, Jr. (“Hamilton” and “Harriet”) Dec. 13-14.

From Nov. 23-Jan. 5, the Kennedy Center will present the world premiere of “Don’t Let the Pigeon Drive the Bus! (The Musical!),” based on the popular children’s book by Mo Willems. From Dec. 19-22, the National Symphony Orchestra will present the perennial audience favorite Handel’s “Messiah.” The popular “Sing-Along Messiah” will take place on Dec. 23. Free general admission tickets will be distributed starting at 4:30 p.m. on the day of the event.

From Dec. 13-18, the Folger Consort (folger.edu/folger-consort), the early music ensemble of the Folger Shakespeare Library, will present “Gloria!,” a baroque Italian Christmas with music by Vivaldi, Scarlatti and Corelli.

The Folger Shakespeare Library (folger.edu) will also celebrate the season with the annual Emily Dickinson Birthday Tribute. On Monday, Dec. 9, there will be a discussion of Dickinson’s poetry followed by a wine reception featuring slices of Dickinson’s famous black cake. 

As always, the Strathmore in North Bethesda is a center for holiday cheer. Events at the Mansion will include performances by Bridget Kibbey, known as the Yo-Yo Ma of the harp (Dec. 5) and a concert by cellist Alicia Ward and percussionist Joey Antico as part of the “Inspired Pairing” series (Dec. 12).

The rich holiday programming at the Music Center at Strathmore include the 30th anniversary tour of Béla Fleck and the Flecktones (Dec. 2), the annual Christmas Tour by smooth jazz saxophonist Dave Koz & Friends (Dec. 9), a family-friendly evening of storytelling by comedian and actor Sinbad (Dec. 13) and the return of an audience favorite, “The Hip-Hop Nutcracker” (Dec. 17-19). There will also be special holiday performances by the Maryland Classic Youth Orchestra (Dec. 7) and the Strathmore Children’s Chorus (Dec. 8).

Powered by Strathmore, AMP will offer a lively mix of holiday programming at the Pike & Rose on Rockville Pike. Shows include the Kids Pajama Jam Party hosted by Lucy Kalantari and the Jazz Cats (Dec. 1), country rock singer Patterson Hood of Drive-By Truckers (Dec. 3), classical crossover quartet the Sons of Serendip (Dec. 5) and D.C.-based smooth jazz musician Anthony Walker (Dec. 6). 

In addition, the Sweetback Sisters will host a toe-tapping country Christmas (Dec. 8); 2019 Strathmore Artist-in-Residence Seán Heely will return with “A Celtic Christmas” (Dec. 13); Seth Kibel and his quartet will offer klezmer music, jazz and Hanukkah tunes (Dec. 18); and, The Soul Crackers will celebrate the holidays with the sounds of Memphis and Motown (Dec. 21).

Information on all of these events can be found at strathmore.org.

As usual, the Gay Men’s Chorus of Washington will be ringing in the holiday season with glitter and glamour. The all-new edition of “The Holiday Show” will be bigger and better than ever, featuring disco dancers, falling snowflakes, soaring vocals, muscle boys, candlelight processionals, a visit from Santa Claus, and a 7-foot Christmas tree. 

Performances are December 7, 14 and 15 at the Lincoln Theatre; the matinee performances on Dec. 14 and 15 will be ASL-interpreted. Tickets are available at gmcw.org.

The Holiday Show by the Gay Men’s Chorus of Washington. (Photo courtesy GMCW)

From Dec. 14-30, the Atlas Performing Arts Centre on H Street, NE (atlasarts.secure.force.com/ticket) will present Step Afrika!’s Magical Musical Holiday Step Show. This contemporary holiday tradition features percussive beats, friendly, furry characters, pre-show instrument-making workshops and a dance party hosted by DJ Frosty the Snowman.

Atlas will also present “A Bohemian Christmas” on Dec. 16 and the children’s show “Squeakers and Mr. Gumdrops” from Dec. 27-31.

Filthy film auteur John Waters brings his annual holiday show — this year dubbed “Filthier & Merrier: It’ll Stuff Your Turkey” to the Birchmere in Alexandria, Va., on Wednesday, Dec. 18 and his beloved hometown Baltimore at Baltimore Soundstage the following night. Tickets available through the venue websites or via Ticketmaster. 

Pop diva Mariah Carey brings her “All I Want for Christmas Is You” show to MGM National Harbor in Oxon Hill, Md., Dec. 9-10. Prices may ebb and flow based on demand, but as of this writing range from $110-500 via Ticketmaster. (Side note: Epic this month released a “deluxe 25th anniversary edition” of her classic release “Mariah Carey: Merry Christmas” featuring a generous bounty of bonus content including vintage live cuts recorded at The Cathedral of St. John the Divine.)

Mariah Carey plays MGM National Harbor Dec. 9-10. (Photo courtesy Live Nation)

With beautiful holiday decorations augmenting the legendary stained-glass windows, the Washington National Cathedral (cathedral.org) is a splendid place to celebrate the holiday season. From Dec. 6-8, the Cathedral Choir will sing Handel’s “Messiah,” and on Dec. 7 the chorus will present a special family edition of the masterwork, often performed this time of year. This shortened version of this iconic work focuses on the birth of Jesus and continues the story of his death and resurrection through selected arias and choruses, ending with the famous “Hallelujah Chorus.”

With a cast of about 100, Washington Revels (revelsdc.org) will present the 37th annual production of “The Christmas Revels” in eight performances from December 7-15 at George Washington University’s Lisner Auditorium.
Combining elements of a fully staged holiday play, a choral concert with sing-alongs and centuries-old winter traditions, The Christmas Revels offers a trademark blend of professional entertainment and community engagement. The Christmas Revels: “Celestial Fools” will transport audiences to a rustic European village nestled somewhere in the mists of time. As the winter days grow short, three wandering performers arrive from far-off lands, weaving music, dances and stories from their cultures into an enchanting and dramatic tale of the Winter Solstice.

Fans of Charles Dickens can enjoy his classic holiday tale in two very different versions. Ford’s Theatre (fords.org) offers “A Christmas Carol” with all the trimmings. Popular D.C. actor Craig Wallace (recently seen in “Death of a Salesman” and “Fences”) leads a large cast in a rollicking production filled with lively music and sumptuous sets and costumes.

The Olney Theatre Company just north of Washington, offers company member Paul Morella in a solo rendition “A Christmas Carol: A Ghost Story of Christmas.” Drawing from Dickens’ own lecture notes, Morella’s one-man show is a captivating theatrical tour de force.

Olney will also present “Singin’ In the Rain” this holiday season. Based on the beloved 1952 film, the show includes great singing and dancing and, of course, an onstage rain shower.

Another ghost story is haunting The Shakespeare Theatre this holiday season. A Christmas favorite with audiences in London’s West End, “The Woman in Black” will be scaring D.C. audiences from Dec. 4-22 at the Shakespeare’s Michael R. Klein Theatre. More traditional holiday fare will be onstage at the Shakespeare’s Sidney Harmon Hall: J. M. Barrie’s “Peter Pan and Wendy” in a new adaptation by Lauren Gunderson.

Dance Place in the Brookland neighborhood (danceplace.org) will hold a Kwanzaa Celebration on Dec. 14. Led by director Sylvia Soumah, the communal event will celebrate the seven principles of the holiday.

On Dec. 27, the Smithsonian’s Anacostia Community Museum (anacostia.si.edu) will host an interactive introduction to Kwanzaa with the Melvin Deal African Heritage Dancers and Drummers. The audience participatory program includes dancers, singers, music, colorful costumes and lively characters designed for young children and adults alike.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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