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Cannes Queer Palm winner set for wide release in US

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Adèle Haenel and Noémie Merlant in ‘Portrait of a Lady on Fire’ (Image courtesy of NEON)

“Portrait of a Lady on Fire,” the highly lauded winner of the Queer Palm prize at this year’s Cannes Film Festival, is getting a wider release than originally planned.

The lush period romance was edged out of the competition to become France’s entry for Best Foreign Language Film at the 2019 Oscar, but the movie’s US distributor, NEON, remains confident enough in filmmaker Céline Sciamma’s lesbian love story to book it for the kind of wide release that few non-English-language films receive.

The Cannes contender is set for limited one-week theatrical run next month in Los Angeles and New York, standard operating procedure for most “arthouse” movies before they make the jump to streaming and home video formats. That release will still begin on December 6, as originally planned, but NEON has announced it will now also roll out “Portrait of a Lady on Fire”  in wide release – that means everywhere – on Valentine’s Day 2020, the perfect date to entice cinemaphiles with a taste for romance on a holiday devoted to love.

NEON’s official synopsis for the film reads: “In 18th century France, a young painter, Marianne (Noémie Merlant), is commissioned to do the wedding portrait of Héloïse (Adèle Haenel) without her knowing. Therefore, Marianne must observe her model by day to paint her portrait at night. Day by day, the two women become closer as they share Héloïse’s last moments of freedom before the impending wedding.”

In addition to winning the Queer Palm at Cannes, the movie, which is Sciamma’s fourth feature, was also awarded the festival’s Best Screenplay award. It has been exceptionally well-reviewed, and holds an impressive 98% critics’ approval rating on Rotten Tomatoes.

In announcing their new release plan for the widely-anticipated queer romance, NEON also dropped a new teaser trailer.

You can also watch the original, longer US trailer below.

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2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

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We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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